{"id":4022,"date":"2026-02-27T12:32:27","date_gmt":"2026-02-27T09:32:27","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=4022"},"modified":"2026-02-27T12:38:52","modified_gmt":"2026-02-27T09:38:52","slug":"4022","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/02\/27\/4022\/","title":{"rendered":"T\u00fct\u00fcn Kokulu Tenhal\u0131k: Seda \u015eaffak\u2019\u0131n “T\u00fct\u00fcnler ve Dualar” Eserine Bir Bak\u0131\u015f"},"content":{"rendered":"

Her \u015fairin yaz\u0131 ser\u00fcvenine ad\u0131m att\u0131\u011f\u0131 bir e\u015fik mevcuttur. Bu ba\u015flang\u0131\u00e7 bazen kalabal\u0131klar\u0131n ortas\u0131nda at\u0131lan \u00fcrkek bir ad\u0131m, bazen de ruhun kendi i\u00e7indeki engin yaln\u0131zl\u0131\u011fa \u00e7ekilerek verdi\u011fi bir kar\u015f\u0131l\u0131k niteli\u011fi ta\u015f\u0131r. Seda \u015eaffak\u2019\u0131n ilk \u015fiir mecmuas\u0131 olan T\u00fct\u00fcnler ve Dualar, bu ikinci ihtimali kuvvetlendiriyor. Matru\u015fka Yay\u0131nlar\u0131 vas\u0131tas\u0131yla 2024 y\u0131l\u0131nda okurla bulu\u015fan eser, 52 sayfal\u0131k hacmine 13 \u015fiir s\u0131\u011fd\u0131r\u0131yor. Lakin bu m\u0131sralar, sayfa say\u0131s\u0131n\u0131n \u00f6tesinde gen\u00e7 bir ruhun sars\u0131nt\u0131l\u0131 aray\u0131\u015flar\u0131n\u0131, biriken hislerini ve hayal k\u0131r\u0131kl\u0131klar\u0131yla \u00f6r\u00fcl\u00fc zihin d\u00fcnyas\u0131n\u0131 b\u00fcnyesinde bar\u0131nd\u0131r\u0131yor.<\/p>\n

\u015eaffak, evvelce \u015eiar ve A\u015fkar gibi edebiyat mahfillerinde kalem oynatm\u0131\u015f bir isim. Bu mazi, \u015fairin gelene\u011fin k\u00f6klerine olan h\u00fcrmetini de a\u015fik\u00e2r k\u0131l\u0131yor. T\u00fct\u00fcnler ve Dualar, hem bu ba\u011f\u0131n emarelerini ta\u015f\u0131yor hem de \u015fahs\u0131na m\u00fcnhas\u0131r bir \u015fiir lisan\u0131 in\u015fa etme gayretinin ilk meyvesi olarak \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n

Kitap, “Bir T\u00fct\u00fcn Sard\u0131m” ba\u015fl\u0131kl\u0131 \u015fiirle perdesini a\u00e7\u0131yor. \u015eaffak, ilk m\u0131sralardan itibaren muhatab\u0131n\u0131 kendi i\u00e7 alemine do\u011fru bir seyre davet ediyor:<\/p>\n

\u201cKendine d\u00f6nen \u00e7embermi\u015f ko\u015ftu\u011fum \/ Ben yol san\u0131yordum gitti\u011fimi\u2026\u201d<\/em><\/p>\n

Bu dizelerde, bir aray\u0131\u015f\u0131n neticesinde ula\u015f\u0131lan o b\u00fcy\u00fck bo\u015fluk g\u00f6ze \u00e7arp\u0131yor. \u015eair, menzile vard\u0131\u011f\u0131n\u0131 zannetti\u011fi yolun asl\u0131nda bir devridaim, bir tekerr\u00fcrden ibaret oldu\u011funu hissettiriyor. Ahmet Ulu\u00e7ay\u2019a y\u00f6neltilen at\u0131fla beraber, ferdi hat\u0131ralar insanl\u0131\u011f\u0131n ortak haf\u0131za deryas\u0131na eklemleniyor. B\u00f6ylelikle tek bir ruhun ya\u015fad\u0131\u011f\u0131 keder, \u00e7ok daha geni\u015f bir akis buluyor:<\/p>\n

\u201c\u00dczg\u00fcn\u00fcm Ahmet abi \/ A\u015fk \u00e7ald\u0131 ve erteledim \/ Olmayacak zamanlara kurulu kalbimin hevesi\u2026\u201d<\/em><\/p>\n

\"Seda<\/p>\n

\u015eaffak\u2019\u0131n m\u0131sralar\u0131nda, \u015fahsi ya\u015fant\u0131lar ile cemiyetin genel ahvali aras\u0131ndaki rab\u0131ta s\u0131k\u00e7a m\u00fc\u015fahede ediliyor. Aile hayat\u0131, yoksullu\u011fun getirdi\u011fi me\u015fakkatler, kad\u0131nl\u0131k halleri ve maziden bug\u00fcne s\u00fcz\u00fclen hasretler, \u015fiirlerin temel dayanaklar\u0131n\u0131 te\u015fkil ediyor. Bu temalar, gen\u00e7 \u015fairin d\u00fcnyay\u0131 ve \u00f6z varl\u0131\u011f\u0131n\u0131 idrak etme \u00e7abas\u0131n\u0131n birer aksidir.<\/p>\n

Eserde h\u00e2kim olan en belirgin duygu, nezaket ve letafet. “Kesti\u011fin Sa\u00e7lar\u0131ndan Sonra”<\/em> isimli \u015fiirinde bu durumu \u015f\u00f6yle dile getiriyor:<\/p>\n

\u201cYolun en ac\u0131mas\u0131z sapa\u011f\u0131nda kesi\u015fti yazg\u0131m\u0131z \/ Gelinen her sonu zarar sayanlar bizden misal.\u201d<\/em><\/p>\n

Bu m\u0131sralar, bir yitirmi\u015fli\u011fin kederini ve ayn\u0131 vakitte kaderle girilen bir cenk arzusunu f\u0131s\u0131ld\u0131yor. Ayn\u0131 \u015fiirde ge\u00e7en “Ahmak\u00e7a g\u00fc\u00e7l\u00fc olmak ad\u0131na ac\u0131lar\u0131 yok saymak”<\/em> ifadesi, gen\u00e7 bir \u015fairin g\u00f6sterdi\u011fi samimi d\u00fcr\u00fcstl\u00fc\u011f\u00fc ortaya koyuyor. \u015eaffak\u2019\u0131n tercih etti\u011fi lisan yer yer olduk\u00e7a berrak ve sarih; bu vaziyet, baz\u0131 \u015fiirlerde m\u00fccerret yo\u011funlu\u011fu bir nebze seyreltse de metinlerin i\u00e7tenli\u011fini kuvvetlendiriyor. Bu durum, eserin en dikkat \u00e7ekici tenakuzlar\u0131ndan biri olarak beliriyor.<\/p>\n

T\u00fct\u00fcnler ve Dualar’\u0131n odak noktas\u0131, ekseriyetle yazar\u0131n kendi i\u00e7 d\u00fcnyas\u0131d\u0131r. D\u0131\u015f alemin ger\u00e7ekli\u011fi; yani hane, mahalle, \u015fehir ve g\u00fcndelik hayat\u0131n e\u015fyalar\u0131 ara s\u0131ra m\u0131sralara s\u0131zsa da as\u0131l ehemmiyet atfedilen alan \u015fairin ruhundaki medcezirlerdir. “Kimli\u011fi S\u0131rt\u0131nda”<\/em> \u015fiirindeki \u015fu dizeler bu halin bir ni\u015fanesidir:<\/p>\n

\u201cD\u00fcnyan\u0131n avutmaz saatleri var \/ Duvarlara sinmi\u015f k\u0131r\u0131k hat\u0131ralar al\u0131yor intikam\u0131n\u0131.\u201d<\/em><\/p>\n

\u015eair, ak\u0131p giden zamanla bir ahenk i\u00e7inde de\u011fildir; mazinin g\u00f6lgeleri bug\u00fcn\u00fc ku\u015fatm\u0131\u015f vaziyettedir. “Dere Yata\u011f\u0131n\u0131 Unutmaz”<\/em> \u015fiiri ise bu ruh hallerini, k\u00f6kle\u015fmi\u015f bir kimsesizli\u011fe d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor:<\/p>\n

\u201cBiz hi\u00e7 iyi etmedik kendimizi sahipsiz b\u0131rakmakla \/ Kimse kendinde bile de\u011fil kimse yan\u0131nda.\u201d<\/em><\/p>\n

\"T\u00fct\u00fcn<\/p>\n

\u015eaffak\u2019\u0131n \u015fiirleri, ya\u015fan\u0131lan vaktin beraberinde getirdi\u011fi tecrit hissini, yorgunlu\u011fu ve bir yere aidiyet hissedememe sanc\u0131s\u0131n\u0131 yo\u011fun bir bi\u00e7imde muhafaza ediyor. Ancak bu anlat\u0131mdaki kudret, bazen \u015fiirin \u015fekli uyumundan feragat etme pahas\u0131na tecelli ediyor.<\/p>\n

Eser teknik bir nazarla tetkik edildi\u011finde, baz\u0131 b\u00f6l\u00fcmlerin nesre yak\u0131n durmas\u0131, kimi imgelerin sanki bir ak\u0131\u015fa g\u00f6re de\u011fil de bir s\u0131ralamaya g\u00f6re dizildi\u011fi intiba\u0131n\u0131 uyand\u0131rabiliyor. \u015eiirde az s\u00f6zle \u00e7ok mana bekleyen bir okur i\u00e7in bu durum dikkati da\u011f\u0131tabilir. Lakin \u015eaffak\u2019\u0131n as\u0131l kuvveti, bu neviden noksanlar\u0131n \u00f6tesinde yatan kalbi safl\u0131\u011f\u0131ndan ve \u015fahsi a\u00e7\u0131kl\u0131\u011f\u0131ndan ne\u015fet ediyor. “Kuruyan Dudaklara Dua”<\/em> \u015fiirindeki \u015fu m\u0131sra, gen\u00e7 bir \u015fairin hayatla olan m\u00fccadelesini ayan beyan ediyor:<\/p>\n

\u201cHayat \u00e7ocuk y\u00fcz\u00fcn\u00fc ald\u0131 senden \/ \u00c7irkin bir gen\u00e7lik verdi ona biraz k\u00fcs.\u201d<\/em><\/p>\n

Bu ifade sade, do\u011frudan lakin bir o kadar da sars\u0131c\u0131. Bu kabil dizeler, \u015eaffak\u2019\u0131n istikbalde parlayaca\u011f\u0131na dair m\u00fchim i\u015faretler ta\u015f\u0131yor.<\/p>\n

Son \u015fiir olan “Bundan Sonra”,<\/em> adeta bir veda mektubu mahiyetinde. Tenhal\u0131\u011f\u0131, bitkinli\u011fi ve ayn\u0131 vakitte bir mukavemeti i\u00e7inde bar\u0131nd\u0131r\u0131yor:<\/p>\n

\u201cKald\u0131m s\u0131rt\u0131mda kamburumla \/ \u00d6ld\u00fcrmedi, o kur\u015funu yedim.\u201d<\/em><\/p>\n

\"T\u00fct\u00fcn'\u00fcn<\/p>\n

Bu dizeler, \u015eaffak\u2019\u0131n i\u00e7indeki gizli mukavemeti de fa\u015f ediyor. Kaleminin hem \u015fiir s\u00f6yleyi\u015fi hem de duygu nakli bak\u0131m\u0131ndan inki\u015fafa a\u00e7\u0131k oldu\u011fu muhakkakt\u0131r. Hen\u00fcz kendi \u00f6zg\u00fcn \u015fiir lisan\u0131n\u0131 in\u015fa etme merhalesinde olan \u015fairin, bu samimiyetini muhafaza etti\u011fi m\u00fcddet\u00e7e anlat\u0131m\u0131n\u0131 daha da zenginle\u015ftirece\u011fi a\u015fik\u00e2rd\u0131r.<\/p>\n

T\u00fct\u00fcnler ve Dualar, t\u00fcm p\u00fcr\u00fczleri ve kalbi s\u0131cakl\u0131\u011f\u0131yla gen\u00e7 bir \u015fairin ilk ad\u0131m\u0131d\u0131r. Seda \u015eaffak, bu eserinde \u015fiirin \u00e7ok katmanl\u0131 kaidelerinden ziyade, ta\u015f\u0131d\u0131\u011f\u0131 manan\u0131n a\u011f\u0131rl\u0131\u011f\u0131na yaslan\u0131yor. \u015eiirin k\u0131y\u0131lar\u0131na hen\u00fcz varan bu kalemin ileride hangi rotay\u0131 tayin edece\u011fini zaman g\u00f6sterecek. Yine de eser, ta\u015f\u0131d\u0131\u011f\u0131 samimiyetle ilk ad\u0131m i\u00e7in k\u0131ymetli bir durak olmay\u0131 ba\u015far\u0131yor.<\/p>\n","protected":false},"excerpt":{"rendered":"

Her \u015fairin yaz\u0131 ser\u00fcvenine ad\u0131m att\u0131\u011f\u0131 bir e\u015fik mevcuttur. Bu ba\u015flang\u0131\u00e7 bazen kalabal\u0131klar\u0131n ortas\u0131nda at\u0131lan…<\/p>\n","protected":false},"author":56,"featured_media":4023,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[20],"tags":[],"ppma_author":[310],"class_list":["post-4022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kitap"],"yoast_head":"\nT\u00fct\u00fcn Kokulu Tenhal\u0131k: Seda \u015eaffak\u2019\u0131n "T\u00fct\u00fcnler ve Dualar" Eserine Bir Bak\u0131\u015f - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2026\/02\/27\/4022\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"T\u00fct\u00fcn Kokulu Tenhal\u0131k: Seda \u015eaffak\u2019\u0131n "T\u00fct\u00fcnler ve Dualar" Eserine Bir Bak\u0131\u015f - simurgedebiyat.com\" \/>\n<meta property=\"og:description\" content=\"Her \u015fairin yaz\u0131 ser\u00fcvenine ad\u0131m att\u0131\u011f\u0131 bir e\u015fik mevcuttur. 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I\u015eIK","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/muhammed-isik\/"},"uagb_comment_info":1,"uagb_excerpt":"Her \u015fairin yaz\u0131 ser\u00fcvenine ad\u0131m att\u0131\u011f\u0131 bir e\u015fik mevcuttur. Bu ba\u015flang\u0131\u00e7 bazen kalabal\u0131klar\u0131n ortas\u0131nda at\u0131lan...","authors":[{"term_id":310,"user_id":56,"is_guest":0,"slug":"muhammed-isik","display_name":"Muhammed I\u015eIK","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Muhammed1.jpg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Muhammed1.jpg"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"1986 y\u0131l\u0131nda Ankara\u2019n\u0131n \u00c7aml\u0131dere il\u00e7esinde do\u011fan Muhammed I\u015f\u0131k, orta\u00f6\u011frenimini Ankara\u2019da tamamlad\u0131. Anadolu \u00dcniversitesi \u0130\u015fletme Fak\u00fcltesi ile Medya ve \u0130leti\u015fim B\u00f6l\u00fcm\u00fcnden mezun olan I\u015f\u0131k, yazarl\u0131k kariyerine \u201cSiyaset ve D\u00fc\u015f\u00fcnce\u201d adl\u0131 internet sitesinde k\u00f6\u015fe yazar\u0131 olarak ba\u015flad\u0131. Farkl\u0131 platformlarda fikirlerini payla\u015fmaya devam eden yazar, Fikri Kadim, Mimoza Haber, Nokta32, Akdeniz Haber, Ger\u00e7ek Tarih ve \u0130ttifak Gazetesi gibi mecralarda k\u00f6\u015fe yaz\u0131lar\u0131 yay\u0131mlad\u0131. Ayn\u0131 zamanda Ger\u00e7ek Tarih dergisinin yay\u0131n koordinat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenerek, dergi yay\u0131nc\u0131l\u0131\u011f\u0131 alan\u0131nda da katk\u0131lar sundu. T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eubesi Y\u00f6netim Kurulu \u00dcyesi olarak da k\u00fclt\u00fcrel ve edeb\u00ee faaliyetlere katk\u0131da bulundu.\r\n\r\n2016-2024 y\u0131llar\u0131 aras\u0131nda Sahipk\u0131ran Stratejik Ara\u015ft\u0131rmalar Merkezinde (SASAM) Genel Sekreterlik g\u00f6revini y\u00fcr\u00fcten Muhammed I\u015f\u0131k, halen Haber Ajanda ve K\u00fclt\u00fcr Ajanda dergilerinde yazmaktad\u0131r. Aral\u0131k 2018\u2019den bu yana dikGAZETE.com yazar\u0131d\u0131r. Evli ve iki erkek \u00e7ocuk babas\u0131d\u0131r.\r\n\r\nEdeb\u00ee \u00fcretkenli\u011fiyle dikkat \u00e7eken Muhammed I\u015f\u0131k, \u015fu eserlerin yazar\u0131d\u0131r:\r\n\r\n\u2060G\u00f6n\u00fclden Dima\u011fa (2019), Ak\u0131ldan Kalbe Esintiler (2022), \u2060T\u00fcrk Tipi Ba\u015fkanl\u0131k Sistemi (2022), Bozuk Sat\u0131h (2022), Eyvah Cumhurba\u015fkan\u0131 Oldum (2023, Abdurahim Zarars\u0131z ile birlikte), \u2060G\u00f6n\u00fcl S\u0131z\u0131s\u0131 (2025), Ferdi Tayfur Plaklardaki Derbeder Kral (2025)."}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/56"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=4022"}],"version-history":[{"count":2,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4022\/revisions"}],"predecessor-version":[{"id":4026,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/4022\/revisions\/4026"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/4023"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=4022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=4022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=4022"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=4022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}