{"id":4343,"date":"2026-04-24T09:25:08","date_gmt":"2026-04-24T06:25:08","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=4343"},"modified":"2026-04-24T09:25:08","modified_gmt":"2026-04-24T06:25:08","slug":"yabancilasmaya-ve-mankurtlara-karsi","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/04\/24\/yabancilasmaya-ve-mankurtlara-karsi\/","title":{"rendered":"YABANCILA\u015eMAYA VE MANKURTLARA KAR\u015eI"},"content":{"rendered":"

      Millet ve \u00fclkemizin en b\u00fcy\u00fck vir\u00fcs\u00fc; gayri mill\u00ee e\u011fitim, medya, sanat ve k\u00fclt\u00fcr ile pozitivist-kapitalist bilim anlay\u0131\u015f\u0131yla ger\u00e7ekle\u015ftirilen yabanc\u0131la\u015fmad\u0131r, mankurtla\u015fmad\u0131r. Bin y\u0131ldan beri \u0130slam\u2019\u0131n kutsal de\u011ferlerine, mill\u00ee k\u00fclt\u00fcr\u00fcne s\u0131ms\u0131k\u0131 ba\u011fl\u0131 olan M\u00fcsl\u00fcman T\u00fcrk milletinin torunlar\u0131; yakla\u015f\u0131k 200 y\u0131ld\u0131r -Tanzimat\u2019tan bu yana- \u00e7o\u011fu zaman  \u201cuygarla\u015fma\u201d, \u201cmodernle\u015fme\u201d, \u201c\u00e7a\u011fda\u015fla\u015fma\u201d, \u201cilericilik\u201d, \u201cbilimsellik\u201d, \u201cak\u0131lc\u0131l\u0131k\u201d, \u201ch\u00fcmanizm\u201d, \u201cdemokrasi\u201d, \u201ck\u00fcreselle\u015fme\u201d, \u201cpostmodernizm\u201d<\/strong> ad\u0131yla gayrimill\u00ee, materyalist, yozla\u015ft\u0131r\u0131c\u0131, k\u00f6ks\u00fcz ve ruhsuz e\u011fitim, sanat ve medya sistemiyle, akla gelmedik metot ve entrikalarla kendi dinine, tarihine, diline, sanat\u0131na, \u00f6rf ve geleneklerine, k\u00f6kl\u00fc ilim, irfan ve k\u00fclt\u00fcr\u00fcne yabanc\u0131la\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r.<\/p>\n

       \u00c7a\u011fda\u015fla\u015fma ve uygarla\u015fma kokaini ile ger\u00e7ekle\u015ftirilen k\u00fclt\u00fcr yabanc\u0131la\u015fmas\u0131; \u201cmedeniyet krizi<\/strong>\u201dyle \u201ck\u00fclt\u00fcrel yozla\u015fma\u201d<\/strong> ve \u201ckimliksizli\u011fi\u201d<\/strong> de beraberinde getirmi\u015ftir. Cemil Meri\u00e7\u2019in ifade etti\u011fi gibi: \u201cZehirli telkinleri mukavemet kalelerini yok etti. \u0130mans\u0131z ve idealsiz nesiller t\u00fcrettik. Pusuda bekleyen yabanc\u0131 ideolojiler, setleri y\u0131k\u0131lan \u0131rmaklar gibi yay\u0131ld\u0131lar \u00fclkeye.\u201d<\/strong><\/p>\n

       Emperyalistler ile onlar\u0131n \u201cyerli i\u015fbirlik\u00e7i\u201dleri taraf\u0131ndan \u201calt\u0131n kase i\u00e7inde sunulan zehir\u201dlerle zihin ve ruhlar\u0131 i\u015fgale u\u011frat\u0131larak kendi milletine, T\u00fcrk k\u00fclt\u00fcr\u00fc ve \u0130slam medeniyetine mankurtla\u015ft\u0131r\u0131lan yani yabanc\u0131la\u015ft\u0131r\u0131lan ayd\u0131nlar, yazarlar, sanat\u00e7\u0131lar, akademisyenler, fikir adamlar\u0131, siyaset\u00e7i ve b\u00fcrokratlar; kendi tarihine, dinine, diline, sanat\u0131na, k\u0131saca \u00f6z k\u00fclt\u00fcr ve medeniyetine yabanc\u0131la\u015fmak istemeyen milleti horlamakta; onlara, \u201cgerici, \u00e7a\u011fd\u0131\u015f\u0131, yobaz, yaban, cahil\u201d damgas\u0131n\u0131 vurmaktad\u0131r. Ni\u00e7in? T\u00fcrk edebiyat\u0131n\u0131n en \u00f6nemli yazarlar\u0131ndan Peyami Safa\u2019n\u0131n \u201cE\u011fitim-Gen\u00e7lik-\u00dcniversite\u201d<\/strong> isimli eserinde veciz bir \u00fcslupla ifade etti\u011fi gibi: \u201cBir milleti yok etmek isterseniz askeri istilaya gerek yoktur. Ona tarihini unutturmak, dilini bozmak, dininden so\u011futmak ve dolay\u0131s\u0131 ile manevi de\u011ferlerini, ahlak\u0131n\u0131 bozmak ve soysuzla\u015ft\u0131rmak k\u00e2fidir.\u201d<\/strong> Emperyalistlerin bu \u00fclkede yapt\u0131klar\u0131 en korkun\u00e7 \u201ck\u00fclt\u00fcr emperyalizmi\u201d<\/strong>, bu \u201ck\u00fclt\u00fcr yabanc\u0131la\u015fmas\u0131\u201d<\/strong>d\u0131r.<\/p>\n

       Tanzimat Ferman\u0131\u2019ndan g\u00fcn\u00fcm\u00fcze yabanc\u0131 okul ve m\u00fcfredatlar, yabanc\u0131 dille e\u011fitimler, yabanc\u0131 kelime ve kavramlar, yabanc\u0131 zihniyet ve inan\u00e7lar, yabanc\u0131 film ve diziler, yabanc\u0131 oyun ve m\u00fczikler, yabanc\u0131 \u015fiir, tiyatro, hik\u00e2ye ve romanlar, yabanc\u0131 \u00f6rfler ve adetler, yabanc\u0131 g\u00fcn ve kutlamalar, yabanc\u0131 estetik ve zevkler, yabanc\u0131 moda ve k\u0131yafetler, yabanc\u0131 ak\u0131m ve ideolojiler, yabanc\u0131 tarih ve kahramanlar vs; \u201cBat\u0131l\u0131la\u015fma\u201d ve \u201c\u00e7a\u011fda\u015fla\u015fma\u201d ad\u0131yla zihnimizi, kalbimizi, sosyal ve k\u00fclt\u00fcrel hayat\u0131m\u0131z\u0131 yaban otlar\u0131 ve zehirli mantarlar gibi ni\u00e7in ve nas\u0131l sarm\u0131\u015ft\u0131r acaba?<\/strong> \u00c7\u00fcnk\u00fc \u00dcstat Sezai Karako\u00e7\u2019un \u201c\u00c7a\u011f ve \u0130lham-II\u201d <\/strong>isimli kitab\u0131nda \u00f6zg\u00fcn bir \u015fekilde ifade etti\u011fi gibi: \u201c\u00d6nce ge\u00e7mi\u015fle k\u00fclt\u00fcr ilgisini kesmeyi ba\u015fard\u0131lar. Milleti, kendini kuran, ruh ve aksiyon kahramanlar\u0131n\u0131n hat\u0131ras\u0131ndan uzakla\u015ft\u0131rd\u0131lar. Bat\u0131 propagandas\u0131, resm\u00ee e\u011fitim ve \u00f6\u011fretim program\u0131 halini ald\u0131. Kendi bilginlerini, \u015fairlerini, her alandaki sanat\u00e7\u0131lar\u0131n\u0131, kendi devlet adamlar\u0131n\u0131 tan\u0131mayan, kendi k\u00fclt\u00fcr ve medeniyetine yabanc\u0131 nesiller yeti\u015ftirmenin d\u00fczeninin kurulmas\u0131n\u0131 sa\u011flad\u0131lar.\u201d <\/p>\n

       K\u0131rg\u0131z k\u00f6kenli Yazar Cengiz Aytmatov\u2019un \u201cG\u00fcn Olur Asra Bedel\u201d<\/strong> isimli muhte\u015fem roman\u0131nda mitolojiden faydalanarak \u00f6zg\u00fcn bir \u015fekilde hik\u00e2ye edip T\u00fcrk\u00e7eye kazand\u0131rd\u0131\u011f\u0131; yabanc\u0131la\u015fma sebebiyle gaflet ve cehalet hatta bir k\u0131sm\u0131n\u0131n h\u0131yanet ve dalalet i\u00e7inde oldu\u011fu \u201cmankurt\u201d<\/strong>lar\u0131 bug\u00fcn nas\u0131l anlamal\u0131y\u0131z? Kendi millet ve medeniyetine yabanc\u0131la\u015fm\u0131\u015f Bat\u0131c\u0131 ayd\u0131nlar g\u00fcruhu; \u201c\u00e7ekirge s\u00fcr\u00fcs\u00fc gibi\u201d bu milletin ruh k\u00f6k\u00fcne, b\u00fcy\u00fck \u00e7\u0131nara zarar vermektedir.<\/strong> Kendi dinini, dilini, tarihini, sanat\u0131n\u0131 yani kendi mukaddeslerini ve de\u011ferlerini tan\u0131mayan, \u201c\u00fclkesiyle g\u00f6bek ba\u011f\u0131n\u0131 koparan\u201d<\/strong> mankurtlar kimlerdir peki?<\/p>\n

       Yabanc\u0131 devlet adamlar\u0131na hayranl\u0131k besleyip kendi mill\u00ee kahramanlar\u0131na, b\u00fcy\u00fck devlet adamlar\u0131na s\u00f6venler; kendi k\u00fclt\u00fcr ve medeniyetinin yeti\u015ftirdi\u011fi edebiyat, sanat, ilim, fikir ve g\u00f6n\u00fcl adamlar\u0131na yabanc\u0131 kal\u0131p yabanc\u0131 millet ve k\u00fclt\u00fcrlerin yeti\u015ftirdi\u011fi adamlar\u0131 g\u00f6klere \u00e7\u0131karanlar; ulusalc\u0131, yurtsever veya \u00e7a\u011fda\u015f muhafazak\u00e2r tak\u0131l\u0131p Erovizyon\u2019da \u0130ngilizce \u015fark\u0131yla birinci olduk diye sevin\u00e7 \u00e7\u0131\u011fl\u0131klar\u0131 atanlar hangi k\u00fclt\u00fcr\u00fcn insan\u0131?  \u201cBozk\u0131r\u0131n Tezenesi\u201d <\/strong>Ne\u015fet Erta\u015f\u2019\u0131n bir t\u00fcrk\u00fcs\u00fcnde \u00e7\u0131\u011f\u0131rd\u0131\u011f\u0131 \u201cT\u00fcrk\u00fc sever, t\u00fcrk\u00fc s\u00f6yler T\u00fcrk\u2019\u00fcm diye.\u201d<\/strong> s\u00f6zlerindeki ruhu ne zaman anlayacak bunlar?<\/p>\n

       T\u00fcrk ve \u0130slam kl\u00e2siklerinden habersiz olup sadece Bat\u0131 kl\u00e2sikleriyle yat\u0131p kalkanlar; T\u00fcrk halk, sanat ve tasavvuf m\u00fczi\u011fimizi, saz\u0131m\u0131z\u0131, kaval\u0131m\u0131z\u0131, ney\u2019imizi, udumuzu, davul ve zurnam\u0131z\u0131, horonumuzu, Karag\u00f6z, meddah ve ortaoyunumuzu, hat, ebru ve tezhip sanatlar\u0131m\u0131z\u0131, mill\u00ee folklorumuzu k\u00fc\u00e7\u00fcmseyip Bat\u0131 m\u00fczi\u011fini, tiyatrosunu, orkestras\u0131n\u0131, mozai\u011fini, operay\u0131, baleyi g\u00f6klere \u00e7\u0131kar\u0131p \u201calafrangal\u0131k sevdas\u0131\u201d<\/strong>na kap\u0131lm\u0131\u015f olanlar da mankurttur.<\/p>\n

       \u0130stikl\u00e2l Mar\u015f\u0131m\u0131zdan daha \u00e7ok yabanc\u0131 mar\u015flarla co\u015fanlar, Cenab-\u0131 Allah ve sevgili Peygamberimizi sembolize eden \u201chil\u00e2l ve y\u0131ld\u0131z\u201d<\/strong>l\u0131 al bayra\u011f\u0131m\u0131z\u0131 de\u011fil \u00e7eki\u00e7-orakl\u0131 bezleri kutsalla\u015ft\u0131ranlar, Hristiyanlar\u0131n din\u00ee sembol\u00fc \u201cha\u00e7\u201d<\/strong>a sayg\u0131 duyup \u0130slam\u2019\u0131n sembol\u00fc \u201chil\u00e2l\u201din anlam\u0131n\u0131 bilmeyenler, \u201cT\u00fcrk\u201d<\/strong> kavram\u0131ndan, bayra\u011f\u0131m\u0131zdan, mar\u015f\u0131m\u0131zdan rahats\u0131z olup \u00f6z k\u00fclt\u00fcr\u00fcnden kopmu\u015flar, mankurtlar de\u011fil mi?<\/p>\n

       \u201cBay bay, mersi, hello, pardon\u201d deyip dedesinin y\u00fczy\u0131llarca kulland\u0131\u011f\u0131 T\u00fcrk\u00e7ele\u015fmi\u015f s\u00f6z ve deyimleri s\u00f6ylemeye dili varmayanlar; mill\u00ee k\u00fclt\u00fcr\u00fcm\u00fcz\u00fc tarih \u00e7\u00f6pl\u00fc\u011f\u00fcne atarak dedesinin mezar\u0131ndaki eski alfabeyle yaz\u0131l\u0131 T\u00fcrk\u00e7e ifadeyi okuyamamakla \u00f6v\u00fcn\u00fcp kendini \u201cayd\u0131n\u201d zannedenler, \u201c\u00f6zt\u00fcrk\u00e7eci\u201d ge\u00e7inip \u201cyabanc\u0131 dille e\u011fitim\u201di savunanlar, zengin edebi lisan\u0131m\u0131za \u201cOsmanl\u0131 T\u00fcrk\u00e7esi\u201d diye burun k\u0131v\u0131r\u0131p d\u00fckk\u00e2nlar\u0131na \u0130ngilizce isim verenler, Recaizade Mahmut Ekrem\u2019in \u201cAraba Sevdas\u0131\u201d isimli roman\u0131ndaki Bihruz Bey gibi Bat\u0131\u2019y\u0131 y\u00fczeysel tan\u0131y\u0131p k\u00f6r\u00fc k\u00f6r\u00fcne taklit edenler, dilimizi \u201cT\u00fcrkilizce\u201dye \u00e7evirenler, Harbiye\u2019den Fatih\u2019e (Bat\u0131 k\u00fclt\u00fcr ve uygarl\u0131\u011f\u0131ndan T\u00fcrk-\u0130slam medeniyetine) bir t\u00fcrl\u00fc gelemeyenler de mankurttur.<\/strong><\/p>\n

        Halk\u0131 horlayanlar; onun eme\u011fine, fikrine, inanc\u0131na, iradesine sayg\u0131 duymayanlar; \u00f6z vatan\u0131nda kendi halk\u0131na \u201cparya\u201d muamelesi yapanlar; her t\u00fcrl\u00fc ekonomik, siyasi, k\u00fclt\u00fcrel emperyalizme hizmet edenler de mankurt de\u011fil midir?<\/p>\n

        Kendilerinin uzaydan geldi\u011fini zannedip k\u00f6kl\u00fc ge\u00e7mi\u015fimizi ink\u00e2r ederek tarihimizi Cumhuriyet\u2019ten ba\u015flatanlar, Bat\u0131l\u0131 hayat tarz\u0131n\u0131 \u201c\u00e7a\u011fda\u015fl\u0131k\u201d, \u201cilericilik\u201d<\/strong> olarak savunup samimi M\u00fcsl\u00fcmanlara \u201cyobaz, m\u00fcrteci, \u00e7a\u011fd\u0131\u015f\u0131\u201d<\/strong> diyerek ya\u015fama hakk\u0131 tan\u0131mak istemeyenler, \u00e7an sesine sayg\u0131 duyup ezan sesinden rahats\u0131z olanlar, \u201cDin, afyondur.\u201d<\/strong> deyip \u201cyoga\u201dyla tatmin olmaya \u00e7al\u0131\u015fanlar, annesinin, ninesinin sahip oldu\u011fu tesett\u00fcre sald\u0131ranlar da mankurt de\u011fil midir?<\/p>\n

       Y\u0131llard\u0131r kendi k\u00fclt\u00fcr ve medeniyetine yabanc\u0131la\u015ft\u0131r\u0131lan, hak ve hakikat \u00fczere Allah, vatan, millet ve insanl\u0131k \u00fclk\u00fcs\u00fcnden, mill\u00ee ve manevi de\u011ferlerinden kopar\u0131lan, bat\u0131l sistemlerle \u201cidrakine deli g\u00f6mle\u011fi giydirilen\u201d, dijital ayart\u0131c\u0131larla \u201ckimlik bunal\u0131m\u0131\u201d i\u00e7inde k\u0131vranan bu halk\u0131n tek hakiki kurtulu\u015f re\u00e7etesi; T\u00fcrk-\u0130slam k\u00fclt\u00fcr ve medeniyetindedir.<\/strong> Yani \u201ck\u00f6k\u00fc mazide olan \u00e2ti\u201d<\/strong> olabilmektedir b\u00fct\u00fcn devam\u0131z. Ahmet Kabakl\u0131\u2019n\u0131n ifade etti\u011fi gibi: \u201cDilde, tarihte k\u0131s\u0131r devrimcilik ve buday\u0131c\u0131l\u0131k illetinden s\u0131yr\u0131larak hazineler yatan tarihimize ve onu anlamland\u0131ran eserlerimize sahip \u00e7\u0131kmad\u0131k\u00e7a, onlar\u0131 gen\u00e7li\u011fe sevdirmenin yollar\u0131n\u0131 bulmad\u0131k\u00e7a, halk\u0131n de\u011ferlerine ve bug\u00fcne kadar ya\u015fatt\u0131\u011f\u0131 s\u00f6zl\u00fc, yaz\u0131l\u0131 verimlere sayg\u0131 ile e\u011filmedik\u00e7e bize kendimizi bile hor g\u00f6steren Bat\u0131\u2019n\u0131n k\u00fclt\u00fcr emperyalizmine yardak\u00e7\u0131 olmaktan ba\u015fka hi\u00e7bir sonu\u00e7 alamay\u0131z.\u201d<\/p>\n

       T\u00fcrk-\u0130slam medeniyetine yolculuk eyleyen, bu milletin kendi kimli\u011finden, \u015fahsiyetinden,  k\u00fclt\u00fcr ve medeniyetinden uzakla\u015ft\u0131r\u0131lmas\u0131na kar\u015f\u0131 direnen; cehalet, ve yabanc\u0131la\u015fma zincirlerini k\u0131ran, M\u00fcsl\u00fcman-T\u00fcrk kimli\u011fini muhafaza edebilmek i\u00e7in m\u00fccadele edip \u201ck\u00fclt\u00fcrden irfana\u201d<\/strong> uzanan Ahmet Yesevi, Yusuf Has Hacip, Edip Ahmed, Yunus Emre, Hac\u0131 Bekta\u015f Veli, \u00c2\u015f\u0131k Pa\u015fa, S\u00fcleyman \u00c7elebi, \u00d6mer Seyfettin, Yahya Kemal, Mehmet \u00c2kif, Necip Faz\u0131l, Ahmet Hamdi Tanp\u0131nar, Peyami Safa, Tar\u0131k Bu\u011fra, Arif Nihat Asya, Nurettin Top\u00e7u, Samiha Ayverdi, Nihat Sami Banarl\u0131, Cemil Meri\u00e7, M. Necati Sepet\u00e7io\u011flu, Ahmet Kabakl\u0131, Cengiz Aytmatov, Cengiz Da\u011fc\u0131, Emine I\u015f\u0131nsu, Sevin\u00e7 \u00c7okum, Sezai Karako\u00e7, Rasim \u00d6zden\u00f6ren, Yavuz B\u00fclent Bakiler, Mustafa Miyaso\u011flu, D. Mehmet Do\u011fan, Abdurrahim Karako\u00e7, \u0130smet \u00d6zel, Mustafa Kutlu gibi yazar, \u015fair ve fikir adamlar\u0131m\u0131za selam olsun.<\/p>\n

       \u00dcstat Sezai Karako\u00e7\u2019un 200 y\u0131ll\u0131k Bat\u0131l\u0131la\u015fma trajedimizi anlatt\u0131\u011f\u0131 \u201cMasal\u201d isimli \u015fiirindeki \u00f6z kimli\u011fini ve ruhunu de\u011fi\u015ftirmek istemeyerek direnen trajik kahraman \u201cDo\u011fu\u2019nun yedinci o\u011flu\u201dna selam olsun.<\/strong><\/p>\n

 <\/p>\n

    \u201cYedinci o\u011ful, b\u00fcy\u00fcm\u00fc\u015ft\u00fc baka baka a\u011fa\u00e7lara<\/p>\n

     Bahar\u0131n, yaz\u0131n, g\u00fcz\u00fcn, k\u0131\u015f\u0131n s\u0131rr\u0131na ermi\u015fti a\u011fa\u00e7larda<\/p>\n

     Bir al\u0131nyaz\u0131s\u0131 gibiydi kuruyan yapraklar onda<\/p>\n

     Bir de o talihini denemek istedi<\/p>\n

     Bir \u015fafak vakti Bat\u0131\u2019ya erdi.<\/p>\n

     En b\u00fcy\u00fck Bat\u0131 kentinin en b\u00fcy\u00fck meydan\u0131nda<\/p>\n

     Durdu ve Tanr\u0131\u2019ya yakard\u0131 \u00f6nce<\/p>\n

     Kendisini de\u011fi\u015ftiremesinler diye.<\/p>\n

     Sonra ans\u0131z\u0131n ona bir ilham geldi<\/p>\n

     Ve ba\u015flad\u0131 oymaya oldu\u011fu yeri.<\/p>\n

     Ba\u015f\u0131na topland\u0131 ve bakt\u0131lar Bat\u0131l\u0131lar<\/p>\n

     O ald\u0131rmad\u0131 bak\u0131\u015flara<\/p>\n

     Kazd\u0131, durmadan kazd\u0131<\/p>\n

     Sonra yar\u0131 beline kadar girdi \u00e7ukura<\/p>\n

     Kalabal\u0131k b\u00fcy\u00fcm\u00fc\u015f \u00e7ok b\u00fcy\u00fcm\u00fc\u015ft\u00fc<\/p>\n

     O zaman d\u00f6n\u00fcp konu\u015ftu:<\/p>\n

     Bat\u0131l\u0131lar!
\n     Bilmeden
\n     Alt\u0131 o\u011flunu yuttu\u011funuz<\/p>\n

     Bir baban\u0131n yedinci o\u011fluyum ben.<\/p>\n

     G\u00f6m\u00fclmek istiyorum buraya hi\u00e7 de\u011fi\u015fmeden.<\/p>\n

     Babam \u00f6ld\u00fc ac\u0131lar\u0131ndan karde\u015flerimin.<\/p>\n

     Ruhunu \u00fczmek istemem babam\u0131n<\/p>\n

     G\u00f6m\u00fcn beni de\u011fi\u015ftirmeden<\/p>\n

     Do\u011fulu olarak \u00f6lmek istiyorum ben.<\/p>\n

     Sizin bir tek ama b\u00fcy\u00fck bir g\u00fcc\u00fcn\u00fcz var:<\/p>\n

     Kar\u015f\u0131n\u0131zdakini de\u011fi\u015ftirmek.<\/p>\n

     Beni \u00f6ld\u00fcrseniz de \u00e7\u0131kmam buradan<\/p>\n

     Kemiklerim de\u011fi\u015fecek, toz ve toprak olacak belki<\/p>\n

     Fakat de\u011fi\u015fmeyecek ruhum.<\/p>\n

     Onu kand\u0131rmak i\u00e7in bo\u015funa dil d\u00f6kt\u00fcler<\/p>\n

     A\u00e7l\u0131ktan dolay\u0131 \u00e7\u0131kar diye g\u00fcnlerce beklediler<\/p>\n

     O g\u00fcn g\u00fcn eridi ama \u00e7\u0131kmad\u0131, dayand\u0131<\/p>\n

     Bu ac\u0131dan yer yar\u0131ld\u0131, g\u00f6k yar\u0131ld\u0131<\/p>\n

     O nurdan bir s\u00fctuna d\u00f6nd\u00fc, g\u00f6\u011fe uzand\u0131<\/p>\n

     Bat\u0131, bu s\u00fctunu ortadan kald\u0131rmaktan aciz kald\u0131.<\/p>\n

     H\u00e2l\u00e2 onu ziyaret ederler, \u015fifa bulurlar<\/p>\n

     En onulmaz yaras\u0131 olanlar<\/p>\n

     T\u00e2 kalplerinden vurulmu\u015f olanlar<\/p>\n

     Y\u00fcre\u011finde insanl\u0131ktan bir iz ta\u015f\u0131yanlar!..\u201d<\/p>\n

Ahmet SEZG\u0130N<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

      Millet ve \u00fclkemizin en b\u00fcy\u00fck vir\u00fcs\u00fc; gayri mill\u00ee e\u011fitim, medya, sanat ve k\u00fclt\u00fcr ile…<\/p>\n","protected":false},"author":52,"featured_media":4344,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[339,100],"tags":[],"ppma_author":[284],"class_list":["post-4343","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ahmet-sezgin","category-deneme"],"yoast_head":"\nYABANCILA\u015eMAYA VE MANKURTLARA KAR\u015eI - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2026\/04\/24\/yabancilasmaya-ve-mankurtlara-karsi\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"YABANCILA\u015eMAYA VE MANKURTLARA KAR\u015eI - 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Evci \/ Mili\u00e7 \u0130lkokulu ve Terme \u0130mam-Hatip Lisesini bitirdi. 1988\u2019de Ondokuz May\u0131s \u00dcniversitesi E\u011fitim Fak. T\u00fcrk Dili ve Edebiyat\u0131 E\u011fitimi B\u00f6l\u00fcm\u00fcnden \u201cPeyami Safa\u2019n\u0131n Yaln\u0131z\u0131z Roman\u0131 \u00dczerine Bir \u0130nceleme\u201d adl\u0131 lisans teziyle mezun oldu. 1989 y\u0131l\u0131nda \u0130stanbul \/ Kartal Anadolu Lisesinde T\u00fcrk Dili ve Edebiyat\u0131 \u00f6\u011fretmeni olarak \u00f6\u011fretmenlik mesle\u011fine ba\u015flayan Ahmet Sezgin; Kartal \/ Medine-Tayfur S\u00f6kmen Lisesi, Terme Ortaokulu, Terme Lisesi, Terme Teknik ve End\u00fcstri Meslek Lisesi, B\u00fclent \u00c7avu\u015fo\u011flu Anadolu Lisesi, M. \u00c2kif Ersoy Anadolu Lisesi, Terme Anadolu \u0130mam-Hatip Lisesi, Temel K\u0131r K\u0131z Anadolu \u0130mam-Hatip Lisesi ile bir\u00e7ok \u00f6zel \u00f6\u011fretim kurumunda g\u00f6rev yapt\u0131. Sezgin; \u00e7e\u015fitli okul ve kurumlarda e\u011fitim ve k\u00fclt\u00fcr alan\u0131nda konferans ve seminerler vermektedir. Ahmet Sezgin, 1987-1988 y\u0131llar\u0131 aras\u0131nda bir grup \u00fcniversiteli arkada\u015f\u0131yla \u201cMesaj\u201d isimli bir k\u00fclt\u00fcr-edebiyat dergisi \u00e7\u0131kard\u0131. Deneme, inceleme, biyografi, an\u0131, hik\u00e2ye ve \u015fiirleri G\u00fcneysu, Mavera, T\u00fcrk Edebiyat\u0131, \u0130slam\u00ee Edebiyat, K\u0131ra\u011f\u0131, \u00c7\u0131nar, Ay Vakti, Yedi \u0130klim, Yolcu, K\u00fclt\u00fcr D\u00fcnyas\u0131, Yeni D\u00fcnya, Berceste, Bir Nokta, Seviye, Diksiyon ve Edebiyat, Hece Ta\u015flar\u0131, Gergef, Simav Anadolu, Arkesanat, Samsun K\u00fclt\u00fcr-Sanat, T\u00fcm \u015eehir, D\u00f6rt Mevsim Edebiyat, Halk Edebiyat\u0131, \u015eehir Defteri, Sebil\u00fcrre\u015fad, Dil ve Edebiyat, Bilgi P\u0131nar\u0131 gibi dergilerle bir\u00e7ok ulusal gazetede yay\u0131mland\u0131. \u0130nsaniyetnet\u2019te yazmaya devam etmektedir. Bir\u00e7ok yar\u0131\u015fmada \u00f6d\u00fcller kazand\u0131. Bir\u00e7ok \u015fiiri bestelendi. \u201cKar Renkli \u00c7ocuklu\u011fum\u201d isimli kitab\u0131, TYB taraf\u0131ndan 2024 y\u0131l\u0131n\u0131n en iyi hat\u0131ra kitab\u0131 \u00f6d\u00fcl\u00fcne l\u00e2y\u0131k g\u00f6r\u00fcld\u00fc. \u015eair-Yazar Ahmet Sezgin\u2019in yay\u0131mlanm\u0131\u015f kitaplar\u0131 \u015funlard\u0131r: \u201cT\u00fcrk Edebiyat\u0131nda \u00d6l\u00fcm \u015eiirleri Antolojisi\u201d (Cengiz Yal\u00e7\u0131n ile, \u00dcnlem Yay., \u0130stanbul, 1993), \u201cG\u00fcllerimi Ver Anne\u201d (\u015eiir, Et\u00fct Yay., Samsun, 1999, 2007), \u201cTermeli Yazarlar ve \u015eairler Ansiklopedisi\u201d (Biyografi, Samsun 2012), \u201cA\u015fk Medeniyetine Yolculuk\u201d (Deneme, Et\u00fct Yay., Samsun 2014, 2017, 2019, 2023), \u201cK\u0131rk Yazardan K\u0131rk Hik\u00e2ye\u201d (Et\u00fct Yay., Samsun 2020), \u201cOrtaokullar \u0130\u00e7in Hik\u00e2ye Se\u00e7kisi\u201d (Et\u00fct Yay., Samsun 2020, 2023), \u201cT\u00fcrk\u00e7enin Feryad\u0131 ve Dil Davam\u0131z\u201d (Derleme, Et\u00fct Yay., Samsun 2020), \u201cH\u00fcz\u00fcn Ya\u011fmurlar\u0131\u201d (\u015eiir, Klaros Yay., Ankara 2020, 2023), \u201c1975\u2019ten G\u00fcn\u00fcm\u00fcze Terme \u0130mam-Hatip Lisesi\u201d (Yakup Ar ile, Terme 2021), \u201cGen\u00e7ler \u0130\u00e7in Hik\u00e2ye Antolojisi\u201d (Et\u00fct Yay., Samsun 2022), \u201cAya\u011fa Kalk Sakarya\u201d (Deneme, Et\u00fct Yay., Samsun 2023, 2024), \u201cKar Renkli \u00c7ocuklu\u011fum\u201d (An\u0131, Ate\u015f Yay., \u0130stanbul 2024, 2025), \u201cD\u00f6rt Yazar\u0131n Kalemiden Terme\u201d (B.Rahmi \u00d6zen, Selim Ero\u011flu, Y\u0131lmaz \u0130manl\u0131k ile, Eftalit Yay., 2025) T\u00fcrkiye Yazarlar Birli\u011fi \u00fcyesi Ahmet Sezgin, evli olup iki \u00e7ocuk babas\u0131d\u0131r.\",\"url\":\"https:\/\/simurgedebiyat.com\/index.php\/author\/ahmet-sezgin\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"YABANCILA\u015eMAYA VE MANKURTLARA KAR\u015eI - 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Evci \/ Mili\u00e7 \u0130lkokulu ve Terme \u0130mam-Hatip Lisesini bitirdi. 1988\u2019de Ondokuz May\u0131s \u00dcniversitesi E\u011fitim Fak. T\u00fcrk Dili ve Edebiyat\u0131 E\u011fitimi B\u00f6l\u00fcm\u00fcnden \u201cPeyami Safa\u2019n\u0131n Yaln\u0131z\u0131z Roman\u0131 \u00dczerine Bir \u0130nceleme\u201d adl\u0131 lisans teziyle mezun oldu. 1989 y\u0131l\u0131nda \u0130stanbul \/ Kartal Anadolu Lisesinde T\u00fcrk Dili ve Edebiyat\u0131 \u00f6\u011fretmeni olarak \u00f6\u011fretmenlik mesle\u011fine ba\u015flayan Ahmet Sezgin; Kartal \/ Medine-Tayfur S\u00f6kmen Lisesi, Terme Ortaokulu, Terme Lisesi, Terme Teknik ve End\u00fcstri Meslek Lisesi, B\u00fclent \u00c7avu\u015fo\u011flu Anadolu Lisesi, M. \u00c2kif Ersoy Anadolu Lisesi, Terme Anadolu \u0130mam-Hatip Lisesi, Temel K\u0131r K\u0131z Anadolu \u0130mam-Hatip Lisesi ile bir\u00e7ok \u00f6zel \u00f6\u011fretim kurumunda g\u00f6rev yapt\u0131. Sezgin; \u00e7e\u015fitli okul ve kurumlarda e\u011fitim ve k\u00fclt\u00fcr alan\u0131nda konferans ve seminerler vermektedir. Ahmet Sezgin, 1987-1988 y\u0131llar\u0131 aras\u0131nda bir grup \u00fcniversiteli arkada\u015f\u0131yla \u201cMesaj\u201d isimli bir k\u00fclt\u00fcr-edebiyat dergisi \u00e7\u0131kard\u0131. Deneme, inceleme, biyografi, an\u0131, hik\u00e2ye ve \u015fiirleri G\u00fcneysu, Mavera, T\u00fcrk Edebiyat\u0131, \u0130slam\u00ee Edebiyat, K\u0131ra\u011f\u0131, \u00c7\u0131nar, Ay Vakti, Yedi \u0130klim, Yolcu, K\u00fclt\u00fcr D\u00fcnyas\u0131, Yeni D\u00fcnya, Berceste, Bir Nokta, Seviye, Diksiyon ve Edebiyat, Hece Ta\u015flar\u0131, Gergef, Simav Anadolu, Arkesanat, Samsun K\u00fclt\u00fcr-Sanat, T\u00fcm \u015eehir, D\u00f6rt Mevsim Edebiyat, Halk Edebiyat\u0131, \u015eehir Defteri, Sebil\u00fcrre\u015fad, Dil ve Edebiyat, Bilgi P\u0131nar\u0131 gibi dergilerle bir\u00e7ok ulusal gazetede yay\u0131mland\u0131. \u0130nsaniyetnet\u2019te yazmaya devam etmektedir. Bir\u00e7ok yar\u0131\u015fmada \u00f6d\u00fcller kazand\u0131. Bir\u00e7ok \u015fiiri bestelendi. \u201cKar Renkli \u00c7ocuklu\u011fum\u201d isimli kitab\u0131, TYB taraf\u0131ndan 2024 y\u0131l\u0131n\u0131n en iyi hat\u0131ra kitab\u0131 \u00f6d\u00fcl\u00fcne l\u00e2y\u0131k g\u00f6r\u00fcld\u00fc. \u015eair-Yazar Ahmet Sezgin\u2019in yay\u0131mlanm\u0131\u015f kitaplar\u0131 \u015funlard\u0131r: \u201cT\u00fcrk Edebiyat\u0131nda \u00d6l\u00fcm \u015eiirleri Antolojisi\u201d (Cengiz Yal\u00e7\u0131n ile, \u00dcnlem Yay., \u0130stanbul, 1993), \u201cG\u00fcllerimi Ver Anne\u201d (\u015eiir, Et\u00fct Yay., Samsun, 1999, 2007), \u201cTermeli Yazarlar ve \u015eairler Ansiklopedisi\u201d (Biyografi, Samsun 2012), \u201cA\u015fk Medeniyetine Yolculuk\u201d (Deneme, Et\u00fct Yay., Samsun 2014, 2017, 2019, 2023), \u201cK\u0131rk Yazardan K\u0131rk Hik\u00e2ye\u201d (Et\u00fct Yay., Samsun 2020), \u201cOrtaokullar \u0130\u00e7in Hik\u00e2ye Se\u00e7kisi\u201d (Et\u00fct Yay., Samsun 2020, 2023), \u201cT\u00fcrk\u00e7enin Feryad\u0131 ve Dil Davam\u0131z\u201d (Derleme, Et\u00fct Yay., Samsun 2020), \u201cH\u00fcz\u00fcn Ya\u011fmurlar\u0131\u201d (\u015eiir, Klaros Yay., Ankara 2020, 2023), \u201c1975\u2019ten G\u00fcn\u00fcm\u00fcze Terme \u0130mam-Hatip Lisesi\u201d (Yakup Ar ile, Terme 2021), \u201cGen\u00e7ler \u0130\u00e7in Hik\u00e2ye Antolojisi\u201d (Et\u00fct Yay., Samsun 2022), \u201cAya\u011fa Kalk Sakarya\u201d (Deneme, Et\u00fct Yay., Samsun 2023, 2024), \u201cKar Renkli \u00c7ocuklu\u011fum\u201d (An\u0131, Ate\u015f Yay., \u0130stanbul 2024, 2025), \u201cD\u00f6rt Yazar\u0131n Kalemiden Terme\u201d (B.Rahmi \u00d6zen, Selim Ero\u011flu, Y\u0131lmaz \u0130manl\u0131k ile, Eftalit Yay., 2025) T\u00fcrkiye Yazarlar Birli\u011fi \u00fcyesi Ahmet Sezgin, evli olup iki \u00e7ocuk babas\u0131d\u0131r.","url":"https:\/\/simurgedebiyat.com\/index.php\/author\/ahmet-sezgin\/"}]}},"featured_image_urls":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur-150x182.jpg",150,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/04\/mankur.jpg",150,202,false]},"author_info":{"display_name":"Ahmet SEZG\u0130N","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/ahmet-sezgin\/"},"category_info":"<a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/yaz\/ahmet-sezgin\/\" rel=\"category tag\">Ahmet Sezgin<\/a> <a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/deneme\/\" rel=\"category 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SEZG\u0130N","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/ahmet-sezgin\/"},"uagb_comment_info":0,"uagb_excerpt":"      Millet ve \u00fclkemizin en b\u00fcy\u00fck vir\u00fcs\u00fc; gayri mill\u00ee e\u011fitim, medya, sanat ve k\u00fclt\u00fcr ile...","authors":[{"term_id":284,"user_id":52,"is_guest":0,"slug":"ahmet-sezgin","display_name":"Ahmet SEZG\u0130N","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/Ahmet-Sezgin.jpeg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/Ahmet-Sezgin.jpeg"},"first_name":"","last_name":"","user_url":"","job_title":"","description":" 1966 y\u0131l\u0131nda Samsun \/ Terme\u2019de do\u011fdu. Evci \/ Mili\u00e7 \u0130lkokulu ve Terme \u0130mam-Hatip Lisesini bitirdi. 1988\u2019de Ondokuz May\u0131s \u00dcniversitesi E\u011fitim Fak. T\u00fcrk Dili ve Edebiyat\u0131 E\u011fitimi B\u00f6l\u00fcm\u00fcnden \u201cPeyami Safa\u2019n\u0131n Yaln\u0131z\u0131z Roman\u0131 \u00dczerine Bir \u0130nceleme\u201d adl\u0131 lisans teziyle mezun oldu.\r\n 1989 y\u0131l\u0131nda \u0130stanbul \/ Kartal Anadolu Lisesinde T\u00fcrk Dili ve Edebiyat\u0131 \u00f6\u011fretmeni olarak \u00f6\u011fretmenlik mesle\u011fine ba\u015flayan Ahmet Sezgin; Kartal \/ Medine-Tayfur S\u00f6kmen Lisesi, Terme Ortaokulu, Terme Lisesi, Terme Teknik ve End\u00fcstri Meslek Lisesi, B\u00fclent \u00c7avu\u015fo\u011flu Anadolu Lisesi, M. \u00c2kif Ersoy Anadolu Lisesi, Terme Anadolu \u0130mam-Hatip Lisesi, Temel K\u0131r K\u0131z Anadolu \u0130mam-Hatip Lisesi ile bir\u00e7ok \u00f6zel \u00f6\u011fretim kurumunda g\u00f6rev yapt\u0131. Sezgin; \u00e7e\u015fitli okul ve kurumlarda e\u011fitim ve k\u00fclt\u00fcr alan\u0131nda konferans ve seminerler vermektedir.\r\n Ahmet Sezgin, 1987-1988 y\u0131llar\u0131 aras\u0131nda bir grup \u00fcniversiteli arkada\u015f\u0131yla \u201cMesaj\u201d isimli bir k\u00fclt\u00fcr-edebiyat dergisi \u00e7\u0131kard\u0131. Deneme, inceleme, biyografi, an\u0131, hik\u00e2ye ve \u015fiirleri G\u00fcneysu, Mavera, T\u00fcrk Edebiyat\u0131, \u0130slam\u00ee Edebiyat, K\u0131ra\u011f\u0131, \u00c7\u0131nar, Ay Vakti, Yedi \u0130klim, Yolcu, K\u00fclt\u00fcr D\u00fcnyas\u0131, Yeni D\u00fcnya, Berceste, Bir Nokta, Seviye, Diksiyon ve Edebiyat, Hece Ta\u015flar\u0131, Gergef, Simav Anadolu, Arkesanat, Samsun K\u00fclt\u00fcr-Sanat, T\u00fcm \u015eehir, D\u00f6rt Mevsim Edebiyat, Halk Edebiyat\u0131, \u015eehir Defteri, Sebil\u00fcrre\u015fad, Dil ve Edebiyat, Bilgi P\u0131nar\u0131 gibi dergilerle bir\u00e7ok ulusal gazetede yay\u0131mland\u0131. \u0130nsaniyetnet\u2019te yazmaya devam etmektedir. Bir\u00e7ok yar\u0131\u015fmada \u00f6d\u00fcller kazand\u0131. Bir\u00e7ok \u015fiiri bestelendi. \u201cKar Renkli \u00c7ocuklu\u011fum\u201d isimli kitab\u0131, TYB taraf\u0131ndan 2024 y\u0131l\u0131n\u0131n en iyi hat\u0131ra kitab\u0131 \u00f6d\u00fcl\u00fcne l\u00e2y\u0131k g\u00f6r\u00fcld\u00fc.\r\n \u015eair-Yazar Ahmet Sezgin\u2019in yay\u0131mlanm\u0131\u015f kitaplar\u0131 \u015funlard\u0131r: \u201cT\u00fcrk Edebiyat\u0131nda \u00d6l\u00fcm \u015eiirleri Antolojisi\u201d (Cengiz Yal\u00e7\u0131n ile, \u00dcnlem Yay., \u0130stanbul, 1993), \u201cG\u00fcllerimi Ver Anne\u201d (\u015eiir, Et\u00fct Yay., Samsun, 1999, 2007), \u201cTermeli Yazarlar ve \u015eairler Ansiklopedisi\u201d (Biyografi, Samsun 2012), \u201cA\u015fk Medeniyetine Yolculuk\u201d (Deneme, Et\u00fct Yay., Samsun 2014, 2017, 2019, 2023), \u201cK\u0131rk Yazardan K\u0131rk Hik\u00e2ye\u201d (Et\u00fct Yay., Samsun 2020), \u201cOrtaokullar \u0130\u00e7in Hik\u00e2ye Se\u00e7kisi\u201d (Et\u00fct Yay., Samsun 2020, 2023), \u201cT\u00fcrk\u00e7enin Feryad\u0131 ve Dil Davam\u0131z\u201d (Derleme, Et\u00fct Yay., Samsun 2020), \u201cH\u00fcz\u00fcn Ya\u011fmurlar\u0131\u201d (\u015eiir, Klaros Yay., Ankara 2020, 2023), \u201c1975\u2019ten G\u00fcn\u00fcm\u00fcze Terme \u0130mam-Hatip Lisesi\u201d (Yakup Ar ile, Terme 2021), \u201cGen\u00e7ler \u0130\u00e7in Hik\u00e2ye Antolojisi\u201d (Et\u00fct Yay., Samsun 2022), \u201cAya\u011fa Kalk Sakarya\u201d (Deneme, Et\u00fct Yay., Samsun 2023, 2024), \u201cKar Renkli \u00c7ocuklu\u011fum\u201d (An\u0131, Ate\u015f Yay., \u0130stanbul 2024, 2025), \u201cD\u00f6rt Yazar\u0131n Kalemiden Terme\u201d (B.Rahmi \u00d6zen, Selim Ero\u011flu, Y\u0131lmaz \u0130manl\u0131k ile, Eftalit Yay., 2025)\r\n T\u00fcrkiye Yazarlar Birli\u011fi \u00fcyesi Ahmet Sezgin, evli olup iki \u00e7ocuk babas\u0131d\u0131r.\r\n"}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/52"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=4343"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4343\/revisions"}],"predecessor-version":[{"id":4345,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4343\/revisions\/4345"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/4344"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=4343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=4343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=4343"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=4343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}