{"id":4871,"date":"2026-09-02T14:20:00","date_gmt":"2026-09-02T11:20:00","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=4871"},"modified":"2026-09-02T14:20:00","modified_gmt":"2026-09-02T11:20:00","slug":"sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/","title":{"rendered":"Sobeledim Seni D\u00fcnya: \u0130\u00e7 Hesapla\u015fman\u0131n, Tasavvufi Ar\u0131nman\u0131n ve Hayata Tutulan Aynan\u0131n \u015eiiri"},"content":{"rendered":"<p>Song\u00fcl \u00d6zel\u2019in <em>Sobeledim Seni D\u00fcnya<\/em> adl\u0131 \u015fiir kitab\u0131, ad\u0131ndan ba\u015flayarak okuru oyun ile hakikat, d\u00fcnya ile g\u00f6n\u00fcl, a\u015fk ile aray\u0131\u015f aras\u0131nda kurulan bir \u015fiir evrenine davet ediyor. \u015eair, d\u00fcnyaya d\u0131\u015far\u0131dan bakan bir g\u00f6zlemci gibi durmuyor; onunla kar\u015f\u0131la\u015f\u0131yor, ona sesleniyor, ondan inciniyor, onun i\u00e7inde a\u015fk\u0131 ar\u0131yor ve sonunda g\u00f6nl\u00fc bir s\u0131\u011f\u0131nak h\u00e2line getirerek d\u00fcnyaya yeniden bak\u0131yor.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgHmNkrUGxvoXLjP-zlh0RMmjQWhiSsIaTWh3InZrC-z6dPYnSqNxEK_2GmmKYXuMnmmTm_LKBHDIgRWwwWczvDirwpFMt40Gt2A4widdwnsuwR9jAb3QmZM1FFiS02aYIc5fNX5EaVDCo\/s1600\/buda+g%25C3%25BCzel.jpg\" alt=\"ilkay co\u015fkun: \u201cSobeledim Seni D\u00fcnya\u201d Hakk\u0131nda \/ \u0130lkay Co\u015fkun\"><\/p>\n<p>Song\u00fcl \u00d6zel\u2019in \u015fiir d\u00fcnyas\u0131n\u0131n olu\u015fumunda ald\u0131\u011f\u0131 edebiyat e\u011fitiminin ve Eski T\u00fcrk Edebiyat\u0131 alan\u0131ndaki \u00e7al\u0131\u015fmas\u0131n\u0131n izleri a\u00e7\u0131k\u00e7a hissediliyor. Sivas\u2019ta ba\u015flayan e\u011fitim hayat\u0131, T\u00fcrk Dili ve Edebiyat\u0131 \u00f6\u011frenimi, Eski T\u00fcrk Edebiyat\u0131 alan\u0131ndaki y\u00fcksek lisans \u00e7al\u0131\u015fmas\u0131 ve daha \u00f6nce yay\u0131mlad\u0131\u011f\u0131 <em>S\u00fcveyda Hece Hece<\/em> adl\u0131 \u015fiir kitab\u0131, \u015fairin \u015fiir gelene\u011fiyle kurdu\u011fu ba\u011f\u0131 anlamak bak\u0131m\u0131ndan \u00f6nemli bilgiler sunuyor.<\/p>\n<p>Kitab\u0131n en belirgin kelimesi \u201cg\u00f6n\u00fcl\u201d olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. G\u00f6n\u00fcl, \u015fiirlerde sevmenin ve \u00fcz\u00fclmenin ger\u00e7ekle\u015fti\u011fi bir duygu alan\u0131ndan \u00e7ok daha geni\u015f bir anlam ta\u015f\u0131yor. O, insan\u0131n d\u00fcnyayla ili\u015fki kurdu\u011fu, a\u015fk\u0131 tatt\u0131\u011f\u0131, nefsini sorgulad\u0131\u011f\u0131, ac\u0131 \u00e7ekti\u011fi, umut etti\u011fi ve Allah\u2019a y\u00f6neldi\u011fi merkez h\u00e2line geliyor. \u201cG\u00f6n\u00fcl dedi\u011fin bir s\u0131\u011f\u0131nak d\u00fcnyadan ka\u00e7anlara\u201d dizesi bu bak\u0131mdan kitab\u0131n poetikas\u0131n\u0131 kavramak i\u00e7in anahtar niteli\u011finde. \u015eairin d\u00fcnyas\u0131nda g\u00f6n\u00fcl, hayat\u0131n karma\u015fas\u0131 kar\u015f\u0131s\u0131nda saklan\u0131lan bir yer oldu\u011fu kadar a\u015fk yolculu\u011funun da ba\u015flang\u0131\u00e7 noktas\u0131. \u201cA\u015fka kanat \u00e7\u0131rpana, a\u015fka ko\u015fana\u201d sesleni\u015fi, g\u00f6nl\u00fc dura\u011fan bir mek\u00e2n olmaktan \u00e7\u0131kar\u0131p hareket h\u00e2lindeki bir yolculu\u011fun merkezine yerle\u015ftiriyor. Ard\u0131ndan gelen \u201cDervi\u015f ba\u011f\u0131rl\u0131 olmak, \u015f\u00fckretmek yoklu\u011fa \/ A\u015fka eri\u015ferek onda fen\u00e2 olmakt\u0131 bizim de and\u0131m\u0131z\u201d dizeleri ise bu yolculu\u011fun tasavvuf\u00ee y\u00f6n\u00fcn\u00fc a\u00e7\u0131k\u00e7a ortaya koyuyor.<\/p>\n<p>Bu tasavvuf\u00ee damar kitab\u0131n bir\u00e7ok \u015fiirinde belirginle\u015fiyor. \u201cG\u00fcl\u201d \u015fiiri bunun en a\u00e7\u0131k \u00f6rneklerinden biri. G\u00fcl, klasik T\u00fcrk \u015fiirinde a\u015fk\u0131n, g\u00fczelli\u011fin ve il\u00e2h\u00ee hakikatin g\u00fc\u00e7l\u00fc sembollerinden biri olarak y\u00fczy\u0131llard\u0131r kullan\u0131lm\u0131\u015ft\u0131r. \u00d6zel, \u201cBir g\u00fcl a\u00e7s\u0131n y\u00fcre\u011finde\u201d diyerek bu k\u00f6kl\u00fc sembol\u00fc do\u011frudan g\u00f6n\u00fcl alan\u0131na ta\u015f\u0131yor. \u201cO mukaddes a\u015fk\u201d, \u201cMutlak Cemal\u201d ve \u201cRavza-y\u0131 Mutahhara\u201d ifadeleriyle g\u00fcl\u00fcn anlam alan\u0131n\u0131 il\u00e2h\u00ee sevgiye do\u011fru geni\u015fletiyor. \u015eiirin sonundaki \u201cSen g\u00f6nl\u00fcn\u00fc \/ O G\u00fcl\u2019\u00fcn mek\u00e2n tuttu\u011fu \/ \u2018Ravza-y\u0131 Mutahhara\u2019 et\u201d \u00e7a\u011fr\u0131s\u0131, \u015fiirin merkezindeki g\u00fcl imgesini s\u0131radan bir tabiat unsurundan \u00e7\u0131kararak kutsal a\u015fk\u0131n sembol\u00fcne d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor. Burada g\u00fcl\u00fcn dikensiz olu\u015fu da dikkat \u00e7ekici: \u201cDikeni yoktur inan \/ \u00c7\u00fcnk\u00fc saf ve temizdir O.\u201d \u015eair, al\u0131\u015f\u0131lagelmi\u015f g\u00fcl imgesini korurken kendi \u015fiirinde ona ar\u0131nma ve safiyet anlamlar\u0131 da y\u00fckl\u00fcyor.<\/p>\n<p>\u201cErbain\u201d \u015fiiri, bu a\u015fk anlay\u0131\u015f\u0131n\u0131n \u00e7ile ve nefis terbiyesi boyutunu a\u00e7\u0131\u011fa \u00e7\u0131kar\u0131yor. \u201cBir ak\u0131l \u00e7\u0131kmaz\u0131nda kaderi \u00f6rseledim\u201d diye ba\u015flayan \u015fiirde \u015fair, varolu\u015f sorgulamas\u0131n\u0131 a\u011f\u0131r bir ruh h\u00e2li \u00fczerinden kuruyor. \u201cKendi kaderimde \u00f6ld\u00fcm \u00f6ld\u00fcm dirildim\u201d ifadesi, \u00f6l\u00fcm ve dirili\u015f kavramlar\u0131n\u0131 fizik\u00ee bir hadiseden \u00e7ok ruh\u00ee d\u00f6n\u00fc\u015f\u00fcm\u00fcn sembolleri h\u00e2line getiriyor. Erbain, k\u0131rk g\u00fcnl\u00fck \u00e7ile ve tasavvuf gelene\u011finde nefis terbiyesiyle ili\u015fkilendirilen bir kavram olarak \u015fiirin ana \u00e7at\u0131s\u0131n\u0131 belirliyor. \u201cY\u00fcre\u011fim \u00e7ile yeridir erbainde kalana\u201d dizesi bu nedenle kitab\u0131n g\u00f6n\u00fcl anlay\u0131\u015f\u0131yla do\u011frudan birle\u015fiyor. \u015eiirin son b\u00f6l\u00fcm\u00fcnde nefsin musalla ta\u015f\u0131na yat\u0131r\u0131lmas\u0131, kibir elbisesinin \u00e7\u0131kar\u0131lmas\u0131 ve kirlenen bedenin y\u0131kanmas\u0131, tasavvuf\u00ee ar\u0131nman\u0131n g\u00fc\u00e7l\u00fc bir \u015fiirsel anlat\u0131m\u0131n\u0131 olu\u015fturuyor. \u201cKalbime giydirdim cennetin en g\u00fczel fistan\u0131n\u0131\u201d dizesi ise madd\u00ee temizlikten g\u00f6n\u00fcl temizli\u011fine ge\u00e7i\u015fi sa\u011fl\u0131yor.<\/p>\n<p>\u015eairin sembol d\u00fcnyas\u0131nda H\u0131z\u0131r\u2019\u0131n \u00f6zel bir yeri var. Kitapta iki ayr\u0131 \u201cH\u0131z\u0131r\u201d \u015fiirinin bulunmas\u0131 da bunu g\u00f6steriyor. \u0130lk \u015fiirde H\u0131z\u0131r, hayat\u0131n s\u0131rr\u0131n\u0131 \u00e7\u00f6zmek isteyen \u015fairin kar\u015f\u0131s\u0131nda bir rehber olarak beliriyor: \u201cHayat denen muamman\u0131n \/ G\u00f6zleri kapal\u0131 H\u0131z\u0131r \/ A\u00e7mam i\u00e7in \/ Miftah\u0131m ol!\u201d Buradaki \u201cmiftah\u201d, anahtar anlam\u0131yla \u015fiirin merkezindeki aray\u0131\u015f\u0131 tamaml\u0131yor. \u015eair hayat\u0131 anlamland\u0131rmak i\u00e7in bir anahtar ar\u0131yor ve bu anahtar\u0131 H\u0131z\u0131r\u2019dan istiyor. \u0130kinci \u201cH\u0131z\u0131r\u201d \u015fiirinde ise fig\u00fcr daha farkl\u0131 bir g\u00f6rev \u00fcstleniyor. \u201c\u00c2b-\u0131 hayat\u0131ndan biraz da bize sun\u201d \u00e7a\u011fr\u0131s\u0131 H\u0131z\u0131r\u2019\u0131 hayat suyunun kayna\u011f\u0131na yakla\u015ft\u0131r\u0131rken \u201cA\u015fk meclisinin s\u00e2k\u00eesi sen ol\u201d dizesi onu il\u00e2h\u00ee a\u015fk\u0131n sunucusu konumuna getiriyor. B\u00f6ylece H\u0131z\u0131r, kitapta bilginin, s\u0131rr\u0131n, hayat\u0131n ve a\u015fk\u0131n rehberli\u011fini bir araya getiren sembolik bir fig\u00fcr h\u00e2line geliyor.<\/p>\n<p>\u201cNeyim Ben\u201d \u015fiiri ise \u015fairin kendisini \u015fiirin kadim sembollerinden biri \u00fczerinden tan\u0131mlad\u0131\u011f\u0131 \u00f6nemli metinlerden. \u201c\u00c2h, a\u015fk\u0131n\u0131 dilenen bir garip \/ \u2018Ney\u2019im ben\u201d s\u00f6zleriyle ba\u015flayan \u015fiir, insan\u0131n kendi varl\u0131\u011f\u0131n\u0131 a\u015fk kar\u015f\u0131s\u0131nda sorgulamas\u0131yla ilerliyor. Ney, T\u00fcrk tasavvuf \u015fiirinde ayr\u0131l\u0131\u011f\u0131n, nefesin, yanman\u0131n ve il\u00e2h\u00ee kayna\u011fa d\u00f6n\u00fc\u015f arzusunun sembollerinden biri. \u015eairin kendisini \u201cney\u201d olarak kurmas\u0131, onun \u015fiirindeki ses ve a\u015fk ili\u015fkisini a\u00e7\u0131k bi\u00e7imde g\u00f6steriyor. \u201cItr\u00ee bestesinde kaybolan \/ Bir hicazda \/ Kendini bulan\u201d dizeleri de klasik T\u00fcrk musikisiyle \u015fiir aras\u0131ndaki ba\u011f\u0131 g\u00fc\u00e7lendiriyor. Itr\u00ee ve Hicaz, burada k\u00fclt\u00fcrel haf\u0131zan\u0131n iki g\u00fc\u00e7l\u00fc unsuru olarak \u015fiire giriyor. \u201cNa\u011fme na\u011fme \/ Beste beste inleyen\u201d s\u00f6yleyi\u015fi, \u015fiirin anlam\u0131n\u0131 ses \u00fczerinden de kuruyor.<\/p>\n<p>Bu musiki duyarl\u0131\u011f\u0131 \u201cKalp Se\u011firmesi\u201d \u015fiirinde daha geni\u015f bir bi\u00e7imde ortaya \u00e7\u0131k\u0131yor. \u201c\u0130tr\u00ee besteleri \u2018ney\u2019e vermi\u015f zevkini\u201d dizesi, \u201cHer yerde me\u015fk, her yerde a\u015fk\u201d ifadesiyle birle\u015fiyor. Ard\u0131ndan \u201cKalplerin \u00e7era\u011f\u0131yla nurlanm\u0131\u015f dideler\u201d ve \u201cYery\u00fcz\u00fc semada sema y\u00fcreklerde bug\u00fcn\u201d s\u00f6zleri geliyor. Burada \u015fiirin ritmi de anlam\u0131n ta\u015f\u0131y\u0131c\u0131s\u0131 h\u00e2line geliyor. \u015eair, a\u015fk\u0131 yaln\u0131zca anlatm\u0131yor; onu me\u015fk, musiki, sema ve \u0131\u015f\u0131k imgeleriyle hareketli bir sahneye d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor. \u201cKalbim se\u011firiyor ya\u015f\u0131yormu\u015fum me\u011fer\u201d dizesinin \u015fiirin ba\u015f\u0131nda ve sonunda tekrarlanmas\u0131 da bu co\u015fkunun \u00e7er\u00e7evesini kuruyor. Kalbin hareketi, hayat\u0131n yeniden fark edilmesiyle birle\u015fiyor.<\/p>\n<p>\u201cKalbim\u201d \u015fiirinde ise deniz ve gemi imgesi \u00f6ne \u00e7\u0131k\u0131yor. \u201cA\u015fk sahiline vurdu alabora kalbim\u201d dizesi, a\u015fk\u0131 bir deniz kazas\u0131na benzeterek g\u00f6n\u00fcl h\u00e2linin kontrol\u00fcn\u00fc kaybetmesini anlat\u0131yor. \u201cD\u00fcmeni bozuk g\u00f6nl\u00fcm\u00fcn g\u00fcvertesi\u201d, \u201ctayfalar\u201d, \u201cesaret denizi\u201d, \u201ck\u0131y\u0131ya vurmak\u201d gibi ifadeler ayn\u0131 imge alan\u0131n\u0131n devam\u0131n\u0131 olu\u015fturuyor. H\u0131z\u0131r ve \u0130lyas\u2019\u0131n \u015fiire girmesi, bu deniz yolculu\u011funu tasavvuf\u00ee bir aray\u0131\u015fa ba\u011fl\u0131yor. \u201cK\u0131y\u0131ya vurdu Yunus\u2019u yutan bal\u0131k gibi kalbim\u201d dizesi ise Yunus k\u0131ssas\u0131na yap\u0131lan g\u00f6nderme \u00fczerinden g\u00f6n\u00fcl h\u00e2lini kutsal anlat\u0131larla bulu\u015fturuyor. Burada \u015fairin \u00f6nemli bir \u00f6zelli\u011fi ortaya \u00e7\u0131k\u0131yor: Geleneksel anlat\u0131lardan ald\u0131\u011f\u0131 unsurlar\u0131 do\u011frudan aktarmak yerine onlar\u0131 kendi a\u015fk ve g\u00f6n\u00fcl s\u00f6yleyi\u015finin i\u00e7ine yerle\u015ftiriyor.<\/p>\n<p>\u201cCemre\u201d \u015fiirinde bu kez bahar ve dirili\u015f imgeleri \u00f6ne \u00e7\u0131k\u0131yor. \u201cA\u015fk cemresi d\u00fc\u015ft\u00fc g\u00f6klerden y\u00fcre\u011fime \u00e7isil \u00e7isil\u201d s\u00f6z\u00fc, g\u00f6nl\u00fc kurakl\u0131ktan kurtulan bir topra\u011fa d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor. \u201cG\u00f6nl\u00fcm a\u015fka tomurcukland\u0131\u201d ve \u201c\u00c7i\u00e7ek \u00e7i\u00e7ek a\u00e7acak y\u00fcre\u011fim\u201d dizeleri, a\u015fk\u0131 tabiat\u0131n yeniden canlanmas\u0131yla anlat\u0131yor. Sonunda \u201cA\u015fk\u0131na k\u00f6le oldu y\u00fcre\u011fim ebed\u00ee\u201d s\u00f6zleriyle teslimiyet noktas\u0131na ula\u015f\u0131l\u0131yor. B\u00f6ylece g\u00fcl, cemre, bahar, \u00e7i\u00e7ek, su ve ye\u015fermek gibi tabiat unsurlar\u0131 kitab\u0131n a\u015fk dilinin \u00f6nemli ta\u015f\u0131y\u0131c\u0131lar\u0131 oluyor.<\/p>\n<p>Bununla birlikte <em>Sobeledim Seni D\u00fcnya<\/em>, b\u00fct\u00fcn\u00fcyle a\u015fk ve tasavvuf eksenine kapanm\u0131\u015f bir \u015fiir kitab\u0131 olarak okunamaz. \u201c\u0130nsan\u201d, \u201cG\u00f6n\u00fcl K\u0131r\u0131klar\u0131\u201d ve \u201cBiz B\u00f6yle De\u011fildik\u201d \u015fiirleri, \u015fairin ya\u015fad\u0131\u011f\u0131 d\u00fcnyaya y\u00f6nelik ahlaki duyarl\u0131l\u0131\u011f\u0131n\u0131 a\u00e7\u0131k bi\u00e7imde g\u00f6steriyor. \u201c\u0130nsan\u201d \u015fiirinde hayat\u0131n b\u00fct\u00fcn h\u00e2lleri sahipleniliyor: \u201cHayalleri olmal\u0131 insan\u0131n \/ Umutlar\u0131 \/ \u00d6zlemleri olmal\u0131 \/ Hasretleri \/ Sevin\u00e7leri olmal\u0131 \/ H\u00fcz\u00fcnleri \/ Kederleri olmal\u0131.\u201d Bu s\u0131ralama, insan\u0131 tek bir duyguya indirmeyen geni\u015f bir hayat anlay\u0131\u015f\u0131 kuruyor. \u201c\u0130yisiyle, k\u00f6t\u00fcs\u00fcyle \/ \u0130nsan olabilmeli\u201d s\u00f6z\u00fc de \u015fiirin temel d\u00fc\u015f\u00fcncesini a\u00e7\u0131k\u00e7a ifade ediyor. Yusuf ve Anka g\u00f6ndermeleriyle insan\u0131n d\u00fc\u015f\u00fc\u015f\u00fc ve yeniden y\u00fckseli\u015fi ayn\u0131 \u015fiir i\u00e7inde bulu\u015fturuluyor.<\/p>\n<p>\u201cG\u00f6n\u00fcl K\u0131r\u0131klar\u0131\u201d ise kitab\u0131n en sert \u015fiirlerinden biri. \u201cKaybolan insanl\u0131\u011f\u0131 bekliyorum\u201d dizesi, \u015fairin g\u00f6n\u00fcl d\u00fcnyas\u0131n\u0131n ya\u015fanan hayatlardan kopmad\u0131\u011f\u0131n\u0131 g\u00f6steriyor. Yusuf\u2019un kuyusu ve Ey\u00fcp\u2019\u00fcn bekleyi\u015fi \u00fczerinden kurulan anlat\u0131m, ac\u0131y\u0131 sab\u0131r ve imtihan d\u00fc\u015f\u00fcncesine ba\u011fl\u0131yor. \u015eairin zalimlere y\u00f6nelik bedduas\u0131 ise \u015fiire belirgin bir ahlak\u00ee \u00f6fke kazand\u0131r\u0131yor. \u201cZalimlerin y\u00fcreklerinde de olsa ey Allah\u0131m!\u201d \u00e7a\u011fr\u0131s\u0131, insan\u0131n ba\u015fkas\u0131na verdi\u011fi ac\u0131ya kar\u015f\u0131 duyulan tepkiyi ilah\u00ee adalet talebiyle birle\u015ftiriyor.<\/p>\n<p>\u201cBiz B\u00f6yle De\u011fildik\u201d \u015fiirinde bu tav\u0131r daha a\u00e7\u0131k bir toplumsal sorgulamaya d\u00f6n\u00fc\u015f\u00fcyor. \u201c\u00dcmmet-i Muhammed b\u00f6yle de\u011fildi\u201d diye ba\u015flayan \u015fiir, birlik, merhamet ve karde\u015flik fikrinin kaybedildi\u011fi d\u00fc\u015f\u00fcncesinden hareket ediyor. \u201cK\u0131y\u0131ya vuran insanl\u0131k \/ Neden kalplere yerle\u015fmedi ki \/ Dile vuran m\u00fcsl\u00fcmanl\u0131k \/ Neden g\u00f6n\u00fcllere yerle\u015fmedi ki\u201d dizeleri, kitab\u0131n ba\u015f\u0131ndan beri kurulan g\u00f6n\u00fcl kavram\u0131n\u0131 bu kez ahlak \u00fczerinden tamaml\u0131yor. \u015eair i\u00e7in inan\u00e7, s\u00f6zde kalan bir ifade olmaktan \u00e7\u0131kar\u0131l\u0131p davran\u0131\u015fa ve merhamete d\u00f6n\u00fc\u015fmesi gereken bir hakikat olarak g\u00f6r\u00fcl\u00fcyor. \u201cDua\u201d \u015fiirinde de ayn\u0131 d\u00fc\u015f\u00fcnce geni\u015fliyor. \u0130man, tevazu, nefis terbiyesi, merhamet, \u015f\u00fck\u00fcr, sab\u0131r, adalet ve edep gibi de\u011ferler; H\u0131z\u0131r, Musa, Hz. Muhammed, Ebubekir, Ali, Osman, \u00d6mer ve Eyyub gibi isimlerle birlikte an\u0131l\u0131yor. B\u00f6ylece \u015fiir, tasavvuf\u00ee duyarl\u0131l\u0131\u011f\u0131 ahlaki bir hayat tasavvuruyla birle\u015ftiriyor.<\/p>\n<p>\u201cG\u00f6n\u00fcl Dili\u201d \u015fiiri, kitab\u0131n \u015fiir anlay\u0131\u015f\u0131na ili\u015fkin do\u011frudan ipu\u00e7lar\u0131 veren metinlerden biri. \u201cSusarak ve anlayarak \/ D\u00fc\u015f\u00fcnerek ve hissederek\u201d s\u00f6zleri, \u015fiirin kelimelerin \u00f6tesinde bir h\u00e2l anlatma aray\u0131\u015f\u0131na i\u015faret ediyor. \u201cHarften, s\u00f6zc\u00fckten, c\u00fcmleden \/ Noktadan, virg\u00fclden, \u00fcnlemden uzak\u201d ifadesi, \u015fairin g\u00f6n\u00fcl h\u00e2lini dilin s\u0131radan s\u0131n\u0131rlar\u0131yla anlatmakta zorland\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor. \u015eiirin kendi paradoksu da burada: Dilin s\u0131n\u0131rlar\u0131n\u0131 anlat\u0131rken yine dilden yararlan\u0131yor. Bu durum, tasavvuf \u015fiirinin temel meselelerinden biri olan s\u00f6ze s\u0131\u011fmayan h\u00e2li s\u00f6zle anlatma \u00e7abas\u0131n\u0131 hat\u0131rlat\u0131yor.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/SSSSSSSSSSSSSSSS.jpeg\" alt=\"\u0130\u00e7 \u00c7eki\u015fmeler - simurgedebiyat.com\"><\/p>\n<p>\u201cMev\u00e2\u201d \u015fiiri de bu aray\u0131\u015f\u0131 s\u00fcrd\u00fcr\u00fcyor. Gece, y\u0131ld\u0131z, ay, sema ve g\u00f6n\u00fcl imgeleri \u00fczerinden a\u015fk\u0131n ku\u015fat\u0131c\u0131 g\u00fcc\u00fc anlat\u0131l\u0131yor. \u201cSende emanet benli\u011fimi erit\u201d dizesi, benlikten s\u0131yr\u0131lma arzusunu a\u00e7\u0131k\u00e7a ortaya koyuyor. \u201cA\u015fk\u2019a boyun b\u00fckmezsem \/ Ne i\u015fim var semada\u201d s\u00f6zleri ise teslimiyetin \u015fiirdeki yerini belirliyor. Bu noktada \u201cErbain\u201d, \u201cG\u00f6n\u00fcl Dedi\u011fin\u201d, \u201cMev\u00e2\u201d, \u201cDua\u201d ve \u201cSonsuz Kerem Sahibi\u201d \u015fiirleri birbirine ba\u011flan\u0131yor. Hepsinde insan, kendi nefsini sorgulayan ve a\u015fk yoluyla ar\u0131nmaya \u00e7al\u0131\u015fan bir varl\u0131k olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor.<\/p>\n<p>\u201cSonsuz Kerem Sahibi\u201d kitab\u0131n muhasebe y\u00f6n\u00fcn\u00fc en belirgin bi\u00e7imde ortaya koyuyor. \u201cNerde yanl\u0131\u015f yapt\u0131m, nerde do\u011fru\u201d sorusuyla ba\u015flayan \u015fiir, g\u00fcnah ve sevap terazisinde yap\u0131lan bir hesapla\u015fmaya d\u00f6n\u00fc\u015f\u00fcyor. \u201cT\u00fcy kadar hafifti sevaplar\u0131m \/ G\u00fcnahlar\u0131msa kur\u015fun gibi a\u011f\u0131r\u201d s\u00f6zleri, insan\u0131n kendi kusurlar\u0131n\u0131 g\u00f6rme cesaretini ta\u015f\u0131yor. Buna ra\u011fmen \u015fiirin merkezinde umutsuzluk yok. \u201cKesmedim \u00fcmidimi Allah\u2019tan\u201d dizesi, b\u00fct\u00fcn muhasebenin rahmet kap\u0131s\u0131nda sona erdi\u011fini g\u00f6steriyor. G\u00fcl yapraklar\u0131n\u0131n g\u00f6n\u00fcl terazisinin kefelerine konulmas\u0131 da kitab\u0131n g\u00fcl imgesini ba\u015fka bir \u015fiirle ili\u015fkilendiriyor. B\u00f6ylece kitab\u0131n farkl\u0131 metinleri aras\u0131nda g\u00f6r\u00fcnmez bir imge a\u011f\u0131 kuruluyor.<\/p>\n<p>\u201cK\u00e2lu Bel\u00e2\u201d \u015fiiri de bu a\u011f\u0131n \u00f6nemli par\u00e7alar\u0131ndan. Gece, uyan\u0131kl\u0131k, kartal ve g\u00fcvercin imgeleri \u00fczerinden ezel\u00ee ahit d\u00fc\u015f\u00fcncesi i\u015fleniyor. \u201cK\u00e2lu bel\u00e2dan beri yan\u0131k\u201d ifadesi, a\u015fk\u0131n ba\u015flang\u0131c\u0131n\u0131 d\u00fcnya hayat\u0131ndan daha geriye ta\u015f\u0131yor. \u015eairin a\u015fk anlay\u0131\u015f\u0131 b\u00f6ylece d\u00fcnyev\u00ee bir kar\u015f\u0131la\u015fmadan \u00e7ok daha geni\u015f bir zamana yay\u0131l\u0131yor. \u201cBe\u015finci Mevsim\u201d \u015fiirinde ise zaman\u0131n d\u00f6rt mevsimle s\u0131n\u0131rlanamayaca\u011f\u0131 s\u00f6yleniyor: \u201cG\u00fcne, aya ve y\u0131la s\u0131\u011fmayan\u201d bir hayat ve \u201ckendine, d\u00fcnyaya ve zamana s\u0131\u011fmayan\u201d bir g\u00f6n\u00fcl tasavvuru kuruluyor. Bu \u015fiir, kitab\u0131n ad\u0131na da farkl\u0131 bir a\u00e7\u0131dan yakla\u015fmay\u0131 m\u00fcmk\u00fcn k\u0131l\u0131yor. D\u00fcnya, \u015fairin kar\u015f\u0131s\u0131nda duran geni\u015f bir hayat alan\u0131; g\u00f6n\u00fcl ise bu alan\u0131n \u00f6l\u00e7\u00fclerine s\u0131\u011fmayan bir varl\u0131k sahas\u0131 h\u00e2line geliyor.<\/p>\n<p>Kitab\u0131n dilinde klasik \u015fiir ve tasavvuf s\u00f6z varl\u0131\u011f\u0131n\u0131n belirgin a\u011f\u0131rl\u0131\u011f\u0131, \u015fairin k\u00fclt\u00fcrel haf\u0131zayla g\u00fc\u00e7l\u00fc bir ba\u011f kurdu\u011funu g\u00f6steriyor. Bununla birlikte bu tercih, \u015fiirlerin ta\u015f\u0131d\u0131\u011f\u0131 en belirgin ele\u015ftirel meseleyi de beraberinde getiriyor. H\u0131z\u0131r, Yusuf, Ey\u00fcp, Anka, ney, g\u00fcl, b\u00fclb\u00fcl, vuslat, hicran, \u00e2b-\u0131 hayat, melek\u00fbt, l\u00e2hut, s\u00e2k\u00ee ve a\u015fk \u015farab\u0131 gibi semboller T\u00fcrk \u015fiirinin uzun birikiminde s\u0131k\u00e7a kullan\u0131lm\u0131\u015f unsurlar. Dolay\u0131s\u0131yla bir \u015fiirin bu sembolleri kullanmas\u0131 kendi ba\u015f\u0131na \u00f6zg\u00fcnl\u00fck \u00f6l\u00e7\u00fcs\u00fc say\u0131lamaz. As\u0131l \u00f6l\u00e7\u00fc, \u015fairin bu mirasa kendi sesini ne \u00f6l\u00e7\u00fcde katt\u0131\u011f\u0131d\u0131r. <em>Sobeledim Seni D\u00fcnya<\/em>\u2019n\u0131n g\u00fc\u00e7l\u00fc taraf\u0131, bu sembolleri g\u00fcn\u00fcm\u00fcz T\u00fcrk\u00e7esinin daha rahat s\u00f6yleyi\u015fleriyle bulu\u015fturdu\u011fu yerlerde ortaya \u00e7\u0131k\u0131yor. \u201cKalbim\u201d, \u201cNeyim Ben\u201d, \u201cCemre\u201d, \u201cG\u00f6n\u00fcl K\u0131r\u0131klar\u0131\u201d ve \u201cBe\u015finci Mevsim\u201d gibi \u015fiirlerde bu birle\u015fimin daha canl\u0131 sonu\u00e7lar verdi\u011fi g\u00f6r\u00fcl\u00fcyor. Baz\u0131 \u015fiirlerde ise tasavvuf\u00ee s\u00f6z varl\u0131\u011f\u0131n\u0131n yo\u011funlu\u011fu, \u015fiirin kendi sesini ikinci plana itebilecek bir seviyeye yakla\u015fabiliyor. Bu durum kitab\u0131n b\u00fct\u00fcn\u00fc a\u00e7\u0131s\u0131ndan dikkatle de\u011ferlendirilmesi gereken bir husus.<\/p>\n<p>\u015eiirlerin bi\u00e7im bak\u0131m\u0131ndan b\u00fcy\u00fck \u00f6l\u00e7\u00fcde serbest \u015fiir imk\u00e2nlar\u0131ndan yararland\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcyor. Bununla birlikte \u015fairin ses, tekrar ve ritim duygusu belirgin. \u201cG\u00f6n\u00fcl dedi\u011fin\u201d \u015fiirinde ayn\u0131 c\u00fcmlenin her bent ba\u015f\u0131nda yinelenmesi, \u201cKalp Se\u011firmesi\u201dnde ilk ve son dizenin birbirini tamamlamas\u0131, \u201cK\u00e2lu Bel\u00e2\u201dda ayn\u0131 b\u00f6l\u00fcm\u00fcn tekrar\u0131, \u201cA\u015fk\u2019a \u015eiir\u201dde benzer yap\u0131lar\u0131n yeniden kurulmas\u0131 \u015fiire s\u00f6zl\u00fc k\u00fclt\u00fcrden ve geleneksel \u015fiirden gelen bir musiki kazand\u0131r\u0131yor. \u00d6zellikle \u201c\u015fiir \u015fiir, m\u0131sra m\u0131sra\u201d, \u201cna\u011fme na\u011fme, beste beste\u201d, \u201cyudum yudum\u201d, \u201c\u00e7ile \u00e7ile\u201d gibi ikilemeler, ses \u00f6rg\u00fcs\u00fcn\u00fcn belirgin unsurlar\u0131. \u015eairin \u015fiirleri zaman zaman do\u011frudan okunmaktan \u00e7ok seslendirilmek isteyen bir yap\u0131ya kavu\u015fuyor.<\/p>\n<p>\u201cA\u015fk\u2019a \u015eiir\u201d bu bak\u0131mdan kitab\u0131n poetik merkezlerinden biri olarak de\u011ferlendirilebilir. \u201c\u015eiir \u015fiir, m\u0131sra m\u0131sra her g\u00fcn seni buldu\u011fum\u201d dizesi, \u015fiir ile a\u015fk aras\u0131nda kurulan ba\u011f\u0131 a\u00e7\u0131k bi\u00e7imde ortaya koyuyor. \u201cEzelim sensin\u201d, \u201cebed\u00ee sevdi\u011fim\u201d, \u201cL\u00e2hut\u00ee \u00e2lem\u201d, \u201cDavud\u00ee ses\u201d ve \u201c\u00dcveyik\u201d gibi unsurlar \u015fiiri klasik k\u00fclt\u00fcr\u00fcn s\u00f6z ve musiki miras\u0131na ba\u011fl\u0131yor. \u015eair i\u00e7in \u015fiir, a\u015fk\u0131n anlat\u0131ld\u0131\u011f\u0131 bir ara\u00e7 olmaktan \u00e7ok a\u015fk\u0131n i\u00e7inde bulunulan bir h\u00e2le d\u00f6n\u00fc\u015f\u00fcyor.<\/p>\n<p>Sonu\u00e7ta <em>Sobeledim Seni D\u00fcnya<\/em>, Song\u00fcl \u00d6zel\u2019in \u015fiir d\u00fcnyas\u0131nda a\u015fk\u0131, g\u00f6nl\u00fc, inanc\u0131, insan\u0131, zaman\u0131 ve hayat\u0131 birbirine ba\u011flayan bir kitap olarak beliriyor. Kitab\u0131n ana ekseninde a\u015fk var; fakat bu a\u015fk, be\u015fer\u00ee sevginin s\u0131n\u0131rlar\u0131 i\u00e7inde kalm\u0131yor. G\u00f6n\u00fclden ba\u015flay\u0131p \u00e7ileye, nefis muhasebesine, duaya, teslimiyete ve vuslat arzusuna do\u011fru ilerleyen bir yolculuk h\u00e2line geliyor. D\u00fcnya bu yolculu\u011fun kar\u015f\u0131s\u0131nda duran b\u00fcy\u00fck sahne; g\u00f6n\u00fcl ise bu sahnede hakikati arayan merkez. \u015eairin \u201csobeledim\u201d s\u00f6z\u00fc de bu bak\u0131mdan anlam kazan\u0131yor: D\u00fcnya ile oynayan, onu sorgulayan, onunla y\u00fczle\u015fen ve sonunda onun i\u00e7indeki a\u015fk\u0131 yakalamaya \u00e7al\u0131\u015fan bir \u015fiir sesi duyuluyor.<\/p>\n<p>Kitab\u0131n en g\u00fc\u00e7l\u00fc taraf\u0131, geleneksel \u0130sl\u00e2m ve tasavvuf k\u00fclt\u00fcr\u00fcn\u00fcn zengin sembol d\u00fcnyas\u0131n\u0131 sevgi, aray\u0131\u015f ve insanl\u0131k meselesiyle bulu\u015fturmas\u0131. \u015eairin Itr\u00ee\u2019den H\u0131z\u0131r\u2019a, Yusuf\u2019tan Ey\u00fcp\u2019e, neyden g\u00fcle, cemreden semaya uzanan geni\u015f bir k\u00fclt\u00fcrel haf\u0131zay\u0131 \u015fiirinin malzemesi h\u00e2line getirmesi, esere belirgin bir kimlik kazand\u0131r\u0131yor. Bunun yan\u0131nda \u201cG\u00f6n\u00fcl K\u0131r\u0131klar\u0131\u201d ve \u201cBiz B\u00f6yle De\u011fildik\u201d gibi \u015fiirler, bu a\u015fk d\u00fcnyas\u0131n\u0131n hayat\u0131n ger\u00e7eklerinden kopmad\u0131\u011f\u0131n\u0131 g\u00f6steriyor. \u015eair, insan\u0131n ac\u0131s\u0131n\u0131, zulm\u00fc, merhamet aray\u0131\u015f\u0131n\u0131 ve inan\u00e7la ya\u015fama arzusunu da \u015fiirinin kapsam\u0131na al\u0131yor.<\/p>\n<p>Bununla birlikte kitab\u0131n gelecekteki \u015fiirler a\u00e7\u0131s\u0131ndan en \u00f6nemli geli\u015fme alan\u0131, sahip oldu\u011fu zengin geleneksel sembol hazinesini daha \u00f6zg\u00fcn ve \u015fa\u015f\u0131rt\u0131c\u0131 imgelerle geni\u015fletmek olabilir. \u015eairin k\u00fclt\u00fcrel birikimi g\u00fc\u00e7l\u00fc; as\u0131l mesele bu birikimin i\u00e7inden kendisine ait, ilk bak\u0131\u015fta tan\u0131nabilecek bir \u015fiir sesini daha da belirgin h\u00e2le getirmek. Gelenekten beslenen \u015fiirin g\u00fcc\u00fc, gelene\u011fi tekrarlamas\u0131ndan \u00e7ok onunla yeni bir s\u00f6yleyi\u015f kurabilmesinde ortaya \u00e7\u0131kar. Song\u00fcl \u00d6zel\u2019in \u015fiirlerinde bunun g\u00fc\u00e7l\u00fc \u00f6rnekleri mevcut. \u00d6zellikle g\u00f6n\u00fcl, d\u00fcnya, a\u015fk ve zaman aras\u0131ndaki ili\u015fkileri kendi sesini daha fazla \u00f6ne \u00e7\u0131kararak i\u015flemesi, \u015fiir yolculu\u011funu daha \u00f6zg\u00fcn bir \u00e7izgiye ta\u015f\u0131yabilir.<\/p>\n<p><em>Sobeledim Seni D\u00fcnya<\/em> bu y\u00f6n\u00fcyle bir son s\u00f6zden \u00e7ok devam eden bir g\u00f6n\u00fcl yolculu\u011funun kitab\u0131 gibi okunabilir. \u015eair, d\u00fcnyaya bakarken g\u00f6nl\u00fcne d\u00f6n\u00fcyor; g\u00f6nl\u00fcne d\u00f6nd\u00fck\u00e7e a\u015fkla kar\u015f\u0131la\u015f\u0131yor; a\u015fka y\u00f6neldik\u00e7e insan\u0131, g\u00fcnah\u0131, merhameti, \u00f6l\u00fcm\u00fc, umudu ve rahmeti yeniden d\u00fc\u015f\u00fcn\u00fcyor. Kitab\u0131n sonunda geriye kalan duygu, d\u00fcnyan\u0131n b\u00fct\u00fcn g\u00fcr\u00fclt\u00fcs\u00fcne kar\u015f\u0131 g\u00f6nl\u00fcn sessiz bir hakikat aray\u0131\u015f\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc\u011f\u00fc d\u00fc\u015f\u00fcncesi. Song\u00fcl \u00d6zel\u2019in \u015fiirlerinin as\u0131l hareket noktas\u0131 da burada yat\u0131yor: D\u00fcnya de\u011fi\u015fiyor, zaman ge\u00e7iyor, insan k\u0131r\u0131l\u0131yor; fakat g\u00f6n\u00fcl a\u015fk\u0131 aramay\u0131 s\u00fcrd\u00fcr\u00fcyor.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Song\u00fcl \u00d6zel\u2019in Sobeledim Seni D\u00fcnya adl\u0131 \u015fiir kitab\u0131, ad\u0131ndan ba\u015flayarak okuru oyun ile hakikat, d\u00fcnya&#8230;<\/p>\n","protected":false},"author":56,"featured_media":4872,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[20],"tags":[],"ppma_author":[310],"class_list":["post-4871","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kitap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sobeledim Seni D\u00fcnya: \u0130\u00e7 Hesapla\u015fman\u0131n, Tasavvufi Ar\u0131nman\u0131n ve Hayata Tutulan Aynan\u0131n \u015eiiri - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sobeledim Seni D\u00fcnya: \u0130\u00e7 Hesapla\u015fman\u0131n, Tasavvufi Ar\u0131nman\u0131n ve Hayata Tutulan Aynan\u0131n \u015eiiri - simurgedebiyat.com\" \/>\n<meta property=\"og:description\" content=\"Song\u00fcl \u00d6zel\u2019in Sobeledim Seni D\u00fcnya adl\u0131 \u015fiir kitab\u0131, ad\u0131ndan ba\u015flayarak okuru oyun ile hakikat, d\u00fcnya...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/\" \/>\n<meta property=\"og:site_name\" content=\"simurgedebiyat.com\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-02T11:20:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"1243\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Muhammed I\u015eIK\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Muhammed I\u015eIK\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"14 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/\"},\"author\":{\"name\":\"Muhammed I\u015eIK\",\"@id\":\"https:\/\/simurgedebiyat.com\/#\/schema\/person\/c63ad34d843263b9ac1d6615a9fba89e\"},\"headline\":\"Sobeledim Seni D\u00fcnya: \u0130\u00e7 Hesapla\u015fman\u0131n, Tasavvufi Ar\u0131nman\u0131n ve Hayata Tutulan Aynan\u0131n \u015eiiri\",\"datePublished\":\"2026-09-02T11:20:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/\"},\"wordCount\":3228,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/simurgedebiyat.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg\",\"articleSection\":[\"Kitap\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/\",\"url\":\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/\",\"name\":\"Sobeledim Seni D\u00fcnya: \u0130\u00e7 Hesapla\u015fman\u0131n, Tasavvufi Ar\u0131nman\u0131n ve Hayata Tutulan Aynan\u0131n \u015eiiri - simurgedebiyat.com\",\"isPartOf\":{\"@id\":\"https:\/\/simurgedebiyat.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg\",\"datePublished\":\"2026-09-02T11:20:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#primaryimage\",\"url\":\"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg\",\"contentUrl\":\"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg\",\"width\":800,\"height\":1243},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Anasayfa\",\"item\":\"https:\/\/simurgedebiyat.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sobeledim Seni D\u00fcnya: \u0130\u00e7 Hesapla\u015fman\u0131n, Tasavvufi Ar\u0131nman\u0131n ve Hayata Tutulan Aynan\u0131n \u015eiiri\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/simurgedebiyat.com\/#website\",\"url\":\"https:\/\/simurgedebiyat.com\/\",\"name\":\"simurgedebiyat.com\",\"description\":\"edebiyat&amp;K\u00fclt\u00fcr&amp;Sanat&amp;D\u00fc\u015f\u00fcnce \",\"publisher\":{\"@id\":\"https:\/\/simurgedebiyat.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/simurgedebiyat.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/simurgedebiyat.com\/#organization\",\"name\":\"simurgedebiyat.com\",\"url\":\"https:\/\/simurgedebiyat.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/simurgedebiyat.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/11\/cropped-HHHHH-1.jpeg\",\"contentUrl\":\"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/11\/cropped-HHHHH-1.jpeg\",\"width\":245,\"height\":205,\"caption\":\"simurgedebiyat.com\"},\"image\":{\"@id\":\"https:\/\/simurgedebiyat.com\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/simurgedebiyat.com\/#\/schema\/person\/c63ad34d843263b9ac1d6615a9fba89e\",\"name\":\"Muhammed I\u015eIK\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/simurgedebiyat.com\/#\/schema\/person\/image\/ccef27f1a52786905439af9196522dc1\",\"url\":\"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Muhammed1.jpg\",\"contentUrl\":\"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Muhammed1.jpg\",\"caption\":\"Muhammed I\u015eIK\"},\"description\":\"1986 y\u0131l\u0131nda Ankara\u2019n\u0131n \u00c7aml\u0131dere il\u00e7esinde do\u011fan Muhammed I\u015f\u0131k, orta\u00f6\u011frenimini Ankara\u2019da tamamlad\u0131. Anadolu \u00dcniversitesi \u0130\u015fletme Fak\u00fcltesi ile Medya ve \u0130leti\u015fim B\u00f6l\u00fcm\u00fcnden mezun olan I\u015f\u0131k, yazarl\u0131k kariyerine \u201cSiyaset ve D\u00fc\u015f\u00fcnce\u201d adl\u0131 internet sitesinde k\u00f6\u015fe yazar\u0131 olarak ba\u015flad\u0131. Farkl\u0131 platformlarda fikirlerini payla\u015fmaya devam eden yazar, Fikri Kadim, Mimoza Haber, Nokta32, Akdeniz Haber, Ger\u00e7ek Tarih ve \u0130ttifak Gazetesi gibi mecralarda k\u00f6\u015fe yaz\u0131lar\u0131 yay\u0131mlad\u0131. Ayn\u0131 zamanda Ger\u00e7ek Tarih dergisinin yay\u0131n koordinat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenerek, dergi yay\u0131nc\u0131l\u0131\u011f\u0131 alan\u0131nda da katk\u0131lar sundu. T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi Y\u00f6netim Kurulu \u00dcyesi olarak da k\u00fclt\u00fcrel ve edeb\u00ee faaliyetlere katk\u0131da bulundu. 2016-2024 y\u0131llar\u0131 aras\u0131nda Sahipk\u0131ran Stratejik Ara\u015ft\u0131rmalar Merkezinde (SASAM) Genel Sekreterlik g\u00f6revini y\u00fcr\u00fcten Muhammed I\u015f\u0131k, halen Haber Ajanda ve K\u00fclt\u00fcr Ajanda dergilerinde yazmaktad\u0131r. Aral\u0131k 2018\u2019den bu yana dikGAZETE.com yazar\u0131d\u0131r. Evli ve iki erkek \u00e7ocuk babas\u0131d\u0131r. Edeb\u00ee \u00fcretkenli\u011fiyle dikkat \u00e7eken Muhammed I\u015f\u0131k, \u015fu eserlerin yazar\u0131d\u0131r: \u2060G\u00f6n\u00fclden Dima\u011fa (2019), Ak\u0131ldan Kalbe Esintiler (2022), \u2060T\u00fcrk Tipi Ba\u015fkanl\u0131k Sistemi (2022), Bozuk Sat\u0131h (2022), Eyvah Cumhurba\u015fkan\u0131 Oldum (2023, Abdurahim Zarars\u0131z ile birlikte), \u2060G\u00f6n\u00fcl S\u0131z\u0131s\u0131 (2025), Ferdi Tayfur Plaklardaki Derbeder Kral (2025).\",\"url\":\"https:\/\/simurgedebiyat.com\/index.php\/author\/muhammed-isik\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sobeledim Seni D\u00fcnya: \u0130\u00e7 Hesapla\u015fman\u0131n, Tasavvufi Ar\u0131nman\u0131n ve Hayata Tutulan Aynan\u0131n \u015eiiri - simurgedebiyat.com","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/","og_locale":"tr_TR","og_type":"article","og_title":"Sobeledim Seni D\u00fcnya: \u0130\u00e7 Hesapla\u015fman\u0131n, Tasavvufi Ar\u0131nman\u0131n ve Hayata Tutulan Aynan\u0131n \u015eiiri - simurgedebiyat.com","og_description":"Song\u00fcl \u00d6zel\u2019in Sobeledim Seni D\u00fcnya adl\u0131 \u015fiir kitab\u0131, ad\u0131ndan ba\u015flayarak okuru oyun ile hakikat, d\u00fcnya...","og_url":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/","og_site_name":"simurgedebiyat.com","article_published_time":"2026-09-02T11:20:00+00:00","og_image":[{"width":800,"height":1243,"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg","type":"image\/jpeg"}],"author":"Muhammed I\u015eIK","twitter_card":"summary_large_image","twitter_misc":{"Yazan:":"Muhammed I\u015eIK","Tahmini okuma s\u00fcresi":"14 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#article","isPartOf":{"@id":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/"},"author":{"name":"Muhammed I\u015eIK","@id":"https:\/\/simurgedebiyat.com\/#\/schema\/person\/c63ad34d843263b9ac1d6615a9fba89e"},"headline":"Sobeledim Seni D\u00fcnya: \u0130\u00e7 Hesapla\u015fman\u0131n, Tasavvufi Ar\u0131nman\u0131n ve Hayata Tutulan Aynan\u0131n \u015eiiri","datePublished":"2026-09-02T11:20:00+00:00","mainEntityOfPage":{"@id":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/"},"wordCount":3228,"commentCount":0,"publisher":{"@id":"https:\/\/simurgedebiyat.com\/#organization"},"image":{"@id":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#primaryimage"},"thumbnailUrl":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg","articleSection":["Kitap"],"inLanguage":"tr","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/","url":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/","name":"Sobeledim Seni D\u00fcnya: \u0130\u00e7 Hesapla\u015fman\u0131n, Tasavvufi Ar\u0131nman\u0131n ve Hayata Tutulan Aynan\u0131n \u015eiiri - simurgedebiyat.com","isPartOf":{"@id":"https:\/\/simurgedebiyat.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#primaryimage"},"image":{"@id":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#primaryimage"},"thumbnailUrl":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg","datePublished":"2026-09-02T11:20:00+00:00","breadcrumb":{"@id":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/"]}]},{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#primaryimage","url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg","contentUrl":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg","width":800,"height":1243},{"@type":"BreadcrumbList","@id":"https:\/\/simurgedebiyat.com\/index.php\/2026\/09\/02\/sobeledim-seni-dunya-ic-hesaplasmanin-tasavvufi-arinmanin-ve-hayata-tutulan-aynanin-siiri\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Anasayfa","item":"https:\/\/simurgedebiyat.com\/"},{"@type":"ListItem","position":2,"name":"Sobeledim Seni D\u00fcnya: \u0130\u00e7 Hesapla\u015fman\u0131n, Tasavvufi Ar\u0131nman\u0131n ve Hayata Tutulan Aynan\u0131n \u015eiiri"}]},{"@type":"WebSite","@id":"https:\/\/simurgedebiyat.com\/#website","url":"https:\/\/simurgedebiyat.com\/","name":"simurgedebiyat.com","description":"edebiyat&amp;K\u00fclt\u00fcr&amp;Sanat&amp;D\u00fc\u015f\u00fcnce ","publisher":{"@id":"https:\/\/simurgedebiyat.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/simurgedebiyat.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr"},{"@type":"Organization","@id":"https:\/\/simurgedebiyat.com\/#organization","name":"simurgedebiyat.com","url":"https:\/\/simurgedebiyat.com\/","logo":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/simurgedebiyat.com\/#\/schema\/logo\/image\/","url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/11\/cropped-HHHHH-1.jpeg","contentUrl":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/11\/cropped-HHHHH-1.jpeg","width":245,"height":205,"caption":"simurgedebiyat.com"},"image":{"@id":"https:\/\/simurgedebiyat.com\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/simurgedebiyat.com\/#\/schema\/person\/c63ad34d843263b9ac1d6615a9fba89e","name":"Muhammed I\u015eIK","image":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/simurgedebiyat.com\/#\/schema\/person\/image\/ccef27f1a52786905439af9196522dc1","url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Muhammed1.jpg","contentUrl":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Muhammed1.jpg","caption":"Muhammed I\u015eIK"},"description":"1986 y\u0131l\u0131nda Ankara\u2019n\u0131n \u00c7aml\u0131dere il\u00e7esinde do\u011fan Muhammed I\u015f\u0131k, orta\u00f6\u011frenimini Ankara\u2019da tamamlad\u0131. Anadolu \u00dcniversitesi \u0130\u015fletme Fak\u00fcltesi ile Medya ve \u0130leti\u015fim B\u00f6l\u00fcm\u00fcnden mezun olan I\u015f\u0131k, yazarl\u0131k kariyerine \u201cSiyaset ve D\u00fc\u015f\u00fcnce\u201d adl\u0131 internet sitesinde k\u00f6\u015fe yazar\u0131 olarak ba\u015flad\u0131. Farkl\u0131 platformlarda fikirlerini payla\u015fmaya devam eden yazar, Fikri Kadim, Mimoza Haber, Nokta32, Akdeniz Haber, Ger\u00e7ek Tarih ve \u0130ttifak Gazetesi gibi mecralarda k\u00f6\u015fe yaz\u0131lar\u0131 yay\u0131mlad\u0131. Ayn\u0131 zamanda Ger\u00e7ek Tarih dergisinin yay\u0131n koordinat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenerek, dergi yay\u0131nc\u0131l\u0131\u011f\u0131 alan\u0131nda da katk\u0131lar sundu. T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi Y\u00f6netim Kurulu \u00dcyesi olarak da k\u00fclt\u00fcrel ve edeb\u00ee faaliyetlere katk\u0131da bulundu. 2016-2024 y\u0131llar\u0131 aras\u0131nda Sahipk\u0131ran Stratejik Ara\u015ft\u0131rmalar Merkezinde (SASAM) Genel Sekreterlik g\u00f6revini y\u00fcr\u00fcten Muhammed I\u015f\u0131k, halen Haber Ajanda ve K\u00fclt\u00fcr Ajanda dergilerinde yazmaktad\u0131r. Aral\u0131k 2018\u2019den bu yana dikGAZETE.com yazar\u0131d\u0131r. Evli ve iki erkek \u00e7ocuk babas\u0131d\u0131r. Edeb\u00ee \u00fcretkenli\u011fiyle dikkat \u00e7eken Muhammed I\u015f\u0131k, \u015fu eserlerin yazar\u0131d\u0131r: \u2060G\u00f6n\u00fclden Dima\u011fa (2019), Ak\u0131ldan Kalbe Esintiler (2022), \u2060T\u00fcrk Tipi Ba\u015fkanl\u0131k Sistemi (2022), Bozuk Sat\u0131h (2022), Eyvah Cumhurba\u015fkan\u0131 Oldum (2023, Abdurahim Zarars\u0131z ile birlikte), \u2060G\u00f6n\u00fcl S\u0131z\u0131s\u0131 (2025), Ferdi Tayfur Plaklardaki Derbeder Kral (2025).","url":"https:\/\/simurgedebiyat.com\/index.php\/author\/muhammed-isik\/"}]}},"featured_image_urls":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg",800,1243,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-193x300.jpg",193,300,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-768x1193.jpg",640,994,true],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-659x1024.jpg",640,994,true],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg",800,1243,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg",800,1243,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-800x715.jpg",800,715,true],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg",800,1243,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-400x250.jpg",400,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-375x375.jpg",375,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-720x480.jpg",720,480,true],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-800x630.jpg",800,630,true],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-216x216.jpg",216,216,true]},"author_info":{"display_name":"Muhammed I\u015eIK","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/muhammed-isik\/"},"category_info":"<a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/kitap\/\" rel=\"category tag\">Kitap<\/a>","tag_info":"Kitap","comment_count":"0","jetpack_featured_media_url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg","uagb_featured_image_src":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg",800,1243,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-193x300.jpg",193,300,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-768x1193.jpg",640,994,true],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-659x1024.jpg",640,994,true],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg",800,1243,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg",800,1243,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-800x715.jpg",800,715,true],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel.jpg",800,1243,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-400x250.jpg",400,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-375x375.jpg",375,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-720x480.jpg",720,480,true],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-800x630.jpg",800,630,true],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/09\/Ozel-216x216.jpg",216,216,true]},"uagb_author_info":{"display_name":"Muhammed I\u015eIK","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/muhammed-isik\/"},"uagb_comment_info":0,"uagb_excerpt":"Song\u00fcl \u00d6zel\u2019in Sobeledim Seni D\u00fcnya adl\u0131 \u015fiir kitab\u0131, ad\u0131ndan ba\u015flayarak okuru oyun ile hakikat, d\u00fcnya...","authors":[{"term_id":310,"user_id":56,"is_guest":0,"slug":"muhammed-isik","display_name":"Muhammed I\u015eIK","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Muhammed1.jpg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Muhammed1.jpg"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"1986 y\u0131l\u0131nda Ankara\u2019n\u0131n \u00c7aml\u0131dere il\u00e7esinde do\u011fan Muhammed I\u015f\u0131k, orta\u00f6\u011frenimini Ankara\u2019da tamamlad\u0131. Anadolu \u00dcniversitesi \u0130\u015fletme Fak\u00fcltesi ile Medya ve \u0130leti\u015fim B\u00f6l\u00fcm\u00fcnden mezun olan I\u015f\u0131k, yazarl\u0131k kariyerine \u201cSiyaset ve D\u00fc\u015f\u00fcnce\u201d adl\u0131 internet sitesinde k\u00f6\u015fe yazar\u0131 olarak ba\u015flad\u0131. Farkl\u0131 platformlarda fikirlerini payla\u015fmaya devam eden yazar, Fikri Kadim, Mimoza Haber, Nokta32, Akdeniz Haber, Ger\u00e7ek Tarih ve \u0130ttifak Gazetesi gibi mecralarda k\u00f6\u015fe yaz\u0131lar\u0131 yay\u0131mlad\u0131. Ayn\u0131 zamanda Ger\u00e7ek Tarih dergisinin yay\u0131n koordinat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenerek, dergi yay\u0131nc\u0131l\u0131\u011f\u0131 alan\u0131nda da katk\u0131lar sundu. T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi Y\u00f6netim Kurulu \u00dcyesi olarak da k\u00fclt\u00fcrel ve edeb\u00ee faaliyetlere katk\u0131da bulundu.\r\n\r\n2016-2024 y\u0131llar\u0131 aras\u0131nda Sahipk\u0131ran Stratejik Ara\u015ft\u0131rmalar Merkezinde (SASAM) Genel Sekreterlik g\u00f6revini y\u00fcr\u00fcten Muhammed I\u015f\u0131k, halen Haber Ajanda ve K\u00fclt\u00fcr Ajanda dergilerinde yazmaktad\u0131r. Aral\u0131k 2018\u2019den bu yana dikGAZETE.com yazar\u0131d\u0131r. Evli ve iki erkek \u00e7ocuk babas\u0131d\u0131r.\r\n\r\nEdeb\u00ee \u00fcretkenli\u011fiyle dikkat \u00e7eken Muhammed I\u015f\u0131k, \u015fu eserlerin yazar\u0131d\u0131r:\r\n\r\n\u2060G\u00f6n\u00fclden Dima\u011fa (2019), Ak\u0131ldan Kalbe Esintiler (2022), \u2060T\u00fcrk Tipi Ba\u015fkanl\u0131k Sistemi (2022), Bozuk Sat\u0131h (2022), Eyvah Cumhurba\u015fkan\u0131 Oldum (2023, Abdurahim Zarars\u0131z ile birlikte), \u2060G\u00f6n\u00fcl S\u0131z\u0131s\u0131 (2025), Ferdi Tayfur Plaklardaki Derbeder Kral (2025)."}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/56"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=4871"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4871\/revisions"}],"predecessor-version":[{"id":4873,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4871\/revisions\/4873"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/4872"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=4871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=4871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=4871"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=4871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}