{"id":4234,"date":"2026-04-02T13:04:09","date_gmt":"2026-04-02T10:04:09","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=4234"},"modified":"2026-04-02T13:11:36","modified_gmt":"2026-04-02T10:11:36","slug":"gurcistan-notlari-uzerine-bir-tahlil-erdal-noyan-kitabi","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/04\/02\/gurcistan-notlari-uzerine-bir-tahlil-erdal-noyan-kitabi\/","title":{"rendered":"G\u00fcrcistan Notlar\u0131 \u00dczerine  Bir Tahlil -(Erdal NOYAN Kitab\u0131)"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.bilgiustam.com\/resimler\/2009\/05\/gurcistan.png\" alt=\"G\u00fcrcistan \u00bb Bilgiustam\"><\/p>\n<p>Erdal Noyan\u2019\u0131n <em>G\u00fcrcistan Notlar\u0131<\/em> adl\u0131 eseri, KDY Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131mlanm\u0131\u015f, Yetmi\u015f iki sayfal\u0131k hacmiyle k\u0131sa ancak yo\u011fun bir metin olarak dikkat \u00e7eker. Eser, y\u00fczeyde bir gezi anlat\u0131s\u0131 gibi g\u00f6r\u00fcnse de sat\u0131r aralar\u0131nda k\u00fclt\u00fcrel, sosyolojik ve zihinsel katmanlar\u0131 i\u00e7eren \u00e7ok boyutlu bir metin olarak okunmal\u0131d\u0131r.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/gurcu.org\/Upload\/ec85aef9-ecc3-4acd-b34a-8d42b82b7aae.jpg\" alt=\"gurcu.org - Bug\u00fcnki G\u00fcrcistan\"><\/p>\n<p>Kitab\u0131n ilk sayfas\u0131, yazar\u0131n G\u00fcrc\u00fc dostu Giorgi Eristavi\u2019ye yap\u0131lan bir \u201ciade-i ziyaret\u201d notuyla ba\u015flamas\u0131, metni s\u0131radan bir gezi anlat\u0131s\u0131ndan ay\u0131rarak <strong>ki\u015fisel haf\u0131za ve k\u00fclt\u00fcrel kar\u015f\u0131la\u015fma eksenine<\/strong> yerle\u015ftirir. B\u00f6yle bir &nbsp;ba\u015flang\u0131\u00e7, metnin poetikas\u0131n\u0131 belirler. Yolculuk, yaln\u0131zca fiziksel bir hareket de\u011fil; ayn\u0131 zamanda bir <strong>ili\u015fki, hat\u0131rlama ve kar\u015f\u0131l\u0131k verme prati\u011fidir.<\/strong> &nbsp;Dolay\u0131s\u0131yla metin, daha ilk sat\u0131rdan itibaren salt bir \u201cturistik bak\u0131\u015f\u201d\u0131 reddeder ve \u201cili\u015fkisel bak\u0131\u015f\u201d\u0131 in\u015fa eder.<\/p>\n<p>Yazar\u0131n kaleminde Tiflise bak\u0131\u015f\u0131n\u0131 mekan\u0131n fenomenolojisi a\u00e7\u0131s\u0131ndan \u015f\u00f6yle irdeleyebiliriz. Ancak \u00f6nce bu kavram\u0131 a\u00e7\u0131klamakta fayda g\u00f6r\u00fcyorum. Fenomenoloji di\u011fer ad\u0131yla g\u00f6r\u00fcng\u00fcbilim, Edmund Husserl taraf\u0131ndan kurulan,&nbsp;g\u00fcnl\u00fck hayatta sorgulamadan kabul etti\u011fimiz ger\u00e7ekli\u011fin bilin\u00e7 taraf\u0131ndan nas\u0131l yap\u0131land\u0131r\u0131ld\u0131\u011f\u0131n\u0131 inceleyen felsefi bir ak\u0131m ve y\u00f6ntemdir. &#8220;\u00d6ze d\u00f6nme&#8221; prensibiyle, nesnelerin bize g\u00f6r\u00fcnd\u00fc\u011f\u00fc \u015fekliyle (deneyimler \u00fczerinden) \u00f6z\u00fcn\u00fc anlamay\u0131 hedefler. Neden bu a\u00e7\u0131dan inceledim? \u00c7\u00fcnk\u00fc kitab\u0131n ilk \u00fc\u00e7 yaz\u0131s\u0131 \u015fu ba\u015fl\u0131klar\u0131 ta\u015f\u0131maktad\u0131r. A\u015fa\u011f\u0131s\u0131 Tiflis, Rastaveli\u2019den Tiflis, Tiflis\u2019in Eskisi<\/p>\n<p>Eserde farkl\u0131 bi\u00e7imlerde ve farkl\u0131 a\u00e7\u0131lardan s\u0131k\u00e7a kar\u015f\u0131la\u015f\u0131lan hep bir Tiflis manzaras\u0131 var. Tiflis\u2019in g\u00fcndelik hayat\u0131na dair g\u00f6zlemler var. \u00d6rne\u011fin Rustaveli Bulvar\u0131\u2019nda bir bankta oturan anlat\u0131c\u0131, Kura Nehri\u2019ne s\u0131rt\u0131n\u0131 d\u00f6nm\u00fc\u015f halde \u00e7evresini g\u00f6zlemler. Bu sahne, fenomenolojik a\u00e7\u0131dan de\u011ferlendirildi\u011finde \u015fu katmanlar\u0131 i\u00e7erir:<\/p>\n<ul>\n<li><strong>G\u00f6rme eylemi<\/strong> \u2192 fiziksel \u00e7evrenin alg\u0131lanmas\u0131<\/li>\n<li><strong>Anlamland\u0131rma s\u00fcreci<\/strong> \u2192 nesnelerin zihinsel \u00e7\u00f6z\u00fcmlemesi<\/li>\n<li><strong>Yabanc\u0131l\u0131k hissi<\/strong> \u2192 k\u00fclt\u00fcrel kodlar\u0131n \u00e7\u00f6z\u00fclememesi<\/li>\n<li><img decoding=\"async\" src=\"https:\/\/www.posturizm.com.tr\/images\/galeri\/galeri-1687433665800.jpg\" alt=\"G\u00dcRC\u0130STAN TURU V\u0130ZES\u0130Z - Pos Turizm - Yurti\u00e7i ve Yurtd\u0131\u015f\u0131 K\u00fclt\u00fcr Turlar\u0131 - Butik Turlar - Okul Turlar\u0131\"><\/li>\n<\/ul>\n<p>\u201cBir mek\u00e2n, ger\u00e7ekten ne kadar anla\u015f\u0131labilir?\u201d Bu noktada metin, klasik gezi yaz\u0131s\u0131n\u0131n betimleyici do\u011fas\u0131n\u0131 a\u015farak <strong>epistemolojik bir sorgulamaya<\/strong> d\u00f6n\u00fc\u015f\u00fcyor.<\/p>\n<p>Eserlerinden birka\u00e7\u0131n\u0131 detayl\u0131 tahlil ettim ve inceleme &nbsp;yaz\u0131lar\u0131mda da ifade ettim ki ; Noyan\u2019\u0131n dili, belirgin bir \u015fekilde sade ve ekonomiktir. Ancak bu sadelik, y\u00fczeysellik de\u011fil; tersine, <strong>yo\u011funla\u015ft\u0131r\u0131lm\u0131\u015f anlam \u00fcretimi<\/strong>dir.<\/p>\n<p>Metinde dikkat \u00e7eken unsurlar:<\/p>\n<ul>\n<li>K\u0131sa ve kesik c\u00fcmleler<\/li>\n<li>G\u00f6zlem merkezli anlat\u0131m<\/li>\n<li>A\u00e7\u0131k u\u00e7lu yorumlar &nbsp;<\/li>\n<\/ul>\n<p>Bu yap\u0131, okuyucuyu pasif bir al\u0131c\u0131 olmaktan \u00e7\u0131kar\u0131r ve onu metnin <strong>anlam kurucu \u00f6znesi<\/strong> h\u00e2line getirir. Ayr\u0131ca yazar\u0131n hukuk\u00e7u kimli\u011finin etkisiyle yer yer <strong>normatif ve analitik bak\u0131\u015f\u0131n<\/strong> metne s\u0131zd\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcr. G\u00fcrcistan\u2019\u0131n toplumsal yap\u0131s\u0131 ve hukuk sistemi \u00fczerine yap\u0131lan g\u00f6zlemler, metni yaln\u0131zca edebi de\u011fil, ayn\u0131 zamanda <strong>yar\u0131-akademik bir inceleme metni<\/strong> h\u00e2line getirmekte.<\/p>\n<p><em>G\u00fcrcistan Notlar\u0131<\/em>, temelde bir \u201c\u00f6tekiyle kar\u015f\u0131la\u015fma metni\u201ddir. Ancak burada \u201c\u00f6teki\u201d, egzotikle\u015ftirilen bir fig\u00fcr de\u011fildir.Tam aksine, yazar, G\u00fcrcistan\u2019\u0131 anlamaya \u00e7al\u0131\u015f\u0131rken kendi bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131n s\u0131n\u0131rlar\u0131n\u0131 da fark eder &nbsp;Bu durum, metni postkolonyal okuma a\u00e7\u0131s\u0131ndan da de\u011ferli k\u0131lar. \u00c7\u00fcnk\u00fc anlat\u0131c\u0131: \u00fcstten bakan bir g\u00f6zlemci de\u011fildir aksine, <strong>anlamaya \u00e7al\u0131\u015fan, yer yer yetersiz kalan bir \u00f6zne<\/strong>dir.<\/p>\n<p>Postkolonyalizm \u00f6zellikle 20. y\u00fczy\u0131lda b\u00fcy\u00fck bat\u0131l\u0131 devletlerin s\u00f6m\u00fcrgesi olan \u00fclkelerin, ba\u011f\u0131ms\u0131zl\u0131klar\u0131n\u0131 kazand\u0131ktan sonra ya\u015fad\u0131klar\u0131 siyasi, k\u00fclt\u00fcrel, ekonomik ve psikolojik etkileri inceleyen ele\u015ftirel teoridir. S\u00f6m\u00fcrgecili\u011fin b\u0131rakt\u0131\u011f\u0131 kal\u0131c\u0131 miraslar\u0131 sorunsalla\u015ft\u0131r\u0131r, k\u00fclt\u00fcrel kimlik, \u0131rk ve g\u00fc\u00e7 ili\u015fkilerini analiz eder. Bu analizi SSCB den ayr\u0131l\u0131p ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n\u0131 kazanan b\u00fct\u00fcn di\u011fer b\u00f6lge devletlerine de \u00f6l\u00e7eklendirebiliriz. Tam yeri gelmi\u015fken bu duruma net olarak yine kitaptan bir b\u00f6l\u00fcmle \u00f6rnek vermek istiyorum. Otuz alt\u0131nc\u0131 sayfadaki Nino\u2019dan G\u00fcrc\u00fc F\u0131kralar\u0131 yaz\u0131s\u0131ndan k\u0131sa bir al\u0131nt\u0131 yapal\u0131m:<\/p>\n<p><em>\u201c\u2026.<\/em><\/p>\n<p><em>Bug\u00fcn bol bol f\u0131kra dinliyoruz.<\/em><\/p>\n<p><em>F\u0131kra dinleyecek d\u00fczeyde G\u00fcrc\u00fcceniz mi vard\u0131 ya da kar\u015f\u0131m\u0131zdakiler f\u0131kra anlatacak denli T\u00fcrk\u00e7e mi biliyorlard\u0131 yoksa iki yan\u0131nda iyi bildi\u011fi ba\u015fka bir ortak dil ile mi anla\u015ft\u0131n\u0131z sorusu akl\u0131n\u0131za gelebilir.<\/em><\/p>\n<p><em>Sorunu yan\u0131t\u0131! Hi\u00e7biri<\/em><\/p>\n<p><em>G\u00fcrcistan\u2019da bulundu\u011fumuz s\u00fcrece bize \u00e7evirmenlik yapan G\u00fcrc\u00fc Nino anla\u015ft\u0131r\u0131yordu bizleri.&nbsp; T\u00fcrkiye\u2019nin Tiflis B\u00fcy\u00fckel\u00e7ili\u011finde \u00e7al\u0131\u015fan bayan Nino T\u00fcrk Dili b\u00f6l\u00fcm\u00fcn\u00fc bitirmi\u015f ve T\u00fcrk\u00e7e\u2019yi bir T\u00fcrk kadar rahat konu\u015fuyor<\/em><em>.<\/em><\/p>\n<p><em>Nino\u2019nun s\u00f6ylediklerini anl\u0131yoruz da f\u0131kras\u0131n\u0131 anlamakta zorlan\u0131yoruz.\u201d<\/em><\/p>\n<p>K\u00fclt\u00fcrel ba\u011flamdaki bu ayr\u0131l\u0131k; derinine a\u015fina olunamam\u0131\u015f bir co\u011frafya ile tan\u0131\u015f\u0131kl\u0131k noktas\u0131ndaki bu k\u0131r\u0131lganl\u0131k, metne samimi ve sahici bir ton da kazand\u0131rm\u0131\u015f ayn\u0131 zamanda. \u00d6te yandan eserde zaman, do\u011frusal bir ak\u0131\u015ftan ziyade, <strong>an\u0131lar\u0131n ve izlenimlerin par\u00e7al\u0131 yap\u0131s\u0131<\/strong> i\u00e7inde ilerler. Bu y\u00f6n\u00fcyle metin: \u201cG\u00fcnl\u00fck\u201d formuna yakla\u015f\u0131r. Ancak klasik bir g\u00fcnl\u00fckten farkl\u0131 olarak, se\u00e7ilmi\u015f ve&nbsp; yo\u011funla\u015ft\u0131r\u0131lm\u0131\u015f anlardan olu\u015fur<\/p>\n<p>Yolculuk burada bir s\u00fcre\u00e7 de\u011fil; bir <strong>an\u0131 birikimi<\/strong>dir. Her sahne, ge\u00e7icili\u011fin bilinciyle yaz\u0131lm\u0131\u015f gibidir. <em>G\u00fcrcistan Notlar\u0131<\/em>, sayfa say\u0131s\u0131 itibar\u0131yla k\u0131sa bir eser olsa da, i\u00e7erdi\u011fi anlam katmanlar\u0131 bak\u0131m\u0131ndan son derece yo\u011fundur. G\u00fcrcistan Notlar\u0131 i\u00e7in \u015fu perspektiflerden de bakmak ad\u0131na son bir de\u011ferlendirme eklemek istiyorum.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"\" src=\"https:\/\/www.atmacaturizm.com\/source\/YURTDI%C5%9EI%20TURLAR\/T%C4%B0FL%C4%B0S%20TURLARI\/tsr07341637636835014156079.jpg\" alt=\"KAFKASLARIN CENNET\u0130 G\u00dcRC\u0130STAN TURU 5 GECE 6 G\u00dcN\" width=\"1200\" height=\"800\"><\/p>\n<p>Bu eser:<\/p>\n<ul>\n<li>Gezi yaz\u0131s\u0131 olarak \u2192 mek\u00e2n\u0131 g\u00f6zlemler<\/li>\n<li>Deneme olarak \u2192 d\u00fc\u015f\u00fcnsel sorgulamalar \u00fcretir<\/li>\n<li>Akademik metin olarak \u2192 k\u00fclt\u00fcrel ve sosyolojik analizler i\u00e7erir<\/li>\n<\/ul>\n<p>Noyan\u2019\u0131n bu eseri, \u201cgezmek\u201d ile \u201canlamak\u201d aras\u0131ndaki fark\u0131 ortaya koyar. Okuyucuya yaln\u0131zca G\u00fcrcistan\u2019\u0131 de\u011fil; <strong>bir yere bakman\u0131n, onu \u00e7\u00f6zmeye \u00e7al\u0131\u015fman\u0131n ve o s\u00fcre\u00e7te kendini fark etmenin ne demek oldu\u011funu<\/strong> g\u00f6sterir. Bunca derin c\u00fcmlenin akabinde kitab\u0131n edit\u00f6rl\u00fck s\u00fcrecine ili\u015fkin de\u011ferlendirmemi de payla\u015farak bu b\u00f6l\u00fcmle birlikte inceleme ve de\u011ferlendirmemi tamamlayaca\u011f\u0131m. Metnin edit\u00f6ryal boyuttu, eserin b\u00fct\u00fcnsel alg\u0131lan\u0131\u015f\u0131 \u00e7er\u00e7evesinde &nbsp;\u00f6nemli bir katmand\u0131r. <strong>Zira edeb\u00ee \u00fcretim, her ne kadar bireysel yarat\u0131c\u0131l\u0131\u011f\u0131n ve estetik sezginin \u00fcr\u00fcn\u00fc olsa da, bu \u00fcretimin dilsel, yap\u0131sal ve anlamsal a\u00e7\u0131dan yetkin bir forma kavu\u015fmas\u0131 b\u00fcy\u00fck \u00f6l\u00e7\u00fcde<\/strong> <strong>edit\u00f6ryal s\u00fcrecin niteli\u011fine ba\u011fl\u0131d\u0131r.<\/strong> Bu ba\u011flamda, her yazardan ayn\u0131 \u00f6l\u00e7\u00fcde geli\u015fmi\u015f bir edit\u00f6rl\u00fck bilinci beklemek ger\u00e7ek\u00e7i bir yakla\u015f\u0131m olmayacakt\u0131r. Aksine, yay\u0131nevlerinin bu noktada \u00fcstlenmesi gereken sorumluluk, metnin dilsel inceli\u011fini, anlat\u0131m tutarl\u0131l\u0131\u011f\u0131n\u0131 ve bi\u00e7imsel b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc g\u00fcvence alt\u0131na alacak profesyonel bir m\u00fcdahale s\u00fcrecini gerekli k\u0131lmaktad\u0131r. Ancak s\u00f6z konusu deste\u011fin yeterince sa\u011flanamad\u0131\u011f\u0131 durumlarda, yaz\u0131nsal \u00fcretimin taraf\u0131 olan her bireyin\u2014\u00f6zellikle de dil bilincine sahip okur-yazarlar\u0131n\u2014T\u00fcrk\u00e7enin ifade imk\u00e2nlar\u0131na \u00f6zen g\u00f6stermesi, metnin estetik de\u011ferini do\u011frudan etkileyen bir unsur h\u00e2line gelmektedir. Bu \u00e7er\u00e7evede de\u011ferlendirildi\u011finde <em>G\u00fcrcistan Notlar\u0131<\/em>, i\u00e7erdi\u011fi g\u00f6zlem g\u00fcc\u00fc ve anlat\u0131 samimiyetiyle dikkat \u00e7eken bir eser olmakla birlikte, okur belle\u011finde b\u0131rakt\u0131\u011f\u0131 izlenim yaln\u0131zca anlat\u0131lan co\u011frafyayla s\u0131n\u0131rl\u0131 kalmamakta; ayn\u0131 zamanda dil kullan\u0131m\u0131na dair duyarl\u0131l\u0131k ve yer yer hissedilen edit\u00f6ryal eksiklikler \u00fczerinden de \u015fekillenmektedir. Eser, \u00f6zellikle yazar\u0131n ki\u015fisel deneyimlerinden beslenen anlat\u0131m \u00fcslubu sayesinde, G\u00fcrcistan\u2019a dair tan\u0131d\u0131kl\u0131k duygusu \u00fcretmekte ve okurla sahici bir ba\u011f kurmaktad\u0131r. Karadeniz co\u011frafyas\u0131yla kurulan bu k\u00fclt\u00fcrel yak\u0131nl\u0131k, metnin al\u0131mlanmas\u0131n\u0131 daha da derinle\u015ftiren bir unsur olarak \u00f6ne \u00e7\u0131kar. Ayn\u0131 g\u00fcc\u00fc dil bilgisi y\u00f6n\u00fcnden g\u00f6rememekteyiz.<\/p>\n<p><img decoding=\"async\" class=\"\" src=\"https:\/\/cdn2.enuygun.com\/media\/lib\/500x300\/uploads\/image\/gurcistan-da-gezgin-66003.webp\" alt=\"G\u00fcrcistan'a Nas\u0131l Gidilir? | Vizesiz Seyahatin T\u00fcm Detaylar\u0131 | ENUYGUN\" width=\"825\" height=\"495\"><\/p>\n<p>Sonu\u00e7 olarak eser, hem i\u00e7erik hem de anlat\u0131m d\u00fczleminde belirli eksiklikler bar\u0131nd\u0131rsa da, okurda b\u0131rakt\u0131\u011f\u0131 izlenim ve sundu\u011fu deneyim aktar\u0131m\u0131 bak\u0131m\u0131ndan dikkate de\u011fer bir metin niteli\u011fi ta\u015f\u0131maktad\u0131r. Bu y\u00f6n\u00fcyle <em>G\u00fcrcistan Notlar\u0131<\/em>, ele\u015ftirel bir dikkatle okunmas\u0131 gereken; ancak ayn\u0131 zamanda edeb\u00ee ve k\u00fclt\u00fcrel birikimi besleyen bir okuma deneyimi olarak tavsiye edilebilir.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Erdal Noyan\u2019\u0131n G\u00fcrcistan Notlar\u0131 adl\u0131 eseri, KDY Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131mlanm\u0131\u015f, Yetmi\u015f iki sayfal\u0131k hacmiyle k\u0131sa&#8230;<\/p>\n","protected":false},"author":32,"featured_media":4235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[20],"tags":[],"ppma_author":[232],"class_list":["post-4234","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kitap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - 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Karadeniz Teknik \u00dcniversitesi Edebiyat Fak\u00fcltesinden mezun olduktan sonra yine ayn\u0131 \u00fcniversitenin Edebiyat b\u00f6l\u00fcm\u00fcnde \u2018Edebiyk\u00f6at\u0131-\u0131 Umumiye Mecmuas\u0131 Teknik Tahlili\u2019 konulu yeni T\u00fcrk edebiyat\u0131 alan\u0131nda y\u00fcksek lisans yapt\u0131. \u00d6\u011fretmen olarak ba\u015flad\u0131\u011f\u0131 mesle\u011fine zaman zaman bakanl\u0131k b\u00fcnyesi ve ta\u015fra te\u015fkilat\u0131ndaki de\u011fi\u015fik g\u00f6revlendirmelerde Ar-Ge \u00e7al\u0131\u015fan\u0131, yerel ve ulusal projelerde koordinat\u00f6r olarak devam etti. 2005 y\u0131l\u0131nda TRT Trabzon Radyosu ak\u015fam ku\u015fa\u011f\u0131nda \u2018Hayal Kahvesi\u2019 adl\u0131 bir program\u0131 haz\u0131rlay\u0131p sundu. 2007-2010 y\u0131llar\u0131 aras\u0131nda Mill\u00ee E\u011fitim Bakanl\u0131\u011f\u0131 Strateji Geli\u015ftirme Daire Ba\u015fkanl\u0131\u011f\u0131nda Stratejik Planlama konusunda \u2018E\u011fitimcilerin E\u011fitimi\u2019 seminerleri verdi. 2012 y\u0131l\u0131nda Ba\u015fkent \u0130leti\u015fim Akademisinde TRT Ana Haber spikerlerinden \u00f6zel olarak sunuculuk, seslendirme, dublaj dersleri ald\u0131. Ard\u0131ndan \u00e7e\u015fitli kay\u0131tlarda baz\u0131 karakterleri seslendirdi. 2014-2016 y\u0131llar\u0131 aras\u0131nda Avrasya \u00dcniversitesi Radyo Televizyon b\u00f6l\u00fcm\u00fcnde \u2018Do\u011fru ve G\u00fczel Konu\u015fma E\u011fitimi, Diksiyon ve Beden Dili\u2019 dersleri \u00e7er\u00e7evesinde okutmanl\u0131k yapt\u0131. Bir\u00e7ok edebi dergide, farkl\u0131 platformlarda yaz\u0131lar\u0131 ve sunumlar\u0131 ile yer ald\u0131. Yazar\u0131n \u2018\u015eafakla Gelen Ya Kebike\u00e7\u2019 ve Yaln\u0131zlar Senfonisi adl\u0131 iki kitab\u0131 bulunmaktad\u0131r. Masal \u00fczerine akademik ara\u015ft\u0131rmalar\u0131na \u00fcniversite y\u0131llar\u0131nda ba\u015flayan yazar, bu birikimlerini Masal Anlat\u0131c\u0131s\u0131 E\u011fitmenli\u011fi seminerlerinde kat\u0131l\u0131mc\u0131larla payla\u015fmaktad\u0131r. 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Halen bir kurumda seslendirme ve sunuculuk yapmakta olan yazar evlidir ve Arda Tar\u0131k\u2019\u0131n 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K\u00d6SA SERT","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/aysegul-kosa-sert\/"},"uagb_comment_info":4,"uagb_excerpt":"Erdal Noyan\u2019\u0131n G\u00fcrcistan Notlar\u0131 adl\u0131 eseri, KDY Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131mlanm\u0131\u015f, Yetmi\u015f iki sayfal\u0131k hacmiyle k\u0131sa...","authors":[{"term_id":232,"user_id":32,"is_guest":0,"slug":"aysegul-kosa-sert","display_name":"Ay\u015feg\u00fcl K\u00d6SA SERT","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/07\/AKS.webp","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/07\/AKS.webp"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"\u0130lk ve orta \u00f6\u011frenimini babas\u0131n\u0131n g\u00f6revi nedeniyle Anadolu\u2019nun\r\n\u00e7e\u015fitli \u015fehirlerinde tamamlad\u0131. \u00c7ocuklu\u011funda ge\u00e7ti\u011fi her co\u011frafya ve tan\u0131d\u0131\u011f\u0131 her insan kalemi\r\n\u00fczerinde iz b\u0131rakm\u0131\u015ft\u0131r. Karadeniz Teknik \u00dcniversitesi Edebiyat Fak\u00fcltesinden mezun\r\nolduktan sonra yine ayn\u0131 \u00fcniversitenin Edebiyat b\u00f6l\u00fcm\u00fcnde \u2018Edebiyk\u00f6at\u0131-\u0131 Umumiye Mecmuas\u0131\r\nTeknik Tahlili\u2019 konulu yeni T\u00fcrk edebiyat\u0131 alan\u0131nda y\u00fcksek lisans yapt\u0131. \u00d6\u011fretmen olarak ba\u015flad\u0131\u011f\u0131 mesle\u011fine zaman zaman bakanl\u0131k b\u00fcnyesi ve ta\u015fra\r\nte\u015fkilat\u0131ndaki de\u011fi\u015fik g\u00f6revlendirmelerde Ar-Ge \u00e7al\u0131\u015fan\u0131, yerel ve ulusal projelerde\r\nkoordinat\u00f6r olarak devam etti. 2005 y\u0131l\u0131nda TRT Trabzon Radyosu ak\u015fam ku\u015fa\u011f\u0131nda \u2018Hayal\r\nKahvesi\u2019 adl\u0131 bir program\u0131 haz\u0131rlay\u0131p sundu. 2007-2010 y\u0131llar\u0131 aras\u0131nda Mill\u00ee E\u011fitim\r\nBakanl\u0131\u011f\u0131 Strateji Geli\u015ftirme Daire Ba\u015fkanl\u0131\u011f\u0131nda Stratejik Planlama konusunda\r\n\u2018E\u011fitimcilerin E\u011fitimi\u2019 seminerleri verdi. 2012 y\u0131l\u0131nda Ba\u015fkent \u0130leti\u015fim Akademisinde TRT\r\nAna Haber spikerlerinden \u00f6zel olarak sunuculuk, seslendirme, dublaj dersleri ald\u0131. Ard\u0131ndan\r\n\u00e7e\u015fitli kay\u0131tlarda baz\u0131 karakterleri seslendirdi. 2014-2016 y\u0131llar\u0131 aras\u0131nda Avrasya \u00dcniversitesi\r\nRadyo Televizyon b\u00f6l\u00fcm\u00fcnde \u2018Do\u011fru ve G\u00fczel Konu\u015fma E\u011fitimi, Diksiyon ve Beden Dili\u2019\r\ndersleri \u00e7er\u00e7evesinde okutmanl\u0131k yapt\u0131. Bir\u00e7ok edebi dergide, farkl\u0131 platformlarda yaz\u0131lar\u0131 ve\r\nsunumlar\u0131 ile yer ald\u0131. Yazar\u0131n \u2018\u015eafakla Gelen Ya Kebike\u00e7\u2019 ve Yaln\u0131zlar Senfonisi adl\u0131 iki kitab\u0131 bulunmaktad\u0131r.\r\nMasal \u00fczerine akademik ara\u015ft\u0131rmalar\u0131na \u00fcniversite y\u0131llar\u0131nda ba\u015flayan yazar, bu\r\nbirikimlerini Masal Anlat\u0131c\u0131s\u0131 E\u011fitmenli\u011fi  seminerlerinde kat\u0131l\u0131mc\u0131larla\r\npayla\u015fmaktad\u0131r. Bunun yan\u0131 s\u0131ra \u201cOsmanl\u0131 T\u00fcrk\u00e7esi (Temel d\u00fczey), Beden Dili, Etkili ve\r\nG\u00fczel Konu\u015fma, Diksiyon, Yarat\u0131c\u0131 Yazarl\u0131k\u201d alan\u0131nda seminerler vererek \u00e7al\u0131\u015fmalar\u0131n\u0131\r\ns\u00fcrd\u00fcrmektedir. Halen bir kurumda seslendirme ve sunuculuk yapmakta olan yazar evlidir ve\r\nArda Tar\u0131k\u2019\u0131n annesidir.\r\n"}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=4234"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4234\/revisions"}],"predecessor-version":[{"id":4236,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4234\/revisions\/4236"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/4235"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=4234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=4234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=4234"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=4234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}