{"id":4431,"date":"2026-05-17T14:25:05","date_gmt":"2026-05-17T11:25:05","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=4431"},"modified":"2026-05-17T14:28:42","modified_gmt":"2026-05-17T11:28:42","slug":"4431","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/05\/17\/4431\/","title":{"rendered":"SUR\u0130YE GEZ\u0130M\u0130Z 4"},"content":{"rendered":"
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TAR\u0130H\u0130N D\u0130REND\u0130\u011e\u0130 BA\u015eKENT (\u015eAM)<\/div>\n
M5\u2019in tozlu ve riskli parkurundan s\u00fcz\u00fcl\u00fcp sava\u015f\u0131n g\u00f6lgesindeki sessiz bozk\u0131rlarda saatlerce ilerledikten sonra, gece yar\u0131s\u0131 \u015eam\u2019\u0131n kap\u0131lar\u0131na vard\u0131k. \u0130\u00e7imizde bir tedirginlik, g\u00f6zlerimizde bin kilometrenin yorgunlu\u011fu vard\u0131. “Herhalde \u00f6l\u00fc bir \u015fehre giriyoruz,” diye d\u00fc\u015f\u00fcn\u00fcrken, \u015eam bizi bir tokat gibi \u00e7arpan o muazzam canl\u0131l\u0131\u011f\u0131yla kar\u015f\u0131lad\u0131. \u015eehrin bizi kar\u015f\u0131layan o vakur havas\u0131 bizi bir anda sard\u0131. Bir yanda modern bloklar\u0131n aras\u0131ndan y\u00fckselen binalar, di\u011fer yanda binlerce y\u0131ll\u0131k bir imparatorluk miras\u0131… \u015eam, i\u00e7 sava\u015f\u0131 g\u00f6rm\u00fc\u015f, yan\u0131 ba\u015f\u0131ndaki Guta\u2019da patlayan bombalar\u0131n sars\u0131nt\u0131s\u0131yla uyumu\u015f ama diz \u00e7\u00f6kmemi\u015f bir dev gibiydi.<\/div>\n
Gece yar\u0131s\u0131 olmas\u0131na ra\u011fmen \u015eam sokaklar\u0131 sanki \u00f6\u011fle vaktini ya\u015f\u0131yordu. Geni\u015f bulvarlar, \u0131\u015f\u0131l \u0131\u015f\u0131l caddeler ve gecenin bu saatinde bitmek bilmeyen bir trafik… \u015eehrin yollar\u0131 o kadar geni\u015f ve bak\u0131ml\u0131yd\u0131 ki, sava\u015f\u0131n izlerini bu neon \u0131\u015f\u0131klar\u0131 alt\u0131nda g\u00f6rmek neredeyse imkans\u0131zd\u0131. Korna sesleri, egzoz duman\u0131 ve kald\u0131r\u0131mlardaki kalabal\u0131k; \u015eam, inad\u0131na ya\u015fad\u0131\u011f\u0131n\u0131 hayk\u0131r\u0131yordu. O yorgun halimizle bu yo\u011fun trafi\u011fin i\u00e7inde akarken, kendimizi bir metropol\u00fcn tam kalbinde bulduk.<\/div>\n
\u015eehre giri\u015f yaparken, i\u00e7 sava\u015f\u0131n o karanl\u0131k y\u0131llar\u0131n\u0131n izlerini g\u00f6rmek i\u00e7in uzman olmaya gerek yoktu. Yol kenarlar\u0131ndaki bariyerler, her k\u00f6\u015fe ba\u015f\u0131nda n\u00f6bet tutan askerler ve binalar\u0131n cephelerindeki o derin mermi izleri, sava\u015f\u0131n buray\u0131 terk etmedi\u011finin kan\u0131t\u0131yd\u0131. \u00d6zellikle \u015fehrin d\u0131\u015f mahallelerinde ya\u015fanan o b\u00fcy\u00fck y\u0131k\u0131mlar\u0131n aksine, merkez hala o kadim dokuyu korumaya \u00e7al\u0131\u015f\u0131yordu. Sava\u015f boyunca \u015eam, bir kale gibi savunulmu\u015f; havan toplar\u0131 Emevi Camii’nin yak\u0131nlar\u0131na kadar d\u00fc\u015fse de, \u015fehrin o metafizik z\u0131rh\u0131 sanki ruhunu teslim etmemi\u015fti.<\/div>\n
Asl\u0131nda \u015eam \u015fehri i\u00e7 sava\u015ftan sa\u011f kurtulmay\u0131 ba\u015farm\u0131\u015ft\u0131. En az hasar alan bir \u015fehirdi. Yani buras\u0131n\u0131n bir sava\u015f kenti oldu\u011funu bilmesek belki de y\u0131k\u0131nt\u0131lar bizim \u00e7ok dikkatimizi \u00e7ekmeyecekti. Bir Halep ile k\u0131yasland\u0131\u011f\u0131nda \u015fehir kendini korumu\u015ftu.<\/div>\n
\u015eam\u2019daki dostlar\u0131m\u0131z\u0131n bize verdi\u011fi konuma gitmeye \u00e7al\u0131\u015f\u0131yorduk. Navigasyonumuz a\u00e7\u0131kt\u0131k ama bir noktadan sonra her \u015fey kilitlendi. Sava\u015f ortam\u0131n\u0131n getirdi\u011fi o me\u015fhur “karartma” veya altyap\u0131 yetersizli\u011fi devreye girmi\u015fti. Ne telefonlar \u00e7ekiyordu ne de internete ula\u015fabiliyorduk. O canl\u0131 trafi\u011fin, o kalabal\u0131\u011f\u0131n ortas\u0131nda bir anda ileti\u015fim anlam\u0131nda yapayaln\u0131z kald\u0131k. \u015eam\u2019\u0131n ortas\u0131nda, dostlar\u0131m\u0131za bir mesaj bile atamaman\u0131n verdi\u011fi o tekinsiz bo\u015flukla ba\u015f ba\u015fayd\u0131k. Dijital \u00e7a\u011f\u0131n insanlar\u0131 olarak, bir sava\u015f co\u011frafyas\u0131nda internetsiz kalman\u0131n ne demek oldu\u011funu o an iliklerimize kadar hissettik.<\/div>\n
\u0130leti\u015fim kuramay\u0131nca geceyi d\u0131\u015far\u0131da ge\u00e7iremeyece\u011fimizi anlad\u0131k. Hemen bir “B Plan\u0131” yapt\u0131k: Geceyi bir otelde ge\u00e7irecektik. Tabii internet olmad\u0131\u011f\u0131 i\u00e7in Booking veya benzeri sitelerden rezervasyon yapmak hayaldi. Hatta daha sonra internet geldi\u011finde de buradaki otellerin internet \u00fczerinden tutulamayaca\u011f\u0131n\u0131 g\u00f6rd\u00fck ama internet olsayd\u0131 en az\u0131ndan adreslerini alabilirdik. Cebimizde daha \u00f6nceden not etti\u011fimiz birka\u00e7 eski usul adres vard\u0131. Trafi\u011fi ve kalabal\u0131\u011f\u0131 yara yara o adreslerden birine ula\u015ft\u0131k.<\/div>\n
Otel l\u00fcks de\u011fildi, belki y\u0131ld\u0131zlar\u0131 bile d\u00f6k\u00fclm\u00fc\u015ft\u00fc ama bizim i\u00e7in o an d\u00fcnyan\u0131n en g\u00fcvenli kalesiydi. \u015eans\u0131m\u0131za yer vard\u0131. Ki\u015fi ba\u015f\u0131 800 TL vererek, iki ki\u015filik m\u00fctevaz\u0131 bir oda tuttuk.<\/div>\n
Odaya girdi\u011fimizde ne l\u00fckse bakacak halimiz vard\u0131 ne de odan\u0131n manzaras\u0131na. Yol, stres, s\u0131n\u0131r ge\u00e7i\u015fleri ve belirsizlik… Kelimenin tam anlam\u0131yla “ho\u015faf\u0131m\u0131z \u00e7\u0131km\u0131\u015ft\u0131.” H\u00fcseyin Hoca ile birbirimize bakacak derman\u0131m\u0131z bile kalmam\u0131\u015ft\u0131. Ayakkab\u0131lar\u0131m\u0131z\u0131 nas\u0131l \u00e7\u0131kard\u0131k, \u00fczerimizi nas\u0131l de\u011fi\u015ftirdik hat\u0131rlam\u0131yorum bile. Kendimizi o sert yataklara att\u0131\u011f\u0131m\u0131z an, \u015eam\u2019\u0131n d\u0131\u015far\u0131daki g\u00fcr\u00fclt\u00fcs\u00fc, trafi\u011fi ve o bitmek bilmeyen enerjisi zihnimizden silindi.<\/div>\n
O gece o m\u00fctevaz\u0131 otel odas\u0131nda, bin kilometrelik bir yorgunlu\u011fun \u00fczerine \u00e7ekilen o uyku; sadece bir dinlenme de\u011fil, bir sonraki g\u00fcn\u00fcn belirsizli\u011fine haz\u0131rlanmak i\u00e7in verilen mecburi bir molayd\u0131.<\/div>\n<\/div>\n
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Hicaz Gar\u0131\u2019ndan Hamidiye \u00c7ar\u015f\u0131s\u0131\u2019na: Osmanl\u0131\u2019n\u0131n Nefesi<\/div>\n<\/div>\n
\"yaz\u0131<\/div>\n
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\u015eam\u2019\u0131n o kaotik gece trafi\u011finden sonra sabah saat 07:00\u2019de uyanmak, \u015fehri bamba\u015fka bir y\u00fcz\u00fcyle selamlamak gibiydi. Gece bizi yutan o kalabal\u0131k \u00e7ekilmi\u015f, yerini tarihin sessiz tan\u0131kl\u0131\u011f\u0131na b\u0131rakm\u0131\u015ft\u0131. Resepsiyon g\u00f6revlisine Ulu Cami\u2019ye gitmek istedi\u011fimizi s\u00f6yledi\u011finde caminin yak\u0131n oldu\u011funu y\u00fcr\u00fcyerek gidebilece\u011fini s\u00f6ylemesi bizi sevindirdi. Bilmeden \u015fehrin merkezindeki bir otel odas\u0131nda kalm\u0131\u015ft\u0131k. Otelden \u00e7\u0131k\u0131p o me\u015fhur Ulu Cami\u2019ye (Emeviye Camii) do\u011fru y\u00fcr\u00fcrken, her ad\u0131m\u0131m\u0131zda Osmanl\u0131\u2019n\u0131n, Emeviler\u2019in ve direni\u015fin izlerine \u00e7arpt\u0131k.<\/div>\n<\/div>\n
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Gece yar\u0131s\u0131 bizi yoran o u\u011fultulu \u015eam, sabah\u0131n ilk \u0131\u015f\u0131klar\u0131yla yerini huzurlu bir dinginli\u011fe b\u0131rakm\u0131\u015ft\u0131. Saat tam 07:00’de, trafik hen\u00fcz uykusundan uyanmadan yola koyulduk. Arabam\u0131z\u0131 g\u00fcvenli bir yere b\u0131rak\u0131p, bir kilometrelik o tarihi yolu ad\u0131mlamaya ba\u015flad\u0131k. Bu y\u00fcr\u00fcy\u00fc\u015f, sadece bir mesafe de\u011fil, adeta bir zaman t\u00fcneliydi.<\/div>\n<\/div>\n
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\"yaz\u0131<\/div>\n
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Ayakta Kalan \u0130ki Dev: Yusuf el-Azma ve Selahaddin Eyyubi<\/div>\n
Yol \u00fczerinde bizi kar\u015f\u0131layan iki heybetli yap\u0131 vard\u0131. Biri, Frans\u0131z mandas\u0131na kar\u015f\u0131 son nefesine kadar direnen Suriye\u2019nin milli kahraman\u0131 Yusuf el-Azma\u2019n\u0131n heykeli; di\u011feri ise \u0130slam d\u00fcnyas\u0131n\u0131n efsanevi komutan\u0131 Selahaddin Eyyubi.<\/div>\n
Yusuf el-Azma, 1920 y\u0131l\u0131nda Meyselun Sava\u015f\u0131’nda say\u0131ca ve teknolojik olarak \u00e7ok \u00fcst\u00fcn olan Frans\u0131z ordusuna kar\u015f\u0131, sonucun \u00f6l\u00fcm olaca\u011f\u0131n\u0131 bile bile ordusunun ba\u015f\u0131nda \u015fehit d\u00fc\u015fen Suriye Savunma Bakan\u0131’d\u0131r. \u015eam halk\u0131 i\u00e7in onur ve ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n en b\u00fcy\u00fck timsalidir.<\/div>\n
Selahaddin\u2019in heykeli kar\u015f\u0131s\u0131nda durup dikkatle bakt\u0131\u011f\u0131m\u0131zda, at\u0131n\u0131n hemen arkas\u0131nda elleri ba\u011flanm\u0131\u015f \u015fekilde tasvir edilen d\u00fc\u015fman fig\u00fcrlerini (Kud\u00fcs Kral\u0131 L\u00fczinyanl\u0131 Guy ve Reynald de Ch\u00e2tillon) g\u00f6rmek, tarihin o b\u00fcy\u00fck zaferini zihnimizde canland\u0131rd\u0131. Bu konuyla ilgili kitap yazm\u0131\u015f biri olarak bu g\u00f6rselin tarihi ger\u00e7eklere uymad\u0131\u011f\u0131n\u0131 bilmi\u015f olsam da yine de bakmak ho\u015fuma gitti. \u0130lgin\u00e7 bir bilgi \u00f6\u011frendik: \u015eehirdeki pek \u00e7ok \u015fey yerle bir olsa da, bu iki heykel devrim ve sava\u015f boyunca asla y\u0131k\u0131lmam\u0131\u015f, kimse onlara dokunmaya cesaret edememi\u015fti. Sanki \u015eam\u2019\u0131n karakteri bu iki fig\u00fcr\u00fcn \u015fahs\u0131nda korunmu\u015ftu.<\/div>\n
\"yaz\u0131<\/div>\n<\/div>\n
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Hicaz Demiryolu: Raylardaki \u0130slam Birli\u011fi R\u00fcyas\u0131<\/div>\n
Yolumuz bizi tarihi tren gar\u0131na g\u00f6t\u00fcrd\u00fc\u011f\u00fcnde, d\u0131\u015far\u0131da t\u00fcm heybetiyle duran o eski Osmanl\u0131 lokomotifini g\u00f6rd\u00fck. Demir y\u0131\u011f\u0131n\u0131ndan ziyade, bir imparatorlu\u011fun uzak g\u00f6r\u00fc\u015fl\u00fcl\u00fc\u011f\u00fcn\u00fcn simgesiydi o. Gar\u0131n \u00f6n\u00fcndeki o buharl\u0131 lokomotif, bir zamanlar \u0130stanbul\u2019dan kalkan trenlerin \u00e7\u00f6l\u00fc a\u015farak kutsal topraklara ula\u015ft\u0131\u011f\u0131 o g\u00f6rkemli g\u00fcnlerin sessiz bir \u015fahididir.<\/div>\n
Gar\u0131n i\u00e7ine girdi\u011fimizde bilet gi\u015feleri, tavan s\u00fcslemeleri ve o eski atmosfer bizi 1900\u2019lerin ba\u015f\u0131na \u0131\u015f\u0131nlad\u0131. 1917 y\u0131l\u0131nda tamamlanan bu gar binas\u0131, \u0130spanyol mimar Fernando de Aranda taraf\u0131ndan tasarlanm\u0131\u015ft\u0131r. Binan\u0131n tavan\u0131ndaki ah\u015fap oymalar ve vitraylar, Osmanl\u0131\u2019n\u0131n o d\u00f6nemdeki estetik anlay\u0131\u015f\u0131n\u0131 yans\u0131t\u0131r.<\/div>\n
Ancak gar\u0131n arka taraf\u0131na ge\u00e7ti\u011fimizde sava\u015f\u0131n ac\u0131 y\u00fcz\u00fcyle tekrar kar\u015f\u0131la\u015ft\u0131k. Tren raylar\u0131n\u0131n olmas\u0131 gereken yerlerde, geni\u015f ve derin \u00e7ukurlar a\u00e7\u0131lm\u0131\u015ft\u0131; hatlar suskun, raylar darmada\u011f\u0131nd\u0131. O an, II. Abd\u00fclhamid Han\u2019\u0131n \u0130stanbul\u2019u Medine\u2019ye ba\u011flayan o muazzam “Hicaz Demiryolu” projesinin ne kadar b\u00fcy\u00fck bir vizyon oldu\u011funu bir kez daha takdir ettik. Abd\u00fclhamid Han\u2019\u0131n “Hamidiye Hicaz Demiryolu” projesi, sadece bir ula\u015f\u0131m hatt\u0131 de\u011fil, \u0130slam d\u00fcnyas\u0131n\u0131 birbirine ba\u011flayan manevi bir damard\u0131.<\/div>\n
Sadece bir ula\u015f\u0131m yolu de\u011fil, bir g\u00f6n\u00fcl ve ticaret k\u00f6pr\u00fcs\u00fcyd\u00fc bu. T\u00fcrkiye\u2019nin bu yollar\u0131 tekrar canland\u0131rma, Osmanl\u0131\u2019n\u0131n o yar\u0131m kalan r\u00fcyas\u0131n\u0131 aktifle\u015ftirme \u00e7abalar\u0131n\u0131 bilmek, o y\u0131k\u0131nt\u0131lar aras\u0131nda i\u00e7imizi ferahlatan tek \u015fey oldu. D\u00fcn, bu yollar\u0131n olmamas\u0131 i\u00e7in raylar\u0131 y\u0131kan bedeviler \u015fimdi yolun olmas\u0131 i\u00e7in finans deste\u011fi sa\u011fl\u0131yorlard\u0131. Y\u00fczy\u0131l geriden gelinse de bu da \u00fcmmet i\u00e7in birlik i\u00e7in iyi bir haberdi.<\/div>\n<\/div>\n
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Zaman\u0131n Bek\u00e7isi: Abd\u00fclhamid Han\u2019\u0131n Saat Kulesi<\/div>\n
\u015eehir meydan\u0131na vard\u0131\u011f\u0131m\u0131zda, g\u00f6ky\u00fcz\u00fcne do\u011fru y\u00fckselen o tan\u0131d\u0131k sil\u00fceti g\u00f6rd\u00fck: II. Abd\u00fclhamid d\u00f6neminden kalma tarihi Saat Kulesi. \u015eam Saat Kulesi, II. Abd\u00fclhamid\u2019in tahta \u00e7\u0131k\u0131\u015f\u0131n\u0131n 25. y\u0131l\u0131 an\u0131s\u0131na (C\u00fclus hediyesi olarak) imparatorlu\u011fun d\u00f6rt bir yan\u0131na diktirdi\u011fi kulelerden biridir.<\/div>\n
Osmanl\u0131\u2019n\u0131n “modernle\u015fme ve zaman\u0131 birleme” sembol\u00fc olarak imparatorlu\u011fun her k\u00f6\u015fesine dikti\u011fi bu kulelerden biri de \u015eam\u2019\u0131n kalbinde t\u00fcm zarafetiyle duruyordu. Kuleye bakarken, bir zamanlar bu topraklarda saatlerin ayn\u0131 adaletle kuruldu\u011funu, ayn\u0131 ezan sesleriyle yank\u0131land\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fck. Saat kulelerinin o d\u00f6nem i\u00e7in ne kadar gerekli oldu\u011funu ayn\u0131 zamanda teknolojik b\u00fcy\u00fckl\u00fc\u011f\u00fc g\u00f6sterdi\u011fini anlad\u0131k.<\/div>\n<\/div>\n
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\"dans<\/div>\n
Emevi Camii: Ruhun Dinlendi\u011fi Durak<\/div>\n
Ve nihayet, \u0130slam mimarisinin zirve noktalar\u0131ndan biri olan Emevi Camii\u2019nin o muazzam avlusuna ad\u0131m att\u0131k. Sava\u015f\u0131n t\u00fcm o vah\u015fi seslerini kap\u0131n\u0131n d\u0131\u015f\u0131nda b\u0131rak\u0131p, o devasa avluda Selahaddin Eyyubi\u2019nin, Nureddin Zengi\u2019nin, Hz. Yahya\u2019n\u0131n ve Hz. H\u00fcseyin\u2019in manevi huzurunda durdu\u011fumuzda anlad\u0131k ki; \u015eam, sadece bir toprak par\u00e7as\u0131 de\u011fil, bir inanc\u0131n ve bir tarihin kalesidir.<\/div>\n
\u015eam, i\u00e7 sava\u015f\u0131n o a\u011f\u0131r darbesini alm\u0131\u015f, binlerce evlad\u0131n\u0131 kaybetmi\u015f ve sokaklar\u0131na barut kokusu sinmi\u015f olsa da; Kasiyun Da\u011f\u0131\u2019ndan \u015fehre bakt\u0131\u011f\u0131m\u0131zda g\u00f6rd\u00fc\u011f\u00fcm\u00fcz \u015fey bir enkaz de\u011fil, yaralar\u0131n\u0131 sar\u0131p aya\u011fa kalkmaya \u00e7al\u0131\u015fan gururlu bir payitaht\u0131. \u015eam, “d\u00fcnyan\u0131n yerle\u015fime ara verilmemi\u015f en eski \u015fehri” \u00fcnvan\u0131n\u0131 bo\u015fa ta\u015f\u0131m\u0131yordu.<\/div>\n<\/div>\n
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\"k\u00fcrs\u00fc<\/div>\n
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Kasyun Da\u011f\u0131<\/div>\n
\u015eam\u2019\u0131n o tarihi merkezindeki y\u00fcr\u00fcy\u00fc\u015f\u00fcm\u00fcz\u00fc tamamlay\u0131p tekrar arabam\u0131za y\u00f6neldik. Bu kez hedefimiz, \u015fehre yukar\u0131dan bakan, hem saraylar\u0131n ihti\u015fam\u0131n\u0131 hem de bilgelerin sessizli\u011fini bar\u0131nd\u0131ran Kasiyun Da\u011f\u0131\u2019yd\u0131. Navigasyonun rehberli\u011finde rampalar\u0131 t\u0131rmanmaya ba\u015flad\u0131k\u00e7a, \u015eam\u2019\u0131n panoramas\u0131 ayaklar\u0131m\u0131z\u0131n alt\u0131na serilmeye ba\u015flad\u0131. A\u015fa\u011f\u0131da uzanan bu muazzam co\u011frafyan\u0131n neden y\u00fczy\u0131llard\u0131r payla\u015f\u0131lamad\u0131\u011f\u0131n\u0131 daha iyi anlad\u0131k. Emeviler’den Abbasiler’e, Sel\u00e7uklular’dan Osmanl\u0131’ya kadar her medeniyet bu \u015fehre kendi m\u00fchr\u00fcn\u00fc vurmu\u015ftu. \u015eam, \u0130slam medeniyetinin sadece bir \u015fehri de\u011fil; ilmin, tasavvufun ve ticaretin kesi\u015fti\u011fi o me\u015fhur “\u015eam-\u0131 \u015eerif” kap\u0131s\u0131yd\u0131.<\/div>\n
\u015eam\u2019\u0131n merkezindeki o kadim dokudan ayr\u0131l\u0131p direksiyonu yukar\u0131ya, \u015fehri bir kartal yuvas\u0131 gibi izleyen Kasiyun Da\u011f\u0131\u2019na k\u0131rd\u0131k. Yol dikle\u015ftik\u00e7e, \u015eam\u2019\u0131n o bitmek bilmeyen trafi\u011fi ve g\u00fcr\u00fclt\u00fcs\u00fc a\u015fa\u011f\u0131da bir u\u011fultuya d\u00f6n\u00fc\u015ft\u00fc.<\/div>\n<\/div>\n
\"an\u0131t<\/div>\n
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Ormanlar\u0131n Aras\u0131ndaki Heybet: Esed\u2019in Saray\u0131<\/div>\n
T\u0131rman\u0131\u015f\u0131m\u0131z s\u0131ras\u0131nda, a\u011fa\u00e7lar\u0131n ve g\u00fcr ormanlar\u0131n aras\u0131ndan aniden y\u00fckselen o devasa yap\u0131ya \u00e7arpt\u0131 g\u00f6zlerimiz: Esed\u2019in Saray\u0131. \u015eehrin en hakim noktas\u0131na, her \u015feye yukar\u0131dan bakan o heybetli konumuna in\u015fa edilmi\u015fti. Saray\u0131n o ma\u011frur duru\u015fu, bize “cebberutlar\u0131n ihti\u015fam tutkusunu” bir kez daha hat\u0131rlatt\u0131. \u201cYery\u00fcz\u00fcn\u00fc gezin ve yalanc\u0131lar\u0131n zorbalar\u0131n ak\u0131betinin nas\u0131l oldu\u011funu g\u00f6r\u00fcn\u201d ayeti akl\u0131m\u0131za geldi. \u015eam\u2019\u0131n t\u00fcm mahallelerini, her soka\u011f\u0131n\u0131 avucunun i\u00e7i gibi g\u00f6ren bu yap\u0131, iktidar\u0131n g\u00f6zlemci ve bask\u0131n ruhunun ta\u015ftan bir sembol\u00fc gibi da\u011f\u0131n yamac\u0131na m\u00fch\u00fcrlemi\u015fti.<\/div>\n<\/div>\n
\"yaz\u0131<\/div>\n
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\u015eeyh-i Ekber\u2019in Huzurunda: Muhyiddin \u0130bn Arabi<\/div>\n
Da\u011f\u0131n eteklerinde, \u0130slam d\u00fc\u015f\u00fcnce tarihinin en gizemli ve b\u00fcy\u00fck isimlerinden biri olan Muhyiddin \u0130bn Arabi\u2019nin t\u00fcrbesine vard\u0131k. Bug\u00fcn \u015fehrin en g\u00f6zde ve “lezzetli” b\u00f6lgesi olan bu yerin tarihini konu\u015ftu\u011fumuzda, kar\u015f\u0131m\u0131za h\u00fcz\u00fcnl\u00fc bir hik\u00e2ye \u00e7\u0131kt\u0131.<\/div>\n
Derler ki \u0130bni Arabi bir mecliste yapt\u0131\u011f\u0131 \u062f\u064a\u0646\u0643\u0645 \u062f\u0646\u0627\u0631\u0643\u0645 Dininiz Paran\u0131zd\u0131r.<\/div>\n
\u0642\u0628\u0644\u062a\u0643\u0645 \u0646\u0633\u0627\u0621\u0643\u0645 K\u0131bleniz Kad\u0131nlar\u0131n\u0131zd\u0131r.<\/div>\n
\u0645\u0639\u0628\u062f\u0643\u0645 \u062a\u062d\u062a \u0627\u0644\u0642\u062f\u0645 Tapt\u0131klar\u0131n\u0131z aya\u011f\u0131m\u0131n alt\u0131ndad\u0131r.<\/div>\n
S\u00f6z\u00fc \u00fczerine vah\u015fice \u00f6ld\u00fcr\u00fclm\u00fc\u015ft\u00fcr. \u00c7\u00fcnk\u00fc onun ne kast etti\u011fini anlayacak kadar ak\u0131ll\u0131 de\u011fillerdi. Ta ki Yavuz Sultan Selim M\u0131s\u0131r seferi d\u00f6n\u00fc\u015f\u00fcnde \u015eam\u2019a u\u011fray\u0131p, manevi bir i\u015faretle bu mezar\u0131 buldurup \u00fczerine muazzam bir t\u00fcrbe yapt\u0131rana kadar. Ve yine derler ki \u0130bni Arabi \u00f6l\u00fcrken Sin \u015ein\u2019e girince ne dedi\u011fim anla\u015f\u0131lacak demi\u015f, Sin Selim\u2019in Sesi, \u015ein ise \u015eam\u2019\u0131n \u015eesi olarak d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015ft\u00fcr.<\/div>\n
T\u00fcrbenin ba\u015f\u0131nda, \u0130bn Arabi\u2019nin o me\u015fhur ve hayat\u0131na mal olan s\u00f6z\u00fcn\u00fc yad ettik:<\/div>\n
“Sizin tapt\u0131\u011f\u0131n\u0131z (rabbiniz), benim ayaklar\u0131m\u0131n alt\u0131ndad\u0131r!” O d\u00f6nem bu s\u00f6z\u00fc zahiri anlam\u0131yla alanlar, onu k\u00fcf\u00fcrle su\u00e7lay\u0131p \u00f6ld\u00fcrm\u00fc\u015flerdi. Oysa o, insanlar\u0131n paraya, alt\u0131na ve d\u00fcnyaya olan k\u00f6leli\u011fini kastediyordu. Nitekim Yavuz Sultan Selim t\u00fcrbeyi yapt\u0131r\u0131rken, \u0130bn Arabi\u2019nin tam o s\u00f6z\u00fc s\u00f6yledi\u011fi yerin alt\u0131n\u0131 kazd\u0131rd\u0131\u011f\u0131nda, oradan b\u00fcy\u00fck bir hazine ve alt\u0131n \u00e7\u0131kt\u0131\u011f\u0131 rivayet edilir. Mecaz\u0131 anlamayanlar\u0131n vah\u015feti ile hakikati g\u00f6renlerin adaleti aras\u0131ndaki o ince \u00e7izgiyi burada bir kez daha hissettik.<\/div>\n
\u0130bn Arabi\u2019nin ya\u015fad\u0131\u011f\u0131 d\u00f6nemde buras\u0131 \u015fehrin d\u0131\u015f\u0131, hatta bir “\u00e7\u00f6pl\u00fck” alan\u0131ym\u0131\u015f. \u015eehrin o d\u00f6nemki sakinleri, bu b\u00fcy\u00fck arifin de\u011ferini bilememi\u015f, hatta onu hor g\u00f6rm\u00fc\u015flerdi. O \u00e7\u00f6pl\u00fckten bir inci \u00e7\u0131km\u0131\u015f, bug\u00fcn \u015eam\u2019\u0131n en mukaddes duraklar\u0131ndan biri haline gelmi\u015fti.<\/div>\n<\/div>\n
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\"dans<\/div>\n
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G\u00fcvenlik Duvarlar\u0131 ve \u0130srail G\u00f6lgesi<\/div>\n
Kasiyun\u2019un en zirve noktas\u0131na, o me\u015fhur panoramaya \u00e7\u0131kmak istedik. Ancak navigasyon bizi birka\u00e7 kez yanl\u0131\u015f yollara soktuktan sonra, kar\u015f\u0131m\u0131za a\u015f\u0131lmaz bir set \u00e7\u0131kt\u0131. G\u00fcvenlik g\u00f6revlileri ve askerler yolu kapatm\u0131\u015ft\u0131; zirveye \u00e7\u0131k\u0131\u015f yasakt\u0131.<\/div>\n
B\u00f6lgedeki askeri hareketlilik ve son d\u00f6nemde \u0130srail\u2019in bu stratejik tepelerin arka taraflar\u0131na d\u00fczenledi\u011fi sald\u0131r\u0131lar, zirveyi bir “yasak b\u00f6lge” haline getirmi\u015fti. Tam bir \u015eam manzaras\u0131 izleyemesek de da\u011f\u0131n eteklerine kadar ula\u015fmak, o havay\u0131 solumak ve tarihin o keskin z\u0131tl\u0131klar\u0131na (bir yanda saray, bir yanda t\u00fcrbe) \u015fahitlik etmek bizim i\u00e7in yetti.<\/div>\n<\/div>\n
\"bir<\/div>\n
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Direksiyon Ba\u015f\u0131nda Bir \u015eehirle \u0130natla\u015fmak: \u015eam\u2019\u0131n Trafik Labirenti<\/div>\n
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\u015eehrin merkezine d\u00f6nd\u00fck. Bundan sonraki hedefimiz tekrar Ulu Cami\u2019ye gitmekti. \u00c7\u00fcnk\u00fc cami namaz vakti a\u00e7\u0131l\u0131yordu ve burada namaz k\u0131lmak istiyorduk. \u015eam\u2019\u0131n o bitmek bilmeyen enerjisi, Kasiyun Da\u011f\u0131\u2019n\u0131n sessizli\u011finden sonra bizi tekrar i\u00e7ine \u00e7ekti\u011finde bu kez bamba\u015fka bir s\u0131navla kar\u015f\u0131la\u015ft\u0131k: \u015eam trafi\u011fi. Sabah\u0131n sakin hali bozulmu\u015f, insanlar i\u015f ve me\u015fgale tela\u015f\u0131na d\u00fc\u015fm\u00fc\u015ft\u00fc fakat inan\u0131lmaz bir trafik vard\u0131.<\/div>\n
Kasiyun\u2019dan a\u015fa\u011f\u0131, \u015eam\u2019\u0131n kalbine do\u011fru s\u00fcz\u00fcld\u00fc\u011f\u00fcm\u00fczde niyetimiz belliydi: Yusuf\u2019la bulu\u015facak, arabay\u0131 g\u00fcvenli bir yere b\u0131rakacak ve sabah\u0131n mahmurlu\u011funu \u00fczerimizden atacak o me\u015fhur \u015eam kahvalt\u0131s\u0131na oturacakt\u0131k. Ancak evdeki hesap, \u015eam\u2019\u0131n dar ve kalabal\u0131k sokaklar\u0131na uymad\u0131.<\/div>\n
Bu arada H\u00fcseyin hocan\u0131n Suriyeli \u00f6\u011frencisinin karde\u015fi Yusuf ile \u015fehir merkezinde randevula\u015ft\u0131k. Fakat bir k\u00f6\u015feye \u00e7ekilip Yusuf\u2019a konum att\u0131\u011f\u0131m\u0131zda hemen polis tepemize dikiliyor ve burada durmak yasak diyordu. Nerede duraca\u011f\u0131m\u0131z\u0131 \u015fa\u015f\u0131rd\u0131k. Bir dakika bile bizi durdurmad\u0131klar\u0131 gibi inan\u0131lmaz yo\u011funlukta bir trafik ve bu yo\u011funlu\u011fa paralel olarak trafik polisleri vard\u0131 ara sokaklarda bile duram\u0131yorduk. Polislerle kovalamaca oynayarak nihayet Yusuf ile bula\u015fabildik. \u015eam\u2019\u0131n neden “hareketin hi\u00e7 durmad\u0131\u011f\u0131 \u015fehir” oldu\u011funu bizzat tecr\u00fcbe ettik.<\/div>\n
\u015eehir merkezinde her k\u00f6\u015fe ba\u015f\u0131nda, her kav\u015fakta bir polis beliriyordu. Yusuf\u2019la bulu\u015fmak i\u00e7in durdu\u011fumuz, yava\u015flad\u0131\u011f\u0131m\u0131z, hatta niyetlendi\u011fimiz her noktada bir d\u00fcd\u00fck sesi yank\u0131lan\u0131yordu: “Burada durmak yasak!” \u015eehir o kadar s\u0131k\u0131 bir denetim alt\u0131ndayd\u0131 ki, arac\u0131n tekerle\u011fi kald\u0131r\u0131ma de\u011fdi\u011fi an tepemizde bir g\u00f6revli bitiyordu. Sadece biz de\u011fil, t\u00fcm \u015fehir sanki “hi\u00e7 durmadan hareket etmek zorunda olan” devasa bir makinenin di\u015flileri gibiydi. Durmak, bu sistemin i\u00e7inde yasakl\u0131 bir kelimeydi.<\/div>\n
\u015eehirde ara\u00e7 say\u0131s\u0131n\u0131n fazlal\u0131\u011f\u0131ndan dert yand\u0131\u011f\u0131m\u0131zda Yusuf\u2019tan duydu\u011fumuz o “ucuz ara\u00e7” ger\u00e7e\u011fi, trafikte etten kemikten bir duvara d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fc. Normalde iki arac\u0131n zor s\u0131\u011faca\u011f\u0131 yollarda, tam d\u00f6rt ara\u00e7 yan yana santim fark\u0131yla ilerliyordu. Korna sesleri, birbirine te\u011fet ge\u00e7en dikiz aynalar\u0131 ve bitmek bilmeyen bir insan seli… Yorgunluktan dizlerimizin ba\u011f\u0131 \u00e7\u00f6z\u00fclm\u00fc\u015fken, bu yo\u011fun trafikte milim milim ilerlemek sabr\u0131m\u0131z\u0131 sonuna kadar zorlad\u0131. Benim iyice bunald\u0131\u011f\u0131m\u0131 g\u00f6ren H\u00fcseyin hoca arabay\u0131 s\u00fcrme teklifinde bulundu. Fakat ben art\u0131k Araplar\u0131n s\u00fcr\u00fc\u015f tekni\u011fine al\u0131\u015fm\u0131\u015ft\u0131m. \u00dcstelik kendi arac\u0131m\u0131n manevra durumunu iyi bildi\u011fimden bu fikre hele bu yo\u011fun trafikte hi\u00e7 s\u0131cak bakmad\u0131m. Trafikte bunalm\u0131\u015fken bir yandan da \u201cne Arab\u2019\u0131n y\u00fcz\u00fc, ne de \u015eam\u2019\u0131n \u015fekeri\u201d s\u00f6z\u00fcn\u00fc hat\u0131rl\u0131yordum.<\/div>\n
Tam 1:45 saat boyunca \u015eam\u2019\u0131n merkezinde, elimizde direksiyonla bir bo\u015fluk arad\u0131k. Nereye baksak dolu, nereye yana\u015fsak yasakt\u0131. Otoparklara girmeye \u00e7al\u0131\u015ft\u0131k oras\u0131 da doluydu. En sonunda, “Bu b\u00f6yle olmayacak, biz bu \u015fehre bu arabayla s\u0131\u011famayaca\u011f\u0131z” dedik. Radikal bir karar ald\u0131k: \u015eehir merkezinden \u00e7\u0131kacak, evlerin bitti\u011fi, kalabal\u0131\u011f\u0131n seyreldi\u011fi o en u\u00e7 noktaya kadar gidecektik.<\/div>\n
Gaza bast\u0131k, \u015eam\u2019\u0131n o yo\u011fun yerle\u015fim yerlerini geride b\u0131rakt\u0131k. Nihayet binalar\u0131n yerini bo\u015f arazilere b\u0131rakt\u0131\u011f\u0131, sessiz bir k\u00f6\u015fe buldu\u011fumuzda d\u00fcnyalar bizim oldu. Arabay\u0131 oraya, o \u0131ss\u0131zl\u0131\u011f\u0131n ortas\u0131na g\u00fcvenle park ettik. Bir zamanlar her \u015feyiyle bize ait olan o metal y\u0131\u011f\u0131n\u0131, art\u0131k \u015eam\u2019\u0131n d\u0131\u015f\u0131nda bizi bekleyen sessiz bir emanetti.<\/div>\n
Arabay\u0131 b\u0131rakt\u0131ktan sonra yoldan ge\u00e7en ilk arac\u0131\/taksiyi durdurduk. O an \u00fczerimizden koca bir y\u00fck kalkm\u0131\u015ft\u0131. Ne park yeri derdi kalm\u0131\u015ft\u0131 ne de “Durma!” diye ba\u011f\u0131ran polis korkusu… Taksinin arka koltu\u011funa kurulup tekrar Ulu Cami\u2019ye do\u011fru s\u00fcz\u00fcl\u00fcrken, \u015eam\u2019\u0131 bir turist gibi izlemenin tad\u0131na ancak o zaman varabildik. \u015eimdi \u00f6n\u00fcm\u00fczde bizi bekleyen iki \u015fey vard\u0131: \u00d6nce m\u00fckellef bir kahvalt\u0131, sonra o muazzam Emeviye Camii\u2019nin manevi huzuru. \u015eimdi \u201chem Arab\u2019\u0131n y\u00fcz\u00fc ve hem de \u015eam\u2019\u0131n \u015fekeri\u201d diyordum\u2026<\/div>\n
\u015eam\u2019\u0131n o bitmek bilmeyen trafi\u011finden s\u0131yr\u0131l\u0131p, \u015fehrin kalbinde, tarihin ve maneviyat\u0131n en saf haliyle bulu\u015ftu\u011fumuz o anlar\u0131 \u015fimdi yaz\u0131ya d\u00f6k\u00fcyoruz. Bu b\u00f6l\u00fcm, sadece bir \u015fehir gezisi de\u011fil; Emeviye\u2019nin g\u00f6lgesinde \u00fc\u00e7 dinin izini s\u00fcrmek ve \u0130slam tarihinin dev isimlerine bir vefa duru\u015fudur.<\/div>\n<\/div>\n<\/div>\n
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\"an\u0131t<\/div>\n
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\u0130\u015fte seyahatnamemizin “\u015eam\u2019\u0131n Kalbinde Bir Vefa Y\u00fcr\u00fcy\u00fc\u015f\u00fc: Emeviye\u2019den Zengi\u2019ye” ba\u015fl\u0131kl\u0131 b\u00f6l\u00fcm\u00fc:<\/div>\n<\/div>\n
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EMEV\u0130YE\u2019N\u0130N G\u00d6LGES\u0130NDE TAR\u0130H VE MANEV\u0130YAT<\/div>\n
Taksi bizi Hamidiye \u00c7ar\u015f\u0131s\u0131\u2019n\u0131n giri\u015fine b\u0131rakt\u0131\u011f\u0131nda, nihayet o bekledi\u011fimiz s\u00fckunete kavu\u015ftuk. Yusuf\u2019un babas\u0131n\u0131n \u00e7ar\u015f\u0131 i\u00e7indeki d\u00fckkan\u0131na vard\u0131\u011f\u0131m\u0131zda bizi muazzam bir \u015eam kahvalt\u0131s\u0131 bekliyordu.<\/div>\n<\/div>\n
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Bursa\u2019dan \u015eam\u2019a Uzanan Bir G\u00f6n\u00fcl K\u00f6pr\u00fcs\u00fc<\/div>\n
Yusuf\u2019un babas\u0131, hayat\u0131n\u0131n 10 y\u0131l\u0131n\u0131 Bursa\u2019da ge\u00e7irmi\u015f, \u00e7ocuklar\u0131n\u0131 orada b\u00fcy\u00fctm\u00fc\u015ft\u00fc. \u00c7ocuklar\u0131n T\u00fcrk\u00e7esi kusursuzdu; adeta vatan topra\u011f\u0131ndan bir par\u00e7ay\u0131 \u015eam\u2019\u0131n kalbine ta\u015f\u0131m\u0131\u015flard\u0131. Babas\u0131yla Arap\u00e7a sohbet edip kahvalt\u0131m\u0131z\u0131 yaparken, Bursa\u2019n\u0131n kokusunu \u015eam\u2019\u0131n baharat kokular\u0131yla harmanlad\u0131k. Bu samimi sofradan kalk\u0131p, \u0130slam mimarisinin zirvelerinden biri olan Ulu Cami\u2019ye (Emeviye Camii) do\u011fru y\u00fcr\u00fcd\u00fck.<\/div>\n<\/div>\n<\/div>\n
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\"Foto\u011fraf<\/div>\n
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\u00dc\u00e7 Dinin Ortak Haf\u0131zas\u0131: Emeviye Camii<\/div>\n
\u00d6\u011fle namaz\u0131n\u0131 bu muazzam mabette k\u0131ld\u0131k. Caminin her bir ta\u015f\u0131, adeta bir tarih dersi veriyordu. Roma Tap\u0131na\u011f\u0131\u2019ndan kiliseye, kiliseden camiye evrilen bu yap\u0131; J\u00fcpiter\u2019in s\u00fctunlar\u0131n\u0131, Hz. Yahya\u2019n\u0131n ruhunu ve Emeviler\u2019in ihti\u015fam\u0131n\u0131 ayn\u0131 avluda bar\u0131nd\u0131r\u0131yordu. Caminin tam ortas\u0131nda yer alan Hz. Yahya (a.s) t\u00fcrbesini ziyaret ettik. Bu t\u00fcrbede duam\u0131z\u0131 yapt\u0131k. Hristiyan ve \u0130slam d\u00fcnyas\u0131n\u0131n ortak de\u011feri, bu kadim yap\u0131n\u0131n manevi dire\u011fi gibiydi. Caminin i\u00e7inde g\u00f6rd\u00fc\u011f\u00fcm\u00fcz, neredeyse iki insan boyundaki o devasa el yazmas\u0131 Kur\u2019an, kelam\u0131n heybetini g\u00f6zler \u00f6n\u00fcne seriyordu. Avludaki o kule tipi m\u00fcezzin mahfili, ezan\u0131n bir zamanlar ne kadar y\u00fcksek perdeden yank\u0131land\u0131\u011f\u0131n\u0131n ni\u015fanesiydi.<\/div>\n<\/div>\n<\/div>\n
 <\/div>\n
\"an\u0131t<\/div>\n
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Kerbela\u2019n\u0131n Ac\u0131 Hat\u0131ras\u0131<\/div>\n
Hz. H\u00fcseyin\u2019in ba\u015f\u0131n\u0131n makam\u0131 ve Zeynel Abidin (r.a) makamlar\u0131n\u0131 ziyaret ederek, Ehl-i Beyt\u2019in bu topraklardaki h\u00fcz\u00fcnl\u00fc hat\u0131ras\u0131n\u0131 yad ettik. Bu arada Kerbelay\u0131 ve \u0130slam \u00fcmmetini par\u00e7alayan o g\u00fcnleri hat\u0131rlad\u0131k. Peygamberin sevmeye k\u0131yamad\u0131\u011f\u0131 bu aziz \u015fehidin ba\u015f\u0131n\u0131n buraya ta\u015f\u0131nmas\u0131 ve Yezid\u2019in \u00f6n\u00fcne at\u0131lmas\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fck. Kendi peygamberinin torununu bile \u00f6ld\u00fcren bir \u00fcmmettik\u2026 Allah bizleri af etsin ve onun kan\u0131n\u0131n i\u00e7imize att\u0131\u011f\u0131 ayr\u0131k tohumlar\u0131n\u0131n birli\u011fe d\u00f6n\u00fc\u015fmesi i\u00e7in dua ettik.<\/div>\n<\/div>\n<\/div>\n
 <\/div>\n
\"Piazza<\/div>\n
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\u015eark\u2019\u0131n En Sevgili Sultan\u0131: Selahaddin Eyyubi<\/div>\n
Caminin hemen d\u0131\u015f\u0131ndaki t\u00fcrbeye ge\u00e7ti\u011fimizde, Ha\u00e7l\u0131 seferleri \u00fczerine yapt\u0131\u011f\u0131m \u00e7al\u0131\u015fmalar\u0131n ana kahraman\u0131yla, Selahaddin Eyyubi ile ba\u015f ba\u015fa kald\u0131k. Kud\u00fcs fatihinin m\u00fctevazi ama vakur t\u00fcrbesinde, onun o \u00e7etin m\u00fccadelelerini ve \u0130slam birli\u011fini sa\u011flamak i\u00e7in verdi\u011fi eme\u011fi d\u00fc\u015f\u00fcnd\u00fck. Onun aziz hat\u0131ras\u0131 \u00f6n\u00fcnde sayg\u0131yla e\u011fildik.<\/div>\n
Selahaddin\u2019in hemen yan\u0131ndaki isimsiz duran mezar\u0131n, Suriye\u2019nin yeti\u015ftirdi\u011fi en b\u00fcy\u00fck alimlerden \u015eeyh Said Ramazan el-Buti\u2019ye ait oldu\u011funu \u00f6\u011frenmek bizim i\u00e7in h\u00fcz\u00fcnl\u00fc bir s\u00fcrpriz oldu. Babam\u0131n yan\u0131nda da ders okumu\u015f olan bu alimi g\u00f6rmek bir dosta kavu\u015fmak kadar rahatlatt\u0131 beni. Hama olaylar\u0131ndan ders \u00e7\u0131karan, M\u00fcsl\u00fcmanlar\u0131 kandan ve sava\u015ftan uzak tutmaya \u00e7al\u0131\u015fan ama sonunda bir suikasta kurban giden Buti\u2019nin hakl\u0131l\u0131\u011f\u0131, bug\u00fcn Suriye\u2019nin geldi\u011fi noktada \u00e7ok daha net anla\u015f\u0131l\u0131yordu.<\/div>\n
Selahaddin Eyyubi\u2019nin mezar\u0131n\u0131n yan\u0131nda T\u00fcrk \u015fehitli\u011fi de vard\u0131. Tika\u2019n\u0131n bak\u0131m\u0131n\u0131 yapt\u0131\u011f\u0131 mezarl\u0131k bizim buradaki m\u00fchr\u00fcm\u00fcz gibiydi. Vahdettin\u2019in mezar\u0131n\u0131 da g\u00f6rmek istedim ama onun yeri uzak oldu\u011fundan gidemedik. Ba\u015fka bir ziyaretimizde onu da ziyaret edece\u011fimize s\u00f6z verdik.<\/div>\n<\/div>\n<\/div>\n
 <\/div>\n
\"Panteon<\/div>\n
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Nureddin Zengi: Hayalleri Ger\u00e7e\u011fe D\u00f6n\u00fc\u015ft\u00fcren Sultan<\/div>\n
Yolumuza devam ederek, Selahaddin\u2019in komutan\u0131 ve manevi mimar\u0131 Nureddin Mahmud Zengi\u2019nin t\u00fcrbesine ula\u015ft\u0131k. E\u011fer Nureddin Zengi o temelleri atmasayd\u0131, Selahaddin gibi bir dahi tarih sahnesine \u00e7\u0131kamazd\u0131. O me\u015fhur Dar\u00fc\u2019l-Hadis\u2019leri kuran, \u00e7ar\u015f\u0131 pazar nizam\u0131n\u0131 sa\u011flayan bu b\u00fcy\u00fck sultan\u0131n huzurunda dualar\u0131m\u0131z\u0131 ettik. Birbirini tamamlayan bu iki b\u00fcy\u00fck liderin ayn\u0131 topraklarda yan yana yatmas\u0131, tarihin bir takdiriydi.<\/div>\n<\/div>\n<\/div>\n
 <\/div>\n
\"helikopter,<\/div>\n
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\u015eam \u00c7eli\u011fi ve Efsanevi K\u0131l\u0131\u00e7lar<\/div>\n
\u015eam (Damascus), bar\u0131nd\u0131rd\u0131\u011f\u0131 katmanlarla sadece bir \u015fehir de\u011fil, adeta ya\u015fayan bir m\u00fczedir. “\u015eam K\u0131l\u0131c\u0131” (Damascus Steel), orta\u00e7a\u011fdan itibaren sava\u015f meydanlar\u0131n\u0131n en korkulan ve hayranl\u0131k duyulan efsanesidir. Bu k\u0131l\u0131\u00e7lar\u0131 \u00f6zel k\u0131lan sadece keskinlikleri de\u011fil, yap\u0131m\u0131ndaki metal\u00fcrjik dehad\u0131r.<\/div>\n
Harezmi Desenleri: K\u0131l\u0131c\u0131n y\u00fczeyinde su dalgas\u0131n\u0131 veya akarsuyu and\u0131ran hareler bulunur. Bu, karbon miktar\u0131n\u0131n y\u00fcksekli\u011fi ve d\u00f6vme tekni\u011fiyle ortaya \u00e7\u0131kan bir imza gibidir.<\/div>\n
Esneklik ve Sertlik Dengesi: \u015eam \u00e7eli\u011fi, en sert z\u0131rhlar\u0131 par\u00e7alayacak kadar mukavim, ancak k\u0131r\u0131lmayacak kadar esnektir. Rivayete g\u00f6re, havaya at\u0131lan ipek bir e\u015farb\u0131 sadece keskinli\u011fiyle ikiye b\u00f6lebilir.<\/div>\n
Kay\u0131p Teknik: Orijinal “Wootz” \u00e7eli\u011fi kullan\u0131larak yap\u0131lan \u00fcretim s\u0131rr\u0131 18. y\u00fczy\u0131lda kaybolmu\u015ftur. Bug\u00fcn g\u00f6rd\u00fcklerimiz bu kadim tekni\u011fin modern yorumlar\u0131d\u0131r.<\/div>\n<\/div>\n<\/div>\n
 <\/div>\n
\"bir<\/div>\n
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Vedadan \u00d6nce Son Dokunu\u015f: Hamidiye \u00c7ar\u015f\u0131s\u0131<\/div>\n
\u015eam\u2019a girdi\u011finizde g\u00f6rece\u011finiz o devasa kapal\u0131 \u00e7ar\u015f\u0131, ismini II. Abd\u00fclhamid\u2019den al\u0131r. \u00c7at\u0131s\u0131ndaki kur\u015fun delikleri (Frans\u0131z i\u015fgalinden kalma), \u015fehrin direni\u015f tarihinin bir par\u00e7as\u0131d\u0131r.<\/div>\n
\u015eam\u2019dan ayr\u0131lmadan \u00f6nce, bu kadim \u015fehrin bir par\u00e7as\u0131n\u0131 yan\u0131m\u0131zda g\u00f6t\u00fcrmek istedik. \u00c7ar\u015f\u0131n\u0131n deri kokulu sokaklar\u0131na dald\u0131k; evdekiler i\u00e7in \u015eam\u2019\u0131n me\u015fhur el i\u015f\u00e7ili\u011fi deri \u00e7antalar\u0131ndan ald\u0131k. Tabi ki Yusuf\u2019un babas\u0131n\u0131n pazarl\u0131\u011f\u0131 sayesinde burada herhangi bir kaz\u0131k yemekten kurtulduk.<\/div>\n
G\u00fcne\u015f batmaya y\u00fcz tutarken, cebimizde hat\u0131ralar ve elimizde \u015eam i\u015fi \u00e7antalarla bu “\u015eehirlerin \u015eah\u0131”na veda ederek bir sonraki dura\u011f\u0131m\u0131z i\u00e7in yola koyulduk.<\/div>\n<\/div>\n
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Tarih ve Sosyoloji Ekseninde \u015eam<\/div>\n
\u015eam, sadece bir yerle\u015fim yeri de\u011fil; tarih\u00e7ilerin deyimiyle “\u015eehirlerin Anas\u0131” (\u00dcmm\u00fc’l-Kura) ve d\u00fcnyan\u0131n kesintisiz ya\u015fan\u0131lan en eski ba\u015fkentlerinden biridir.<\/div>\n<\/div>\n
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\u0130smin Anlam\u0131 ve Tarihsel K\u00f6keni<\/div>\n
\u015eam ismi, Arap\u00e7a k\u00f6kenli olup “sol taraf” veya “kuzey” anlam\u0131na gelir. Hicaz b\u00f6lgesindekiler (Mekke-Medine) y\u00f6nlerini do\u011fuya d\u00f6nd\u00fcklerinde, bu b\u00f6lge sollar\u0131nda (kuzeyde) kald\u0131\u011f\u0131 i\u00e7in “Bil\u00e2d\u00fc\u015f-\u015eam” (Kuzey \u00dclkesi) denilmi\u015ftir. Ama asl\u0131nda bu \u015fehre bizden ba\u015fka \u015eam diyen de olmam\u0131\u015ft\u0131r. Araplar ve Avrupal\u0131lar D\u0131me\u015fk demi\u015flerdir. Bat\u0131 dillerinde kullan\u0131lan “Damascus” ismi ise Aramice “Darme\u015feq” k\u00f6keninden gelir; “su i\u00e7ilen yer” veya “bol sulu yer” anlam\u0131n\u0131 ta\u015f\u0131r.<\/div>\n
Arap\u00e7a D\u0131me\u015fk kelimesinin Dem ve \u015eek kelimelerinin birle\u015fiminden oldu\u011fu da rivayet edilmi\u015ftir. Dem kan, \u015eek ise \u00f6z karde\u015f demektir. Yani Karde\u015f Kan\u0131 anlam\u0131na gelir. Bu isminin verilmesinin nedeni de Habil ile Kabil aras\u0131ndaki ilk karde\u015f kan\u0131n\u0131n buradaki Kasyun da\u011f\u0131nda d\u00f6k\u00fcld\u00fc\u011f\u00fc s\u00f6ylenir.<\/div>\n<\/div>\n
\"Panteon<\/div>\n
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K\u0131sa Tarih\u00e7e<\/div>\n
\u015eam’\u0131n tarihi M\u00d6 3.000\u2019lere kadar uzan\u0131r:<\/div>\n
\u2022 Kadim D\u00f6nem: Aramiler, Asurlular ve Perslerin hakimiyetinde kald\u0131.<\/div>\n
\u2022 Klasik D\u00f6nem: B\u00fcy\u00fck \u0130skender ile Helenistik k\u00fclt\u00fcre girdi, ard\u0131ndan Roma ve Bizans\u2019\u0131n en \u00f6nemli eyalet merkezlerinden biri oldu.<\/div>\n
\u2022 \u0130slam D\u00f6nemi: 634-635 y\u0131llar\u0131nda Halid bin Velid taraf\u0131ndan fethedildi. Emevi Devleti\u2019nin (661-750) ba\u015fkenti olmas\u0131yla alt\u0131n \u00e7a\u011f\u0131n\u0131 ya\u015fad\u0131.<\/div>\n
\u2022 Sel\u00e7uklu ve Osmanl\u0131: 1516 Mercidab\u0131k Zaferi ile Yavuz Sultan Selim taraf\u0131ndan Osmanl\u0131 topraklar\u0131na kat\u0131ld\u0131 ve 400 y\u0131l boyunca bir Osmanl\u0131 eyaleti olarak y\u00f6netildi.<\/div>\n
Stratejik \u00d6nemi<\/div>\n
\u015eam, co\u011frafi konumu gere\u011fi her zaman bir “kilit” noktas\u0131 olmu\u015ftur:<\/div>\n
\u2022 Ticaret Yollar\u0131: Tarihi \u0130pek Yolu ve Baharat Yolu\u2019nun Akdeniz\u2019e a\u00e7\u0131lan kap\u0131s\u0131d\u0131r.<\/div>\n
\u2022 Hac Yolu: Osmanl\u0131 d\u00f6neminde “Hacc-\u0131 \u015eerif” kervanlar\u0131n\u0131n toplanma ve hareket merkezidir (\u015eam-\u0131 \u015eerif denilmesinin bir sebebi de budur).<\/div>\n
\u2022 Askeri Ge\u00e7it: M\u0131s\u0131r, Anadolu ve Mezopotamya aras\u0131ndaki askeri hareketlili\u011fin kontrol noktas\u0131d\u0131r.<\/div>\n
Sosyo-K\u00fclt\u00fcrel ve Etnik Yap\u0131<\/div>\n
\u015eam, tarih boyunca bir “k\u00fclt\u00fcr kazan\u0131” olmu\u015ftur. \u015eehirde bask\u0131n olan Arap kimli\u011finin yan\u0131 s\u0131ra zengin bir mozaik bulunur:<\/div>\n
\u2022 Etnik Gruplar: S\u00fcnni Araplar \u00e7o\u011funluktad\u0131r. Bununla birlikte K\u00fcrtler, T\u00fcrkmenler, \u00c7erkesler ve Ermeniler \u015fehrin k\u00f6kl\u00fc sakinlerindendir.<\/div>\n
\u2022 Dini Yap\u0131: \u0130slamiyet\u2019in ilk \u00f6nemli camilerinden say\u0131lan Emevi Camii\u2019ne ev sahipli\u011fi yapar. Ayn\u0131 zamanda Hristiyanl\u0131\u011f\u0131n en eski cemaatlerine (Ortodoks, Katolik, S\u00fcryani) ev sahipli\u011fi yapan mahalleleri (Bab Tuma gibi) bar\u0131nd\u0131r\u0131r. \u015eehirde az say\u0131da Yahudi n\u00fcfusu da tarihsel olarak mevcuttu.<\/div>\n
Ekonomik ve Mimari Yap\u0131<\/div>\n
\u015eam ekonomisi tarihsel olarak zanaat ve ticarete dayal\u0131d\u0131r:<\/div>\n
\u2022 \u00dcretim: \u015eam \u00e7eli\u011fi (k\u0131l\u0131\u00e7lar), dokumalar (damask kuma\u015f), sedef kakmac\u0131l\u0131k ve tatl\u0131c\u0131l\u0131k d\u00fcnya \u00e7ap\u0131nda \u00fcn salm\u0131\u015ft\u0131r.<\/div>\n
\u2022 Mimari: \u015eehir, “Eski \u015eam” (Old City) denilen sur i\u00e7i b\u00f6lgesiyle karakterizedir. Avlulu evler (Hayatl\u0131 evler), dar sokaklar ve birbirine a\u00e7\u0131lan kapal\u0131 \u00e7ar\u015f\u0131lar (Hamidiye \u00c7ar\u015f\u0131s\u0131 gibi) sosyal hayat\u0131n merkezidir.<\/div>\n<\/div>\n
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\u015eam\u2019da G\u00f6r\u00fclmesi Gereken “Sakl\u0131” Hazineler<\/div>\n
1. Emevi Camii (\u015eam Ulu Camii) Medeniyetlerin Katman\u0131<\/div>\n
\u015eehrin kalbi say\u0131lan bu yap\u0131, \u0130slam mimarisinin en g\u00f6rkemli eserlerinden biridir. Roma d\u00f6neminden kalma bir J\u00fcpiter tap\u0131na\u011f\u0131n\u0131n ve ard\u0131ndan bir Vaftizci Yahya kilisesinin \u00fczerine in\u015fa edilmi\u015ftir. Avlusundaki mozaikler ve i\u00e7indeki Hz. Yahya T\u00fcrbesi mutlaka g\u00f6r\u00fclmelidir.<\/div>\n
Makam-\u0131 Yahya: Caminin tam ortas\u0131nda yer alan ve Bizans d\u00f6neminden kalan o g\u00f6rkemli t\u00fcrbe, \u015eam’\u0131n sadece \u0130slam i\u00e7in de\u011fil, Hristiyanl\u0131k i\u00e7in de ne kadar kutsal oldu\u011funun ni\u015fanesidir.<\/div>\n
Devasa Kur’an-\u0131 Kerim: Bahsetti\u011fimiz o b\u00fcy\u00fck mushaf, genellikle Meml\u00fck veya Osmanl\u0131 d\u00f6neminden kalan hat sanat\u0131n\u0131n en azametli \u00f6rneklerindendir ve caminin ihti\u015fam\u0131n\u0131 tamamlar.<\/div>\n
Hz. H\u00fcseyin ve Zeynel Abidin Makamlar\u0131: Emevi Camii’nin bir b\u00f6l\u00fcm\u00fcnde yer alan “Re’s-\u00fcl H\u00fcseyin” (Hz. H\u00fcseyin’in ba\u015f\u0131n\u0131n bulundu\u011fu yer) makam\u0131, \u015eam’\u0131 Kerbela ac\u0131s\u0131n\u0131n ve Ehlibeyt sevgisinin de merkezi yapar.<\/div>\n<\/div>\n
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2. Hamidiye \u00c7ar\u015f\u0131s\u0131<\/div>\n
Emevi Camii\u2019ne \u00e7\u0131kan, \u00fcst\u00fc kapal\u0131 devasa bir tarihi \u00e7ar\u015f\u0131d\u0131r. Osmanl\u0131 padi\u015fah\u0131 II. Abd\u00fclhamid d\u00f6neminde bug\u00fcnk\u00fc formunu alm\u0131\u015ft\u0131r. Baharat kokular\u0131, yerel el sanatlar\u0131 ve \u00fcnl\u00fc dondurmac\u0131lar\u0131yla \u015fehrin en canl\u0131 noktas\u0131d\u0131r.<\/div>\n
3. Azem Saray\u0131<\/div>\n
18. y\u00fczy\u0131lda Osmanl\u0131\u2019n\u0131n \u015eam Valisi Esad Pa\u015fa el-Azem taraf\u0131ndan yapt\u0131r\u0131lan bu saray, geleneksel \u015eam evi mimarisinin en g\u00fczel \u00f6rne\u011fidir. \u0130\u00e7indeki f\u0131skiyeli avlular ve d\u00f6nemin ya\u015fant\u0131s\u0131n\u0131 yans\u0131tan etnografya m\u00fczesi olduk\u00e7a etkileyicidir.<\/div>\n
4. Selahaddin Eyyubi T\u00fcrbesi<\/div>\n
Emevi Camii\u2019nin hemen kuzey giri\u015finde yer alan bu m\u00fctevaz\u0131 t\u00fcrbe, Ha\u00e7l\u0131lara kar\u015f\u0131 kazand\u0131\u011f\u0131 zaferlerle tan\u0131nan b\u00fcy\u00fck komutan Selahaddin Eyyubi’nin ebedi istirahatgah\u0131d\u0131r. Yan\u0131nda 1898\u2019de Alman \u0130mparatoru II. Wilhelm taraf\u0131ndan hediye edilen bir mermer lahit de bulunmaktad\u0131r. Avluda T\u00fcrk \u015eehidli\u011fi de bulunmaktad\u0131r.<\/div>\n
5. Nureddin Zengi K\u00fclliyesi ve Maristan\u0131<\/div>\n
B\u00fcy\u00fck Sel\u00e7uklu ve Atabeylikler d\u00f6neminin izlerini ta\u015f\u0131yan bu yap\u0131, hem bir t\u00fcrbe hem de d\u00f6neminin en geli\u015fmi\u015f t\u0131p merkezlerinden (hastane\/maristan) biridir. Sel\u00e7uklu mimari detaylar\u0131n\u0131 incelemek i\u00e7in idealdir. \u015eam sokaklar\u0131ndaki o me\u015fhur Nurettin Zengi Bimaristan\u0131 ve kurdu\u011fu hadis okullar\u0131 (Dar\u00fc’l Hadis), b\u00f6lgenin sadece askeri de\u011fil, ilmi olarak da nas\u0131l birle\u015fti\u011fini g\u00f6sterir.<\/div>\n<\/div>\n
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6. \u015eam Kalesi<\/div>\n
Eski \u015fehrin kuzeybat\u0131 k\u00f6\u015fesinde yer alan kale, \u015fehrin savunma tarihini yans\u0131t\u0131r. Roma temelleri \u00fczerine Eyyubiler ve Meml\u00fckler taraf\u0131ndan in\u015fa edilen bur\u00e7lar\u0131 ve kap\u0131lar\u0131yla heybetli bir duru\u015fa sahiptir.<\/div>\n
7. Kasiyun Da\u011f\u0131<\/div>\n
\u015eehri panoramik olarak yukar\u0131dan izlemek i\u00e7in en iyi noktad\u0131r. \u00d6zellikle g\u00fcn bat\u0131m\u0131nda \u015eam’\u0131n \u0131\u015f\u0131klar\u0131n\u0131 ve Emevi Camii’nin minarelerini buradan seyretmek bir klasik haline gelmi\u015ftir.<\/div>\n
8. Tekkiye S\u00fcleymaniye K\u00fclliyesi<\/div>\n
Kanuni Sultan S\u00fcleyman taraf\u0131ndan Mimar Sinan\u2019a yapt\u0131r\u0131lan bu eser, Osmanl\u0131 mimarisinin \u015eam\u2019daki en zarif temsilcisidir. \u0130\u00e7inde bir cami, medrese ve el sanatlar\u0131 \u00e7ar\u015f\u0131s\u0131 bulunur. Sultan Vahdettin\u2019in mezar\u0131 da burada bulunmaktad\u0131r.<\/div>\n
9. Seyyide Zeyneb ve Seyyide Rukiyye Camileri<\/div>\n
\u015eehrin biraz d\u0131\u015f\u0131nda kalsa da, \u0130ran mimarisinin izlerini ta\u015f\u0131yan muazzam \u00e7ini i\u015f\u00e7ili\u011fi ve aynal\u0131 s\u00fcslemeleriyle g\u00f6rsel bir \u015f\u00f6lendir. B\u00f6lgenin dini ve k\u00fclt\u00fcrel dokusunu anlamak i\u00e7in kritik bir noktad\u0131r.<\/div>\n
10. Bab Tuma ve Hristiyan Mahallesi<\/div>\n
Eski \u015fehrin do\u011fu taraf\u0131nda yer alan bu b\u00f6lge, dar sokaklar\u0131, tarihi kiliseleri ve ak\u015famlar\u0131 canlanan kafeleriyle farkl\u0131 bir atmosfere sahiptir. St. Paul\u2019\u00fcn Hristiyanl\u0131\u011f\u0131 kabul edi\u015fiyle ilgili rivayet edilen noktalar da bu b\u00f6lgededir.<\/div>\n
11. Muhyiddin-i Arabi Camii ve T\u00fcrbesi (Salihiye)<\/div>\n
“\u015eeyh\u00fc’l Ekber” (En B\u00fcy\u00fck \u015eeyh) olarak an\u0131lan End\u00fcl\u00fcsl\u00fc mutasavv\u0131f Muhyiddin \u0130bn\u00fc’l Arabi’nin kabri, Kasiyun Da\u011f\u0131’n\u0131n eteklerindeki Salihiye b\u00f6lgesinde yer al\u0131r. Yavuz Sultan Selim, M\u0131s\u0131r seferi d\u00f6n\u00fc\u015f\u00fcnde \u015eam’da konaklad\u0131\u011f\u0131nda, \u0130bn\u00fc’l Arabi’nin mezar\u0131n\u0131 buldurup \u00fczerine bir t\u00fcrbe, yan\u0131na da bir cami ve imaret in\u015fa ettirmi\u015ftir. Osmanl\u0131 mimari dokusunu ta\u015f\u0131yan bu k\u00fclliye, \u015eam’\u0131n en \u00f6nemli ziyaret noktalar\u0131ndan biridir.<\/div>\n<\/div>\n
\n
12. Mevlana Halid-i Ba\u011fdadi T\u00fcrbesi<\/div>\n
Nak\u015fibendi tarikat\u0131n\u0131n Halidiye kolunun kurucusu olan b\u00fcy\u00fck \u0130slam alimi ve mutasavv\u0131f Mevlana Halid-i Ba\u011fdadi’nin kabri de yine Kasiyun Da\u011f\u0131 yama\u00e7lar\u0131ndaki Salihiye mezarl\u0131\u011f\u0131nda bulunmaktad\u0131r. 19. y\u00fczy\u0131lda \u015eam’da vefat eden Mevlana Halid, \u015fehre b\u0131rakt\u0131\u011f\u0131 derin manevi mirasla tan\u0131n\u0131r. T\u00fcrbe, sade ve huzurlu yap\u0131s\u0131yla ziyaret\u00e7ilerini a\u011f\u0131rlar.<\/div>\n
13.Hicaz Demiryolu \u0130stasyonu<\/div>\n
\u0130kinci Abd\u00fclhamid d\u00f6neminde yap\u0131lan bu istasyon, tavan s\u00fcslemeleri ve vitraylar\u0131yla mimari bir \u015faheserdir. \u015eam\u2019\u0131n bir zamanlar \u0130slam d\u00fcnyas\u0131n\u0131n ula\u015f\u0131m merkezi oldu\u011funun en somut kan\u0131t\u0131d\u0131r.<\/div>\n
Bu yerlerin d\u0131\u015f\u0131nda, vaktiniz kal\u0131rsa eski \u015fehrin labirent gibi sokaklar\u0131nda kaybolmak \u015eam ruhunu anlamak i\u00e7in en iyi yoldur.<\/div>\n<\/div>\n
\n
Notlar\u0131ma ekledi\u011fim baz\u0131 ba\u015fl\u0131klar \u015funlar:<\/div>\n
1. \u015eehir Planlamas\u0131: “Cami, \u00c7ar\u015f\u0131 ve Y\u00f6netim” \u00dc\u00e7lemesi<\/div>\n
Vurgulad\u0131\u011f\u0131m\u0131z o \u00fc\u00e7 katmanl\u0131 yap\u0131 (Cami merkezli \u015fehirle\u015fme), \u0130slam \u015fehircili\u011finin en saf \u00f6rne\u011fidir. \u015eam Emevi Camii, bu halkan\u0131n tam kalbidir. Etraf\u0131ndaki Hamidiye \u00c7ar\u015f\u0131s\u0131, asl\u0131nda Baharat Yolu\u2019nun Akdeniz\u2019e a\u00e7\u0131lan en b\u00fcy\u00fck kap\u0131lar\u0131ndan biriydi. Halep\u2019teki y\u0131k\u0131m\u0131n aksine \u015eam\u2019\u0131n “sa\u011flam” kalmas\u0131, ticari hayat\u0131n hi\u00e7 kesilmemesini sa\u011flam\u0131\u015ft\u0131r.<\/div>\n<\/div>\n
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2. Emevi Camii (Ulu Cami) ve “Kutsal S\u00fcreklilik”<\/div>\n
Caminin Roma tap\u0131na\u011f\u0131 (J\u00fcpiter Tap\u0131na\u011f\u0131) ve ard\u0131ndan Aziz Yuhanna Kilisesi \u00fczerine in\u015fa edilmi\u015f olmas\u0131, o me\u015fhur “ibadet merkezleri hep ibadet merkezidir” d\u00fc\u015f\u00fcncemizi do\u011fruluyor. Caminin d\u0131\u015f duvarlar\u0131ndaki devasa ta\u015flarda o Roma ihti\u015fam\u0131n\u0131, i\u00e7erideki mozaiklerde ise Emevi esteti\u011fini g\u00f6rmek m\u00fcmk\u00fcn.<\/div>\n
3. Trafik, Ekonomi ve “3000 Dolarl\u0131k Ara\u00e7lar”<\/div>\n
Yusuf karde\u015fimizin verdi\u011fi bilgi \u00e7ok \u00e7arp\u0131c\u0131. \u015eehirdeki o yo\u011fun trafi\u011fin ve “hareket edememe” halinin sebebi, ambargolar alt\u0131ndaki bir \u00fclkede ara\u00e7 fiyatlar\u0131n\u0131n bu kadar d\u00fc\u015f\u00fck olmas\u0131 ve insanlar\u0131n birikimlerini bu \u015fekilde de\u011ferlendirmesi olarak not edildi. Bu, Suriye\u2019nin kendi i\u00e7indeki ekonomik dinamizminin bir g\u00f6stergesidir.<\/div>\n
D\u00f6rt arac\u0131n yan yana gitmesi ve park yeri bulman\u0131n imkans\u0131zl\u0131\u011f\u0131, \u015fehrin antik dokusunun modern ara\u00e7 say\u0131s\u0131n\u0131 kald\u0131ramad\u0131\u011f\u0131n\u0131n bir i\u015faretitir.<\/div>\n<\/div>\n
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4. Kasiyun Da\u011f\u0131’na Do\u011fru: Saraylar ve Maneviyat<\/div>\n
\u015eam’\u0131n o me\u015fhur balkonuna, \u015fehri yukar\u0131dan g\u00f6rece\u011fimiz Kasiyun Da\u011f\u0131’na do\u011fru yola \u00e7\u0131kt\u0131k. Buras\u0131 sadece manzaras\u0131yla de\u011fil, \u00fczerine anlat\u0131lan dini rivayetlerle (Habil ve Kabil hikayesi gibi) ilgi \u00e7ekici bir yerdir.<\/div>\n
\u2022 Siyasi Panoram: Esed’in saray\u0131n\u0131n konumu, bir “Biri Bizi G\u00f6zetliyor” gibi t\u00fcm \u015fehri g\u00f6zetleyen, ancak ormanlar\u0131n aras\u0131na gizlenmi\u015f ceberut bir ihti\u015fam\u0131 temsil ediyor. Zira bu konum psikolojik bir \u00fcst\u00fcnl\u00fck kurma amac\u0131 ta\u015f\u0131r.<\/div>\n
\u2022 Muhyiddin \u0130bn\u00fc’l-Arab\u00ee ve Yavuz Sultan Selim: \u0130bn\u00fc’l-Arab\u00ee’nin kabrinin bulundu\u011fu Salihiye b\u00f6lgesi, dedi\u011fimiz gibi eskiden \u015fehrin d\u0131\u015f\u0131nda kal\u0131yordu. Yavuz Sultan Selim’in M\u0131s\u0131r seferi d\u00f6n\u00fc\u015f\u00fc (1517) \u015eeyh-\u00fcl Ekber’in kabrini ke\u015ffedip \u00fczerine t\u00fcrbe, cami ve imaret (Salihiye K\u00fclliyesi) yapt\u0131rmas\u0131, Osmanl\u0131\u2019n\u0131n bu b\u00fcy\u00fck mutasavv\u0131fa verdi\u011fi de\u011ferin ve \u015eam\u2019\u0131 “Manevi Ba\u015fkent” olarak g\u00f6r\u00fc\u015f\u00fcn\u00fcn bir m\u00fchr\u00fcd\u00fcr.<\/div>\n
\u2022 Navigasyon ve Askeri B\u00f6lgeler: Kasiyun Da\u011f\u0131’n\u0131n tepesindeki askeri hareketlilik ve \u0130srail sald\u0131r\u0131lar\u0131 riski nedeniyle yollar\u0131n kapat\u0131lmas\u0131, Suriye\u2019nin hala bir “sava\u015f ve savunma” refleksiyle ya\u015fad\u0131\u011f\u0131n\u0131 g\u00f6steriyor. Navigasyonun bu dinamik g\u00fcvenlik \u00f6nlemleri kar\u015f\u0131s\u0131nda \u00e7aresiz kalmas\u0131, sahadaki ger\u00e7ekli\u011fin dijital haritalardan \u00e7ok daha karma\u015f\u0131k oldu\u011funu kan\u0131tl\u0131yor.<\/div>\n<\/div>\n
\n
\u0130brahim Halil ER<\/div>\n<\/div>\n<\/div>\n
 <\/div>\n","protected":false},"excerpt":{"rendered":"

TAR\u0130H\u0130N D\u0130REND\u0130\u011e\u0130 BA\u015eKENT (\u015eAM) M5\u2019in tozlu ve riskli parkurundan s\u00fcz\u00fcl\u00fcp sava\u015f\u0131n g\u00f6lgesindeki sessiz bozk\u0131rlarda saatlerce…<\/p>\n","protected":false},"author":2,"featured_media":4432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[18,148,149],"tags":[],"ppma_author":[93],"class_list":["post-4431","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gezi","category-er","category-yaz"],"yoast_head":"\nSUR\u0130YE GEZ\u0130M\u0130Z 4 - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2026\/05\/17\/4431\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SUR\u0130YE GEZ\u0130M\u0130Z 4 - 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Aslen Diyarbak\u0131rl\u0131 bir aileden olup, bu \u015fehrin ve \u00fclkenin me\u015fhur alimlerinden Muhammed Emin Er'in o\u011fludur.Babas\u0131n\u0131n yan\u0131nda dini ve Arabi ilimler okuyup ilmi ve ameli icaze ald\u0131. Gaziantep'te Aliye \u00d6mer Battal \u0130lkokulu (1981) ve Gaziantep \u0130mam Hatip Lisesi (1984)'ni, sonra Ankara Mimar Sinan Lisesini (1988) bitirdikten sonra Marmara \u00dcniversitesi Fen-Edebiyat Fak\u00fcltesi Tarih B\u00f6l\u00fcm\u00fc ve Medine \u0130slam \u00dcniversitesi Arap Dili B\u00f6l\u00fcm\u00fcnde y\u00fcksek \u00f6\u011frenim g\u00f6rd\u00fc. Ankara \u00dcniversitesi Sosyal Bilimler Enstit\u00fcs\u00fcnde \u0130slam Tarihi ve Sanatlar\u0131 b\u00f6l\u00fcm\u00fcnde\\\"\u0130slam Tarihi ve Sanatlar\u0131 \/ Emeviler D\u00f6neminde \u0130lim\\\" konulu teziyle master program\u0131n\u0131 tamamlad\u0131. Y\u00fcksek tahsilinin ard\u0131ndan \u00e7e\u015fitli okullarda \u00f6\u011fretmen ve idareci olarak g\u00f6rev yapt\u0131, \u00f6zel sekt\u00f6rde kendi i\u015fiyle me\u015fgul oldu. \u0130brahim Halil Er'in ilk yaz\u0131s\u0131 1986'da Edebiyat dergisinde yay\u0131mlanan bir kitap tan\u0131t\u0131m\u0131yd\u0131. Sonraki y\u0131llarda makaleleri; Milli Gazete, \u0130stiklal Gazetesi, Milat Gazetesi ile Anadolu Gen\u00e7lik, Gen\u00e7 \u0130stikbal, G\u00fclistan ve Milli \u015euur dergilerinde yer ald\u0131. Hedef Radyo ve Kanal 5 Televizyonunda Programlar yapt\u0131. T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi, \u00d6\u011f-Der, \u015euurlu \u00d6\u011fretmenler Derne\u011fi (Y\u00f6netim Kurulu), \u00d6z-Der, \u00d6zel \u00d6\u011fretim Derne\u011fi (Y\u00f6netim Kurulu), Tarih ve Strateji Derne\u011fi (Ba\u015fkan), Muhammed Emin Er \u0130lim K\u00fclt\u00fcr ve Yard\u0131mla\u015fma Derne\u011fi (Ba\u015fkan) \u00fcyesidir. Evli olup; Muhammed Emin ve Erkam Tuna adlar\u0131nda iki o\u011ful babas\u0131d\u0131r. Hayat\u0131n\u0131 ve \u00e7al\u0131\u015fmalar\u0131n\u0131 Ankara'da devam ettirmektedir. ESERLER\u0130: Cennet Do\u011fuda Bir Yerdedir (Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Ha\u00e7l\u0131 Seferleri) (2006), Siyasal \u0130slam D\u00fc\u015f\u00fcncesinin Do\u011fu\u015fu (2016), Peygamberimizin E\u011fitim Metodu (2011), \u00c7anakkaleye Can Verenler (2013), \u00dcmmetin Dirili\u015fi \u00c7anakkale (2014), Son Osmanl\u0131 Alimi (2014), Seyda Muhammed Emin Er Hoca ile S\u00f6yle\u015filer (2016), \u00d6yk\u00fclerle Osmanl\u0131 Padi\u015fahlar\u0131 1-2 (2015), Selahaddin Eyyubi (2017), Hz. 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Aslen Diyarbak\u0131rl\u0131 bir aileden olup, bu \u015fehrin ve \u00fclkenin me\u015fhur alimlerinden Muhammed Emin Er'in o\u011fludur.Babas\u0131n\u0131n yan\u0131nda dini ve Arabi ilimler okuyup ilmi ve ameli icaze ald\u0131. Gaziantep'te Aliye \u00d6mer Battal \u0130lkokulu (1981) ve Gaziantep \u0130mam Hatip Lisesi (1984)'ni, sonra Ankara Mimar Sinan Lisesini (1988) bitirdikten sonra Marmara \u00dcniversitesi Fen-Edebiyat Fak\u00fcltesi Tarih B\u00f6l\u00fcm\u00fc ve Medine \u0130slam \u00dcniversitesi Arap Dili B\u00f6l\u00fcm\u00fcnde y\u00fcksek \u00f6\u011frenim g\u00f6rd\u00fc. Ankara \u00dcniversitesi Sosyal Bilimler Enstit\u00fcs\u00fcnde \u0130slam Tarihi ve Sanatlar\u0131 b\u00f6l\u00fcm\u00fcnde\"\u0130slam Tarihi ve Sanatlar\u0131 \/ Emeviler D\u00f6neminde \u0130lim\" konulu teziyle master program\u0131n\u0131 tamamlad\u0131. Y\u00fcksek tahsilinin ard\u0131ndan \u00e7e\u015fitli okullarda \u00f6\u011fretmen ve idareci olarak g\u00f6rev yapt\u0131, \u00f6zel sekt\u00f6rde kendi i\u015fiyle me\u015fgul oldu. \u0130brahim Halil Er'in ilk yaz\u0131s\u0131 1986'da Edebiyat dergisinde yay\u0131mlanan bir kitap tan\u0131t\u0131m\u0131yd\u0131. Sonraki y\u0131llarda makaleleri; Milli Gazete, \u0130stiklal Gazetesi, Milat Gazetesi ile Anadolu Gen\u00e7lik, Gen\u00e7 \u0130stikbal, G\u00fclistan ve Milli \u015euur dergilerinde yer ald\u0131. Hedef Radyo ve Kanal 5 Televizyonunda Programlar yapt\u0131. T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi, \u00d6\u011f-Der, \u015euurlu \u00d6\u011fretmenler Derne\u011fi (Y\u00f6netim Kurulu), \u00d6z-Der, \u00d6zel \u00d6\u011fretim Derne\u011fi (Y\u00f6netim Kurulu), Tarih ve Strateji Derne\u011fi (Ba\u015fkan), Muhammed Emin Er \u0130lim K\u00fclt\u00fcr ve Yard\u0131mla\u015fma Derne\u011fi (Ba\u015fkan) \u00fcyesidir. Evli olup; Muhammed Emin ve Erkam Tuna adlar\u0131nda iki o\u011ful babas\u0131d\u0131r. Hayat\u0131n\u0131 ve \u00e7al\u0131\u015fmalar\u0131n\u0131 Ankara'da devam ettirmektedir. ESERLER\u0130: Cennet Do\u011fuda Bir Yerdedir (Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Ha\u00e7l\u0131 Seferleri) (2006), Siyasal \u0130slam D\u00fc\u015f\u00fcncesinin Do\u011fu\u015fu (2016), Peygamberimizin E\u011fitim Metodu (2011), \u00c7anakkaleye Can Verenler (2013), \u00dcmmetin Dirili\u015fi \u00c7anakkale (2014), Son Osmanl\u0131 Alimi (2014), Seyda Muhammed Emin Er Hoca ile S\u00f6yle\u015filer (2016), \u00d6yk\u00fclerle Osmanl\u0131 Padi\u015fahlar\u0131 1-2 (2015), Selahaddin Eyyubi (2017), Hz. Muhammed\u2019in Mektuplar\u0131 ve Diplomasi (2017), As\u0131m\u2019\u0131n Nesli (2017), \u0130stiklal Mar\u015f\u0131 ve Mehmet Akif (2015), KAYNAK\u00c7A: \u0130brahim Halil Er (Bilgi teyidi, 2014, 2017), \u0130hsan I\u015f\u0131k \/ Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Diyarbak\u0131rl\u0131 \u0130lim Adamlar\u0131 Yazarlar ve Sanat\u00e7\u0131lar (2014) - Resimli ve Metin \u00d6rnekli T\u00fcrkiye Edebiyat\u00e7\u0131lar ve K\u00fclt\u00fcr Adamlar\u0131 Ansiklopedisi (C. 12, 2018).","url":"https:\/\/simurgedebiyat.com\/index.php\/author\/ibrahim-halil-er\/"}]}},"featured_image_urls":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n.jpg",2000,1500,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-300x225.jpg",300,225,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-768x576.jpg",640,480,true],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-1024x768.jpg",640,480,true],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-1536x1152.jpg",1536,1152,true],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n.jpg",2000,1500,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-1115x715.jpg",1115,715,true],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-1024x768.jpg",1024,768,true],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-400x250.jpg",400,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-375x375.jpg",375,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-720x480.jpg",720,480,true],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-950x630.jpg",950,630,true],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-216x216.jpg",216,216,true]},"author_info":{"display_name":"\u0130brahim Halil ER","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/ibrahim-halil-er\/"},"category_info":"<a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/gezi\/\" rel=\"category tag\">Gezi<\/a> <a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/yaz\/er\/\" rel=\"category tag\">\u0130brahim Halil ER<\/a> <a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/yaz\/\" rel=\"category tag\">Yazarlar<\/a>","tag_info":"Yazarlar","comment_count":"0","jetpack_featured_media_url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n.jpg","uagb_featured_image_src":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n.jpg",2000,1500,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-300x225.jpg",300,225,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-768x576.jpg",640,480,true],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-1024x768.jpg",640,480,true],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-1536x1152.jpg",1536,1152,true],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n.jpg",2000,1500,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-1115x715.jpg",1115,715,true],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-1024x768.jpg",1024,768,true],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-400x250.jpg",400,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-375x375.jpg",375,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-720x480.jpg",720,480,true],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-950x630.jpg",950,630,true],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/05\/681234690_10163116473976559_2526304589368885940_n-216x216.jpg",216,216,true]},"uagb_author_info":{"display_name":"\u0130brahim Halil ER","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/ibrahim-halil-er\/"},"uagb_comment_info":0,"uagb_excerpt":"TAR\u0130H\u0130N D\u0130REND\u0130\u011e\u0130 BA\u015eKENT (\u015eAM) M5\u2019in tozlu ve riskli parkurundan s\u00fcz\u00fcl\u00fcp sava\u015f\u0131n g\u00f6lgesindeki sessiz bozk\u0131rlarda saatlerce...","authors":[{"term_id":93,"user_id":2,"is_guest":0,"slug":"ibrahim-halil-er","display_name":"\u0130brahim Halil ER","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/indir.jpeg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/indir.jpeg"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"Ara\u015ft\u0131rmac\u0131-yazar. 31 Aral\u0131k 1968 tarihinde Gaziantep\u2019in Nizip il\u00e7esinde do\u011fdu. Aslen Diyarbak\u0131rl\u0131 bir aileden olup, bu \u015fehrin ve \u00fclkenin me\u015fhur alimlerinden Muhammed Emin Er'in o\u011fludur.Babas\u0131n\u0131n yan\u0131nda dini ve Arabi ilimler okuyup ilmi ve ameli icaze ald\u0131. Gaziantep'te Aliye \u00d6mer Battal \u0130lkokulu (1981) ve Gaziantep \u0130mam Hatip Lisesi (1984)'ni, sonra Ankara Mimar Sinan Lisesini (1988) bitirdikten sonra Marmara \u00dcniversitesi Fen-Edebiyat Fak\u00fcltesi Tarih B\u00f6l\u00fcm\u00fc ve Medine \u0130slam \u00dcniversitesi Arap Dili B\u00f6l\u00fcm\u00fcnde y\u00fcksek \u00f6\u011frenim g\u00f6rd\u00fc. Ankara \u00dcniversitesi Sosyal Bilimler Enstit\u00fcs\u00fcnde \u0130slam Tarihi ve Sanatlar\u0131 b\u00f6l\u00fcm\u00fcnde\"\u0130slam Tarihi ve Sanatlar\u0131 \/ Emeviler D\u00f6neminde \u0130lim\" konulu teziyle master program\u0131n\u0131 tamamlad\u0131. Y\u00fcksek tahsilinin ard\u0131ndan \u00e7e\u015fitli okullarda \u00f6\u011fretmen ve idareci olarak g\u00f6rev yapt\u0131, \u00f6zel sekt\u00f6rde kendi i\u015fiyle me\u015fgul oldu.\r\n\r\n\u0130brahim Halil Er'in ilk yaz\u0131s\u0131 1986'da Edebiyat dergisinde yay\u0131mlanan bir kitap tan\u0131t\u0131m\u0131yd\u0131. Sonraki y\u0131llarda makaleleri; Milli Gazete, \u0130stiklal Gazetesi, Milat Gazetesi ile Anadolu Gen\u00e7lik, Gen\u00e7 \u0130stikbal, G\u00fclistan ve Milli \u015euur dergilerinde yer ald\u0131. Hedef Radyo ve Kanal 5 Televizyonunda Programlar yapt\u0131.\r\n\r\nT\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi, \u00d6\u011f-Der, \u015euurlu \u00d6\u011fretmenler Derne\u011fi (Y\u00f6netim Kurulu), \u00d6z-Der, \u00d6zel \u00d6\u011fretim Derne\u011fi (Y\u00f6netim Kurulu), Tarih ve Strateji Derne\u011fi (Ba\u015fkan), Muhammed Emin Er \u0130lim K\u00fclt\u00fcr ve Yard\u0131mla\u015fma Derne\u011fi (Ba\u015fkan) \u00fcyesidir. Evli olup; Muhammed Emin ve Erkam Tuna adlar\u0131nda iki o\u011ful babas\u0131d\u0131r. Hayat\u0131n\u0131 ve \u00e7al\u0131\u015fmalar\u0131n\u0131 Ankara'da devam ettirmektedir.\r\n\r\n \r\n\r\nESERLER\u0130:\r\n\r\n \r\n\r\nCennet Do\u011fuda Bir Yerdedir (Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Ha\u00e7l\u0131 Seferleri) (2006), Siyasal \u0130slam D\u00fc\u015f\u00fcncesinin Do\u011fu\u015fu (2016), Peygamberimizin E\u011fitim Metodu (2011), \u00c7anakkaleye Can Verenler (2013), \u00dcmmetin Dirili\u015fi \u00c7anakkale (2014), Son Osmanl\u0131 Alimi (2014), Seyda Muhammed Emin Er Hoca ile S\u00f6yle\u015filer (2016), \u00d6yk\u00fclerle Osmanl\u0131 Padi\u015fahlar\u0131 1-2 (2015), Selahaddin Eyyubi (2017), Hz. Muhammed\u2019in Mektuplar\u0131 ve Diplomasi (2017), As\u0131m\u2019\u0131n Nesli (2017), \u0130stiklal Mar\u015f\u0131 ve Mehmet Akif (2015),\r\n\r\n \r\n\r\n\r\nKAYNAK\u00c7A: \u0130brahim Halil Er (Bilgi teyidi, 2014, 2017), \u0130hsan I\u015f\u0131k \/ Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Diyarbak\u0131rl\u0131 \u0130lim Adamlar\u0131 Yazarlar ve Sanat\u00e7\u0131lar (2014) - Resimli ve Metin \u00d6rnekli T\u00fcrkiye Edebiyat\u00e7\u0131lar ve K\u00fclt\u00fcr Adamlar\u0131 Ansiklopedisi (C. 12, 2018)."}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=4431"}],"version-history":[{"count":3,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4431\/revisions"}],"predecessor-version":[{"id":4435,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4431\/revisions\/4435"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/4432"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=4431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=4431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=4431"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=4431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}