{"id":4777,"date":"2026-08-11T09:25:17","date_gmt":"2026-08-11T06:25:17","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=4777"},"modified":"2026-08-11T09:25:17","modified_gmt":"2026-08-11T06:25:17","slug":"kelimelerin-hafizasindan-bir-medeniyet-tasavvurunda-d-mehmet-dogani-anlama-ve-kavrama-arayisi","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/08\/11\/kelimelerin-hafizasindan-bir-medeniyet-tasavvurunda-d-mehmet-dogani-anlama-ve-kavrama-arayisi\/","title":{"rendered":"Kelimelerin Haf\u0131zas\u0131ndan Bir Medeniyet Tasavvurunda D. Mehmet Do\u011fan\u2019\u0131 Anlama ve Kavrama Aray\u0131\u015f\u0131"},"content":{"rendered":"
    \n
  1. Mehmet Do\u011fan’\u0131n ard\u0131ndan kalan kitaplara bak\u0131ld\u0131\u011f\u0131nda ilk g\u00f6ze \u00e7arpan husus, eserlerinin konu bak\u0131m\u0131ndan geni\u015fli\u011fidir. Bat\u0131l\u0131la\u015fma, yak\u0131n tarih, dil, s\u00f6zl\u00fck\u00e7\u00fcl\u00fck, k\u00fclt\u00fcr, bas\u0131n, Mehmed \u00c2kif, \u0130stikl\u00e2l Mar\u015f\u0131, T\u00fcrk d\u00fcnyas\u0131, \u015fehir ve medeniyet\u2026 \u0130lk bak\u0131\u015fta birbirinden uzak g\u00f6r\u00fcnen bu ba\u015fl\u0131klar, D. Mehmet Do\u011fan’\u0131n kaleminden \u00e7\u0131kt\u0131\u011f\u0131nda ortak bir d\u00fc\u015f\u00fcnce \u00e7izgisinde bulu\u015fur. Onun as\u0131l meselesi, T\u00fcrkiye’nin kendi tarihine, diline ve k\u00fclt\u00fcr\u00fcne hangi g\u00f6zle bakaca\u011f\u0131d\u0131r. Bu bak\u0131mdan D. Mehmet Do\u011fan’\u0131 anlaman\u0131n yolu, kitaplar\u0131n\u0131 ayr\u0131 ayr\u0131 de\u011ferlendirmekten \u00e7ok, bu eserlerin alt\u0131nda uzanan fikr\u00ee damar\u0131 takip etmekten ge\u00e7er.<\/li>\n<\/ol>\n

    1947’de Ankara’n\u0131n Kalecik il\u00e7esinde d\u00fcnyaya gelen Do\u011fan, Ankara \u00dcniversitesi Bas\u0131n ve Yay\u0131n Y\u00fcksek Okulundan mezun olduktan sonra yay\u0131nc\u0131l\u0131k, gazetecilik, televizyon, k\u00fclt\u00fcr ve s\u00f6zl\u00fck \u00e7al\u0131\u015fmalar\u0131 gibi farkl\u0131 alanlarda faaliyet g\u00f6sterdi. Derg\u00e2h Yay\u0131nlar\u0131’ndaki \u00e7al\u0131\u015fmalar\u0131, T\u00fcrk Tarih Kurumundaki g\u00f6revi, TRT tecr\u00fcbesi, gazete ve dergi yaz\u0131lar\u0131, B\u00fcy\u00fck T\u00fcrk\u00e7e S\u00f6zl\u00fck \u00e7al\u0131\u015fmas\u0131 ve T\u00fcrkiye Yazarlar Birli\u011finin kurulu\u015fundaki \u00f6nc\u00fcl\u00fc\u011f\u00fc, onun yaln\u0131zca kitap yazan bir m\u00fcellif olmad\u0131\u011f\u0131n\u0131 g\u00f6sterir. Yazarl\u0131\u011f\u0131, yay\u0131nc\u0131l\u0131\u011f\u0131 ve k\u00fclt\u00fcr te\u015fkilat\u00e7\u0131l\u0131\u011f\u0131n\u0131 bir arada y\u00fcr\u00fctmesi, Do\u011fan’\u0131n d\u00fc\u015f\u00fcncelerini kitap sayfalar\u0131n\u0131n d\u0131\u015f\u0131na ta\u015f\u0131yan \u00f6nemli bir unsur olmu\u015ftur.<\/p>\n

    Onun fikir d\u00fcnyas\u0131n\u0131n en \u00e7ok bilinen ba\u015flang\u0131\u00e7 noktas\u0131 Bat\u0131l\u0131la\u015fma \u0130hanetidir. \u0130lk bask\u0131s\u0131 1975’te yap\u0131lan eser, T\u00fcrkiye’nin modernle\u015fme tecr\u00fcbesini sorgulayan cesur bir metin olarak uzun y\u0131llar geni\u015f bir okuyucu kitlesine ula\u015ft\u0131. Kitab\u0131n as\u0131l \u00f6nemi, Bat\u0131l\u0131la\u015fma meselesini bir \u201cyenilik\u201d tart\u0131\u015fmas\u0131na indirgememesindedir. Do\u011fan, de\u011fi\u015fimin hangi bedeller kar\u015f\u0131l\u0131\u011f\u0131nda ger\u00e7ekle\u015fti\u011fini sorar. Bir toplum kendi tarihinden, dilinden, inan\u00e7 d\u00fcnyas\u0131ndan ve k\u00fclt\u00fcr birikiminden uzakla\u015ft\u0131\u011f\u0131nda ortaya \u00e7\u0131kan zihniyet de\u011fi\u015fimini sorgular.<\/p>\n

    Burada D. Mehmet Do\u011fan’\u0131n temel itiraz\u0131 daha a\u00e7\u0131k bi\u00e7imde g\u00f6r\u00fcl\u00fcr: Bir milletin gelece\u011fini kurabilmesi i\u00e7in \u00f6nce kendi ge\u00e7mi\u015fiyle sahici bir ili\u015fki kurmas\u0131 gerekir. Ge\u00e7mi\u015fi oldu\u011fu gibi kutsamak ba\u015fka, ge\u00e7mi\u015fin birikimini bug\u00fcn\u00fcn meseleleriyle bulu\u015fturmak ba\u015fkad\u0131r. Onun eserlerindeki tav\u0131r, ikinci yola daha yak\u0131nd\u0131r. Onun tarih merak\u0131, eskiyi tekrarlama arzusundan \u00e7ok, bug\u00fcn\u00fcn nas\u0131l meydana geldi\u011fini anlama \u00e7abas\u0131d\u0131r.<\/p>\n

    \"T\u00fcrkiye<\/p>\n

    Bu y\u00fczden Bat\u0131l\u0131la\u015fma \u0130haneti, Do\u011fan’\u0131n sonraki kitaplar\u0131n\u0131 anlamak bak\u0131m\u0131ndan bir anahtar i\u015flevi g\u00f6r\u00fcr. Dil K\u00fclt\u00fcr Yabanc\u0131la\u015fmaya ge\u00e7ildi\u011finde konu de\u011fi\u015fmi\u015f gibi g\u00f6r\u00fcn\u00fcr; fakat d\u00fc\u015f\u00fcnce \u00e7izgisi devam eder. Bu kez mesele dil \u00fczerinden ele al\u0131n\u0131r. Dil, Do\u011fan i\u00e7in kelimelerin yan yana gelmesinden olu\u015fan bir ileti\u015fim arac\u0131 de\u011fildir. Dil, bir milletin d\u00fcnyay\u0131 kavray\u0131\u015f bi\u00e7iminin ta\u015f\u0131y\u0131c\u0131s\u0131d\u0131r.<\/p>\n

    Bu anlay\u0131\u015f\u0131n en dikkat \u00e7ekici sonucu onun s\u00f6zl\u00fck\u00e7\u00fcl\u00fc\u011f\u00fcnde ortaya \u00e7\u0131kar. B\u00fcy\u00fck T\u00fcrk\u00e7e S\u00f6zl\u00fck, Onun y\u0131llara yay\u0131lan eme\u011finin \u00fcr\u00fcn\u00fc olarak yaln\u0131zca kelimelerin anlamlar\u0131n\u0131 s\u0131ralayan bir \u00e7al\u0131\u015fma de\u011fildir. Kelimelerin ya\u015fad\u0131\u011f\u0131 d\u00fcnyay\u0131, tarih boyunca kazand\u0131klar\u0131 anlamlar\u0131 ve T\u00fcrk\u00e7enin geni\u015f ifade imk\u00e2nlar\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lma \u00e7abas\u0131d\u0131r. Bir L\u00fcgat Bulamad\u0131m, Kelimelerin Seyir Defteri ve T\u00fcrk\u00e7e D\u00fc\u015f\u00fcnmek T\u00fcrk\u00e7eyi D\u00fc\u015f\u00fcnmek gibi eserler de bu u\u011fra\u015f\u0131n farkl\u0131 cephelerini g\u00f6sterir.<\/p>\n

    Do\u011fan’\u0131n kelimelere verdi\u011fi \u00f6nem burada anlam kazan\u0131r. Bir kelime, onun d\u00fc\u015f\u00fcncesinde ge\u00e7mi\u015ften gelen bir emanet gibidir. Bir kelimenin kullan\u0131m d\u0131\u015f\u0131na itilmesi, o kelimeyle birlikte bir d\u00fc\u015f\u00fcncenin, bir hat\u0131ran\u0131n, bir sanat anlay\u0131\u015f\u0131n\u0131n veya bir hayat tecr\u00fcbesinin de unutulmas\u0131na yol a\u00e7abilir. Bu nedenle dil meselesi, onun eserlerinde k\u00fclt\u00fcr meselesinden hi\u00e7bir zaman kopmaz.<\/p>\n

    Do\u011fan’\u0131n dil konusundaki \u0131srar\u0131n\u0131 yaln\u0131zca eski kelimeleri koruma gayreti olarak de\u011ferlendirmek de yetersiz kal\u0131r. Onun as\u0131l derdi, T\u00fcrk\u00e7enin d\u00fc\u015f\u00fcnce \u00fcretme g\u00fcc\u00fcd\u00fcr. T\u00fcrk\u00e7e D\u00fc\u015f\u00fcnmek T\u00fcrk\u00e7eyi D\u00fc\u015f\u00fcnmek ba\u015fl\u0131\u011f\u0131 bile bu bak\u0131\u015f\u0131n \u00f6z\u00fcn\u00fc g\u00f6sterir. Dil \u00fczerine d\u00fc\u015f\u00fcnmek, ayn\u0131 zamanda insan\u0131n hangi kavramlarla d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fc sorgulamas\u0131d\u0131r. Kelime hazinesi daralan bir toplumun d\u00fc\u015f\u00fcnce ufkunun da daralabilece\u011fi fikri, Do\u011fan’\u0131n yaz\u0131lar\u0131nda s\u0131k s\u0131k kar\u015f\u0131m\u0131za \u00e7\u0131kar.<\/p>\n

    Bu noktada dil ile tarih aras\u0131ndaki ba\u011f ortaya \u00e7\u0131kar. Do\u011fan’\u0131n T\u00fcrkiye Cumhuriyeti Tarihine Giri\u015f, 1932: Din\u00ee \u0130nk\u0131lap Y\u0131l\u0131, Mill\u00ee M\u00fccadele’nin Zaman Ak\u0131\u015f\u0131 ve benzeri \u00e7al\u0131\u015fmalar\u0131na bak\u0131ld\u0131\u011f\u0131nda tarih anlat\u0131s\u0131n\u0131n onun i\u00e7in ge\u00e7mi\u015fte kalm\u0131\u015f olaylar\u0131 s\u0131ralamaktan ibaret olmad\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcr. Tarih, bug\u00fcn\u00fc a\u00e7\u0131klamak i\u00e7in ba\u015fvurulan temel kaynaklardan biridir. Hangi kelimeleri kulland\u0131\u011f\u0131m\u0131z, hangi olaylar\u0131 nas\u0131l hat\u0131rlad\u0131\u011f\u0131m\u0131z ve hangi \u015fahsiyetleri \u00f6ne \u00e7\u0131kard\u0131\u011f\u0131m\u0131z, tarih anlay\u0131\u015f\u0131m\u0131z\u0131 da belirler.<\/p>\n

    Do\u011fan’\u0131n tarih \u00e7al\u0131\u015fmalar\u0131ndaki ay\u0131rt edici tav\u0131r, yerle\u015fik kabulleri yeniden sorgulamas\u0131d\u0131r. \u00d6zellikle Cumhuriyet’in ilk d\u00f6nemlerine, dil ve k\u00fclt\u00fcr politikalar\u0131na, din\u00ee hayatla ilgili d\u00fczenlemelere ve modernle\u015fme hamlelerine y\u00f6nelirken resm\u00ee anlat\u0131n\u0131n d\u0131\u015f\u0131nda kalan noktalar\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmaya \u00e7al\u0131\u015f\u0131r. Bu tav\u0131r, onun baz\u0131 eserlerini tart\u0131\u015fmal\u0131 h\u00e2le getirmi\u015ftir. Fakat zaten Do\u011fan’\u0131n yazarl\u0131\u011f\u0131n\u0131 \u00f6nemli k\u0131lan hususlardan biri de budur: O, \u00fczerinde uzla\u015f\u0131lm\u0131\u015f kabulleri tekrar etmek yerine okuru yeniden d\u00fc\u015f\u00fcnmeye zorlayan sorular ortaya koyar.<\/p>\n

    Mehmed \u00c2kif’e ilgisi de bu tarih ve haf\u0131za anlay\u0131\u015f\u0131yla ba\u011flant\u0131l\u0131d\u0131r. Do\u011fan i\u00e7in \u00c2kif, yaln\u0131zca \u0130stikl\u00e2l Mar\u015f\u0131’n\u0131n \u015fairi de\u011fildir. \u00c2kif’in hayat\u0131, \u015fiiri, d\u00fc\u015f\u00fcncesi ve Mill\u00ee M\u00fccadele y\u0131llar\u0131ndaki tavr\u0131, T\u00fcrkiye’nin yak\u0131n tarihindeki \u00f6nemli k\u0131r\u0131lmalar\u0131 anlamak i\u00e7in bir imk\u00e2n sunar. Camideki \u015eair, \u0130sl\u00e2m \u015e\u00e2iri \u0130stikl\u00e2l \u015eairi Mehmed \u00c2kif ve \u00c2kif \u00fczerine di\u011fer \u00e7al\u0131\u015fmalar\u0131, bu bak\u0131\u015f\u0131n \u00fcr\u00fcn\u00fcd\u00fcr.<\/p>\n

    Do\u011fan’\u0131n \u00c2kif’e verdi\u011fi \u00f6nem, ayn\u0131 zamanda hangi fikir miras\u0131n\u0131 sahiplendi\u011fini de g\u00f6sterir. Necip F\u00e2z\u0131l ve Nureddin Top\u00e7u \u00fczerine \u00e7al\u0131\u015fmalar\u0131 da d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fcnde kar\u015f\u0131m\u0131za belirli bir d\u00fc\u015f\u00fcnce \u00e7izgisi \u00e7\u0131kar. Bu isimlerde Do\u011fan’\u0131n ilgisini \u00e7eken ortak nokta, kendi medeniyet birikiminden hareket ederek \u00e7a\u011f\u0131n meseleleri \u00fczerine s\u00f6z s\u00f6yleme \u00e7abas\u0131d\u0131r.<\/p>\n

    \"Mehmet<\/p>\n

    1.Mehmet Do\u011fan’\u0131n yazarl\u0131\u011f\u0131n\u0131 yaln\u0131zca kitaplar\u0131 \u00fczerinden de\u011ferlendirmek de eksik kal\u0131r. Gazete ve dergi yaz\u0131lar\u0131, onun g\u00fcndelik olaylara nas\u0131l bakt\u0131\u011f\u0131n\u0131 g\u00f6steren geni\u015f bir alan olu\u015fturur. Y\u0131llar boyunca farkl\u0131 yay\u0131n organlar\u0131nda yazmas\u0131, de\u011fi\u015fen T\u00fcrkiye g\u00fcndemini yak\u0131ndan takip etti\u011fini g\u00f6sterirken temel meselelerinde b\u00fcy\u00fck bir s\u00fcreklilik ta\u015f\u0131d\u0131\u011f\u0131 da g\u00f6r\u00fcl\u00fcr. G\u00fcndelik bir olaydan hareket ederek tarih\u00ee bir arka plana, oradan k\u00fclt\u00fcr ve dil meselesine ula\u015fabilmesi, onun k\u00f6\u015fe yazarl\u0131\u011f\u0131n\u0131 s\u0131radan g\u00fcndem yorumlar\u0131ndan ay\u0131ran \u00f6zelliklerden biridir.<\/p>\n

    Bu s\u00fcreklilik, T\u00fcrkiye Yazarlar Birli\u011finin kurulu\u015funda da kendisini g\u00f6sterir. Do\u011fan’\u0131n yazarlar\u0131 bir meslek kurulu\u015fu \u00e7at\u0131s\u0131 alt\u0131nda bulu\u015fturma \u00e7abas\u0131, k\u00fclt\u00fcr hayat\u0131nda kurumsalla\u015fman\u0131n \u00f6nemine verdi\u011fi de\u011feri ortaya koyar. T\u00fcrkiye K\u00fclt\u00fcr ve Sanat Y\u0131ll\u0131\u011f\u0131 gibi \u00e7al\u0131\u015fmalar, yazarlar\u0131n ve sanat\u00e7\u0131lar\u0131n faaliyetlerini kay\u0131t alt\u0131na alma d\u00fc\u015f\u00fcncesi de onun k\u00fclt\u00fcr hayat\u0131na bak\u0131\u015f\u0131n\u0131n bir ba\u015fka cephesidir. Bir yazar\u0131n yaln\u0131zca kitap yazmas\u0131yla yetinmeyen, k\u00fclt\u00fcr ortam\u0131n\u0131n kurulmas\u0131 ve korunmas\u0131 gerekti\u011fine inanan bir anlay\u0131\u015f s\u00f6z konusudur.<\/p>\n

    Burada D. Mehmet Do\u011fan’\u0131n en g\u00fc\u00e7l\u00fc taraflar\u0131ndan biri ortaya \u00e7\u0131kar: O, k\u00fclt\u00fcr\u00fc seyredilecek bir alan olarak g\u00f6rmez. K\u00fclt\u00fcr hayat\u0131n\u0131n i\u00e7inde yer al\u0131r, kurum kurar, kitap yay\u0131mlar, s\u00f6zl\u00fck haz\u0131rlar, yazarlar\u0131 bir araya getirir, ge\u00e7mi\u015fin \u00f6nemli \u015fahsiyetlerini g\u00fcndeme ta\u015f\u0131r ve tart\u0131\u015fmal\u0131 meselelerin \u00fczerine gider. Bu sebeple onun miras\u0131 birka\u00e7 kitab\u0131n toplam\u0131ndan daha geni\u015ftir.<\/p>\n

    Elbette D. Mehmet Do\u011fan’\u0131n b\u00fct\u00fcn fikirlerini tart\u0131\u015fman\u0131n d\u0131\u015f\u0131nda b\u0131rakmak do\u011fru olmaz. Bat\u0131l\u0131la\u015fma, modernle\u015fme, dil reformlar\u0131 ve Cumhuriyet tarihi \u00fczerine baz\u0131 h\u00fck\u00fcmleri serttir ve farkl\u0131 tarih okumalar\u0131na a\u00e7\u0131kt\u0131r. Baz\u0131 meselelerde kulland\u0131\u011f\u0131 \u00e7er\u00e7eveler ele\u015ftiriye muhta\u00e7t\u0131r. Fakat bir fikir adam\u0131n\u0131n de\u011ferini yaln\u0131zca onunla ayn\u0131 kanaati payla\u015farak \u00f6l\u00e7mek do\u011fru de\u011fildir. As\u0131l mesele, ortaya koydu\u011fu sorular\u0131n h\u00e2l\u00e2 d\u00fc\u015f\u00fcnmeye de\u011fer olup olmad\u0131\u011f\u0131d\u0131r.<\/p>\n

      \n
    1. Mehmet Do\u011fan’\u0131n sorular\u0131 bug\u00fcn de canl\u0131l\u0131\u011f\u0131n\u0131 koruyor: Bir millet kendi tarihini hangi kavramlarla anlatacakt\u0131r? Dilini hangi \u00f6l\u00e7\u00fclerle koruyacakt\u0131r? Modernle\u015firken kendi k\u00fclt\u00fcr birikimiyle nas\u0131l ili\u015fki kuracakt\u0131r? Ge\u00e7mi\u015fin miras\u0131 gelece\u011fin kurulmas\u0131na nas\u0131l katk\u0131 sa\u011flayacakt\u0131r?<\/li>\n<\/ol>\n

      Bu sorular, Do\u011fan’\u0131n eserlerini g\u00fcncel k\u0131lan temel noktad\u0131r.<\/p>\n

      Onun kitaplar\u0131n\u0131 bir arada d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fczde kar\u015f\u0131m\u0131za uzun bir d\u00fc\u015f\u00fcnce yolculu\u011fu \u00e7\u0131kar. Yol, Bat\u0131l\u0131la\u015fma \u0130haneti ile ba\u015flayan k\u00fclt\u00fcr sorgulamas\u0131ndan T\u00fcrk\u00e7enin kelimelerine, oradan tarihe, Mehmed \u00c2kif’e, T\u00fcrk d\u00fcnyas\u0131na, yazarl\u0131k mesle\u011fine ve nihayet bir milletin kendisini tan\u0131mlama meselesine ula\u015f\u0131r.<\/p>\n

        \n
      1. Mehmet Do\u011fan’\u0131n as\u0131l miras\u0131 belki de tam burada aranmal\u0131d\u0131r: O, kelimeleri korurken haf\u0131zay\u0131, tarihi tart\u0131\u015f\u0131rken kimlik meselesini, k\u00fclt\u00fcr\u00fc savunurken medeniyet fikrini g\u00fcndeme getirdi. Onun kitaplar\u0131n\u0131 birbirine ba\u011flayan esas \u00e7izgi, T\u00fcrkiye’nin kendisini ba\u015fkalar\u0131n\u0131n kavramlar\u0131yla tan\u0131mlamak yerine kendi tarihinin, dilinin ve k\u00fclt\u00fcr\u00fcn\u00fcn imk\u00e2nlar\u0131yla yeniden d\u00fc\u015f\u00fcnmesi gerekti\u011fi fikridir.<\/li>\n<\/ol>\n

        Bu sebeple D. Mehmet Do\u011fan’\u0131 yaln\u0131zca bir yazar olarak okumak eksik kal\u0131r. Onu, kelimelerden hareketle bir milletin haf\u0131zas\u0131n\u0131 yeniden d\u00fc\u015f\u00fcnmeye \u00e7al\u0131\u015fan uzun soluklu bir fikir i\u015f\u00e7isi olarak okumak gerekir. Geride b\u0131rakt\u0131\u011f\u0131 eserlerin de\u011feri de zaman i\u00e7inde, yeni ku\u015faklar\u0131n onun cevaplar\u0131ndan<\/p>\n","protected":false},"excerpt":{"rendered":"

        Mehmet Do\u011fan’\u0131n ard\u0131ndan kalan kitaplara bak\u0131ld\u0131\u011f\u0131nda ilk g\u00f6ze \u00e7arpan husus, eserlerinin konu bak\u0131m\u0131ndan geni\u015fli\u011fidir. Bat\u0131l\u0131la\u015fma,…<\/p>\n","protected":false},"author":56,"featured_media":4778,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[100],"tags":[],"ppma_author":[310],"class_list":["post-4777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-deneme"],"yoast_head":"\nKelimelerin Haf\u0131zas\u0131ndan Bir Medeniyet Tasavvurunda D. 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Anadolu \u00dcniversitesi \u0130\u015fletme Fak\u00fcltesi ile Medya ve \u0130leti\u015fim B\u00f6l\u00fcm\u00fcnden mezun olan I\u015f\u0131k, yazarl\u0131k kariyerine \u201cSiyaset ve D\u00fc\u015f\u00fcnce\u201d adl\u0131 internet sitesinde k\u00f6\u015fe yazar\u0131 olarak ba\u015flad\u0131. Farkl\u0131 platformlarda fikirlerini payla\u015fmaya devam eden yazar, Fikri Kadim, Mimoza Haber, Nokta32, Akdeniz Haber, Ger\u00e7ek Tarih ve \u0130ttifak Gazetesi gibi mecralarda k\u00f6\u015fe yaz\u0131lar\u0131 yay\u0131mlad\u0131. Ayn\u0131 zamanda Ger\u00e7ek Tarih dergisinin yay\u0131n koordinat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenerek, dergi yay\u0131nc\u0131l\u0131\u011f\u0131 alan\u0131nda da katk\u0131lar sundu. T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi Y\u00f6netim Kurulu \u00dcyesi olarak da k\u00fclt\u00fcrel ve edeb\u00ee faaliyetlere katk\u0131da bulundu. 2016-2024 y\u0131llar\u0131 aras\u0131nda Sahipk\u0131ran Stratejik Ara\u015ft\u0131rmalar Merkezinde (SASAM) Genel Sekreterlik g\u00f6revini y\u00fcr\u00fcten Muhammed I\u015f\u0131k, halen Haber Ajanda ve K\u00fclt\u00fcr Ajanda dergilerinde yazmaktad\u0131r. Aral\u0131k 2018\u2019den bu yana dikGAZETE.com yazar\u0131d\u0131r. Evli ve iki erkek \u00e7ocuk babas\u0131d\u0131r. Edeb\u00ee \u00fcretkenli\u011fiyle dikkat \u00e7eken Muhammed I\u015f\u0131k, \u015fu eserlerin yazar\u0131d\u0131r: \u2060G\u00f6n\u00fclden Dima\u011fa (2019), Ak\u0131ldan Kalbe Esintiler (2022), \u2060T\u00fcrk Tipi Ba\u015fkanl\u0131k Sistemi (2022), Bozuk Sat\u0131h (2022), Eyvah Cumhurba\u015fkan\u0131 Oldum (2023, Abdurahim Zarars\u0131z ile birlikte), \u2060G\u00f6n\u00fcl S\u0131z\u0131s\u0131 (2025), Ferdi Tayfur Plaklardaki Derbeder Kral (2025).\",\"url\":\"https:\/\/simurgedebiyat.com\/index.php\/author\/muhammed-isik\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Kelimelerin Haf\u0131zas\u0131ndan Bir Medeniyet Tasavvurunda D. 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Anadolu \u00dcniversitesi \u0130\u015fletme Fak\u00fcltesi ile Medya ve \u0130leti\u015fim B\u00f6l\u00fcm\u00fcnden mezun olan I\u015f\u0131k, yazarl\u0131k kariyerine \u201cSiyaset ve D\u00fc\u015f\u00fcnce\u201d adl\u0131 internet sitesinde k\u00f6\u015fe yazar\u0131 olarak ba\u015flad\u0131. Farkl\u0131 platformlarda fikirlerini payla\u015fmaya devam eden yazar, Fikri Kadim, Mimoza Haber, Nokta32, Akdeniz Haber, Ger\u00e7ek Tarih ve \u0130ttifak Gazetesi gibi mecralarda k\u00f6\u015fe yaz\u0131lar\u0131 yay\u0131mlad\u0131. Ayn\u0131 zamanda Ger\u00e7ek Tarih dergisinin yay\u0131n koordinat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenerek, dergi yay\u0131nc\u0131l\u0131\u011f\u0131 alan\u0131nda da katk\u0131lar sundu. T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi Y\u00f6netim Kurulu \u00dcyesi olarak da k\u00fclt\u00fcrel ve edeb\u00ee faaliyetlere katk\u0131da bulundu. 2016-2024 y\u0131llar\u0131 aras\u0131nda Sahipk\u0131ran Stratejik Ara\u015ft\u0131rmalar Merkezinde (SASAM) Genel Sekreterlik g\u00f6revini y\u00fcr\u00fcten Muhammed I\u015f\u0131k, halen Haber Ajanda ve K\u00fclt\u00fcr Ajanda dergilerinde yazmaktad\u0131r. Aral\u0131k 2018\u2019den bu yana dikGAZETE.com yazar\u0131d\u0131r. Evli ve iki erkek \u00e7ocuk babas\u0131d\u0131r. Edeb\u00ee \u00fcretkenli\u011fiyle dikkat \u00e7eken Muhammed I\u015f\u0131k, \u015fu eserlerin yazar\u0131d\u0131r: \u2060G\u00f6n\u00fclden Dima\u011fa (2019), Ak\u0131ldan Kalbe Esintiler (2022), \u2060T\u00fcrk Tipi Ba\u015fkanl\u0131k Sistemi (2022), Bozuk Sat\u0131h (2022), Eyvah Cumhurba\u015fkan\u0131 Oldum (2023, Abdurahim Zarars\u0131z ile birlikte), \u2060G\u00f6n\u00fcl S\u0131z\u0131s\u0131 (2025), Ferdi Tayfur Plaklardaki Derbeder Kral 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I\u015eIK","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/muhammed-isik\/"},"uagb_comment_info":0,"uagb_excerpt":"Mehmet Do\u011fan’\u0131n ard\u0131ndan kalan kitaplara bak\u0131ld\u0131\u011f\u0131nda ilk g\u00f6ze \u00e7arpan husus, eserlerinin konu bak\u0131m\u0131ndan geni\u015fli\u011fidir. Bat\u0131l\u0131la\u015fma,...","authors":[{"term_id":310,"user_id":56,"is_guest":0,"slug":"muhammed-isik","display_name":"Muhammed I\u015eIK","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Muhammed1.jpg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Muhammed1.jpg"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"1986 y\u0131l\u0131nda Ankara\u2019n\u0131n \u00c7aml\u0131dere il\u00e7esinde do\u011fan Muhammed I\u015f\u0131k, orta\u00f6\u011frenimini Ankara\u2019da tamamlad\u0131. Anadolu \u00dcniversitesi \u0130\u015fletme Fak\u00fcltesi ile Medya ve \u0130leti\u015fim B\u00f6l\u00fcm\u00fcnden mezun olan I\u015f\u0131k, yazarl\u0131k kariyerine \u201cSiyaset ve D\u00fc\u015f\u00fcnce\u201d adl\u0131 internet sitesinde k\u00f6\u015fe yazar\u0131 olarak ba\u015flad\u0131. Farkl\u0131 platformlarda fikirlerini payla\u015fmaya devam eden yazar, Fikri Kadim, Mimoza Haber, Nokta32, Akdeniz Haber, Ger\u00e7ek Tarih ve \u0130ttifak Gazetesi gibi mecralarda k\u00f6\u015fe yaz\u0131lar\u0131 yay\u0131mlad\u0131. Ayn\u0131 zamanda Ger\u00e7ek Tarih dergisinin yay\u0131n koordinat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenerek, dergi yay\u0131nc\u0131l\u0131\u011f\u0131 alan\u0131nda da katk\u0131lar sundu. T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi Y\u00f6netim Kurulu \u00dcyesi olarak da k\u00fclt\u00fcrel ve edeb\u00ee faaliyetlere katk\u0131da bulundu.\r\n\r\n2016-2024 y\u0131llar\u0131 aras\u0131nda Sahipk\u0131ran Stratejik Ara\u015ft\u0131rmalar Merkezinde (SASAM) Genel Sekreterlik g\u00f6revini y\u00fcr\u00fcten Muhammed I\u015f\u0131k, halen Haber Ajanda ve K\u00fclt\u00fcr Ajanda dergilerinde yazmaktad\u0131r. Aral\u0131k 2018\u2019den bu yana dikGAZETE.com yazar\u0131d\u0131r. Evli ve iki erkek \u00e7ocuk babas\u0131d\u0131r.\r\n\r\nEdeb\u00ee \u00fcretkenli\u011fiyle dikkat \u00e7eken Muhammed I\u015f\u0131k, \u015fu eserlerin yazar\u0131d\u0131r:\r\n\r\n\u2060G\u00f6n\u00fclden Dima\u011fa (2019), Ak\u0131ldan Kalbe Esintiler (2022), \u2060T\u00fcrk Tipi Ba\u015fkanl\u0131k Sistemi (2022), Bozuk Sat\u0131h (2022), Eyvah Cumhurba\u015fkan\u0131 Oldum (2023, Abdurahim Zarars\u0131z ile birlikte), \u2060G\u00f6n\u00fcl S\u0131z\u0131s\u0131 (2025), Ferdi Tayfur Plaklardaki Derbeder Kral (2025)."}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/56"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=4777"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4777\/revisions"}],"predecessor-version":[{"id":4779,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4777\/revisions\/4779"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/4778"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=4777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=4777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=4777"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=4777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}