\n(S\u00e1ndor M\u00e1rai)<\/p>\n
Orta Avrupa k\u00fclt\u00fcr\u00fcn\u00fcn 20. y\u00fczy\u0131ldaki en b\u00fcy\u00fck ve en \u00f6nemli temsilcilerinden S\u00e1ndor M\u00e1rai\u2019nin kaleminden Bolzano’da Son Sahne,<\/em> Can Yay\u0131nlar\u0131’ndan okurlarla bulu\u015ftu. M\u00e1rai bu derinlikli roman\u0131nda, maceran\u0131n de\u011fil, karakterin i\u00e7sel \u00e7\u00f6k\u00fcnt\u00fcs\u00fcn\u00fcn pe\u015finden gidiyor. Bolzano’da Son Sahne<\/em>, g\u00f6rkemin yitirili\u015fini, arzunun gururla, ge\u00e7mi\u015fin bug\u00fcnle \u00e7at\u0131\u015fmas\u0131n\u0131 lirik ve keskin bir dille i\u015fleyen derinlikli bir metin\u2026 \u00dcnl\u00fc Giacomo Casanova hapisten ka\u00e7t\u0131ktan sonra Bolzano\u2019ya s\u0131\u011f\u0131n\u0131r ve burada Venedik\u2019in puslu kanallar\u0131ndan uzak, s\u0131n\u0131r kasabas\u0131n\u0131n ta\u015f sokaklar\u0131nda ge\u00e7mi\u015fin hayaletleriyle kar\u015f\u0131la\u015f\u0131r: Y\u0131llar \u00f6nce ard\u0131nda b\u0131rakt\u0131\u011f\u0131, \u015fimdi bir kontun e\u015fi olan Franceska art\u0131k ba\u015fkas\u0131n\u0131n d\u00fcnyas\u0131nda, ba\u015fkas\u0131n\u0131n yasalar\u0131yla \u00e7evrili bir hayat s\u00fcrmektedir. Giacomo ise bir kahraman de\u011fil, kendi ihti\u015fam\u0131n\u0131n g\u00f6lgesinde ya\u015fayan bir adamd\u0131r. Onun d\u00f6n\u00fc\u015f\u00fc hem ge\u00e7mi\u015fte kalm\u0131\u015f bir a\u015fk hik\u00e2yesini hem de zamana, iktidara ve ge\u00e7mi\u015fe kar\u015f\u0131 giri\u015filen bir d\u00fcellonun fitilini ate\u015fleyecektir.<\/p>\n ANT\u0130K YUNAN F\u0130LOZOFLARI<\/strong> William Keith Chambers Guthrie\u2019nin Antik Yunan felsefesi ve filozoflar\u0131 \u00fczerine, felsefe tarihinin en geni\u015f kapsaml\u0131, en \u00f6nemli, en ele\u015ftirel ve en nitelikli yorumu olan kitap \u00c7avdar Yay\u0131nlar\u0131’ndan \u00e7\u0131kt\u0131. Guthrie bu yap\u0131t\u0131nda, insanl\u0131\u011f\u0131n mitolojiden felsefeye y\u00fckseli\u015fini, Antik Yunan felsefesinin karanl\u0131kta kalm\u0131\u015f y\u00f6nlerini, felsefenin do\u011fal dekoru olan kent, kral ve devletinin belirledi\u011fi siyasal ve toplumsal ko\u015fullar i\u00e7inde b\u00fcy\u00fck bir yetkinlikle g\u00f6zler \u00f6n\u00fcne seriyor. Thales\u2019ten Aristoteles\u2019e Antik Yunan Filozoflar\u0131, Antik Yunan felsefesinin b\u00fct\u00fcn bir yarat\u0131c\u0131 d\u00f6neminin, Sokrates \u00f6ncesi \u0130onia ve \u0130talya do\u011fabiliminin, Sokrates\u2019in insan merkezli felsefesinin, Platon ve Aristo\u2019nun g\u00fc\u00e7l\u00fc felsefelerinin, Thales ile ba\u015flayan ve Aristoteles ile zirveye ula\u015fan geli\u015fimin bu geli\u015fim s\u00fcreci i\u00e7inde yer alan filozoflardan her birinin bilim ve felsefeye olan katk\u0131lar\u0131n\u0131 de\u011ferlendiriyor.<\/p>\n KUYRUKLUYILDIZ ALTINDA B\u0130R \u0130ZD\u0130VA\u00c7<\/strong> Kafka Kitap, T\u00fcrk edebiyat\u0131n\u0131n modernle\u015fme s\u00fcrecine y\u00f6n veren \u00fc\u00e7 b\u00fcy\u00fck roman\u0131, Halid Ziya U\u015fakl\u0131gil\u2019in \u201cMai ve Siyah\u201d\u0131, Mehmet Rauf\u2019un \u201cEyl\u00fcl\u201d\u00fc ve H\u00fcseyin Rahmi G\u00fcrp\u0131nar\u2019\u0131n \u201cKuyrukluy\u0131ld\u0131z Alt\u0131nda Bir \u0130zdiva\u00e7\u201d\u0131 ile edebiyat tarihinin en g\u00fc\u00e7l\u00fc metinlerini g\u00fcn\u00fcm\u00fcz okuruyla yeniden bulu\u015fturuyor. Titiz bir editoryal \u00e7al\u0131\u015fmayla Mustafa \u00c7evikdo\u011fan taraf\u0131ndan yay\u0131na haz\u0131rlanan ve g\u00fcn\u00fcm\u00fcz T\u00fcrk\u00e7esine uyarlanan bu \u00fc\u00e7 eser, yaln\u0131zca ge\u00e7mi\u015fin edebiyat miras\u0131n\u0131 de\u011fil, bug\u00fcn h\u00e2l\u00e2 g\u00fcncelli\u011fini koruyan meseleleri de hat\u0131rlat\u0131yor… H\u00fcseyin Rahmi G\u00fcrp\u0131nar\u2019\u0131n en \u00e7ok konu\u015fulan ve en \u00e7ok okunan romanlar\u0131ndan biri olan Kuyrukluy\u0131ld\u0131z Alt\u0131nda Bir \u0130zdiva\u00e7, 1910 y\u0131l\u0131nda Halley Kuyrukluy\u0131ld\u0131z\u0131\u2019n\u0131n d\u00fcnyaya yakla\u015fmas\u0131yla \u0130stanbul\u2019da olu\u015fan b\u00fcy\u00fck pani\u011fi merkezine al\u0131yor. Gazetelerin k\u00f6r\u00fckledi\u011fi korku atmosferi i\u00e7inde H\u00fcseyin Rahmi, her zamanki gibi insanlar\u0131n cehaletini, hurafelerini ve bo\u015f inan\u0131\u015flar\u0131n\u0131 hicvin keskin diliyle anlat\u0131yor.<\/p>\n TAR\u0130H\u0130N MANZARASI<\/strong> Tarih bir bilim midir yoksa bir sanat m\u0131? Duayen tarih\u00e7i John Lewis Gaddis, Say Yay\u0131nlar\u0131’ndan \u00e7\u0131kan ve tarihyaz\u0131m\u0131 \u00fczerine modern bir klasik olan Tarihin Manzaras\u0131’nda, tarih\u00e7ilik zanaat\u0131n\u0131 al\u0131\u015f\u0131lagelmi\u015f kal\u0131plar\u0131n d\u0131\u015f\u0131na \u00e7\u0131kar\u0131yor. Gaddis’e g\u00f6re tarih\u00e7iler, laboratuvara s\u0131\u011fmayan ger\u00e7eklikleri anlamland\u0131rmaya \u00e7al\u0131\u015fan “ge\u00e7mi\u015fin kartograflar\u0131’d\u0131r. Caspar David Friedrich’in me\u015fhur tablosundaki yaln\u0131z gezgin gibi, u\u00e7suz bucaks\u0131z bir ge\u00e7mi\u015f manzaras\u0131na sislerin aras\u0131ndan bakarlar. Sosyal bilimlerin kat\u0131 form\u00fcllerinden ziyade jeolojinin, astronominin ve evrimsel biyolojinin y\u00f6ntemlerine yak\u0131n durup, ge\u00e7mi\u015fin kal\u0131nt\u0131lar\u0131ndan yola \u00e7\u0131karak ge\u00e7mi\u015fi yeniden in\u015fa ederler. Thucydides’ten Machiavelli’ye, Marc Bloch’tan E.H. Carr’a uzanan bir \u00e7izgide; zaman, mek\u00e2n ve nedensellik \u00fczerine ustal\u0131kla kurgulanm\u0131\u015f bir ke\u015fif yolculu\u011fu olan Tarihin Manzaras\u0131, ge\u00e7mi\u015fi sadece bilmek de\u011fil, onu bir harita gibi okumak isteyenler i\u00e7in e\u015fsiz bir rehber. Marc Bloch ve E.H. Carr’\u0131n miras\u0131n\u0131 y\u00fczy\u0131la ta\u015f\u0131yan bir ba\u015fyap\u0131t.<\/p>\n UHUVVET<\/strong> Bir kad\u0131n taraf\u0131ndan yaz\u0131lm\u0131\u015f ilk T\u00fcrk\u00e7e romanlardan biri olan Uhuvvet, Selma R\u0131za\u2019n\u0131n el yaz\u0131s\u0131 metninden \u00e7evrilerek \u0130leti\u015fim Yay\u0131nlar\u0131 taraf\u0131ndan ilk defa orijinal haliyle okurlarla bulu\u015fuyor. Tanzimat\u2019tan II. Abd\u00fclhamid devrine uzanan d\u00f6nemde, bir Osmanl\u0131 ailesinin i\u00e7 \u00e7atlaklar\u0131n\u0131, kad\u0131nlar\u0131n sessizle\u015ftirilen hayatlar\u0131n\u0131 ve adalet aray\u0131\u015f\u0131n\u0131 b\u00fcy\u00fck bir anlat\u0131 ustal\u0131\u011f\u0131yla g\u00f6zler \u00f6n\u00fcne serdi\u011fi Uhuvvet\u2019te Selma R\u0131za, iktidar ve tahakk\u00fcm kar\u015f\u0131s\u0131nda e\u015fitlik\u00e7i bir aile idealini savunurken; bireysel kaderlerle toplumsal d\u00f6n\u00fc\u015f\u00fcm\u00fc i\u00e7 i\u00e7e ge\u00e7irir. Ayn\u0131 zamanda, Osmanl\u0131 toplumunun de\u011fi\u015fen sosyal co\u011frafyas\u0131n\u0131 \u0130stanbul\u2019dan Beyrut\u2019a, Paris\u2019ten yeniden \u0130stanbul\u2019a uzanan bir hat \u00fczerinde de resmeden roman, kad\u0131n bak\u0131\u015f\u0131n\u0131n edebiyat\u0131m\u0131za erken ve kararl\u0131 bir m\u00fcdahalesidir.<\/p>\n BE\u015e ADA<\/strong> Mehmet Zaman Sa\u00e7l\u0131o\u011flu, g\u00fcndelik olan\u0131n i\u00e7indeki tekinsizli\u011fi ve insan ruhunun ka\u00e7\u0131n\u0131lmaz yaln\u0131zl\u0131\u011f\u0131n\u0131 i\u015fledi\u011fi Be\u015f Ada<\/em>\u2019da okuru tan\u0131d\u0131k oldu\u011fu kadar rahats\u0131z edici bir d\u00fcnyaya davet ediyor. Bu adalarda zaman al\u0131\u015ft\u0131\u011f\u0131m\u0131z gibi akmaz. \u0130nsanlar konu\u015fmak yerine susar, hat\u0131rlamaktan \u00e7ok unutmay\u0131 dener. Korkular, su\u00e7luluk hissi ve huzursuzluk g\u00f6r\u00fcn\u00fcr hale gelir. Her \u00f6yk\u00fcde bir e\u015fik vard\u0131r: Ge\u00e7ilirse geri d\u00f6n\u00fclmeyen, ge\u00e7ilmezse insan\u0131n i\u00e7ini kemiren; g\u00f6z ard\u0131 edilmesi m\u00fcmk\u00fcn olmayan bir e\u015fik. \u00d6yk\u00fclerin kahramanlar\u0131 da bu e\u015fikte; su\u00e7 ile masumiyet, ka\u00e7\u0131\u015f ile y\u00fczle\u015fme aras\u0131nda durur. Yap\u0131 Kredi Yay\u0131nlar\u0131’ndan \u00e7\u0131kan Be\u015f Ada<\/em>\u2019da bast\u0131r\u0131lm\u0131\u015f an\u0131lar g\u00fcn y\u00fcz\u00fcne \u00e7\u0131k\u0131yor, ger\u00e7ek ile hayal aras\u0131ndaki kapand\u0131\u011f\u0131 san\u0131lan kap\u0131 yeniden aralan\u0131yor. Her ada bir hesapla\u015fma, her \u00f6yk\u00fc insan\u0131n kendisiyle ba\u015f ba\u015fa kald\u0131\u011f\u0131 bir s\u0131n\u0131r haline geliyor.<\/p>\n Bu derleme Habert\u00fcrk Gazetesinden al\u0131nm\u0131\u015f olup, Tar\u0131k TORUN taraf\u0131ndan d\u00fczenlenmi\u015ftir.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Biyografiden \u00f6yk\u00fcye, ara\u015ft\u0131rmadan romana, an\u0131dan \u015fiire bu hafta da pek \u00e7ok kitap okurla bulu\u015ftu. \u0130\u015fte…<\/p>\n","protected":false},"author":1,"featured_media":3757,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[101],"tags":[],"ppma_author":[99],"class_list":["post-3756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haber"],"yoast_head":"\n![](\"https:\/\/im.haberturk.com\/2026\/02\/13\/3861557_1a74c3e895ef91f73f7f554566ca3c28_640x640.jpg\")
<\/p>\n
\n(William Keith Chambers Guthrie)<\/p>\n![](\"https:\/\/im.haberturk.com\/2026\/02\/13\/3861557_520770e3f19fc289a48d524ef2153dbb_640x640.jpg\")
<\/p>\n
\n(H\u00fcseyin Rahmi G\u00fcrp\u0131nar)<\/p>\n![](\"https:\/\/im.haberturk.com\/2026\/02\/13\/3861557_a51e3e2b3e3e134929046b2786c5cc3e_640x640.jpg\")
<\/p>\n
\n(John Lewis Gaddis)<\/p>\n![](\"https:\/\/im.haberturk.com\/2026\/02\/13\/3861557_444a8669605db91c0595f17e23019d51_640x640.jpg\")
<\/p>\n
\n(Selma R\u0131za)<\/p>\n![](\"https:\/\/im.haberturk.com\/2026\/02\/13\/3861557_233ff2ae1970423bb1f2bd594ee9b783_640x640.jpg\")
<\/p>\n
\n(Mehmet Zaman Sa\u00e7l\u0131o\u011flu)<\/p>\n