{"id":3711,"date":"2026-02-09T14:57:20","date_gmt":"2026-02-09T11:57:20","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=3711"},"modified":"2026-02-09T14:57:20","modified_gmt":"2026-02-09T11:57:20","slug":"faustik-fino","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/02\/09\/faustik-fino\/","title":{"rendered":"Faust\u2019ik Fino"},"content":{"rendered":"

Wolfgang von Goethe\u2019nin (1749-1832) \u00f6l\u00fcms\u00fcz eseri Faust, trajik bir oyun olarak d\u00fcnya edebiyat tarihinin en \u00f6nemli verimlerindendir.  <\/span>Goethe\u2019nin bu eseri 18 ya\u015f\u0131nda yazmaya ba\u015flad\u0131\u011f\u0131 fakat \u00f6l\u00fcm\u00fcnden k\u0131sa bir s\u00fcre \u00f6nce, 83 ya\u015f\u0131nda tamamlad\u0131\u011f\u0131 belirtilir. Uzun yaz\u0131m s\u00fcrecinden \u00f6t\u00fcr\u00fc m\u00fcd\u00fcr acaba, d\u00fcnya edebiyat tarihi bu eseri, Goethe\u2019nin b\u00fct\u00fcn edeb\u00ee verimlerinin h\u00fclasas\u0131 olarak g\u00f6rmektedir. <\/span><\/p>\n

Faust\u2019ta ele al\u0131nan \u201c\u015eeytanla bahse giren insan\u201d<\/i> konusu asl\u0131nda kadim bir konudur. Sadece edebiyatta de\u011fil, tiyatro, m\u00fczik gibi ba\u015fka sanat dallar\u0131nda da pek \u00e7ok yazar ve sanat\u00e7\u0131 taraf\u0131ndan i\u015flenmi\u015ftir. <\/span><\/p>\n

Christopher Marlowe, John Rich, Goethe, Friedrich Maximilian Klinger, Ernst August Klingemann, Nikolaus Lenau, Friedrich Teodor Vischer, Dorothy L. Sayers, Friedrich D\u00fcrrenmatt, Wolfgang Bauer, G\u00fcnther Mahal, Werner Schwab, Gerd Josef Pohl, Paul Val\u00e9ry gibi yazarlar edebiyat ve tiyatroda Faust\u2019u farkl\u0131 \u015fekillerde konu edinirlerken, Ludwig van Beethoven, Hektor Berlioz, Richard Wagner, Robert Schumann, Franz Liszt, Gustav Mahler, Randy Newmann, Subway to Sally, Franz Schubert m\u00fczikte Faust\u2019un sundu\u011fu gelenekten farkl\u0131 boyutlarda beslenmi\u015fler ve konu olarak ele alm\u0131\u015flard\u0131r. <\/span><\/p>\n

Di\u011ferlerini b\u0131rak\u0131p Goethe\u2019nin trajedisinin olay halkas\u0131na dair k\u0131sa ipu\u00e7lar\u0131 sunal\u0131m: Faust, gen\u00e7lik ve olgunluk \u00e7a\u011flar\u0131n\u0131 t\u0131p, felsefe, do\u011fa bilimleri, teoloji gibi alanlara hasretmi\u015f, deyim yerindeyse d\u00fcnyan\u0131n s\u0131rlar\u0131n\u0131 \u00e7\u00f6zmek i\u00e7in didinip durmu\u015ftur. Bir zaman sonra hayat\u0131n\u0131n muhasebesini yapar ve olduk\u00e7a can s\u0131k\u0131c\u0131 bir sonu\u00e7la kar\u015f\u0131la\u015f\u0131r: Yapt\u0131\u011f\u0131 ara\u015ft\u0131rmalardan yeterli \u00e7\u0131kar\u0131mlara ula\u015famam\u0131\u015f, bununla birlikte hayat\u0131n\u0131 da dolu dolu ya\u015fayamam\u0131\u015ft\u0131r. Bundan \u00f6t\u00fcr\u00fc bir memnuniyetsizlik ve huzursuzluk ruhunu esir al\u0131r. Bu s\u0131k\u0131\u015fm\u0131\u015fl\u0131k halinden kurtulmak m\u00fccadelesine giri\u015fir. Kurtulabilirse ruhunu \u015feytana adayacakt\u0131r. B\u00f6yle bir halet-i ruhiye i\u00e7indeyken, Mefisto ile yollar\u0131 kesi\u015fir. \u00dcstelik Mefisto da onun kafa kar\u0131\u015f\u0131kl\u0131\u011f\u0131ndan istifade etmeye ve onu yoldan \u00e7\u0131karmaya ahdetmi\u015ftir. Hatta bu hususta \u201cTanr\u0131\u201dyla bahse bile giri\u015fmi\u015ftir. Gen\u00e7 Osman Yava\u015f\u2019\u0131n (Goethe, Faust, Bordo Siyah Yay., \u0130st., 2007, 490 s.) terc\u00fcmesiyle okuyoruz: <\/span><\/p>\n

\u201c<\/i>Tanr\u0131:<\/i><\/b> Faust\u2019u tan\u0131yor musun?<\/i><\/p>\n

Mefistofeles:<\/i><\/b> \u015eu doktoru mu?<\/i><\/p>\n

Tanr\u0131:<\/i><\/b> Kulumu!<\/i><\/p>\n

Mefistofeles:<\/i><\/b> Sahiden! \u00d6zel bir \u015fekilde hizmet ediyor size.<\/i><\/p>\n

D\u00fcnyevi de\u011fildir ahma\u011f\u0131n ne i\u00e7ti\u011fi ne de yedi\u011fi. <\/span><\/i><\/p>\n

(\u2026)<\/i><\/p>\n

Tanr\u0131:<\/i><\/b> \u015eu s\u0131ra kafas\u0131 kar\u0131\u015fm\u0131\u015f halde hizmet etse de bana,<\/i><\/p>\n

Yak\u0131nda kavu\u015fturaca\u011f\u0131m onu ayd\u0131nl\u0131\u011fa.<\/i><\/p>\n

(\u2026)<\/i><\/p>\n

Mefistofeles:<\/i><\/b> Nesine girersiniz iddiaya?<\/i><\/p>\n

G\u00f6receksiniz, onu da kaybedeceksiniz!<\/i><\/p>\n

Ana izin verirseniz,<\/i><\/p>\n

Onu kendi yoluma usulca \u00e7ekmeye!\u201d <\/i>(s. 67)<\/p>\n

\u201cTanr\u0131\u201d<\/i>dan Faust\u2019u yoldan \u00e7\u0131karma izni alan Mefisto, eserin birinci b\u00f6l\u00fcm\u00fcn\u00fcn \u201c\u015eehir Kap\u0131s\u0131 \u00d6n\u00fcnde\u201d sahnesi sonuna do\u011fru bir m\u00fcnazara oyunu ortam\u0131nda bu kez farkl\u0131 boyutlarda kar\u015f\u0131m\u0131za \u00e7\u0131kar. Oyunun kar\u015f\u0131t savlar\u0131n\u0131 savlayanlar Faust ile Wagner\u2019d\u0131r. Kar\u015f\u0131tl\u0131k Mefisto\u2019dan kaynaklanmaktad\u0131r. Daha do\u011frusu onun Faust ile Wagner\u2019\u0131n g\u00f6zlerine farkl\u0131 suretlerde g\u00f6r\u00fcnebilme becerisi, bu iki \u015fahs\u0131 kar\u015f\u0131 kar\u015f\u0131ya getirir. \u015eeytan\u0131n g\u00f6rsel i\u011fvas\u0131na maruz kalan kahramanlar\u0131m\u0131z\u0131n diyalo\u011fu, trajedinin ilk d\u00fc\u011f\u00fcm noktalar\u0131ndan birisi say\u0131labilir. \u0130\u015fte Faust ile Wagner aras\u0131nda ge\u00e7en konu\u015fma:<\/p>\n

\u201c<\/i>Faust:<\/i><\/b> G\u00f6r\u00fcyor musun siyah k\u00f6pe\u011fi, ekin ve an\u0131zlar\u0131n aras\u0131nda dolanan?<\/i><\/p>\n

Wagner:<\/i><\/b> G\u00f6reli \u00e7ok oldu, \u00f6nemsiz g\u00f6r\u00fcnd\u00fc g\u00f6z\u00fcmde.<\/i><\/p>\n

Faust:<\/i><\/b> \u0130yice bak! Nedir sence bu hayvan?<\/i><\/p>\n

Wagner: Bir fino bence, kendi usul\u00fcnce<\/i><\/p>\n

\u00c7imlerde sahibinin izini kovalayan.<\/i><\/p>\n

Faust:<\/i><\/b> Fark ettin mi onun geni\u015f helezon \u015feklinde <\/span><\/i><\/p>\n

Etraf\u0131m\u0131zda doland\u0131\u011f\u0131n\u0131 ve giderek yakla\u015ft\u0131\u011f\u0131n\u0131:<\/i><\/p>\n

Ve yan\u0131lm\u0131yorsam e\u011fer, uzamakta bir alev girdab\u0131<\/i><\/p>\n

Onun ge\u00e7ti\u011fi patikadan.<\/i><\/p>\n

Wagner:<\/i><\/b> G\u00f6rm\u00fcyorum siyah bir fino d\u0131\u015f\u0131nda bir \u015fey;<\/i><\/p>\n

San\u0131r\u0131m g\u00f6z yan\u0131lsamas\u0131 sizinkisi.<\/i><\/p>\n

Faust:<\/i><\/b> Bana \u00f6yle geliyor ki, usulca b\u00fcy\u00fcl\u00fc ilmikler<\/i><\/p>\n

Dokuyor ba\u011flamak i\u00e7in ayaklar\u0131m\u0131z\u0131 birbirine.<\/i><\/p>\n

Wagner:<\/i><\/b> G\u00f6r\u00fcyorum nas\u0131l \u00e7ekingen ve korkuyla dola\u015ft\u0131\u011f\u0131n\u0131 etraf\u0131m\u0131zda,<\/i><\/p>\n

\u0130ki yabanc\u0131 g\u00f6rd\u00fc\u011f\u00fc i\u00e7in efendisinin yerine.<\/i><\/p>\n

Faust:<\/i><\/b> \u00c7ember daral\u0131yor, i\u015fte geldi yak\u0131n\u0131m\u0131za!<\/i><\/p>\n

Wagner:<\/i><\/b> G\u00f6r\u00fcyorsun i\u015fte! Bir k\u00f6pek bu ve hayalet falan yok ortada.<\/i><\/p>\n

H\u0131rl\u0131yor, ku\u015fkulan\u0131yor, karn\u0131 \u00fcst\u00fcne yat\u0131yor,<\/i><\/p>\n

Kuyruk sall\u0131yor. Hepsi de tipik k\u00f6pek davran\u0131\u015flar\u0131.<\/i><\/p>\n

Faust:<\/i><\/b> Bize e\u015flik et! Buraya gel!<\/i><\/p>\n

Wagner:<\/i><\/b> Bu hayvan tam finoya yara\u015f\u0131r aptall\u0131kta.<\/i><\/p>\n

K\u0131p\u0131rdamadan durursun, o bekler;<\/i><\/p>\n

Onunla konu\u015fursun, \u00fcst\u00fcne atlamaya \u00e7al\u0131\u015f\u0131r;<\/i><\/p>\n

Bir \u015feyini kaybet, o geri getirir,<\/i><\/p>\n

F\u0131rlatt\u0131\u011f\u0131n sopan\u0131n ard\u0131ndan suya atlar.<\/i><\/p>\n

Faust:<\/i><\/b> San\u0131r\u0131m hakl\u0131s\u0131n; eser yok hayaletten<\/i><\/p>\n

\u2026\u201d<\/i> (s. 95) <\/span><\/p>\n

Mefisto\u2019nun Faust\u2019a k\u00f6pek k\u0131l\u0131\u011f\u0131nda ve dahas\u0131 korkun\u00e7 surette g\u00f6r\u00fcnmesi rastlant\u0131 de\u011fildir. \u015e\u00f6yle ki, \u015feytan\u0131n k\u00f6pek k\u0131l\u0131\u011f\u0131na b\u00fcr\u00fcnmeyi sevdi\u011fine dair yayg\u0131n bir kanaat vard\u0131r gelenekte. Fakat bundan daha \u00f6nemlisi, Faust\u2019un \u00f6z\u00fcnde \u201cruh\u201d olan, Pr\u00e6stigiar<\/b> ad\u0131nda b\u00fcy\u00fck, siyah, uzun t\u00fcyl\u00fc ve alev gibi g\u00f6zlere sahip, sevilince renk de\u011fi\u015ftiren bir k\u00f6pe\u011finin bulunmas\u0131d\u0131r. Bununla birlikte \u015feytan\u0131n Faust\u2019a g\u00f6r\u00fcn\u00fc\u015f\u00fc korkun\u00e7tur. Wagner\u2019a fino k\u0131l\u0131\u011f\u0131nda g\u00f6r\u00fcnmesinin manidarl\u0131\u011f\u0131 ise ba\u015fka nedeni olmasa bile, trajik sahnenin ger\u00e7ekle\u015fmesi i\u00e7in makuld\u00fcr.<\/p>\n

\u015eeytan\u0131n Faust\u2019a korkun\u00e7 yarat\u0131ktan ziyade fino k\u0131l\u0131\u011f\u0131nda g\u00f6r\u00fcnmeye ba\u015flad\u0131\u011f\u0131 sahne ise \u201c\u00c7al\u0131\u015fma Odas\u0131\u201d sahnesidir. Burada \u00f6nceleri \u201cSessiz ol, fino! Ko\u015fturup durma oraya buraya!\u201d, \u201cH\u0131rlama fino! Bu kutsal t\u0131n\u0131lara, \/\u015eimdi ruhumu t\u00fcmden saran\u201d, \u201cFino, b\u0131rakacaks\u0131n ulumay\u0131,\/Keseceksin havlamay\u0131\u201d<\/i> gibi c\u00fcmlelerle kendisine seslenilen fino, \u015fu anlat\u0131mla birlikte \u00f6z\u00fcne evrilmeye ba\u015flamaktad\u0131r: \u201cFinom nas\u0131l da uzuyor ve geni\u015fliyor!\/Zorlukla kalk\u0131yor.\/Bu bir k\u00f6pe\u011fin bi\u00e7imi olamaz!\/Nas\u0131l bir hayalet getirmi\u015fim eve!\/\u015eimdiden ba\u015flad\u0131 bir su ayg\u0131r\u0131na benzemeye\/O! Biliyorum ben seni!\/B\u00f6yle yar\u0131 cehennem yarat\u0131klar\u0131n hakk\u0131ndan\/S\u00fcleyman\u2019\u0131n anahtar\u0131 gelir\u201d.<\/i> Faust, finonun \u015feytan oldu\u011funu anlam\u0131\u015f, onun \u00fcstesinden nas\u0131l gelece\u011fi hususunda akletmeye ba\u015flam\u0131\u015ft\u0131r. Sahnenin ilerleyen sat\u0131rlar\u0131nda ger\u00e7ek kimli\u011fini a\u015fik\u00e2r k\u0131lan Mefisto ile Faust\u2019un diyaloglar\u0131 ba\u015flar:<\/p>\n

\u201c<\/i>Mefistofeles:<\/i><\/b> (Sis da\u011f\u0131ld\u0131\u011f\u0131 s\u0131rada, gezgin \u00f6\u011frenci k\u0131l\u0131\u011f\u0131nda soban\u0131n arkas\u0131ndan \u00f6ne \u00e7\u0131kar:) Ne diye bu g\u00fcr\u00fclt\u00fc? Nedir beyefendinin emri?<\/i><\/p>\n

Faust:<\/i><\/b> Demek buymu\u015f finonun asl\u0131!<\/i><\/p>\n

Gezgin bir \u00e7\u00f6mez? \u0130\u015fte g\u00fclerim bu neticeye.<\/i><\/p>\n

Mefistofeles:<\/i><\/b> Sayg\u0131lar sunar\u0131m, bilgili bay\u0131m,<\/i><\/p>\n

Beni adamak\u0131ll\u0131 terlettiniz.<\/i><\/p>\n

Faust:<\/i><\/b> Ne isim verdin kendine?\u201d<\/i> (s. 100)<\/p>\n

Her ne kadar g\u00fcvenini kazanmak i\u00e7in Faust\u2019a \u00f6\u011frenci k\u0131l\u0131\u011f\u0131nda g\u00f6r\u00fcnse de, \u015feytan\u0131n \u015feytan oldu\u011funu art\u0131k bilmektedir Faust: \u201cB\u00f6ylece ebedi devinime,\/Sa\u011faltan yarat\u0131c\u0131 kudrete\/\u0130nsafs\u0131z \u015feytan yumru\u011funu,\/Sallad\u0131n haince ve bo\u015f yere!\/Ba\u015fka bir u\u011fra\u015f edin kendine,\/Kaosun ayk\u0131r\u0131 evlad\u0131!\u201d<\/i><\/p>\n

Sahne, bir \u201csihir\u201d<\/i> gerek\u00e7esiyle mek\u00e2n\u0131 terk edemeyen Mefisto\u2019nun, Faust\u2019un orada kalma ricas\u0131n\u0131 i\u00e7eren konu\u015fmalar\u0131 \u015feklinde s\u00fcrer\u2026<\/p>\n

Trajedinin bundan sonraki k\u0131sm\u0131n\u0131 merakl\u0131 okurlara b\u0131rak\u0131yorum. Zira benim bu yaz\u0131da s\u00f6yleyece\u011fim s\u00f6zleri s\u00f6yleyebilmek i\u00e7in \u00fcstteki materyal yeterli: <\/span><\/p>\n

\u0130lki, yukar\u0131daki ilk al\u0131nt\u0131da kar\u015f\u0131m\u0131za \u00e7\u0131kan \u015feytan\u0131n \u201cTanr\u0131\u201dya isyan etme halidir.<\/p>\n

\u0130kincisi, ikinci al\u0131nt\u0131da kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z \u015feytan\u0131n farkl\u0131 ki\u015filere farkl\u0131 k\u0131l\u0131klarda g\u00f6z\u00fckme tercihi ve e\u011filimidir. Burada farkl\u0131 ki\u015filerin bir \u201c\u015fey\u201di farkl\u0131 g\u00f6rme\/g\u00f6rebilme halleri \u00fczerinde de durulabilir. Fakat \u00f6rnek metin a\u00e7\u0131s\u0131ndan bu zorlama olacakt\u0131r. <\/span><\/p>\n

\u00dc\u00e7\u00fcnc\u00fcs\u00fc, son al\u0131nt\u0131da dikkatlerden ka\u00e7mayan, \u015feytan\u0131n muhatab\u0131na g\u00fcven vermek i\u00e7in giri\u015fti\u011fi atraksiyonlard\u0131r. <\/span><\/p>\n

\u015eeytan bu, marifetlerini sergilemi\u015f diyeceksiniz. \u015eeytan a\u00e7\u0131s\u0131ndan do\u011fru. Gelgelelim, ayn\u0131 marifetlere tabi olan niceleri insanlar aras\u0131ndan \u00e7\u0131k\u0131yor. Hay\u0131r, s\u0131radan insanlardan bahsetmiyorum. Toplumun \u00f6n\u00fcne ge\u00e7en, sosyal rollere b\u00fcr\u00fcnen, kanaat \u00f6nderli\u011fi yapan, karizmatik liderlikleri bulunan niceleri var ki, \u015feytan\u0131n alamet-i farikalar\u0131na be\u015f \u00e7ekiyor. <\/span><\/p>\n

Bunlardan da bir k\u0131sm\u0131 benim ilgi alan\u0131ma girmiyor; fakat M\u00fcsl\u00fcmanl\u0131k taslay\u0131p da Allah\u2019a isyan eden, her kesime \u015ferbet sunan, kitlelere s\u00f6zde g\u00fcven veren, has\u0131l\u0131 i\u015fi g\u00fcc\u00fc suiistimal olanlar tahamm\u00fcl m\u00fclk\u00fcm\u00fcz\u00fc y\u0131k\u0131yor\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Wolfgang von Goethe\u2019nin (1749-1832) \u00f6l\u00fcms\u00fcz eseri Faust, trajik bir oyun olarak d\u00fcnya edebiyat tarihinin en…<\/p>\n","protected":false},"author":17,"featured_media":3712,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[101],"tags":[],"ppma_author":[173],"class_list":["post-3711","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haber"],"yoast_head":"\nFaust\u2019ik Fino - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2026\/02\/09\/faustik-fino\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Faust\u2019ik Fino - 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D\u00fcnyas\u0131","comment_count":"0","jetpack_featured_media_url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust.jpg","uagb_featured_image_src":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust.jpg",690,450,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust-300x196.jpg",300,196,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust.jpg",640,417,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust.jpg",640,417,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust.jpg",690,450,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust.jpg",690,450,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust.jpg",690,450,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust.jpg",690,450,false],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust.jpg",690,450,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust-400x250.jpg",400,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust-375x375.jpg",375,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust.jpg",690,450,false],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust.jpg",690,450,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/02\/Faust-216x216.jpg",216,216,true]},"uagb_author_info":{"display_name":"Cevat AKKANAT","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/cevat-akkanat\/"},"uagb_comment_info":0,"uagb_excerpt":"Wolfgang von Goethe\u2019nin (1749-1832) \u00f6l\u00fcms\u00fcz eseri Faust, trajik bir oyun olarak d\u00fcnya edebiyat tarihinin en...","authors":[{"term_id":173,"user_id":17,"is_guest":0,"slug":"cevat-akkanat","display_name":"Cevat AKKANAT","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cevat.jpg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cevat.jpg"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"Bal\u0131kesir, 1964. \u0130zmir Dokuz Eyl\u00fcl \u00dcniversitesi, Buca E\u011fitim Fak\u00fcltesi, T\u00fcrk Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fcn\u00fc 1991\u2019de bitirdi. 2000\u2019de K\u0131r\u0131kkale \u00dcniversitesi\u2019nde \u201cGelenek ve \u0130kinci Yeni \u015eiiri\u201d ba\u015fl\u0131kl\u0131 tezle y\u00fcksek lisans\u0131n\u0131 tamamlad\u0131. 1997-2005 aras\u0131nda Lik\u00e2 edebiyat dergisini \u00e7\u0131kard\u0131. \r\n\r\nYay\u0131nlanm\u0131\u015f Eserleri: \r\n\u015eiir: Kara Oyun, G\u00fcz Kl\u00e2si\u011fi, Sen Bir Sevda A\u011fac\u0131s\u0131n T\u00fcrk\u00fcler B\u00fcy\u00fct\u00fcr Y\u00fcz\u00fcn, Tan Tan Traska!, H\u00fczn \u00fc A\u015fk, Korku Isl\u0131\u011f\u0131, Nas\u0131ls\u0131n\u0131z?, H\u00e2s\u0131l\u0131 Memlekette, \u015eanl\u0131 \u015eark\u0131, G\u00fcl\u00fcmse Kul\u00fcb\u00fc, Post Ah, \u00c7arlek, Kabuk, Lirik Parampar\u00e7a, Kovgun \u0130sa T\u00fcrk\u00fcs\u00fc.\r\nDeneme: Edebiyat Hayat Memat, \u0130lhan Berk\u2019in Ha\u015femas\u0131, K\u00f6pekler L\u00fcgati, Deneme Tahtas\u0131, Festivalde \u015eempanze, Iss\u0131zl\u0131k Mar\u015f\u0131, Adalet Divan\u0131, Abide Kubbeler, Ben Size Ne Demi\u015ftim?.\r\nEle\u015ftiri: Gelenek ve \u0130kinci Yeni \u015eiiri, \u015eiirin \u0130pek Sesi, \u015eiirin \u015eiddeti, \u00d6zg\u00fcn Bir Toplum Kurucu Mehmet \u00c2kif, \u015ei\u2019r-Pen\u00e7e, \u0130kinci Yeni Okumalar\u0131, K\u00f6klenme Bilinci, Kerberos\u2019u Ta\u015flamak.\r\nAntoloji: Baba Bu Kitap Sana, Ankara \u015eiirleri Antolojisi, Daima Rabia-M\u0131s\u0131r Direni\u015fi \u0130\u00e7in \u015eiirler, Eski\u015fehir \u015eairler Antolojisi, Bursa Naat Okuyor, Darbeye Direnen \u015eiirler-15 Temmuz Direni\u015f \u015eiirleri, Darbeye Direnen \u015eiirler-28 \u015eubat Direni\u015f \u015eiirleri.\r\nDerleme: Bursa\u2019n\u0131n \u00c7anakkale \u015eehitleri, \u00c7anakkale Sava\u015flar\u0131 ve \u0130stanbul, \u00c7anakkale Zaferi ve Bursa, Sanat ve Edebiyat Hayat\u0131n\u0131n 35. Y\u0131l\u0131nda Bestami Yazgan.\r\nBiyografi: Feraizciz\u00e2de Mehmet \u015eakir.\r\n\r\n\r\n\r\n \r\n\r\n\r\n\u2003\r\n"}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/3711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=3711"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/3711\/revisions"}],"predecessor-version":[{"id":3713,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/3711\/revisions\/3713"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/3712"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=3711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=3711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=3711"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=3711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}