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Borges ve Casares’in ortak mahlas\u0131 H. Bustos Domecq, bu kitapta okuru hem zek\u00e2n\u0131n incelikleriyle hem de ironinin keskinli\u011fiyle \u00f6r\u00fcl\u00fc yeni bir edebi evrene davet ediyor. Hik\u00e2yelerde s\u0131radan g\u00f6r\u00fcnen dostluklardan aristokrasinin gizemli d\u00fcnyas\u0131na, mafya entrikalar\u0131ndan toplumsal hicve uzanan bir yelpazede, ger\u00e7ek ile kurmacan\u0131n s\u0131n\u0131rlar\u0131 bulan\u0131kla\u015f\u0131yor. Metinler bir yandan sahici anlat\u0131y\u0131 parodiyle sorgularken, Arjantin toplumunun al\u0131\u015fkanl\u0131klar\u0131n\u0131, zaaflar\u0131n\u0131 ve maskelerini alayc\u0131 bir dille g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. Everest Yay\u0131nlar\u0131’ndan \u00e7\u0131kan bu hik\u00e2yeler hem Latin Amerika edebiyat\u0131n\u0131n hem de d\u00fcnya edebiyat\u0131n\u0131n yarat\u0131c\u0131 ortak \u00e7al\u0131\u015fmalar\u0131ndan birine tan\u0131kl\u0131k etmek isteyen okur i\u00e7in vazge\u00e7ilmez. \u0130nsan bazen i\u00e7ini d\u00f6kmek ister. Bunu, gelip ge\u00e7en bir ku\u015fla, sigaran\u0131n son duman\u0131 gibi kay\u0131plara kar\u0131\u015facak sade bir vatanda\u015fa yapmak icap eder.<\/p>\n
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BA\u015eARI VE BASTIRILMA<\/strong> Dag Nikolaus Hasse\u2019nin kaleme ald\u0131\u011f\u0131 \u201cBa\u015far\u0131 ve Bast\u0131r\u0131lma\u201d Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131’ndan \u00e7\u0131kt\u0131. Hasse kitapta, \u0130bn S\u00een\u00e2, \u0130bn R\u00fc\u015fd ve R\u00e2z\u00ee gibi b\u00fcy\u00fck d\u00fc\u015f\u00fcn\u00fcrlerin t\u0131p, felsefe ve astroloji alan\u0131ndaki eserlerinin, matbaan\u0131n icad\u0131yla birlikte Avrupa\u2019da nas\u0131l geni\u015f bir dola\u015f\u0131ma girdi\u011fini ayr\u0131nt\u0131l\u0131 belgelerle ortaya koyuyor. Ancak anlat\u0131 yaln\u0131zca bir ba\u015far\u0131 hik\u00e2yesiyle s\u0131n\u0131rl\u0131 kalm\u0131yor; h\u00fcmanist ak\u0131mlar\u0131n y\u00fckseli\u015fi ve Kilise bask\u0131s\u0131 alt\u0131nda bu otoritelerin nas\u0131l sistemli bi\u00e7imde d\u0131\u015fland\u0131\u011f\u0131n\u0131 ve etkilerinin g\u00f6r\u00fcnmez k\u0131l\u0131nd\u0131\u011f\u0131n\u0131 da analiz ediyor. Avrupa \u00fcniversitelerinin m\u00fcfredatlar\u0131ndan Latince \u00e7eviri tekniklerine, entelekt\u00fcel biyografi yaz\u0131m\u0131ndan sinameki gibi t\u0131bbi bitkiler etraf\u0131nda y\u00fcr\u00fct\u00fclen tart\u0131\u015fmalara kadar uzanan eser, Do\u011fu ile Bat\u0131 aras\u0131ndaki bilgi aktar\u0131m\u0131n\u0131 somut \u00f6rneklerle g\u00f6zler \u00f6n\u00fcne seriyor. \u201cBa\u015far\u0131 ve Bast\u0131r\u0131lma\u201d, s\u00f6ylem d\u00fczeyinin \u00f6tesine ge\u00e7erek R\u00f6nesans bilginlerinin Arap\u00e7a \u00fcretilen teorileri teknik ayr\u0131nt\u0131lar\u0131yla nas\u0131l benimsediklerini ya da reddettiklerini g\u00f6steriyor ve modern Avrupa k\u00fclt\u00fcr\u00fcn\u00fcn olu\u015fumunda bu miras\u0131n belirleyici rol\u00fcn\u00fc yeniden d\u00fc\u015f\u00fcnmeye davet ediyor.<\/p>\n K\u0130MSES\u0130ZLER CO\u011eRAFYASI<\/strong> “Her \u015fey y\u0131k\u0131ld\u0131\u011f\u0131nda geriye ne kal\u0131r?\u201d 6 \u015eubat sabah\u0131 gelen bir haber, anlat\u0131c\u0131y\u0131 Hatay\u2019daki enkaz\u0131n ba\u015f\u0131na \u00e7a\u011f\u0131r\u0131r. Bekleyi\u015fin donup kald\u0131\u011f\u0131 o yerde anlat\u0131c\u0131, Ali\u2019yle tan\u0131\u015f\u0131r. Irakl\u0131d\u0131r Ali; kar\u0131s\u0131n\u0131 ve \u00e7ocu\u011funu aramaktad\u0131r. Enkaz\u0131n sessizli\u011finde ba\u015flayan bu konu\u015fma, Irak\u2019tan Hatay\u2019a uzanan bir hayata a\u00e7\u0131l\u0131r: ka\u00e7\u0131\u015flar, kay\u0131plar, toplama kamplar\u0131, \u015fiddet, yoksulluk\u2026 Ve b\u00fct\u00fcn bu y\u0131k\u0131m\u0131n i\u00e7inden ge\u00e7erek tutunulan bir sevgi. Depremle yerle bir olan bir \u015fehirde, ayn\u0131 enkaz\u0131n ba\u015f\u0131nda kesi\u015fen iki yas\u0131n ve iki bekleyi\u015fin hik\u00e2yesi\u2026 Zekeriya \u00c7etin’in \u0130nk\u0131lap Kitapevi’nden \u00e7\u0131kan eseri y\u0131k\u0131m\u0131n ortas\u0131nda insan kalman\u0131n inat\u00e7\u0131 sesini f\u0131s\u0131ldayan bir roman.<\/p>\n VER\u0130 SANATI<\/strong><\/p>\n Veri Sanat\u0131; verinin sadece bilgi alan\u0131 olmaktan \u00e7\u0131karak sanatsal pratiklerin merkez\u00ee bir bile\u015feni h\u00e2line gelmesini, \u00f6rnek eserler \u00fczerinden ele al\u0131yor. Nobel Bilimsel Eserler’den \u00e7\u0131kan kitap, veri ile sanat aras\u0131ndaki ili\u015fkiyi tart\u0131\u015fmaya a\u00e7arak disiplinler aras\u0131 bir okuma imk\u00e2n\u0131 sunuyor. Alan\u0131nda uzman akademisyen ve doktora \u00f6\u011frencilerinin katk\u0131lar\u0131yla haz\u0131rlanan eser; algoritmik renk temsillerinden yapay zek\u00e2 arac\u0131l\u0131\u011f\u0131yla kaybolan tarihin yeniden in\u015fas\u0131na, foto\u011frafta algoritmalar\u0131n kullan\u0131m\u0131yla kozmolojik sanatta simetri ve ikonografiye uzanan geni\u015f bir \u00e7er\u00e7evede verinin sanatsal \u00fcretimdeki rol\u00fcn\u00fc inceliyor. Ayr\u0131ca dijital ba\u011flamda haz\u0131r nesnenin d\u00f6n\u00fc\u015f\u00fcm\u00fc, yapay zek\u00e2 destekli g\u00f6rsel \u00fcretim ara\u00e7lar\u0131 ve teknolojik verilerin m\u00fczik alan\u0131na etkileri incelenerek sanat-teknoloji ili\u015fkisi s\u00fcrd\u00fcr\u00fclebilir bir gelecek perspektifiyle tart\u0131\u015fmaya a\u00e7\u0131l\u0131yor.<\/p>\n ELMANIN RENG\u0130: KIRMIZI<\/strong> Nazl\u0131 Ecevit\u2019in a\u015f\u0131 boyal\u0131 \u201cAmcazade H\u00fcseyin Pa\u015fa Yal\u0131s\u0131\u201dndan Hasan Vecih Bereketo\u011flu\u2019nun bereketli toprak tenceresine ve Osman Hamdi Bey\u2019in \u201cKaplumba\u011fa Terbiyecisi\u201dne uzanan bir se\u00e7kiyle, k\u0131rm\u0131z\u0131 \u00f6\u011felerin ba\u015frolde oldu\u011fu Elmam\u0131n Rengi: K\u0131rm\u0131z\u0131, \u00e7ocuklara e\u011flenceli bir rehberlik sunuyor. \u201cBir rengin pe\u015fine d\u00fc\u015ferek m\u00fczede dola\u015fmak, \u00e7ocuklar i\u00e7in sanata a\u00e7\u0131lan en do\u011fal kap\u0131lardan biri. Renkle oynad\u0131k\u00e7a, sanat eserleri \u00e7ocuklar\u0131n zihninde kal\u0131c\u0131 bir yer ediniyor,\u201d diyen Burcu Ural Kopan, kitaplar i\u00e7in \u0130\u015f Bankas\u0131 Sanat Eserleri Koleksiyonu\u2019ndan se\u00e7ilen tablolar\u0131n \u00e7ocuklar\u0131n sanata bakma ve fark etme becerilerini g\u00fc\u00e7lendirdiklerini belirtiyor.<\/p>\n Bu yaz\u0131 ve g\u00f6rseller Haber T\u00fcrk Gazetesi’nden al\u0131nm\u0131\u015f, olup Tar\u0131k TORUN taraf\u0131ndan d\u00fczenlenmi\u015ftir.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Biyografiden \u00f6yk\u00fcye, ara\u015ft\u0131rmadan romana, an\u0131dan \u015fiire bu hafta da pek \u00e7ok kitap okurla bulu\u015ftu. \u0130\u015fte…<\/p>\n
\n(Dag Nikolaus Hasse)<\/p>\n![](\"https:\/\/im.haberturk.com\/2026\/03\/27\/3872876_e6c71e5cda54f3bedd4074fce8c50ab4_640x640.jpg\")
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\n(Zekeriya \u00c7etin)<\/p>\n![](\"https:\/\/im.haberturk.com\/2026\/03\/27\/3872876_464d5b1dba32493f5e1e07bba334b7f7_640x640.jpg\")
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\n(Burcu Ural Kopan)<\/p>\n