{"id":4155,"date":"2026-03-11T15:06:58","date_gmt":"2026-03-11T12:06:58","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=4155"},"modified":"2026-03-11T15:09:02","modified_gmt":"2026-03-11T12:09:02","slug":"muhtesem-bir-sese-ve-tuhaf-bir-kadere-sahip-bagriyanik-sarkicisi","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/03\/11\/muhtesem-bir-sese-ve-tuhaf-bir-kadere-sahip-bagriyanik-sarkicisi\/","title":{"rendered":"Muhte\u015fem Bir Sese ve Tuhaf Bir Kadere Sahip “Ba\u011fr\u0131yan\u0131k” \u015eark\u0131c\u0131s\u0131…"},"content":{"rendered":"

\u2026Y\u0131llar \u00f6ncesinden bir T\u00fcrk \u015fark\u0131s\u0131 dinliyordum. \u015eark\u0131c\u0131n\u0131n sanki yana yana s\u00f6yledi\u011fi bu \u015fark\u0131 kalbime dokundu. Tekrar tekrar dinledim. Bir insan\u0131n i\u00e7indeki ac\u0131y\u0131, neredeyse her t\u00fcrl\u00fc s\u0131k\u0131nt\u0131y\u0131 ifade eden bu \u015fark\u0131, onun sesine uyumlu bir \u015fekilde ak\u0131p gitti\u2026<\/strong> <\/strong>               <\/strong><\/p>\n

D\u00fcnya m\u00fczik d\u00fcnyas\u0131nda bir\u00e7ok s\u0131ra d\u0131\u015f\u0131 ses var, ancak T\u00fcrk m\u00fczi\u011fi e\u015fsiz. Bu belki de ayn\u0131 k\u00f6kten gelen insanlar\u0131n duygular\u0131n\u0131n birbirine daha yak\u0131n olmas\u0131ndan kaynaklan\u0131yor. Bahsetti\u011fim \u015fark\u0131 M\u00fcsl\u00fcm G\u00fcrs<\/strong>e<\/strong>s’<\/strong>i<\/strong>n “Ba\u011fr\u0131yan\u0131<\/strong>k<\/strong>” \u015fark\u0131s\u0131 ve yorumcusunun s\u0131k\u0131nt\u0131l\u0131 kaderiyle uyum i\u00e7inde gibiydi. Bilgi edinmek i\u00e7in bir ki\u015finin biyografisini incelemek bir gelenektir. Bu nedenle, \u015fark\u0131c\u0131n\u0131n ger\u00e7ek ad\u0131 M\u00fcsl\u00fcm Akba\u015f’t\u0131r ve 1953 y\u0131l\u0131nda \u015eanl\u0131urfa’n\u0131n Halfeti il\u00e7esine ba\u011fl\u0131 F\u0131st\u0131k\u00f6z\u00fc k\u00f6y\u00fcnde do\u011fmu\u015ftur. \u00c7ocuklu\u011funun ilk y\u0131llar\u0131n\u0131 \u015eanl\u0131urfa’da ge\u00e7iren \u015fark\u0131c\u0131, \u00fc\u00e7 ya\u015f\u0131ndayken ailesiyle birlikte Adana’ya ta\u015f\u0131nm\u0131\u015ft\u0131r. Bunun sebebi ya\u015fad\u0131klar\u0131 ekonomik zorluklard\u0131. Ayr\u0131ca Ahmed ad\u0131nda bir erkek karde\u015fi ve Zeyno ad\u0131nda bir k\u0131z karde\u015fi vard\u0131.<\/strong> <\/strong><\/p>\n

      \"M\u00fcsl\u00fcm        <\/strong><\/p>\n

\u0130lkokuldan sonra e\u011fitimine devam edemeyen M\u00fcsl\u00fcm G\u00fcrses, bir s\u00fcre ayakkab\u0131c\u0131 ve terzi olarak \u00e7al\u0131\u015ft\u0131. Bir televizyon program\u0131na konuk olan usta sanaatkar, o g\u00fcnleri \u015f\u00f6yle anlatt\u0131: \u201cAdana’ya geldik. K\u00fc\u00e7\u00fck bir evde oturuyorduk. Adana o zamanlar elbette \u00e7ok s\u0131cakt\u0131. Herkes \u00e7at\u0131da uyuyordu. Biz de s\u0131caktan \u00e7at\u0131da uyuyorduk. Kendi kendimize \u015fark\u0131lar s\u00f6yl\u00fcyorduk. Kom\u015fular\u0131m\u0131z, \u201cSesiniz \u00e7ok g\u00fczel. Tekrar s\u00f6yleyin, bir tane daha s\u00f6yleyin\u201d diyorlard\u0131. O zamanlar Mustafa ad\u0131nda bir ayakkab\u0131c\u0131 arkada\u015f\u0131m\u0131z vard\u0131. Halk <\/strong>E<\/strong>\u011fitim <\/strong>M<\/strong>erkezi<\/strong>\u2019<\/strong>ne gidip ba\u011flama (saz benzeri bir T\u00fcrk telli \u00e7alg\u0131s\u0131) \u00e7al\u0131yordu. Halk <\/strong>E<\/strong>\u011fitim <\/strong>M<\/strong>erkezi<\/strong>\u2019<\/strong>nin \u00e7ok g\u00fczel oldu\u011funu s\u00f6yledi. \u201cBen de gidebilir miyim?\u201d diye sordum. \u201cGidebilirsin\u201d dedi. Gittim ve oradaki m\u00fczik e\u011fitimi \u00e7ok iyiydi. 4. veya 5. s\u0131n\u0131ftayd\u0131m. Bir s\u00fcre gittik. Orada olgunla\u015ft\u0131k. Olan biteni g\u00f6rd\u00fck. De\u011ferli \u00f6\u011fretmenlerimiz oldu.\u201d<\/strong> <\/strong>               <\/strong><\/p>\n

Babas\u0131n\u0131n itirazlar\u0131na ve annesinin deste\u011fine ra\u011fmen, M\u00fcsl\u00fcm 14 ya\u015f\u0131ndayken 1967 y\u0131l\u0131nda Adana’da bir \u00e7ay bah\u00e7esinde d\u00fczenlenen \u015fark\u0131 yar\u0131\u015fmas\u0131na kat\u0131ld\u0131 ve birincilik kazand\u0131. Ayn\u0131 yar\u0131\u015fmadan sonra “G\u00fcr<\/strong>s<\/strong>es” soyad\u0131n\u0131 ald\u0131 ve <\/strong>H<\/strong>alk <\/strong>E<\/strong>\u011fitim <\/strong>M<\/strong>erkezi<\/strong>\u2019<\/strong>nde m\u00fczik derslerine devam etti. Adana’daki bir kumarhanenin ba\u015f solisti Sad\u0131<\/strong>k<\/strong> Alt\u0131nme<\/strong>\u015fe<\/strong> hastalan\u0131nca, onun yerine ge\u00e7en sanat\u00e7\u0131 alk\u0131\u015flarla kar\u015f\u0131land\u0131 ve bir daha mikrofonu elinden b\u0131rakma”<\/strong>emmi<\/strong>o\u011flu\/Ovada <\/strong>Ta\u015fa<\/strong> B<\/strong>asma” ad\u0131. 1967’den itibaren sanat\u00e7\u0131, her cumartesi TRT – \u00c7ukurova Radyosu’nda canl\u0131 halk \u015fark\u0131lar\u0131 s\u00f6ylemeye ba\u015flad\u0131. Ayn\u0131 zamanda, 1968’de adl\u0131 ilk 45 dakikal\u0131k alb\u00fcm\u00fcn\u00fc \u00e7\u0131kard\u0131 ve kariyerinde h\u0131zla y\u00fckseldi.<\/strong>    <\/strong><\/p>\n

      \"Arabesk    <\/strong><\/p>\n

Ancak sanat\u00e7\u0131n\u0131n aile hayat\u0131nda ya\u015fanan trajedi onu derinden sarst\u0131; 29 May\u0131s 1969’da babas\u0131 annesini \u00f6ld\u00fcrd\u00fc. Bir iddiaya g\u00f6re, ayn\u0131 g\u00fcn k\u0131z\u0131n\u0131 da (M\u00fcsl\u00fcm’\u00fcn k\u0131z karde\u015fini) \u00f6ld\u00fcren baba tutukland\u0131. G\u00fcrses bu olaydan sonra \u0130stanbul’a ta\u015f\u0131nd\u0131. Bu olay hakk\u0131nda konu\u015fmak istemedi. \u0130stanbul’da ya\u015famaya ba\u015flayan \u015fark\u0131c\u0131, orada 2 alb\u00fcm kaydetti.<\/strong> <\/strong>               <\/strong><\/p>\n

Sanat\u00e7\u0131n\u0131n kaderinde yaz\u0131l\u0131 olan ba\u015far\u0131s\u0131zl\u0131klar onu takip ediyor gibiydi. 1978’de, Anadolu konser program\u0131 i\u00e7in Tarsus’tan Adana’ya d\u00f6nerken acele eden \u015fark\u0131c\u0131 bir trafik kazas\u0131 ge\u00e7irdi. Kaza an\u0131nda \u00f6ld\u00fc\u011f\u00fc san\u0131larak morga kald\u0131r\u0131ld\u0131. Ancak son anda hayatta oldu\u011fu anla\u015f\u0131ld\u0131 ve ameliyata al\u0131nd\u0131. Kazada aln\u0131ndan ciddi bir yara alan \u015fark\u0131c\u0131n\u0131n beynini korumak i\u00e7in ba\u015f\u0131na bir plaka yerle\u015ftirildi. Kaza sonucunda sanat\u00e7\u0131 koku alma duyusunu kaybetti, ayr\u0131ca i\u015fitme duyusu da ciddi \u015fekilde zarar g\u00f6rd\u00fc ve k\u0131s\u0131k sesle konu\u015fmaya ba\u015flad\u0131.<\/strong> <\/strong>               <\/strong><\/p>\n

Bu kaza, M\u00fcsl\u00fcm G\u00fcrses’in hem ki\u015fisel hem de sanatsal hayat\u0131nda bir d\u00f6n\u00fcm noktas\u0131 oldu; kaza sonras\u0131nda sesinin derinli\u011fi ve performans tarz\u0131 bamba\u015fka bir seviyeye ula\u015ft\u0131. Dinleyicilere g\u00f6re, bu sese daha duygusal ve ac\u0131 dolu bir ton eklendi. Bu travma ayn\u0131 zamanda psikolojik bir deneyim olu\u015fturarak m\u00fczik tarz\u0131n\u0131n ve dinleyiciyle olan temas\u0131n\u0131n g\u00fc\u00e7lenmesine yol a\u00e7t\u0131. Ciddi bir kazadan sonra \u015fark\u0131c\u0131 adeta ikinci kez hayata d\u00f6nd\u00fc ve <\/strong>Allah<\/strong> onu hayranlar\u0131ndan ay\u0131rmak istemedi. Morgdan sahneye geri d\u00f6nd\u00fc. Hayat\u0131 parampar\u00e7a olan sanat\u00e7\u0131, sanat\u0131na devam edebildi ve 44 y\u0131ll\u0131k kariyeri boyunca 78 alb\u00fcm \u00e7\u0131kard\u0131. \u015eark\u0131c\u0131, “Hasta oldum Tanr\u0131m”, “B\u00fcy\u00fck Tanr\u0131m, bu ne dert?”, “Bu kadar i\u015fkence g\u00fcnaht\u0131r”, “Yeter Tanr\u0131m, yeter” gibi \u015fark\u0131lar\u0131 kaderine ve \u015fans\u0131na isyan edercesine s\u00f6yledi.<\/strong>   <\/strong><\/p>\n

       \"Uzelli\"     <\/strong><\/p>\n

M\u00fcsl\u00fcm G\u00fcrses, \u015fark\u0131c\u0131l\u0131\u011f\u0131n yan\u0131 s\u0131ra bir\u00e7ok filmde de rol alm\u0131\u015ft\u0131r. \u0130lk olarak 1979 y\u0131l\u0131nda \u00e7ekilen “Asi” filminde yer alm\u0131\u015ft\u0131r. T\u00fcm zorluklara ra\u011fmen, onu her zaman hayata d\u00f6nd\u00fcren tek ki\u015fi e\u015fi M<\/strong>u<\/strong>hterem Nur olmu\u015ftur. 1982 y\u0131l\u0131nda Adana turunda tan\u0131\u015fm\u0131\u015flar ve bu tan\u0131\u015f\u0131kl\u0131ktan sonra hi\u00e7 ayr\u0131lmam\u0131\u015flard\u0131r. Film oyuncusu M<\/strong>u<\/strong>hterem Nur, e\u015finin iste\u011fi \u00fczerine sanattan emekli olmu\u015ftur. M\u00fcsl\u00fcm G\u00fcrses hayat\u0131 boyunca toplam 38 filmde rol alm\u0131\u015ft\u0131r. Rol ald\u0131\u011f\u0131 son film ise 2011 yap\u0131m\u0131 “G\u00f6steri D\u00fcnyas\u0131”d\u0131r. (2018’de – art\u0131k hayatta de\u011filken – sanat\u00e7\u0131n\u0131n kendi hayat hik\u00e2yesini anlatan “M\u00fcsl\u00fcm” filmi b\u00fcy\u00fck bir ba\u015far\u0131 elde etmi\u015fti.)<\/strong> <\/strong>               <\/strong><\/p>\n

Sanat\u00e7\u0131 olarak \u00f6l\u00fcms\u00fczl\u00fc\u011fe ula\u015fan M\u00fcsl\u00fcm G\u00fcrses, 15 Kas\u0131m 2012’de \u0130stanbul Memorial Hastanesi’nde “bypass” ameliyat\u0131 ge\u00e7irdi, ancak ameliyat sonras\u0131 akci\u011fer ve kalp yetmezli\u011fi nedeniyle yo\u011fun bak\u0131ma al\u0131nd\u0131. Yapay solunum cihaz\u0131na ba\u011fland\u0131. T\u00fcm \u00e7abalara ra\u011fmen G\u00fcrses, tedavi g\u00f6rd\u00fc\u011f\u00fc \u0130stanbul Memorial Hastanesi’nde 3 Mart 2013’te hayat\u0131n\u0131 kaybetti\u2026<\/strong> <\/strong><\/p>\n

\"M\u00fcsl\u00fcm<\/p>\n

***<\/strong>               <\/strong><\/p>\n

\u2026\u0130nsanlar ona \u201cM\u00fcsl\u00fcm <\/strong>B<\/strong>aba\u201d derdi. \u00c7\u00fcnk\u00fc o sadece bir \u015fark\u0131c\u0131 de\u011fildi, sanki insanlar\u0131n ac\u0131lar\u0131n\u0131 sesinde ta\u015f\u0131yordu ve bu y\u00fczden hayranlar\u0131 ona bir baba gibi ba\u011flanm\u0131\u015ft\u0131. Ba\u015fka bir deyi\u015fle, \u201cM\u00fcsl\u00fcm <\/strong>B<\/strong>aba\u201d lakab\u0131 tesad\u00fcf de\u011fildi. Bir bak\u0131ma, yoksullar\u0131n ve d\u0131\u015flanm\u0131\u015flar\u0131n sesiydi. Dinleyicilerinin \u00e7o\u011fu i\u015f\u00e7iler, k\u0131rsaldan \u015fehre g\u00f6\u00e7 edenler, zor hayatlar ya\u015fayanlar ve mahalle gen\u00e7leriydi. Ac\u0131lar\u0131n\u0131 onun sesinde buldular. \u015eark\u0131c\u0131, ifade edemedikleri ac\u0131lar\u0131n\u0131 dile getiriyor gibiydi. Sesi \u201cac\u0131 sesi\u201dydi. M\u00fcsl\u00fcm G\u00fcrses \u015fark\u0131 s\u00f6ylerken sesi titrerdi. Bu ses i\u00e7ten geliyordu. \u0130nsanlar \u201c\u015fark\u0131 s\u00f6ylemiyor, yan\u0131yor\u201d derlerdi. Bu yanma hissi onu s\u0131radan bir \u015fark\u0131c\u0131dan ay\u0131r\u0131yordu. Konserlerinde insanlar a\u011flard\u0131, kollar\u0131n\u0131 kesen hayranlar olurdu (maalesef b\u00f6yle vakalar ya\u015fand\u0131) ve sahneye \u00e7\u0131k\u0131p bacaklar\u0131na sar\u0131lanlar olurdu. Bu sadece m\u00fczikten ibaret de\u011fildi, duygusal bir ba\u011fd\u0131. Hayranlar\u0131 i\u00e7in g\u00fc\u00e7l\u00fcyd\u00fc, sab\u0131rl\u0131yd\u0131, kaderin kar\u015f\u0131s\u0131nda dimdik duran bir adamd\u0131. \u0130nsanlar onun “\u00e7ocuklar\u0131” gibi hissediyorlard\u0131. \u0130nsanlar\u0131n ac\u0131s\u0131n\u0131 ta\u015f\u0131mak, onlar\u0131 teselli etmek \u2013 etraf\u0131nda duygusal bir aile yaratmak anlam\u0131na geliyordu. O sadece bir sanat\u00e7\u0131 de\u011fil, duygusal bir s\u0131\u011f\u0131nakt\u0131.<\/strong> <\/strong>               <\/strong><\/p>\n

\u00dcz\u00fcc\u00fc ve ac\u0131 dolu temalar ta\u015f\u0131yan \u015fark\u0131lar\u0131 “arabesk” t\u00fcr\u00fcndedir ve \u00e7ok g\u00fc\u00e7l\u00fc bir duygusal performans tarz\u0131na sahiptir. Arabesk, Do\u011fu (Arap) ezgileri ve T\u00fcrk m\u00fczi\u011finin bir kar\u0131\u015f\u0131m\u0131d\u0131r ve derin duygular, \u00fcz\u00fcnt\u00fc ve kadere kar\u015f\u0131 isyan i\u00e7eren bir T\u00fcrk m\u00fczik t\u00fcr\u00fcd\u00fcr. Bu t\u00fcr, T\u00fcrkiye’de olu\u015fmu\u015f ve \u00f6zellikle g\u00f6\u00e7men ve yoksul kesimler aras\u0131nda, Arap ezgileri ve T\u00fcrk sanat m\u00fczi\u011finin etkisiyle kent ortamlar\u0131nda yay\u0131lm\u0131\u015ft\u0131r. Daha \u00e7ok \u015fark\u0131 formundad\u0131r ve toplumsal ac\u0131y\u0131 ifade eder. Daha basit ve daha pop\u00fcler bir t\u00fcrd\u00fcr.<\/strong>               <\/strong><\/p>\n

Arabesk m\u00fczik, uzun s\u00fcre elit \u00e7evreler taraf\u0131ndan k\u00fc\u00e7\u00fcmsenen bir t\u00fcrd\u00fc. Ancak M\u00fcsl\u00fcm G\u00fcrses bu t\u00fcr\u00fc sayg\u0131n, g\u00fc\u00e7l\u00fc ve derin bir seviyeye y\u00fckseltti. Bir zamanlar arabesk, “\u00e7ok \u00fcz\u00fcc\u00fc” ve “insanlar\u0131 karamsar yapan” bir t\u00fcr olarak ele\u015ftiriliyordu. Ancak milyonlarca insan bu m\u00fczik t\u00fcr\u00fcnde kendi i\u00e7 d\u00fcnyas\u0131n\u0131 buldu.<\/strong> <\/strong>   <\/strong><\/p>\n

   \"M\u00fcsl\u00fcm         <\/strong><\/p>\n

Bu yaz\u0131da, efsanevi \u015fark\u0131c\u0131 M\u00fcsl\u00fcm G\u00fcrses’in hayat hik\u00e2yesinden baz\u0131 b\u00f6l\u00fcmler se\u00e7tik. Sadece bir \u015fark\u0131s\u0131ndan edindi\u011fimiz bu izlenimler, sanat\u00e7\u0131n\u0131n tuhaf kader dolu hayat\u0131na ve yarat\u0131c\u0131l\u0131\u011f\u0131na \u00e7ok k\u0131sa bir yolculuk yapmam\u0131z\u0131 sa\u011flad\u0131. G\u00f6zya\u015flar\u0131m\u0131 tutamad\u0131\u011f\u0131m i\u00e7in, okuyucular\u0131mla payla\u015ft\u0131\u011f\u0131m bu duygular\u0131 olabildi\u011fince k\u0131sa tutmaya \u00e7al\u0131\u015ft\u0131m. Dinledi\u011fim \u015fark\u0131n\u0131n s\u00f6zleri, sanat\u00e7\u0131n\u0131n hayat\u0131n\u0131 kendi sesiyle i\u00e7eriyor gibiydi ve \u015fark\u0131dan birka\u00e7 sat\u0131r\u0131 (orijinalini koruyarak) belirtmeden edemedim:<\/strong> <\/strong><\/p>\n

Ba\u011fr\u0131yan\u0131k<\/em><\/strong><\/p>\n

Bu gen\u00e7 ya\u015f\u0131mda benii dertlere att\u0131n, felek
\nAc\u0131madan sen benim ba\u011fr\u0131m\u0131 yaktin, felek, of
\nHainsin, zalimsin sen, felek, felek<\/em><\/strong><\/p>\n

Bir g\u00fcn daha ge\u00e7ti \u00f6mr\u00fcmden
\nB\u00f6yle garip kald\u0131m ba\u011fr\u0131 yan\u0131k
\nKeder eksik olmaz g\u00f6nl\u00fcmden
\nG\u00f6ren bana diyor “Ba\u011fr\u0131yan\u0131k”<\/p>\n

B\u00fct\u00fcn \u00fcmitlerim bitmi\u015f, b\u00fct\u00fcn sevdiklerim gitmi\u015f
\nYa\u015famak hevesim bitmi\u015f, olmu\u015fum bir ba\u011fr\u0131 yan\u0131k
\nOooof
\nOf, of, ba\u011fr\u0131yan\u0131k
\nB\u00fct\u00fcn \u00fcmitlerin bitmi\u015f, b\u00fct\u00fcn sevdiklerin gitmi\u015f
\nYa\u015famak hevesin bitmi\u015f, olmu\u015fsun bir ba\u011fr\u0131 yan\u0131k
\nOooof
\nOf, of, ba\u011fr\u0131yan\u0131k<\/p>\n

\u015eimdi bir \u015fey gelmez elimden
\nGiden gitti beni benden al\u0131p
\nYa\u015flar akar iki g\u00f6z\u00fcmden
\nBir ba\u015f\u0131ma kald\u0131m ba\u011fr\u0131yan\u0131k<\/p>\n

B\u00fct\u00fcn \u00fcmitlerim bitmi\u015f, b\u00fct\u00fcn sevdiklerim gitmi\u015f
\nYa\u015famak hevesim bitmi\u015f, olmu\u015fum bir ba\u011fr\u0131yan\u0131k
\nOooof
\nOf, of, ba\u011fr\u0131yan\u0131k
\nB\u00fct\u00fcn \u00fcmitlerin bitmi\u015f, b\u00fct\u00fcn sevdiklerin gitmi\u015f
\nYa\u015famak hevesin bitmi\u015f, olmu\u015fsun bir ba\u011fr\u0131yan\u0131k
\nOooof
\nOf, of, ba\u011fr\u0131 yan\u0131k, of <\/em><\/strong> <\/em><\/strong> <\/em><\/strong><\/p>\n

 <\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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AL\u0130KIZI","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/zeynep-alikizi\/"},"uagb_comment_info":3,"uagb_excerpt":"\u2026Y\u0131llar \u00f6ncesinden bir T\u00fcrk \u015fark\u0131s\u0131 dinliyordum. \u015eark\u0131c\u0131n\u0131n sanki yana yana s\u00f6yledi\u011fi bu \u015fark\u0131 kalbime dokundu....","authors":[{"term_id":326,"user_id":57,"is_guest":0,"slug":"zeynep-alikizi","display_name":"Zeynep AL\u0130KIZI","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/6a48738a-4685-4026-88bb-59675ed09d891.jpg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/6a48738a-4685-4026-88bb-59675ed09d891.jpg"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"Zeyneb Alik\u0131z\u0131, Azerbaycan'\u0131n La\u00e7in b\u00f6lgesinde do\u011fdu. 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Azerbaycan Yazarlar Birli\u011fi \u00fcyesidir.\r\nT\u00fcrk edebiyat\u0131ndan, yazar-psikiyatrist G\u00fclseren Buday\u0131c\u0131o\u011flu'nun \u201cHayata D\u00f6n\u201d roman\u0131n\u0131 ve Fikret Ero\u011flu'nun 5 ciltlik \u201cMelike Adenya Diyar\u0131nda\u201d masal serisini Azerbaycan t\u00fcrk\u00e7esine uyarlad\u0131.\r\nHalk yazar\u0131 Cengiz Abd\u00fcllayev'in \u00e7ok say\u0131da eserini Azerbaycan t\u00fcrk\u00e7esine \u00e7evirdi ve d\u00fczenledi.\r\nK\u0131rg\u0131z yazar Sultan Rayev'in \u201cG\u00fcne\u015fi Elinde Tutan \u00c7ocuk\u201d ve \u201cKa\u015faba\u201d eserlerini Rus\u00e7adan Azerbaycan diline \u00e7evirdi. Ayr\u0131ca \u015fu anda yay\u0131nlanmam\u0131\u015f, \u00fczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131 ve tamamlanm\u0131\u015f birka\u00e7 \u00e7evirisi de bulunmaktad\u0131r.\r\nFrans\u0131z yazarlar Noel Calef'in \u201c\u0130dam Sehpas\u0131 Asans\u00f6r\u00fc\u201d, Michel Lebre'nin \u201cTart\u0131\u015fmalar Girdab\u0131nda Silviya\u201d, Margaret Duras'\u0131n \u201cCebelitar\u0131kl\u0131 Denizci\u201d, A. Dumas'\u0131n bir\u00e7ok \u00f6yk\u00fcs\u00fc ve \u0130ngiliz edebiyat\u0131n\u0131n bir\u00e7ok eserini (Rus\u00e7adan) Azerbaycan t\u00fcr\u00e7esine \u00e7evirdi. Ayn\u0131 zamanda Rus edebiyat\u0131ndan da \u00f6rnekler \u00e7evirdi.\r\n\u201cMaarif\u00e7i\u201d, \u201cSes\u201d, \u201cKaspi\u201d, \u201cTezadlar\u201d, \u201cMedeniyet\u201d ve di\u011fer gazetelerde \u00e7al\u0131\u015fd\u0131. 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