{"id":4880,"date":"2026-09-04T21:51:29","date_gmt":"2026-09-04T18:51:29","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=4880"},"modified":"2026-09-04T21:51:29","modified_gmt":"2026-09-04T18:51:29","slug":"ali-haydar-haksala-rahmet-niyaziyla-ismail-bingol","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/04\/ali-haydar-haksala-rahmet-niyaziyla-ismail-bingol\/","title":{"rendered":"Ali Haydar Haksal\u2019a Rahmet Niyaz\u0131yla\/\u0130smail B\u0130NG\u00d6L"},"content":{"rendered":"

Edebiyat d\u00fcnyam\u0131zdan bir yaprak daha d\u00fc\u015ft\u00fc\u2026 Yedi \u0130klim Dergisi Genel Yay\u0131n Y\u00f6netmeni, yazar, \u015fair Ali Haydar Haksal tedavi g\u00f6rd\u00fc\u011f\u00fc Siyami Ersek Hastanesinde \u0130stanbul\u2019da vefat etti. (D. 16 May\u0131s 1951 \/ \u00d6. 28.08.2026) Hayat\u0131n\u0131 yazmaya ve okumaya veren, b\u00fcy\u00fck zorluklar i\u00e7inde ge\u00e7en tahsil tahsilinin sonucunda \u0130stanbul\u2019a yerle\u015fen yazar, baz\u0131 yaz\u0131lar\u0131nda Yasir Vurgun, Mahmut Mustafao\u011flu ad\u0131n\u0131 kulland\u0131.<\/p>\n

Dedesi, M\u00fcderris \u0130smail Hakk\u0131 Efendi’dir. Ali Haydar Haksal, Fatma Han\u0131m ile e\u011fitmen Mustafa Celalettin Haksal’\u0131n o\u011flu olarak tarihinde Bing\u00f6l Yayladere\u2019ye ba\u011fl\u0131 Hask\u00f6y\u2019de do\u011fdu. Babas\u0131n\u0131 1960 y\u0131l\u0131nda kaybetti. \u0130lk ve orta \u00f6\u011frenimini Bing\u00f6l ve El\u00e2z\u0131\u011f\u2019da tamamlad\u0131; Erzurum Atat\u00fcrk \u00dcniversitesi T\u00fcrk Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fc’nden “Edebiyat Dergisi ve \u00c7evresi” ba\u015fl\u0131kl\u0131 tezi ile mezun oldu (1979). Marmara \u00dcniversitesi \u0130lahiyat Fak\u00fcltesi’nde “Kur’an-\u0131 Kerim’de G\u00fczel Kavram\u0131” konulu y\u00fcksek lisans tezini haz\u0131rlad\u0131. Osman Bayraktar, Mustafa \u00c7elik, \u00c2lim Kahraman ile birlikte Yedi \u0130klim dergisinin kurucular\u0131 aras\u0131nda yer ald\u0131. Kurulu\u015f a\u015famas\u0131nda K\u00e2mil E\u015ffak Berki, \u0130lhan Kutluer, Hasan Ayc\u0131n, \u0130brahim Usul ile Ali G\u00f6\u00e7er de dergiye kat\u0131ld\u0131. Mart 1987 tarihinden itibaren ayl\u0131k olarak yay\u0131mlanmaya ba\u015flayan derginin sahipli\u011fini ve yaz\u0131 i\u015fleri m\u00fcd\u00fcrl\u00fc\u011f\u00fc g\u00f6revini \u00fcstlendi. 1989 Nisan ay\u0131nda derginin yay\u0131n\u0131na ara verdi. Yedi \u0130klim, 1992 Nisan ay\u0131ndan itibaren yeniden yay\u0131mlanmaya ba\u015flad\u0131.<\/p>\n

\"T\u00fcrk<\/p>\n

Karde\u015fleriyle \u0130stanbul Maltepe\u2019de in\u015faat malzemeleri \u00fczerine i\u015f kurdu.1980’den beri ticaretle u\u011fra\u015f\u0131yor. Sesim Bana Yetmiyor adl\u0131 \u00f6yk\u00fc kitab\u0131 ile T\u00fcrkiye Yazarlar Birli\u011fi 1987 y\u0131l\u0131 hik\u00e2ye, Yitik Ya\u015fam\u0131n G\u00fcncesi adl\u0131 roman\u0131yla Tuzla Belediyesi Roman Yar\u0131\u015fmas\u0131\u2019nda ikincilik, G\u00fcne\u015fe Ko\u015fan Adam \u00f6yk\u00fc kitab\u0131 ile 2013 y\u0131l\u0131 \u00d6mer Seyfettin Hik\u00e2ye yar\u0131\u015fmas\u0131 \u00f6yk\u00fc \u00f6d\u00fcl\u00fc, 2014 y\u0131l\u0131nda Yazarlar Birli\u011fi \u0130stanbul \u015eubesi taraf\u0131ndan \u00dcstat Sezai Karako\u00e7 ile ilgili \u00e7al\u0131\u015fmalar\u0131ndan dolay\u0131 y\u0131l\u0131n edebiyat\u00e7\u0131s\u0131 \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131. Evli ve be\u015f \u00e7ocuk babas\u0131d\u0131r. Ali Haydar Haksal, Yedi \u0130klim dergisinin yaz\u0131 i\u015fleri m\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc y\u00fcr\u00fctmekteydi.<\/p>\n

Ali Haydar Haksal, lise y\u0131llar\u0131ndan itibaren yaz\u0131 \u00e7al\u0131\u015fmalar\u0131na ba\u015flad\u0131, \u00f6yk\u00fc ve \u015fiirler yazd\u0131, ilk yaz\u0131lar\u0131 yerel gazetelerde yay\u0131mland\u0131. \u0130lk \u00f6yk\u00fcleriyle Mavera, Y\u00f6neli\u015fler, \u0130slam, Kay\u0131tlar, Yedi \u0130klim, Ka\u00e7ak Yay\u0131n, Edep, Yeni Devir, Mill\u00ee Gazete gibi s\u00fcreli yay\u0131nlarda yer ald\u0131. Ali Haydar Haksal, \u015fiirler de yazmas\u0131na ra\u011fmen \u015fiiri \u00f6zel d\u00fcnyas\u0131na \u00e7ekti ve \u00f6yk\u00fclerine yedirdi. \u0130lerleyen y\u0131llarda \u00f6yk\u00fc ve yaz\u0131lar\u0131n\u0131 Y\u00f6neli\u015fler ve Yedi Iklim dergilerinde yay\u0131mlad\u0131. Ali Haydar Haksal, ilk \u00f6yk\u00fc kitab\u0131 Evdeki Yabanc\u0131’y\u0131 1986 y\u0131l\u0131nda yay\u0131mlad\u0131. Bu ilk kitapta, ismi ile ba\u011flant\u0131l\u0131 olarak yabanc\u0131la\u015fm\u0131\u015f insanlar\u0131 ve onlar\u0131n i\u00e7 d\u00fcnyalar\u0131nda ya\u015fad\u0131klar\u0131 ruhi bunal\u0131mlar\u0131 i\u015fledi.<\/p>\n

Yazar, kendisi ile yap\u0131lan bir s\u00f6yle\u015fide modern insan\u0131n ya\u015fad\u0131\u011f\u0131 yabanc\u0131la\u015fma olgusunu \u015fu c\u00fcmlelerle de\u011ferlendirdi: “\u015eimdi; insanlar bireysel ve yeteneklerini ve \u00f6zelliklerini d\u0131\u015fa vuram\u0131yorlar. Ve bu insanlar\u0131n elinden al\u0131nm\u0131\u015f durumda. Bu ileti\u015fim a\u011f\u0131 i\u00e7inde insan kendine ait d\u00fc\u015f\u00fcnebilme yetene\u011fini kaybediyor. Bu durumda insan bir ba\u015fkas\u0131 ad\u0131na d\u00fc\u015f\u00fcn\u00fcyor, bir ba\u015fkas\u0131 ad\u0131na ya\u015f\u0131yor. Kendisi olarak ya\u015fam\u0131yor.” (Koca; O\u011fuz, 1994: 8). Yazar, \u00f6yk\u00fclerinde yabanc\u0131la\u015fman\u0131n yan\u0131 s\u0131ra yaln\u0131zl\u0131k, yolculuk, din, aile, r\u00fcya, sevgi, kad\u0131n, zaman, kent gibi temalara da e\u011fildi. Varolu\u015f\u00e7u temalar\u0131n \u00e7e\u015fitlemelerinin yo\u011fun olarak kullan\u0131ld\u0131\u011f\u0131 Ali Haydar Haksal \u00f6yk\u00fclerinde titiz bir dil i\u015f\u00e7ili\u011fi g\u00f6r\u00fcld\u00fc.<\/p>\n

Ali Haydar Haksal, \u00f6yk\u00fclerinde bilin\u00e7 ak\u0131\u015f\u0131, i\u00e7 diyalog, i\u00e7 \u00e7\u00f6z\u00fcmleme, i\u00e7 monolog gibi kahramanlar\u0131n i\u00e7 d\u00fcnyalar\u0131n\u0131 yans\u0131tan modern anlat\u0131m tekniklerine s\u0131k s\u0131k ba\u015fvurdu. Yazar, insan\u0131n benlik aray\u0131\u015f\u0131n\u0131 ve nesnelerle olan karma\u015f\u0131k ili\u015fkisini \u00e7\u00f6z\u00fcmlemeye \u00e7al\u0131\u015f\u0131rken \u00e7o\u011fu zaman ironik bir anlat\u0131ma y\u00f6neldi.<\/p>\n

Haksal\u2019\u0131n bu \u015fekilde g\u00fcn\u00fcm\u00fcz \u015fartlar\u0131yla medeniyetimizin \u00f6z\u00fcn\u00fc olu\u015fturan nitelikleri harmanlayarak \u00e7a\u011f\u0131m\u0131za \u00f6zg\u00fc ge\u00e7mi\u015fi ve bug\u00fcn\u00fc kucaklayan orijinal bir terkibe gitmeyi ama\u00e7lad\u0131\u011f\u0131n\u0131 s\u00f6ylemek m\u00fcmk\u00fcnd\u00fcr. Ancak bu terkibi do\u011frudan okuyucunun \u00f6n\u00fcne koymaktansa \u00f6yk\u00fclerinde beraber yer verdi\u011fi geleneksel ve modern \u00f6\u011feler vas\u0131tas\u0131yla sezdirmeyi ama\u00e7lar. (\u00c7orbac\u0131 2012: 124).<\/p>\n

T\u00fcrk edebiyat\u0131nda \u00f6yk\u00fcc\u00fc kimli\u011fi ile \u00f6n plana \u00e7\u0131kan Ali Haydar Haksal, \u00f6yk\u00fc kitaplar\u0131n\u0131n yan\u0131 s\u0131ra be\u015f roman kaleme alm\u0131\u015f, deneme, an\u0131, biyografi ve inceleme t\u00fcrlerinde \u00e7e\u015fitli kitaplara imza atm\u0131\u015ft\u0131r. (‘https:\/\/teis.yesevi.edu.tr\/madde-detay\/haksal-ali-haydar\/tan-nail)<\/p>\n

Ali Haydar Haksal\u2019la yapt\u0131\u011f\u0131m birka\u00e7 r\u00f6portajda onun naif, derinlemesine bir i\u00e7 d\u00fcnyas\u0131 olan, ta\u015frada do\u011fmu\u015f olmas\u0131na ra\u011fmen \u0130stanbul\u2019u i\u00e7selle\u015ftirmi\u015f bir ki\u015fili\u011fe sahip oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Ayr\u0131ca Erzurum\u2019a kar\u015f\u0131 b\u00fcy\u00fck bir sevgiyle dolu oldu\u011funu g\u00f6rd\u00fcm. \u00c7\u00fcnk\u00fc \u00fcniversiteyi Erzurum\u2019da bitiren yazar, o g\u00fcn\u00fcn insanlar\u0131n\u0131n kendisine g\u00f6sterdikleri iyiliksever davran\u0131\u015flar\u0131 aradan y\u0131llar ge\u00e7mesine ra\u011fmen hala unutamad\u0131\u011f\u0131n\u0131 ve bunlar\u0131 her zaman yad etti\u011fini dile getirmi\u015ftir.<\/p>\n

Bir r\u00f6portaj\u0131nda (24.11.2007) Erzurum\u2019da Atat\u00fcrk \u00dcniversitesi Edebiyat Fak\u00fcltesinde okurken ya\u015fad\u0131\u011f\u0131 bir hat\u0131ray\u0131 \u015f\u00f6yle anlatm\u0131\u015ft\u0131:<\/p>\n

\u201cElbette tabii Erzurum\u2019un benim hayat\u0131mda \u00e7ok \u00f6zel bir yeri vard\u0131r. Bir kere yaz\u0131 hayat\u0131mda oldu\u011fu gibi onun kendi i\u00e7indeki metafizik hayat\u0131yla da \u00e7ok zengin bir taraf\u0131 da var. \u015eimdi o zengin taraf\u0131 neydi derseniz, yani biz tabii Erzurum\u2019un bir kere kar alt\u0131nda y\u00fcr\u00fcmeyi \u00e7ok severdim. Yani bu \u00e7ocuklu\u011fumda da ya\u015fad\u0131\u011f\u0131m bir olayd\u0131. Hatta \u00e7ok enteresan anekdotlar\u0131m olmu\u015ftu. K\u00f6y hayat\u0131nda da olmu\u015ftu, orada da olmu\u015ftu. Erzurum\u2019da \u015f\u00f6yle bir hat\u0131rl\u0131yorum, biz orda sokak lambalar\u0131n\u0131n \u0131\u015f\u0131\u011f\u0131 alt\u0131nda lapa lapa ya\u011fan kar\u0131n alt\u0131nda y\u00fcr\u00fcmeyi \u00e7ok severdim. Y\u00fcr\u00fcrd\u00fck, yani \u015fehre kadar y\u00fcr\u00fcrd\u00fck. Sonra bizim Yunus Emre Mahallesi\u2019nde son s\u0131n\u0131ftayken ev tutmu\u015ftuk orda kald\u0131k. Ordan okula y\u00fcr\u00fcyerek gelir giderdik bazen, bazen de b\u00f6yle kendi i\u00e7inde bir \u015feyi vard\u0131.\u201d<\/p>\n

Dedesi dolay\u0131s\u0131yla kitaplar aras\u0131nda do\u011fan ve b\u00fcy\u00fcyen Ali Haydar Haksal\u2019\u0131n y\u0131llar i\u00e7erisinde b\u00fcy\u00fck bir kitapl\u0131\u011fa sahip olmas\u0131 konusundaki soruya verdi\u011fi cevap onun nas\u0131l bir okuma-yazma sevgisine ve kitaba kar\u015f\u0131 nas\u0131l bir ba\u011fl\u0131l\u0131\u011fa sahip oldu\u011funu ortaya koymaktad\u0131r:<\/p>\n

\u201cK\u0131rk binin \u00fczerinde kitab\u0131m var. Olduk\u00e7a zengin bir k\u00fct\u00fcphanem var. K\u00fct\u00fcphane i\u00e7erisinde elimi nereye atsam zaten bir \u015fey \u00e7\u0131k\u0131yor kar\u015f\u0131ma. Onu okuyorum. \u015eimdi bu okumalar\u0131n bana getirdi\u011fi yarar \u015fu. S\u00fcrekli not al\u0131yorum. Yani ben \u015fimdi otob\u00fcste, vapurda, \u0130stanbul ortam\u0131nda tabi her an ve ortamda okumalar\u0131m\u0131 s\u00fcrd\u00fcr\u00fcyorum. Kitaplar\u0131n i\u00e7erisine A4 ka\u011f\u0131tlar\u0131 d\u00f6rde b\u00f6l\u00fcp yerle\u015ftiriyorum. O anda diyelim ki bir imge gelmi\u015fse onu not al\u0131r\u0131m. Onu ka\u00e7\u0131rmamaya \u00e7al\u0131\u015f\u0131r\u0131m. Daha sonra bunlar\u0131 oturur yazar\u0131m. \u015eimdi bende tabii iki tarz yazma var. Yani bir kurmacaya dayal\u0131 olan var. O kurmacaya dayal\u0131 bir \u015feyi kendi zihnimde, belle\u011fimde onun plan\u0131n\u0131 kuruyorum. Oturuyorum onu bir s\u00fcre sonra yaz\u0131ya d\u00f6n\u00fc\u015ft\u00fcr\u00fcyorum. Bir taraf\u0131yla bu. Bir taraf\u0131yla da diyelim ki ben e\u011fer b\u00f6yle \u00e7ok okumu\u015fsam, bir \u015fey ile \u00e7ok dolmu\u015fsam birdenbire patlama halinde d\u0131\u015fa vuruyor ve onlar d\u00f6k\u00fcl\u00fcyor. Mesela \u015f\u00f6yle bir \u015fey bu ara yakla\u015f\u0131k bir y\u0131ld\u0131r \u00f6yk\u00fc yazmad\u0131m. Bunu bilerek yap\u0131yorum. \u00d6yk\u00fclerimin birer daireleri olur. O daireler ben \u015fimdi s\u00fcrekli okuyorum. Okumalar\u0131m\u0131n sonucunda bir s\u00fcre sonra birdenbire bir nehrin \u00e7a\u011f\u0131lt\u0131s\u0131 gibi akmaya ba\u015fl\u0131yor. Onlardan \u00f6yk\u00fcler olu\u015fuyor ve o \u00f6yk\u00fcler bir daire olu\u015fturuyor. Mesela yak\u0131n bir ge\u00e7mi\u015fte b\u00f6yle bir \u015feyle bir nehir \u00f6yk\u00fc de diyebilece\u011fimiz, romanda diyebilece\u011fimiz bir ay i\u00e7erisinde \u00e7\u0131kmas\u0131n\u0131 bekledi\u011fimiz \u015fu an yay\u0131nevinde bir roman yazd\u0131m Anzeliha ile \u0130brahim. Dolay\u0131s\u0131yla bunlar kendi i\u00e7inde bir \u015fey olarak ak\u0131yor. Tabii bir de \u015f\u00f6yle bir \u015feyim var son y\u0131llarda. Bir yazar\u0131 okumaya ba\u015flad\u0131ysam onun b\u00fct\u00fcn eserlerini okuyorum. Yani biz Erzurum\u2019da \u00f6\u011frenciyken Dostoyevski okumu\u015ftum. Yani defalarca \u00e7e\u015fitli eserlerini okumu\u015ftum. Ama \u015fu anda Dostoyevski\u2019nin eserlerini yeniden, tamam\u0131n\u0131 okumaya ba\u015flad\u0131m. Andere Gide\u2019yi bitirdim bu yak\u0131n zamanda. Oskar Wilde\u2019yi okudum bitirdim. Bunlar dolay\u0131s\u0131yla ister istemez \u00f6yk\u00fc yazd\u0131r\u0131yor, yaz\u0131 yazd\u0131r\u0131yor.<\/p>\n

 <\/div>\n
 <\/div>\n

\"Ali<\/p>\n

\u201cA\u015eK \u00dcZER\u0130NE\u201d<\/strong><\/h3>\n

29 Nisan 2014 tarihinde 3.Malatya Anadolu Kitap ve K\u00fclt\u00fcr Fuar\u0131\u2019nda kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z ve o g\u00fcnlerde TRT -1 Ankara Radyosunda yay\u0131nlanan \u201cA\u015fk \u0130mi\u015f Her Ne Var \u00c2lemde\u201d program\u0131 i\u00e7in kendisiyle \u201cA\u015fk \u00dczerine\u201d yapt\u0131\u011f\u0131m r\u00f6portaj a\u015fa\u011f\u0131dad\u0131r:<\/p>\n

\u0130smail B\u0130NG\u00d6L: Say\u0131n Ali Haydar Haksal, a\u015fk kavram\u0131yla ilgili d\u00fc\u015f\u00fcncelerinizi alabilir miyiz, neler s\u00f6ylemek istersiniz mikrofonlar\u0131m\u0131z arac\u0131l\u0131\u011f\u0131yla?<\/strong><\/i><\/p>\n

Ali Haydar HAKSAL: A\u015fk, ona hangi y\u00f6n\u00fcnden bakt\u0131\u011f\u0131m\u0131za ba\u011fl\u0131. \u0130\u00e7inde bulundu\u011fumuz hayat\u0131n, \u015fartlar\u0131n, d\u00fcnyan\u0131n, ruhun; bir ba\u011fl\u0131l\u0131k, bir i\u00e7tenlik, bir birliktelik, bir g\u00f6n\u00fcl ba\u011f\u0131 olarak tan\u0131mlan\u0131r. Yani insan, bu a\u015fk\u0131n sonsuzlu\u011funda kendini \u00f6nce arar, kendini bulmaya \u00e7al\u0131\u015f\u0131r, kendi ruhuyla \u00f6zde\u015f olana ula\u015fmaya \u00e7al\u0131\u015f\u0131r. Kendi ruhunu yaratana, var edene ula\u015fman\u0131n bir yolculu\u011fudur. Bunlar elbette ki yaln\u0131z ba\u015f\u0131na olmaz, mutlaka arac\u0131lar olmas\u0131 gerekir. Bu arac\u0131lar\u0131n kimi i\u00e7in d\u00fcnya meta\u0131 olabilir, kimi i\u00e7in bir insan olabilir, kimi i\u00e7in bir kad\u0131n olabilir, kimi i\u00e7in g\u00f6n\u00fclden ve ruh olarak ba\u011fland\u0131\u011f\u0131 bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fc olabilir. Elbette Sevgili Efendimizin yolunda, yolculu\u011funda, onunla birlikte, onun ba\u011fland\u0131\u011f\u0131 gibi bizim de bir ba\u011fl\u0131l\u0131k olarak d\u00fc\u015f\u00fcnce tarz\u0131m\u0131z, diye tan\u0131mlayabilirim. Onun i\u00e7in tan\u0131m\u0131 \u00e7ok geni\u015f, anlam\u0131 \u00e7ok derin, sevgisi \u00e7ok g\u00fc\u00e7l\u00fc\u2026<\/p>\n

B\u0130NG\u00d6L: A\u015fk\u0131n b\u00fct\u00fcn bir varl\u0131\u011f\u0131 kapsad\u0131\u011f\u0131n\u0131, ihata etti\u011fini s\u00f6yleyebilir miyiz efendim?<\/strong><\/i><\/p>\n

HAKSAL: Zaten s\u00f6ylemek istedi\u011fimiz de odur. Nesneler vas\u0131tas\u0131yla sonsuz olana, b\u00fct\u00fcn d\u00fcnyay\u0131 ku\u015fatana, var olana gitme arac\u0131d\u0131r. Nesnelerdeki yans\u0131ma da gene o b\u00fcy\u00fck a\u015fk\u0131n kendisidir. Biz o nesnelerden, k\u00fc\u00e7\u00fck \u015feylerden b\u00fcy\u00fck olana, ku\u015fat\u0131c\u0131 olana ba\u011flanmak, onda var olmak gibi bir eylem, bir edim i\u00e7erisinde oluruz.<\/p>\n

B\u0130NG\u00d6L: B\u00fct\u00fcn k\u00fclt\u00fcrel olaylar\u0131n temelinde ve yaz\u0131lan, \u00fcretilen her \u015feyin temelinde a\u015fk\u0131n oldu\u011funu biliyoruz. \u0130nsan\u0131m\u0131z ya da toplum da bunlar\u0131 al\u0131yor, okuyor, seyrediyor ama bunlar\u0131n gerekti\u011fi gibi yans\u0131malar\u0131n\u0131 g\u00f6rebiliyor muyuz efendim?<\/strong><\/i><\/p>\n

HAKSAL: A\u015fk, tabii, her \u015feyden evvel bir ba\u011fl\u0131l\u0131kt\u0131r, bir tap\u0131nma de\u011fil. Tap\u0131nma insan\u0131 putla\u015ft\u0131rmaya g\u00f6t\u00fcr\u00fcr ama ba\u011fl\u0131l\u0131k ve sevgi sonsuzlu\u011fa do\u011fru g\u00f6t\u00fcr\u00fcr. Sonsuzlu\u011fa g\u00f6t\u00fcren \u015fey, insan\u0131n ruh d\u00fcnyas\u0131n\u0131 da belirler. G\u00fcn\u00fcm\u00fczde kimi insanlar nesneye a\u015fk ile ba\u011flan\u0131rken onun a\u015fk\u0131nl\u0131\u011f\u0131n\u0131 a\u015famad\u0131\u011f\u0131, yani ula\u015famad\u0131\u011f\u0131 i\u00e7in orada bir tap\u0131nma noktas\u0131nda kal\u0131verir. Tabii ki aslolan, \u00f6nemli olan sonsuzluk olana, y\u00fcce olana bu nesneler vas\u0131tas\u0131yla ula\u015fabilmektir. Bu, ku\u015fat\u0131c\u0131 olan\u0131d\u0131r. Yani bir insan\u0131n idealizmi sonsuzlu\u011fa g\u00f6t\u00fcr\u00fcyorsa bir anlam\u0131 vard\u0131r, de\u011filse onu s\u0131n\u0131rlar ve dar bir \u00e7er\u00e7eve i\u00e7erisinde b\u0131rak\u0131r.<\/p>\n

B\u0130NG\u00d6L: A\u015fk\u0131 anlad\u0131k\u00e7a, a\u015fk\u0131 \u00f6\u011frendik\u00e7e yapt\u0131klar\u0131m\u0131z\u0131n da g\u00fczelle\u015fece\u011fini d\u00fc\u015f\u00fcn\u00fcyoruz, biliyoruz. Peki, o zaman d\u00fcnyadaki bu kadar \u00e7irkinlik neden?<\/strong><\/i><\/p>\n

HAKSAL: Yani, i\u015fte biraz \u00f6nce s\u00f6ylemeye \u00e7al\u0131\u015ft\u0131\u011f\u0131m \u015fuydu: \u0130nsan\u0131n d\u00fcnyadaki nesnelere ba\u011flanmas\u0131, bunu tap\u0131nmaya g\u00f6t\u00fcrmesi, onu ister istemez s\u0131n\u0131rl\u0131yor; d\u00fcnyas\u0131n\u0131 da s\u0131n\u0131rl\u0131yor. Bu s\u0131n\u0131rlama sadece onunla kalm\u0131yor, onu kat\u0131la\u015ft\u0131r\u0131yor. Tabii sonsuz a\u015fka ba\u011fl\u0131 olan insanlar\u0131n, ba\u011flananlar\u0131n o sonsuzluk i\u00e7erisinde, sonsuzluk denizinde var olma bilinci; onu daha anlaml\u0131 ve de\u011ferli k\u0131l\u0131yor. Yapt\u0131klar\u0131 da bir anlam kazanm\u0131\u015f oluyor, dolay\u0131s\u0131yla anlam kazanan \u015fey ki\u015fiyi de anlamland\u0131r\u0131yor.<\/p>\n

B\u0130NG\u00d6L: Size gelirsek bir yazar, bir \u00f6yk\u00fcc\u00fc olarak Ali Haydar Haksal\u2019\u0131 a\u015fk nas\u0131l besledi, eserlerine nas\u0131l yans\u0131d\u0131, ona \u00fcretiminde nas\u0131l yard\u0131mc\u0131 oldu?<\/strong><\/i><\/p>\n

HAKSAL: \u0130nsan bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fcne, bir inanca, bir d\u00fc\u015f\u00fcnceye sevgiyle ba\u011flanmad\u0131k\u00e7a yapt\u0131klar\u0131, bulundu\u011fu eylemleri onu s\u0131n\u0131rlar. Ben her \u015feyden \u00f6nce Sevgili Efendimizin bize g\u00f6stermi\u015f oldu\u011fu yolda, o sonsuzluk s\u00fcrecinde yapt\u0131klar\u0131m\u0131z\u0131n hay\u0131rla olmas\u0131n\u0131 diledim. Hay\u0131rla ve iyiliklerle olmas\u0131n\u0131 diledi\u011fimiz eylemimizin sa\u011fl\u0131kl\u0131 oldu\u011funu g\u00f6rd\u00fck\u00e7e tabii bundan huzur ve mutluluk duyduk. Bundan dolay\u0131 da ne kadar \u015f\u00fckretsek azd\u0131r. D\u00fcnya benim i\u00e7in \u00e7ok \u00f6nemli olmad\u0131; d\u00fcnyadaki nesneler, varl\u0131klar da benim i\u00e7in \u00f6nemli olmad\u0131; \u00f6nemli olan bu \u015feylerin beni g\u00f6t\u00fcrece\u011fi ve var olabilece\u011fi \u015feydir. Bundan dolay\u0131 da yapt\u0131klar\u0131m\u0131, yazd\u0131klar\u0131m\u0131 d\u00f6n\u00fcp okudu\u011fumda bundan haz ald\u0131\u011f\u0131m\u0131 da s\u00f6yleyebilirim. Art\u0131k bir yabanc\u0131 olarak kendi eserlerime bak\u0131yorum, yani o eserin yazar\u0131 olarak de\u011fil sadece, ortaya konulmu\u015f olan \u015feyin bu anlamda beni mutlu etti\u011fini s\u00f6yleyebilirim.<\/p>\n

B\u0130NG\u00d6L: A\u015fk; bug\u00fcn var, yar\u0131n yok olan bir \u015fey de\u011fil. \u0130nsan\u0131 bir \u00f6m\u00fcr boyu etkileyen bir \u015fey de\u011fil mi?<\/strong><\/i><\/p>\n

HAKSAL: E mutlaka! Yani e\u011fer siz bu a\u015fka sonsuzluk anlam\u0131nda ba\u011flanmazsan\u0131z o sizi bir yerde art\u0131k t\u00fcketir ve bunal\u0131m\u0131 iter, insan\u0131n \u00fczerine bir karabasan gibi \u00e7\u00f6ker. Dolay\u0131s\u0131yla geldi\u011fimiz \u00f6mr\u00fcm\u00fcz\u00fcn \u015fu d\u00f6neminde d\u00f6n\u00fcp geriye bakt\u0131\u011f\u0131m\u0131zda, bizim hay\u0131rla an\u0131lmam\u0131z\u0131 sa\u011flayabilecek ise bu bizim i\u00e7in \u00f6nemlidir. Bunun da bir kar\u015f\u0131l\u0131\u011f\u0131n\u0131n olabilece\u011fine inan\u0131r\u0131z. Umuyor ve diliyoruz ki yar\u0131n ruz-\u0131 mah\u015ferde onlar bizim i\u00e7in bir i\u015faret ta\u015f\u0131 olmu\u015f olsun.<\/p>\n

Yazar, \u015fair, \u00f6yk\u00fcc\u00fc Ali Haydar Haksal\u2019a Mevla\u2019dan rahmet diliyoruz.<\/p>\n

Bu Yaz\u0131 \u0130smail B\u0130NG\u00d6L Taraf\u0131ndan Yaz\u0131lm\u0131\u015f ve Milli Gazete ‘de Yay\u0131nlanm\u0131\u015f Olup, Tar\u0131k TORUN Taraf\u0131ndan Al\u0131nt\u0131 Yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

Edebiyat d\u00fcnyam\u0131zdan bir yaprak daha d\u00fc\u015ft\u00fc\u2026 Yedi \u0130klim Dergisi Genel Yay\u0131n Y\u00f6netmeni, yazar, \u015fair Ali…<\/p>\n","protected":false},"author":22,"featured_media":4881,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[101],"tags":[],"ppma_author":[416],"class_list":["post-4880","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haber"],"yoast_head":"\nAli Haydar Haksal\u2019a Rahmet Niyaz\u0131yla\/\u0130smail B\u0130NG\u00d6L - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, 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