{"id":4736,"date":"2026-07-23T09:44:18","date_gmt":"2026-07-23T06:44:18","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=4736"},"modified":"2026-07-23T09:47:34","modified_gmt":"2026-07-23T06:47:34","slug":"4736","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/07\/23\/4736\/","title":{"rendered":"Haftan\u0131n Kitaplar\u0131-IV"},"content":{"rendered":"
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Sana D\u00fc\u015f\u00fcncelerle Gelsem <\/span><\/h1>\n<\/div>\n
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K\u0130TAPYURDU DO\u011eRUDAN YAYINCILIK (KDY)<\/a><\/div>\n
(Tar\u0131k TORUN)<\/div>\n<\/div>\n<\/div>\n
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Her \u00e7a\u011f\u0131n kendine \u00f6zg\u00fc sorular\u0131 vard\u0131r. \u0130nsan ise bu sorular\u0131n pe\u015finden y\u00fcr\u00fcd\u00fc\u011f\u00fc s\u00fcrece kendini, toplumu ve hayat\u0131 yeniden ke\u015ffeder.
\nSana D\u00fc\u015f\u00fcncelerle Gelsem; e\u011fitimden edebiyata, k\u00fclt\u00fcrden sanata, kamu bilincinden ahlaki de\u011ferlere uzanan geni\u015f bir d\u00fc\u015f\u00fcnce iklimi sunuyor. Tar\u0131k Torun, g\u00fcnl\u00fck hayat\u0131n i\u00e7inde \u00e7o\u011fu zaman fark edilmeyen meseleleri, bilgi birikimi ve tecr\u00fcbesiyle ele al\u0131rken okurunu haz\u0131r cevaplara de\u011fil; sorgulamaya, muhasebeye ve hakikati aramaya davet ediyor.
\nBu eser, modern d\u00fcnyan\u0131n karma\u015fas\u0131 i\u00e7inde insan\u0131 merkeze alan; vicdan\u0131, esteti\u011fi, sorumlulu\u011fu ve medeniyet tasavvurunu yeniden hat\u0131rlatan denemelerden olu\u015fuyor. Her sayfa, yaln\u0131zca okunmak i\u00e7in de\u011fil, \u00fczerine d\u00fc\u015f\u00fcn\u00fclmek i\u00e7in kaleme al\u0131nd\u0131.
\nE\u011fer bir kitab\u0131n size sadece bilgi vermesini de\u011fil; d\u00fc\u015f\u00fcncelerinize y\u00f6n vermesini, bak\u0131\u015f a\u00e7\u0131n\u0131z\u0131 zenginle\u015ftirmesini ve zihninizde yeni ufuklar a\u00e7mas\u0131n\u0131 istiyorsan\u0131z, bu eser size samimi bir yol arkada\u015fl\u0131\u011f\u0131 sunacakt\u0131r.
\n\u00c7\u00fcnk\u00fc bazen bir fikir, bir \u00f6mr\u00fcn y\u00f6n\u00fcn\u00fc de\u011fi\u015ftirebilir. Gelin, bu kez birbirimize s\u00f6zlerle de\u011fil; d\u00fc\u015f\u00fcncelerle gelelim.
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Liste Fiyat\u0131:<\/td>\n 130,00<\/td>\n<\/tr>\n
Yay\u0131n Tarihi:<\/td>\n20.07.2026<\/td>\n<\/tr>\n
ISBN:<\/td>\n9786253635572<\/td>\n<\/tr>\n
Dil:<\/td>\nT\u00dcRK\u00c7E<\/td>\n<\/tr>\n
Sayfa Say\u0131s\u0131:<\/td>\n116<\/td>\n<\/tr>\n
Cilt Tipi:<\/td>\nKarton Kapak<\/td>\n<\/tr>\n
Ka\u011f\u0131t Cinsi:<\/td>\nKitap Ka\u011f\u0131d\u0131<\/td>\n<\/tr>\n
Boyut:<\/td>\n13 x 19.5 cm<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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MEHMED N\u00dcV\u0130D BEY’\u0130N HAK\u0130KATLER L\u00dcGAT\u0130<\/strong>
\n(Mahir \u00dcnsal Eri\u015f)Mahir \u00dcnsal Eri\u015f’in Mehmed N\u00fcvid Bey’in Hakikatlar L\u00fcgati Do\u011fan Kitap’tan \u00e7\u0131kt\u0131… Mehmed N\u00fcvid Bey davetin cazibesine dayanamaz ve ak\u0131beti me\u00e7hul bu maceraya at\u0131l\u0131r. G\u00f6z\u00fc pek yard\u0131mc\u0131s\u0131 Nikolaki Efendi\u2019yle birlikte Anadolu ve Ortado\u011fu co\u011frafyas\u0131n\u0131 bir u\u00e7tan bir uca kateder ve nemikay\u0131 ararlar. Nemika nerededir, hangi hik\u00e2yede sakl\u0131d\u0131r? Gebze\u2019de Zenniye e\u015fk\u0131yas\u0131n\u0131n hik\u00e2yesinde mi, Anadolu\u2019yu kar\u0131\u015f kar\u0131\u015f dola\u015f\u0131p hayat\u0131n m\u00fczi\u011fini yakalamaya \u00e7al\u0131\u015fan Layo\u015f Farka\u015f\u2019\u0131n hik\u00e2yesinde mi? A\u015fk\u0131n, hakikatin pe\u015finde da\u011flar tepeler a\u015f\u0131l\u0131r; aylar, mevsimler ge\u00e7er; Mehmed N\u00fcvid Bey belde belde gezerek birbirinden acayip ve garaip 99 hik\u00e2ye dinler. Hepsinde nemikadan bir \u015fey vard\u0131r ve N\u00fcvid Bey\u2019e kendi l\u00fcgatini yazd\u0131rmaktad\u0131r…<\/p>\n<\/div>\n
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KUTSAL LEZZETLER ALFABES\u0130<\/strong>
\n(Haydar Erg\u00fclen)”Nar en \u00e7ok da g\u00fcne\u015fe yak\u0131\u015f\u0131yor, s\u0131cakl\u0131\u011f\u0131ndan m\u0131, hemen kan\u0131m\u0131z\u0131n kaynamas\u0131ndan m\u0131, g\u00fcler y\u00fczl\u00fc olu\u015fundan m\u0131 yoksa \u015fiir icab\u0131 m\u0131? Olsun, g\u00fcne\u015fli bir yan var nar\u0131 sevi\u015fimizde. Belki do\u011fdu\u011fu yerlerin s\u0131cakl\u0131\u011f\u0131ndan, belki sonra gitti\u011fi, ayn\u0131 zamanda g\u00f6\u00e7ebe meyvesidir, yerlere yayd\u0131\u011f\u0131 s\u0131cakl\u0131ktan, belki bin \u00e7ocuklu bir aile gibi yan yana, i\u00e7 i\u00e7e durdu\u011fundan, d\u00fcnya durduk\u00e7a duras\u0131 ilahi nar, burada dural\u0131m…” Sakin Kitap’tan \u00e7\u0131kan Kutsal Lezzetler Alfabesi, Artun \u00dcnsal’\u0131n \u00f6ns\u00f6z\u00fcyle, Topraktan sofralara, sofralardan kaleme, \u015fiire uzanan Adan Z’ye bir lezzet g\u00fczellemesi. “Sultan\u00ed’ enginar, yaz g\u00fczeli karpuz, lezzet gazeli incir, yolda\u015f limon ve daha nicesiyle Haydar Erg\u00fclen, kutsal topra\u011f\u0131n renklerini edebiyatla harmanlayarak tad\u0131na doyulmaz bir kitab\u0131 okurlarla bulu\u015fturuyor.<\/p>\n<\/div>\n
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KEFARET\u0130 \u00d6DENEN D\u00dcNYALAR<\/strong>
\n(\u0130hsan Kabil)
\nSinemay\u0131 bir e\u011flence ya da g\u00f6rsel anlat\u0131 olarak g\u00f6rmek, onun insan\u0131n i\u00e7 d\u00fcnyas\u0131na a\u00e7\u0131lan, duygular\u0131na, bilin\u00e7alt\u0131na ve varolu\u015fsal sorgulamalar\u0131na dokunan derin katmanlar\u0131n\u0131 g\u00f6zden ka\u00e7\u0131rmak anlam\u0131na gelir. Kefareti \u00d6denen D\u00fcnyalar: Sinemada Ger\u00e7eklik ve Nitelik, sinemada tam da bu sorgulamalara odaklan\u0131yor. Sinemada g\u00f6r\u00fcnenin ard\u0131ndaki anlam\u0131, hik\u00e2yelerin i\u00e7inde sakl\u0131 varolu\u015fsal sorular\u0131 ve g\u00f6r\u00fcnt\u00fcn\u00fcn ta\u015f\u0131d\u0131\u011f\u0131 manevi imk\u00e2n\u0131 ar\u0131yor. Kitab\u0131n merkezinde ise \u015fu soru yer al\u0131yor: Sinemada insan\u0131n varolu\u015fsal yolculu\u011fu nas\u0131l g\u00f6r\u00fcn\u00fcr h\u00e2le gelir? \u0130hsan Kabil, K\u00fcre Yay\u0131nlar\u0131’ndan \u00e7\u0131kan bu kitapta d\u00fcnya sinemas\u0131ndan T\u00fcrk sinemas\u0131na, tematik tart\u0131\u015fmalardan y\u00f6netmen portrelerine uzanan geni\u015f bir yelpazede sineman\u0131n g\u00f6r\u00fcn\u00fcr y\u00fcz\u00fcn\u00fcn ard\u0131ndaki anlam d\u00fcnyas\u0131n\u0131 ara\u015ft\u0131r\u0131yor. \u0130ran’dan \u00c7in’e, Rusya’dan Balkanlar’a uzanan \u00f6rnekler; sineman\u0131n tarih, k\u00fclt\u00fcr ve inan\u00e7la kurdu\u011fu derin ili\u015fkileri g\u00f6zler \u00f6n\u00fcne seriyor.<\/div>\n
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Y\u00dcZ\u00dcN\u00dc G\u00dcNE\u015eE D\u00d6N<\/strong><\/div>\n<\/div>\n
(Ay\u015fe Ceylan Top\u00e7u)
\nAy\u015fe Ceylan Top\u00e7u\u2019nun ilk \u00f6yk\u00fc kitab\u0131 Y\u00fcz\u00fcn\u00fc G\u00fcne\u015fe D\u00f6n, Pikaresk Yay\u0131nevi etiketiyle yay\u0131mland\u0131. Birbirinden ba\u011f\u0131ms\u0131z 13 \u00f6yk\u00fcden olu\u015fan eser; g\u00f6\u00e7, haf\u0131za, aidiyet, aile ba\u011flar\u0131 ve insan\u0131n ge\u00e7mi\u015fiyle kurdu\u011fu ili\u015fkiyi farkl\u0131 ya\u015famlar\u0131n i\u00e7inden anlat\u0131yor. Uzun y\u0131llard\u0131r ele\u015ftiri yaz\u0131lar\u0131, s\u00f6yle\u015fileri ve okuma k\u00fclt\u00fcr\u00fcne y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131yla edebiyat alan\u0131nda \u00fcretimlerini s\u00fcrd\u00fcren Top\u00e7u, ilk kitab\u0131nda g\u00fcndelik hayat\u0131n i\u00e7inde \u00e7o\u011fu zaman fark edilmeyen k\u0131r\u0131lma anlar\u0131na odaklan\u0131yor. Sessizce ta\u015f\u0131nan ac\u0131lar, yar\u0131m kalm\u0131\u015f c\u00fcmleler, unutulmayan bak\u0131\u015flar ve y\u0131llar ge\u00e7se de haf\u0131zadan silinmeyen mek\u00e2nlar, \u00f6yk\u00fclerin ortak zeminini olu\u015fturuyor. Kitaptaki karakterler kimi zaman bir g\u00f6\u00e7\u00fcn ard\u0131ndan geride kalanlarla, kimi zaman \u00e7ocukluk an\u0131lar\u0131yla, kimi zaman da aile i\u00e7inde ku\u015faktan ku\u015fa\u011fa aktar\u0131lan sessizliklerle y\u00fczle\u015fiyor. Her \u00f6yk\u00fc kendi hik\u00e2yesini anlat\u0131rken, birlikte ge\u00e7mi\u015fin bug\u00fcn\u00fc nas\u0131l \u015fekillendirdi\u011fine dair ortak bir haf\u0131za olu\u015fturuyor. Evler, sokaklar, avlular ve kap\u0131lar ise yaln\u0131zca olaylar\u0131n ge\u00e7ti\u011fi yerler de\u011fil; belle\u011fi ta\u015f\u0131yan ve karakterlerin i\u00e7 d\u00fcnyas\u0131n\u0131 yans\u0131tan unsurlar olarak \u00f6yk\u00fclerin \u00f6nemli bir par\u00e7as\u0131na d\u00f6n\u00fc\u015f\u00fcyor…<\/div>\n<\/div>\n
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Haftan\u0131n Kitaplar\u0131 HABERT\u00dcRK Sanal Sitesinden Al\u0131nm\u0131\u015f Olup Tar\u0131k TORUN Taraf\u0131ndan D\u00fczenlenmi\u015ftir.<\/strong><\/div>\n
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Sana D\u00fc\u015f\u00fcncelerle Gelsem  K\u0130TAPYURDU DO\u011eRUDAN YAYINCILIK (KDY) (Tar\u0131k TORUN)   Her \u00e7a\u011f\u0131n kendine \u00f6zg\u00fc sorular\u0131…<\/p>\n

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TORUN","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/tarik-torun\/"},"uagb_comment_info":0,"uagb_excerpt":"Sana D\u00fc\u015f\u00fcncelerle Gelsem  K\u0130TAPYURDU DO\u011eRUDAN YAYINCILIK (KDY) (Tar\u0131k TORUN)   Her \u00e7a\u011f\u0131n kendine \u00f6zg\u00fc sorular\u0131...","authors":[{"term_id":417,"user_id":3,"is_guest":0,"slug":"tarik-torun","display_name":"Tar\u0131k TORUN","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/10\/Tarik-TORUM.jpg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/10\/Tarik-TORUM.jpg"},"first_name":"Tar\u0131k","last_name":"TORUN","user_url":"","job_title":"","description":"Bayburt\u2019un Bayraktar (Baks\u0131) k\u00f6y\u00fcnde do\u011fdu (1965). \u0130lk\u00f6\u011frenimini k\u00f6y\u00fcnde bitirdi. Ailesi ile birlikte \u00c7orum\u2019a g\u00f6\u00e7 etti (1975). Orta\u00f6\u011frenimini \u00c7orum\u2019da tamamlad\u0131. Karadeniz Teknik \u00dcniversitesi, Fatih E\u011fitim Fak\u00fcltesi, Co\u011frafya \u00d6\u011fretmenli\u011fi b\u00f6l\u00fcm\u00fcn\u00fc bitirdi (1988).\r\n1989 \u2018dan itibaren pek \u00e7ok lisede co\u011frafya \u00f6\u011fretmenli\u011fi yapt\u0131. Bu arada Gazi \u00dcniversitesi, Sosyal Bilimler Enstit\u00fcs\u00fc, Co\u011frafya E\u011fitimi Y\u00fcksek Lisans (Master) program\u0131n\u0131 bitirdi. Anadolu \u00dcniversitesi, T\u00fcrk Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fcn\u00fc de bitirdi. Ayr\u0131ca \u0130stanbul \u00dcniversitesi, Hukuk Fak\u00fcltesi\u2019nde de okudu. MEB, \u00d6YGM, EARGED ve YE\u011e\u0130TEK\u2019de \u00f6\u011fretmen olarak \u00e7al\u0131\u015ft\u0131. \u0130LESAM, TYB, \u0130slam \u00dclkeleri Akademisyen ve Yazarlar Birli\u011fi ile Uluslararas\u0131 Bayburt Yazar ve Sanat\u00e7\u0131lar Derne\u011fi\u2019nin \u00fcyesidir. \u00c7e\u015fitli sosyal ve k\u00fclt\u00fcrel \u00e7al\u0131\u015fmalara kat\u0131lmaktad\u0131r. \u015eiir, deneme, makale, roman, hik\u00e2ye, gezi yaz\u0131s\u0131, ara\u015ft\u0131rma-inceleme alan\u0131ndaki \u00e7al\u0131\u015fmalar\u0131 halen devam etmektedir. \u00c7e\u015fitli kurulu\u015flardan ald\u0131\u011f\u0131 onlarca \u00f6d\u00fcl\u00fc bulunmaktad\u0131r.\r\nESERLER\u0130\r\n\u015eiir\r\nG\u00fclistan\u0131n G\u00fclleri-2006 \r\nAlizeler-2007\r\nA\u015fk\u0131n Co\u011frafyas\u0131-2008\r\nMeb\u015fure-2009 \r\nA\u015fko\u011frafya-2010\r\nA\u015fkistan-2015 \r\nA\u015fka Yolculuk-2018\r\n\u015eiir \u015eiir T\u00fcrkiye-I-2021\r\n\u015eiir \u015eiir T\u00fcrkiye-II-2022\r\nNeva-2026\r\nHik\u00e2ye\r\nG\u00fcne\u015fi Tut Ka\u00e7mas\u0131n-2011 \r\nA\u015fk\u0131n Kalbi-2015\r\nMor Da\u011flar\u0131n Balas\u0131-2025\r\nDeneme\r\nAlgoritmik Aforizmalar-2016\r\nSana D\u00fc\u015f\u00fcncelerle Gelsem-2026\r\nRoman\r\nPiri Reis-2022\r\n"},{"term_id":99,"user_id":1,"is_guest":0,"slug":"simurgedebiyat-com","display_name":"Edit\u00f6r","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/er.jpeg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/er.jpeg"},"first_name":"","last_name":"","user_url":"https:\/\/simurgedebiyat.com\/wordpress","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=4736"}],"version-history":[{"count":3,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4736\/revisions"}],"predecessor-version":[{"id":4740,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4736\/revisions\/4740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/4737"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=4736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=4736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=4736"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=4736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}