{"id":4354,"date":"2026-04-28T15:05:00","date_gmt":"2026-04-28T12:05:00","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=4354"},"modified":"2026-04-28T16:31:08","modified_gmt":"2026-04-28T13:31:08","slug":"cahit-sitki-tarancinin-desem-ki-siirinde-varlik-dayanagi-olarak-ask-ve-olumun-maglubiyeti","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/04\/28\/cahit-sitki-tarancinin-desem-ki-siirinde-varlik-dayanagi-olarak-ask-ve-olumun-maglubiyeti\/","title":{"rendered":"Cahit S\u0131tk\u0131 Taranc\u0131\u2019n\u0131n “Desem Ki” \u015eiirinde Varl\u0131k Dayana\u011f\u0131 Olarak A\u015fk ve \u00d6l\u00fcm\u00fcn Ma\u011flubiyeti"},"content":{"rendered":"

T\u00fcrk \u015fiirinde “vakit” ve “ak\u015fam” kavramlar\u0131yla b\u00fct\u00fcnle\u015fmi\u015f m\u00fcstesna bir isim olan Cahit S\u0131tk\u0131 Taranc\u0131, “Desem Ki” manzumesiyle a\u015fk\u0131, ge\u00e7ici bir heyecan olmaktan kurtar\u0131p varl\u0131\u011f\u0131n \u00f6z\u00fcn\u00fc te\u015fkil eden bir dayana\u011fa d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. \u015eairin d\u00fcnyas\u0131nda \u00f6l\u00fcm, hayat\u0131n kar\u015f\u0131s\u0131nda duran bir bo\u015fluktan ziyade; \u00f6mre as\u0131l k\u0131ymetini veren, onu kristal bir vazo gibi narin k\u0131lan kesin bir s\u0131n\u0131rd\u0131r. Fakat bu \u015fiirde Taranc\u0131, s\u00f6z konusu a\u015f\u0131lmaz s\u0131n\u0131r\u0131 a\u015fk\u0131n y\u00fcksek kudretiyle a\u015fmay\u0131 dener. Sevgiliyi d\u0131\u015f d\u00fcnyay\u0131 s\u00fcsleyen bir bezenti olarak g\u00f6rmez; aksine onu tabiat\u0131n varl\u0131k gerek\u00e7esi ve anlam merkezi olarak se\u00e7er. K\u00e2inat, ancak sevgilinin varl\u0131k s\u00fczgecinden ge\u00e7ti\u011finde hakiki bir kar\u015f\u0131l\u0131k bulur. Sevgilinin bulunmad\u0131\u011f\u0131 bir \u00e2lemde deniz alelade bir su birikintisi, r\u00fczg\u00e2r ise kuru bir hava ak\u0131m\u0131 olarak kal\u0131rken; onun mevcudiyeti bu fizik\u00ee olaylar\u0131 his ve m\u00e2n\u00e2 kat\u0131na y\u00fckselten bir kuvvettir.<\/p>\n

Bu bak\u0131\u015f a\u00e7\u0131s\u0131yla bak\u0131ld\u0131\u011f\u0131nda, tabiat\u0131n t\u00fcm unsurlar\u0131 sevgilinin varl\u0131\u011f\u0131yla yeniden bi\u00e7imlenir; a\u011fa\u00e7lar onunla ye\u015ferir, g\u00f6ky\u00fcz\u00fc onunla ayd\u0131nlan\u0131r. \u015eair, sevilen ki\u015finin varl\u0131\u011f\u0131n\u0131 k\u00e2inat\u0131n nabz\u0131 sayarak, d\u0131\u015f d\u00fcnyadaki her k\u0131p\u0131rt\u0131y\u0131 o ki\u015finin nefesiyle birle\u015ftirir. Bu durum, insan ruhunun d\u00fcnyay\u0131 ancak bir mefhum e\u015fli\u011finde kavrayabilece\u011fini d\u00fc\u015f\u00fcnd\u00fcr\u00fcr. Nesneler kendi ba\u015flar\u0131na dilsiz birer madde y\u0131\u011f\u0131n\u0131yken, sevginin dokunu\u015fuyla her biri birer i\u015farete, birer m\u00fcjdeye evrilir.<\/p>\n

B\u00f6ylece g\u00f6ky\u00fcz\u00fcn\u00fcn mavili\u011fi basit bir \u0131\u015f\u0131k k\u0131r\u0131lmas\u0131 olman\u0131n \u00f6tesine ge\u00e7er; sevgilinin bak\u0131\u015f\u0131ndaki berrakl\u0131\u011f\u0131n yery\u00fcz\u00fcne yay\u0131lm\u0131\u015f hali olur. R\u00fczg\u00e2r\u0131n dokunu\u015fu, teni serinleten bir esintiden \u00f6te, ma\u015fukun ge\u00e7ti\u011fi yollardan ta\u015f\u0131nan bir selam h\u00fckm\u00fc kazan\u0131r. Taranc\u0131, bu sars\u0131lmaz ba\u011f vas\u0131tas\u0131yla ki\u015fiyi evrenin kalbine yerle\u015ftirirken, e\u015fyan\u0131n fani y\u00fcz\u00fcn\u00fc a\u015farak her varl\u0131\u011f\u0131 ebedi bir g\u00fczelli\u011fin par\u00e7as\u0131 k\u0131lan yolu a\u00e7ar. Bu bak\u0131\u015fla, seven ki\u015finin g\u00f6z\u00fcnde d\u00fcnya yabanc\u0131 bir mek\u00e2n olmaktan kurtulur ve sevgilinin her bir zerresinde hayat buldu\u011fu s\u0131cak bir yuvaya d\u00f6n\u00fc\u015f\u00fcr.<\/p>\n

Bu kuvvetli ba\u011f, sevgiliyi ekilen tohumdan al\u0131nan mahsule kadar her noktada bir bereket sembol\u00fc k\u0131lar. Topra\u011f\u0131n verimi ve ya\u015fam\u0131n s\u00fcreklili\u011fi, sevgilinin varl\u0131\u011f\u0131yla birle\u015ferek tabiat\u0131n as\u0131l eksenini kurar. \u015eiir boyunca ki\u015fi ile e\u015fya aras\u0131ndaki s\u0131n\u0131rlar silinir; r\u00fczg\u00e2r art\u0131k tabiat\u0131n bir hareketi olmaktan \u00e7\u0131karak sevgilinin ruhuyla birle\u015fir. Taranc\u0131, d\u0131\u015f d\u00fcnyay\u0131 sevgiliye benzetmek yerine, tabiat\u0131n t\u00fcm g\u00fczelli\u011fini sevgiliden kopar\u0131p al\u0131r. B\u00f6ylece k\u00e2inat\u0131n u\u00e7suz bu\u00e7aks\u0131z b\u00fcy\u00fckl\u00fc\u011f\u00fc, sevgilinin nahif varl\u0131\u011f\u0131na s\u0131\u011fd\u0131r\u0131l\u0131r. Art\u0131k evren, ancak onun mevcudiyetiyle \u015fair i\u00e7in ya\u015fanabilir bir yuva vasf\u0131 kazan\u0131r.<\/p>\n

Bu b\u00fct\u00fcnle\u015fme, sevilen ki\u015fiyi alelade bir seyir nesnesi k\u0131lman\u0131n \u00f6tesine ge\u00e7er; onu k\u00e2inat\u0131n can damar\u0131 haline getirir. \u015eairin nazar\u0131nda toprak, ancak o ki\u015finin ad\u0131m\u0131yla canlan\u0131r; g\u00f6kler ancak onun g\u00fcl\u00fc\u015f\u00fcyle geni\u015fler. Bu durum a\u015fk\u0131, ola\u011fan bir g\u00f6n\u00fcl ferahl\u0131\u011f\u0131 seviyesinden kurtar\u0131p hava, ekmek ve su gibi ya\u015fam\u0131n devam\u0131 i\u00e7in gereken ana unsurlar aras\u0131na yerle\u015ftirir. \u015eair i\u00e7in sevgi; nefes kadar mecburiyet, ekmek kadar kutsal ve su kadar aziz bir ihtiya\u00e7t\u0131r. \u0130nsan ruhu, bu temel g\u0131dalar olmadan nas\u0131l kuruyup giderse, sevgilinin yoklu\u011funda da varl\u0131k b\u00fct\u00fcn\u00fcyle anlam\u0131n\u0131 yitirir.<\/p>\n

Sevginin bu hayati hali, insan\u0131 evrenin yabanc\u0131s\u0131 olmaktan kurtaran en g\u00fc\u00e7l\u00fc dayanak olarak belirir. Hava g\u00f6\u011f\u00fcs kafesine dolarken nas\u0131l ki ya\u015fam\u0131n devam\u0131n\u0131 sa\u011fl\u0131yorsa, sevgilinin varl\u0131\u011f\u0131 da ruhun soluk almas\u0131n\u0131 m\u00fcmk\u00fcn k\u0131lar. Ekme\u011fin ve suyun azizli\u011fi, bu a\u015fk\u0131n s\u0131radan bir tutkudan ziyade varolu\u015fun en temel \u015fart\u0131 oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcr\u00fcr. \u015eair b\u00f6ylece sevgiyi, biyolojik hayat\u0131n devam\u0131 i\u00e7in \u015fart olan unsurlarla bir tutarak, ruhun a\u00e7l\u0131\u011f\u0131n\u0131 ancak bu kutlu ba\u011fl\u0131l\u0131kla dindirebilece\u011fini ortaya koyar. Nesnelerin dilsiz d\u00fcnyas\u0131, bu hayati ihtiya\u00e7lar\u0131n sevgilinin \u00e7ehresinde birle\u015fmesiyle dile gelir ve k\u00e2inat\u0131n her k\u00f6\u015fesi \u015fair i\u00e7in bir r\u0131z\u0131k, bir \u015fifa ve bir huzur dura\u011f\u0131na evrilir.<\/p>\n

A\u015fk\u0131n bu biyolojik de\u011feri, “Nimettensin!” hayk\u0131r\u0131\u015f\u0131yla tam bir \u015f\u00fck\u00fcr ve kutsiyet zeminine oturur. Nimet, insana bah\u015fedilmi\u015f en k\u0131ymetli l\u00fctuftur; bu sebeple sevgili, \u015fairin yoluna tesad\u00fcfen \u00e7\u0131km\u0131\u015f bir yolcu olmaktan \u00e7\u0131karak, varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrebilmesi i\u00e7in g\u00f6klerden s\u00fcz\u00fcl\u00fcp gelen bir hediyeye d\u00f6n\u00fc\u015f\u00fcr. \u015eairin bu y\u00fcksek bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 “evindeki \u015fenlik” ve “sofras\u0131ndaki \u015farap” gibi samimi benzetmelerle harmanlamas\u0131, a\u015fk\u0131 hem g\u00f6klerin kat\u0131nda hem de g\u00fcndelik hayat\u0131n tam ortas\u0131nda diri tutar.<\/p>\n

\u00d6l\u00fcm ise bu b\u00fcy\u00fck sevginin \u00f6n\u00fcnde bir son te\u015fkil etmez. Sesinin r\u00fczg\u00e2r\u0131n ve nehirlerin u\u011fultusunda kaybolmas\u0131 bir biti\u015fi i\u015faret etmekten uzakt\u0131r; aksine bu durum, sevgilinin g\u00fczelli\u011fini tabiat\u0131n ortak haf\u0131zas\u0131na f\u0131s\u0131ldama gayretidir. \u015eair, bedeniyle topra\u011fa kar\u0131\u015fsa dahi a\u015fk\u0131n hakikatini dile getirmek i\u00e7in kendisine yeni bir varl\u0131k alan\u0131 a\u00e7ar. Burada \u00f6l\u00fcm, bir yok olu\u015f h\u00fckm\u00fc ta\u015f\u0131maktan ziyade, sevginin bi\u00e7im de\u011fi\u015ftirerek t\u00fcm evrene yay\u0131lmas\u0131d\u0131r. Bu yay\u0131lma, ferd\u00ee bir sesin k\u00e2inat\u0131n korosuna kat\u0131lmas\u0131 gibi, sevilen ki\u015finin vas\u0131flar\u0131n\u0131 r\u00fczg\u00e2ra, suya ve topra\u011fa nak\u015fetme s\u00fcrecidir.<\/p>\n

B\u00f6ylece fani olan beden topra\u011fa d\u00f6nerken, sevgi k\u00e2inat\u0131n de\u011fi\u015fmez bir par\u00e7as\u0131 haline gelir. \u015eairin bu tavr\u0131, yokluk kar\u015f\u0131s\u0131nda boyun e\u011fmek yerine, sevgiyi sonsuzlu\u011fa ta\u015f\u0131yan bir k\u00f6pr\u00fc kurar. Bu k\u00f6pr\u00fc, sevgilinin g\u00fczelli\u011fini zaman\u0131n h\u0131rpalay\u0131c\u0131 etkisinden kurtararak onu her mevsimde yeniden uyanan bir do\u011fa olay\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. \u0130nsan, kendi s\u0131n\u0131rl\u0131 \u00f6mr\u00fcn\u00fc a\u015fan bu ba\u011fl\u0131l\u0131k sayesinde, \u00f6l\u00fcm\u00fcn so\u011fuk y\u00fcz\u00fcne sevginin s\u0131cakl\u0131\u011f\u0131yla cevap verir. Bu durum, sevginin hayattayken s\u0131\u011f\u0131n\u0131lan s\u0131radan bir liman olma vasf\u0131n\u0131 a\u015farak, ebediyete kadar s\u00fcren bir yolculu\u011fun pusulas\u0131 oldu\u011fu ger\u00e7e\u011fini d\u00fc\u015f\u00fcnd\u00fcr\u00fcr. Nesnelerin gelip ge\u00e7icili\u011fi kar\u015f\u0131s\u0131nda, ruhun bu sars\u0131lmaz sadakati, varolu\u015fun en vakur duru\u015fu olarak belirir.<\/p>\n

“Kabirde b\u00f6ceklere ezberletirim g\u00fczelli\u011fini” ifadesi, a\u015fk\u0131n karanl\u0131\u011fa ve yok olu\u015fa kar\u015f\u0131 a\u00e7t\u0131\u011f\u0131 en vakur sava\u015ft\u0131r. Taranc\u0131 burada \u00f6l\u00fcm\u00fc bir engel olarak kabul etmeyi reddederek; a\u015fk\u0131 topra\u011f\u0131n alt\u0131nda, sessiz mahlukata ders olarak okutulacak kadar bask\u0131n ve e\u011fitici bir g\u00fc\u00e7 mertebesine y\u00fckseltir. Karanl\u0131\u011f\u0131n i\u00e7inde g\u00fczelli\u011fi bir \u0131\u015f\u0131k gibi ta\u015f\u0131yan bu tav\u0131r, a\u015fk\u0131n hayatta olanlara has bir durum olma s\u0131n\u0131r\u0131n\u0131 a\u015farak, fanili\u011fi ebediyetin diline terc\u00fcme edebilecek bir g\u00fcce sahip oldu\u011funu g\u00f6sterir. Toprak alt\u0131ndaki o dilsiz d\u00fcnya, \u015fairin \u00f6\u011fretisiyle sevgilinin zarafetini tan\u0131r; b\u00f6ylece en kuytu yerler bile bu sevginin \u0131\u015f\u0131\u011f\u0131yla ayd\u0131nlan\u0131r.<\/p>\n

Bu irade, mezar\u0131n sessizli\u011fini bir mektebe d\u00f6n\u00fc\u015ft\u00fcr\u00fcrken, sevginin fizik\u00ee s\u0131n\u0131rlar\u0131 nas\u0131l darmada\u011f\u0131n etti\u011fini d\u00fc\u015f\u00fcnd\u00fcr\u00fcr. \u015eair, bedeni \u00e7\u00fcr\u00fcmeye terk edilse dahi, ruhundaki g\u00fczellik miras\u0131n\u0131 topra\u011f\u0131n en derin katmanlar\u0131na nak\u015fetmeyi se\u00e7er. Bu durum, sevginin baya\u011f\u0131 bir duygu olma s\u0131n\u0131r\u0131n\u0131 a\u015farak, \u00f6l\u00fcm\u00fc bile terbiye eden bir bilgi ve bilin\u00e7 hali oldu\u011fu ger\u00e7e\u011fini ortaya koyar. \u015eiirin sonundaki mah\u015fer sahnesi ise bu sars\u0131lmaz sadakatin en b\u00fcy\u00fck kan\u0131t\u0131d\u0131r. Herkesin kendi can\u0131n\u0131n derdine d\u00fc\u015ft\u00fc\u011f\u00fc, her ruhun kendi hesab\u0131yla me\u015fgul oldu\u011fu o b\u00fcy\u00fck kaos an\u0131, Taranc\u0131 i\u00e7in sevgiliyi araman\u0131n ve ona kavu\u015fman\u0131n mutlak vaktidir.<\/p>\n

Mah\u015ferin kalabal\u0131\u011f\u0131nda “ortal\u0131\u011fa d\u00fc\u015f\u00fcp” sevgiliyi aramak, a\u015fk\u0131n hi\u00e7bir zaman bitmeyecek olan aktif bir irade ve varl\u0131k m\u00fccadelesi oldu\u011funu anlat\u0131r. Burada kar\u015f\u0131m\u0131za \u00e7\u0131kan tablo; korku ve endi\u015feden ar\u0131nm\u0131\u015f, b\u00fct\u00fcn\u00fcyle vuslata odaklanm\u0131\u015f bir ruhun hikmetli duru\u015fudur. K\u0131yametin koptu\u011fu bir d\u00fczlemde bile aray\u0131\u015f\u0131n s\u00fcrmesi, sevginin zamandan ve mek\u00e2ndan azade bir hakikat oldu\u011funu kan\u0131tlar. Bu epik final, seven ki\u015finin varl\u0131k iddias\u0131n\u0131 en y\u00fcksek perdeden dile getirerek, sevgiyi k\u00e2inat\u0131n son g\u00fcn\u00fcnde bile ayakta kalan yeg\u00e2ne dayanak k\u0131lan yolu a\u00e7ar. B\u00f6ylece \u00f6l\u00fcm ve \u00f6tesi, bir ayr\u0131l\u0131k mek\u00e2n\u0131 olmaktan \u00e7\u0131karak, sevginin ebedi zaferini ilan etti\u011fi bir meydana evrilir.<\/p>\n

Sonu\u00e7 itibar\u0131yla “Desem Ki”, bir \u015fairin \u015fahsi sesleni\u015finden \u00e7ok daha fazlas\u0131n\u0131 bar\u0131nd\u0131r\u0131r; insan\u0131n bu d\u00fcnyadaki ge\u00e7icili\u011fine ve yaln\u0131zl\u0131\u011f\u0131na kar\u015f\u0131 a\u015fk ile in\u015fa etti\u011fi sars\u0131lmaz bir kaledir. Ya\u015fam\u0131 anlamland\u0131rman\u0131n en saf yolunu sunan bu manzume, biyolojik s\u0131n\u0131rlar\u0131 zorlayan ve \u00f6l\u00fcm\u00fc a\u015fk\u0131n haf\u0131zas\u0131yla terbiye eden bir duru\u015ftur. Sevgiyi topra\u011f\u0131n sessizli\u011finden g\u00f6k kubbenin sonsuzlu\u011funa ta\u015f\u0131yan bu ba\u015fkald\u0131r\u0131, fanili\u011fin so\u011fuk nefesini ortadan kald\u0131rmay\u0131 ama\u00e7lar.<\/p>\n

Okuyucu bu sat\u0131rlarda s\u0131radan bir g\u00f6n\u00fcl hik\u00e2yesine \u015fahitlik etmenin \u00f6tesine ge\u00e7er; bir insan\u0131n kendi varl\u0131\u011f\u0131n\u0131 \u00f6l\u00fcm\u00fcn pen\u00e7esinden kurtar\u0131p ebediyet z\u0131rh\u0131yla nas\u0131l ku\u015fatt\u0131\u011f\u0131n\u0131 hayretle izler. Bu ku\u015fat\u0131\u015f, fani olan\u0131n baki olana att\u0131\u011f\u0131 bir imza gibi, insan\u0131n d\u00fcnyadaki yerini sa\u011flamla\u015ft\u0131r\u0131r. Taranc\u0131\u2019n\u0131n kelimeleri, topra\u011f\u0131n alt\u0131nda dahi s\u00f6nmeyen bir kandil gibi, insana en b\u00fcy\u00fck korkusuyla ba\u015f etme g\u00fcc\u00fc verir. Korku, yerini sevginin vakur huzuruna b\u0131rak\u0131rken; kelimeler k\u00e2\u011f\u0131t \u00fczerinde kalan dilsiz harfler olma s\u0131n\u0131r\u0131n\u0131 a\u015farak ruhu koruyan bir kalkan halini al\u0131r.<\/p>\n

Bu eser, yok olu\u015f kar\u015f\u0131s\u0131nda ruhun kazand\u0131\u011f\u0131 en nazik ve en hakiki zaferlerden biridir. \u015eairin kurdu\u011fu bu m\u00e2n\u00e2 k\u00f6pr\u00fcs\u00fc, ya\u015fam\u0131n en kuytu k\u00f6\u015felerinden \u00f6l\u00fcm\u00fcn en \u0131ss\u0131z dehlizlerine kadar her yere n\u00fcfuz eder. Bu durum, insan\u0131n ancak severek ve bu sevgiyi varl\u0131\u011f\u0131n\u0131n merkezine koyarak \u00f6l\u00fcms\u00fczl\u00fc\u011fe ad\u0131m atabilece\u011fini d\u00fc\u015f\u00fcnd\u00fcr\u00fcr. “Desem Ki”, bir a\u015fk ilan\u0131 olman\u0131n \u00f6tesinde, her t\u00fcrl\u00fc biti\u015fe ve t\u00fckeni\u015fe kar\u015f\u0131 sunulmu\u015f bir ebediyet manifestosu h\u00fckm\u00fcndedir. Kelimelerin bitti\u011fi yerde ba\u015flayan bu sessiz ama g\u00fc\u00e7l\u00fc hayk\u0131r\u0131\u015f, her ku\u015fakta yeniden uyanarak seven kalplere bir yol haritas\u0131 sunmaya devam eder.<\/p>\n

Muhammed I\u015eIK<\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00fcrk \u015fiirinde “vakit” ve “ak\u015fam” kavramlar\u0131yla b\u00fct\u00fcnle\u015fmi\u015f m\u00fcstesna bir isim olan Cahit S\u0131tk\u0131 Taranc\u0131, “Desem…<\/p>\n","protected":false},"author":56,"featured_media":4355,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[22,340],"tags":[],"ppma_author":[310],"class_list":["post-4354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-elestiri","category-muhammed-isik"],"yoast_head":"\nCahit S\u0131tk\u0131 Taranc\u0131\u2019n\u0131n "Desem Ki" \u015eiirinde Varl\u0131k Dayana\u011f\u0131 Olarak A\u015fk ve \u00d6l\u00fcm\u00fcn Ma\u011flubiyeti - 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Anadolu \u00dcniversitesi \u0130\u015fletme Fak\u00fcltesi ile Medya ve \u0130leti\u015fim B\u00f6l\u00fcm\u00fcnden mezun olan I\u015f\u0131k, yazarl\u0131k kariyerine \u201cSiyaset ve D\u00fc\u015f\u00fcnce\u201d adl\u0131 internet sitesinde k\u00f6\u015fe yazar\u0131 olarak ba\u015flad\u0131. Farkl\u0131 platformlarda fikirlerini payla\u015fmaya devam eden yazar, Fikri Kadim, Mimoza Haber, Nokta32, Akdeniz Haber, Ger\u00e7ek Tarih ve \u0130ttifak Gazetesi gibi mecralarda k\u00f6\u015fe yaz\u0131lar\u0131 yay\u0131mlad\u0131. Ayn\u0131 zamanda Ger\u00e7ek Tarih dergisinin yay\u0131n koordinat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenerek, dergi yay\u0131nc\u0131l\u0131\u011f\u0131 alan\u0131nda da katk\u0131lar sundu. T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi Y\u00f6netim Kurulu \u00dcyesi olarak da k\u00fclt\u00fcrel ve edeb\u00ee faaliyetlere katk\u0131da bulundu. 2016-2024 y\u0131llar\u0131 aras\u0131nda Sahipk\u0131ran Stratejik Ara\u015ft\u0131rmalar Merkezinde (SASAM) Genel Sekreterlik g\u00f6revini y\u00fcr\u00fcten Muhammed I\u015f\u0131k, halen Haber Ajanda ve K\u00fclt\u00fcr Ajanda dergilerinde yazmaktad\u0131r. Aral\u0131k 2018\u2019den bu yana dikGAZETE.com yazar\u0131d\u0131r. Evli ve iki erkek \u00e7ocuk babas\u0131d\u0131r. 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Anadolu \u00dcniversitesi \u0130\u015fletme Fak\u00fcltesi ile Medya ve \u0130leti\u015fim B\u00f6l\u00fcm\u00fcnden mezun olan I\u015f\u0131k, yazarl\u0131k kariyerine \u201cSiyaset ve D\u00fc\u015f\u00fcnce\u201d adl\u0131 internet sitesinde k\u00f6\u015fe yazar\u0131 olarak ba\u015flad\u0131. Farkl\u0131 platformlarda fikirlerini payla\u015fmaya devam eden yazar, Fikri Kadim, Mimoza Haber, Nokta32, Akdeniz Haber, Ger\u00e7ek Tarih ve \u0130ttifak Gazetesi gibi mecralarda k\u00f6\u015fe yaz\u0131lar\u0131 yay\u0131mlad\u0131. Ayn\u0131 zamanda Ger\u00e7ek Tarih dergisinin yay\u0131n koordinat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenerek, dergi yay\u0131nc\u0131l\u0131\u011f\u0131 alan\u0131nda da katk\u0131lar sundu. T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi Y\u00f6netim Kurulu \u00dcyesi olarak da k\u00fclt\u00fcrel ve edeb\u00ee faaliyetlere katk\u0131da bulundu.\r\n\r\n2016-2024 y\u0131llar\u0131 aras\u0131nda Sahipk\u0131ran Stratejik Ara\u015ft\u0131rmalar Merkezinde (SASAM) Genel Sekreterlik g\u00f6revini y\u00fcr\u00fcten Muhammed I\u015f\u0131k, halen Haber Ajanda ve K\u00fclt\u00fcr Ajanda dergilerinde yazmaktad\u0131r. Aral\u0131k 2018\u2019den bu yana dikGAZETE.com yazar\u0131d\u0131r. 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