{"id":3644,"date":"2026-01-27T13:55:18","date_gmt":"2026-01-27T10:55:18","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=3644"},"modified":"2026-01-27T13:55:18","modified_gmt":"2026-01-27T10:55:18","slug":"rasim-ozdenorenin-gul-yetistiren-adam-isimli-kitabinin-incelenmesi-songul-ozel","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2026\/01\/27\/rasim-ozdenorenin-gul-yetistiren-adam-isimli-kitabinin-incelenmesi-songul-ozel\/","title":{"rendered":"Rasim \u00d6ZDEN\u00d6REN’in ‘G\u00fcl Yeti\u015ftiren Adam’ \u0130simli Kitab\u0131n\u0131n \u0130ncelenmesi (Song\u00fcl \u00d6ZEL)"},"content":{"rendered":"

Hik\u00e2ye ve deneme yazar\u0131 Rasim \u00d6zden\u00f6ren 20 May\u0131s 1940 Kahramanmara\u015f do\u011fumludur. \u015eair
\nAlaeddin \u00d6zden\u00f6ren\u2019in ikiz karde\u015fidir. \u0130lkokulu Malatya\u2019da, ortaokulu Tunceli\u2019de, lisesi ise
\nKahramanmara\u015f\u2019ta bitirmi\u015ftir. Y\u00fcksek\u00f6\u011frenim i\u00e7in \u0130stanbul\u2019a gitmi\u015f ve \u0130stanbul Hukuk
\nFak\u00fcltesinden mezun olmu\u015ftur. Ekonomi alan\u0131nda y\u00fcksek lisans yapmak i\u00e7in Amerika\u2019da
\nbulunmu\u015ftur. \u00c7e\u015fitli kurumlarda avukatl\u0131k, m\u00fc\u015favirlik ve genel sekreterlik g\u00f6revlerinde
\nbulunmu\u015ftur. \u00d6zden\u00f6ren DPT\u2019den 2005\u2019te emekli olmu\u015ftur.
\nHukuk tahsili yapan yazar hen\u00fcz lisede iken edebiyata ilgi duymu\u015f arkada\u015flar\u0131 ile Hamle
\ndergisini \u00e7\u0131karm\u0131\u015f, Yedi G\u00fczel Adam i\u00e7erisinde \u00f6yk\u00fcyle ilgilenen tek sanat\u00e7\u0131d\u0131r.
\nVarl\u0131k, Se\u00e7ilmi\u015f Hik\u00e2yeler, T\u00fcrk Sanat\u0131, Dost adl\u0131 dergilerde eserler yazm\u0131\u015ft\u0131r. Ayr\u0131ca \u00e7e\u015fitli
\ndergilerde k\u00fclt\u00fcr sanat sayfalar\u0131 haz\u0131rlam\u0131\u015f, yazd\u0131\u011f\u0131 \u00f6yk\u00fclerle ad\u0131ndan s\u00f6z ettirmi\u015ftir.
\n\u00d6zden\u00f6ren\u2019in d\u00fc\u015f\u00fcnce hayat\u0131nda Sezai Karako\u00e7\u2019un etkileri son derece fazlad\u0131r. Yazar,
\n1962\u2019de tan\u0131\u015fm\u0131\u015ft\u0131r Karako\u00e7 ile. Karako\u00e7\u2019un etkisi onda o kadar \u00e7oktur ki hatta bir ara \u00f6yk\u00fc
\nyazmayan Rasim \u00d6zden\u00f6ren onun telkinleri ile tekrar \u00f6yk\u00fc yazmaya ba\u015flam\u0131\u015ft\u0131r.
\n\u0130lk kitab\u0131 1967\u2019de yay\u0131mlad\u0131\u011f\u0131 Hastalar ve I\u015f\u0131klar adl\u0131 eserdir. Bu eserde bireyin kendine ve
\n\u00e7evresine yabanc\u0131la\u015fmas\u0131 ve ya\u015fad\u0131\u011f\u0131 bunal\u0131mlar anlat\u0131lm\u0131\u015ft\u0131r. Yazar, birey-\u00e7evre ili\u015fkisini
\neserlerinde \u00e7ok\u00e7a i\u015flermi\u015ftir. Bu konu yazar\u0131n ikinci kitab\u0131 \u00c7\u00f6z\u00fclme\u2019de de i\u015flenmi\u015ftir. Ad\u0131ndan
\nda anla\u015f\u0131laca\u011f\u0131 \u00fczere bu kitapta yer yer bireyin ve toplumun de\u011fi\u015fimleri, \u00f6z de\u011ferlerinden
\n\u00e7\u00f6z\u00fclmeleri anlat\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\"PORTRE
\nYazar\u0131n 1974\u2019te yay\u0131mlanan \u00fc\u00e7\u00fcnc\u00fc kitab\u0131 \u00c7ok Sesli Bir \u00d6l\u00fcm\u2019de de yine insan\u0131n bunal\u0131mlar\u0131,
\nyaln\u0131zl\u0131\u011f\u0131, \u00e7evreye uyum sa\u011flayamay\u0131\u015f\u0131 anlat\u0131lm\u0131\u015ft\u0131r.
\n1979 y\u0131l\u0131na geldi\u011fimizde ise yazar\u0131n d\u00f6rd\u00fcnc\u00fc kitab\u0131 G\u00fcl Yeti\u015ftiren Adam\u2019\u0131 g\u00f6r\u00fcyoruz. Bu
\neserde de yine yazar ilk \u00fc\u00e7 eserinde oldu\u011fu gibi ki\u015finin \u00e7evresi ve kendisiyle olan a\u00e7mazlar\u0131n\u0131,
\nuyumsuzluklar\u0131n\u0131, \u00e7aresizliklerini, bat\u0131 ile do\u011fu aras\u0131nda s\u0131k\u0131\u015f\u0131p kalm\u0131\u015f insanlar\u0131, bat\u0131n\u0131n yanl\u0131\u015f
\nanla\u015f\u0131lmas\u0131ndan dolay\u0131 buhranlara d\u00fc\u015fm\u00fc\u015f bireylerin bunal\u0131mlar\u0131n\u0131 anlat\u0131r.
\nBen bu yaz\u0131mda Rasim \u00d6zden\u00f6ren\u2019in G\u00fcl Yeti\u015ftiren Adam adl\u0131 eseri incelemeye \u00e7al\u0131\u015faca\u011f\u0131m.
\n2 May\u0131s 2017\u2019de Rasim \u00d6zden\u00f6ren\u2019i yak\u0131ndan tan\u0131ma ve sohbetini dinleme f\u0131rsat\u0131n\u0131 buldum.
\nKendisini ilk kez yak\u0131ndan Sivas\u2019ta Atat\u00fcrk K\u00fclt\u00fcr Merkezi\u2019nde g\u00f6rd\u00fcm. \u00d6zden\u00f6ren\u2019in G\u00fcl
\nYeti\u015ftiren Adam adl\u0131 kitab\u0131n\u0131 daha \u00f6nce \u00e7al\u0131\u015ft\u0131\u011f\u0131m okuldaki okuma grubumuzdaki \u00f6\u011fretmenlere
\nokutmu\u015ftum. Son derece heyecan ve ilgiyle yazar\u0131m\u0131z\u0131 dinlemi\u015f ve G\u00fcl Yeti\u015ftiren Adam adl\u0131
\nkitab\u0131n\u0131 yazar\u0131m\u0131za imzalatm\u0131\u015ft\u0131m. Bu kitab\u0131 sat\u0131n almamdaki en b\u00fcy\u00fck etken ise kitab\u0131n ismi
\nolmu\u015ftu.
\nBilindi\u011fi \u00fczere edebiyat\u0131m\u0131zda g\u00fcl \u00e7ok \u00f6nemli bir simgedir. Bize peygamberimizi hat\u0131rlat\u0131r.
\nPeygamberin teni, kokusu anlat\u0131l\u0131rken edebiyat\u0131m\u0131zda her zaman g\u00fcl simgesi kullan\u0131l\u0131r. G\u00fcl,
\n\u00e7i\u00e7eklerin \u015f\u00e2h\u0131d\u0131r. G\u00fcl narindir, g\u00fcl e\u015fsiz g\u00fczelliktedir. G\u00fcl, u\u011fruna nice b\u00fclb\u00fcllerin can verdi\u011fi
\ntek \u00e7i\u00e7ektir. G\u00fcle kavu\u015fmak i\u00e7in onlarca \u00e7ileye maruz kalmak gerekir.
\nG\u00fcl Yeti\u015ftiren Adam roman\u0131 Rasim \u00d6zden\u00f6ren taraf\u0131ndan kaleme al\u0131nan sosyal i\u00e7erikli bir
\nromand\u0131r. Eserde do\u011fu-bat\u0131 ikileminde kalan insanlar\u0131n hayat \u00f6yk\u00fcleri anlat\u0131l\u0131r. Daha \u00f6nce de
\nbelirtti\u011fim \u00fczere bu konu yazar\u0131n hemen t\u00fcm eserlerinde mevcuttur.
\nEserde iki farkl\u0131 hayat geriye d\u00f6n\u00fc\u015flerle anlat\u0131l\u0131r. Biri g\u00fcl yeti\u015ftiren adam\u0131n hayat\u0131, di\u011feri ise
\nk\u00fclt\u00fcr yozla\u015fmas\u0131 i\u00e7inde ya\u015fayan modern insanlar\u0131n hayat\u0131.
\nG\u00fcl Yeti\u015ftiren Adam milli m\u00fccadeleye kat\u0131lm\u0131\u015f, \u00e7o\u011fu arkada\u015f\u0131n\u0131n sava\u015fta \u015fehadetine tan\u0131k
\nolmu\u015f, vatan\u0131n\u0131, milletini, dinini, k\u00fclt\u00fcr\u00fcn\u00fc seven bir insand\u0131r. Sava\u015fta ne u\u011frunda m\u00fccadele
\nettiyse onun aksine \u00e7evresinde bir hayat ya\u015fand\u0131\u011f\u0131n\u0131 g\u00f6rm\u00fc\u015ft\u00fcr. G\u00fcl yeti\u015ftiren adam bu yeni
\nd\u00fczene kendince bir kar\u015f\u0131 duru\u015f belirlemi\u015ftir. Sessiz bir protesto ile evinde tam elli y\u0131l inzivaya
\n\u00e7ekilmi\u015f ve kendini g\u00fcl yeti\u015ftirmeye adam\u0131\u015ft\u0131r. O, bat\u0131l\u0131 modern hayat\u0131n \u0131\u015f\u0131lt\u0131l\u0131 gibi g\u00f6r\u00fcnen
\ndehlizlerinde kaybolmak istemeyen bir ki\u015fi olarak kar\u015f\u0131m\u0131za \u00e7\u0131kmaktad\u0131r.
\nG\u00fcl yeti\u015ftirmek kolay bir i\u015f de\u011fildir. G\u00fcl yeti\u015ftirirken t\u00fcrl\u00fc incelikleri bilmek ve \u00e7ilelere g\u00f6\u011f\u00fcs
\ngermek gerekir. \u0130\u015fte bizim g\u00fcl yeti\u015ftiren adam\u0131m\u0131z da bu \u00e7ileye talip olmu\u015ftur.
\nBir \u015fey yapmaman\u0131n da bir eylem oldu\u011funu \u00e7oktan anlam\u0131\u015ft\u0131. Protesto i\u00e7in evinden d\u0131\u015far\u0131 \u00e7\u0131km\u0131yordu.
\n\u0130nsanlar aras\u0131na kat\u0131lman\u0131n istemedi\u011fi d\u00fczeni me\u015frula\u015ft\u0131raca\u011f\u0131 inanc\u0131ndayd\u0131. Kuran okuyarak, ibadet
\nederek yalvararak, havf ederek somut protestosunu s\u00fcrd\u00fcr\u00fcyordu.\u201d (s. 14)
\nEserde olumsuz durumlar kar\u015f\u0131s\u0131nda \u00e7aresiz kalan bir adam\u0131n sessiz protestosu anlat\u0131lmaktad\u0131r.
\nSessiz protestonun da bir eylem oldu\u011fu eserde anlat\u0131lm\u0131\u015ft\u0131r. Ya\u015fl\u0131 adam evde g\u00fcl yeti\u015ftirmekle,
\nyeti\u015ftirdi\u011fi g\u00fclleri de kendisini ziyarete gelen torunlar\u0131na ve isteyen di\u011fer ki\u015filere vermektedir.
\nG\u00fcl Yeti\u015ftiren Adam evinde sadece ibadetle me\u015fgul de\u011fildir asl\u0131nda. Pasif bir hayat ya\u015fad\u0131\u011f\u0131
\nsan\u0131lsa da kendisi okumakta, d\u00fc\u015f\u00fcnmektedir, i\u00e7inde bulundu\u011fu manevi \u00e7\u00f6k\u00fc\u015f\u00fcn \u00e7arelerini
\naramaktad\u0131r.
\nO, hep kendi evindedir, evinin d\u0131\u015f\u0131nda olup bitenlere ilgisizdir, kendi protestosunu y\u00fckseltmektedir,
\nbaharla a\u00e7\u0131lan, renk renk serpilen \u00e7i\u00e7ek tarhlar\u0131n\u0131 seyretmektedir, \u00e7i\u00e7eklerin kokusunu duyumsamaktad\u0131r,
\ng\u00fcz\u00fcn yapraklar\u0131n kuruyu\u015funu, \u00e7i\u00e7eklerin t\u00fckeni\u015fini, bir kuru yapraktan ibaret kal\u0131\u015flar\u0131n\u0131.
\nGezinmektedir evin i\u00e7inde, kitap okumakta d\u00fc\u015f\u00fcnmektedir, yaradan\u0131 anmaktad\u0131r, yaln\u0131z onunlad\u0131r,
\nonunla ba\u015f ba\u015fad\u0131r, onu tespihle u\u011fra\u015fmaktad\u0131r. (s.18)
\nYozla\u015fan bir toplumun hareketleri kar\u015f\u0131s\u0131nda inzivaya \u00e7ekilip kendini ibadete veren bir dervi\u015f
\nkimli\u011fi ile kar\u015f\u0131m\u0131za \u00e7\u0131kan bu ki\u015filik bir\u00e7oklar\u0131na g\u00f6re yanl\u0131\u015f alg\u0131lanabilir. \u201cBelki de t\u00fcm bu
\nyozla\u015fmalar kar\u015f\u0131s\u0131nda bir kenara \u00e7ekilip ya\u015famaktansa bilakis hayat\u0131n i\u00e7inde olup m\u00fccadele
\netmesi gerekliydi\u201d diye d\u00fc\u015f\u00fcnenler olabilir. Lakin bazen \u201csessizlikte anla\u015f\u0131l\u0131r belki de nice
\ny\u00fcrekler.\u201d
\nG\u00fcnleri g\u00fcl yeti\u015ftirmek, ibadet etmek, kitap okumak, tespih \u00e7ekmek ve d\u00fc\u015f\u00fcnmekle ge\u00e7iren
\nya\u015fl\u0131 adam, uzun s\u00fcren sessiz protestosunun art\u0131k bitmesi gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcr. Kendisini
\nziyarete gelen torunuyla s\u00fcrekli sohbet ederler. Torunu ona ni\u00e7in d\u0131\u015far\u0131 \u00e7\u0131kmad\u0131\u011f\u0131n\u0131 sorar. O da
\nevden \u00e7\u0131kmamas\u0131n\u0131n sebeplerini \u015f\u00f6yle anlat\u0131r:
\n\u00d6l\u00fcm\u00fc g\u00f6ze almakla elde etmek istedi\u011fimiz bir \u015fey vard\u0131 sava\u015f\u0131rken. Sava\u015ftan sonra bakt\u0131k ki, onlar i\u00e7in
\nsava\u015fmam\u0131\u015f\u0131z. \u0130\u015fte insan\u0131n zoruna giden bu oluyor.(s.39)
\nG\u00fcl yeti\u015ftiren adam neden sonra art\u0131k y\u0131llard\u0131r \u00e7\u0131kmad\u0131\u011f\u0131 evinden d\u0131\u015far\u0131 \u00e7\u0131kmas\u0131 gerekti\u011fini
\nd\u00fc\u015f\u00fcn\u00fcr.
\n\u2026Bizi aldatanlara kar\u015f\u0131 bir \u015feyler yapmam\u0131z gerekirdi, yapamad\u0131k. Bilmem, belki de bunun utanc\u0131na
\nkatlanamad\u0131m, onun i\u00e7in eve kapand\u0131m.(s.39)
\n\u2026Evden \u00e7\u0131k\u0131nca sanki \u00fczerime bir menfurluk bula\u015facakm\u0131\u015f gibi geldi bana hep. Bundan da ka\u00e7t\u0131m.ama
\nelli y\u0131ld\u0131r ilk kez fikrimi de\u011fi\u015ftiriyorum.eve kapan\u0131p kalmakla insan de\u011fi\u015ftirmek istedi\u011fi bir d\u00fcnyay\u0131
\nde\u011fi\u015ftiremez. Ama bunu anlamam i\u00e7in elli y\u0131l\u0131n ge\u00e7mesi gerekiyormu\u015f.(s.39)
\nEvden \u00e7\u0131kmas\u0131 gerekti\u011fini d\u00fc\u015f\u00fcnen ya\u015fl\u0131 adam torununa \u015fu teklifi yapar:
\n\u2026Sana bir teklifim var, dedi, yar\u0131n sabah namaz\u0131na beraber gidelim.(s.39)
\nG\u00fcl yeti\u015ftiren adam torunuyla birlikte sabah namaz\u0131n\u0131 k\u0131lmak \u00fczere camiye gider. Namaza
\ngiderken \u015fehirdeki de\u011fi\u015fiklikleri g\u00f6r\u00fcnce \u00e7ok \u00f6fkelenir. Etrafta y\u00fcksek katl\u0131 binalar ve \u0131\u015f\u0131lt\u0131l\u0131
\nreklam ilanlar\u0131 g\u00f6ren ya\u015fl\u0131 adam camide cemaatin tuhaf bak\u0131\u015flar\u0131yla kar\u015f\u0131la\u015f\u0131r. Kendisi
\n\u015falvarl\u0131d\u0131r. Etraf\u0131ndaki ki\u015filerin farkl\u0131 k\u0131yafetlerini g\u00f6r\u00fcnce \u015fa\u015f\u0131r\u0131r. Hatta baz\u0131 ki\u015filerin f\u00f6tr
\n\u015fapka takt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr. \u0130nsanlar modern giyimlidir. \u015ea\u015fk\u0131nl\u0131k i\u00e7inde cemaati g\u00f6zlemler. \u0130nsanlar
\nnamaz bitince hemen da\u011f\u0131lmak isterler. \u0130mam\u0131n namazdan sonra c\u00fcbbe ve sar\u0131\u011f\u0131n\u0131 \u00e7\u0131kartmas\u0131na
\n\u00e7ok \u015fa\u015f\u0131r\u0131r. \u0130nsanlara seslenir fakat onu kimse duymaz. Daha sonra cemaate tekrar seslenir.
\nEy cemaat-i m\u00fcslim\u00een ve gafil\u00een\u2026
\nSizler Nasran\u00ee misiniz, diye sordu.
\n\u00d6n\u00fcnde birikmi\u015f olan yirmibe\u015f-otuz ki\u015filik bir k\u00fcme insan hayretle onu seyrediyordu\u2026
\nYoksa Mecus\u00ee misiniz, dedi adam.(s.131)
\nBunlar\u0131 duyan cemaat \u015fa\u015fk\u0131nl\u0131kla ya\u015fl\u0131 adama bakar. Ya\u015fl\u0131 adam cemaate \u00f6fkelidir. Onlara
\n\u0130slamiyetten bahseder. \u0130nsanlar\u0131n m\u00fcsl\u00fcman gibi bir hayat ya\u015famad\u0131klar\u0131n\u0131, i\u00e7lerinin m\u00fcsl\u00fcman
\nama d\u0131\u015flar\u0131n\u0131n gayrim\u00fcslimden farks\u0131z olduklar\u0131n\u0131 anlat\u0131r.
\n\u201c…\u0130\u00e7inizdeki \u0130slam\u2019\u0131 g\u00f6sterin. \u00c7\u00fcnk\u00fc \u0130slam, sizin \u00fczerinizde g\u00f6r\u00fcnmek ister. \u0130man gizlidir, \u0130slam a\u00e7\u0131k.
\n\u0130man kalptedir, \u0130slam zahirde. \u0130slam \u015feriatsa, \u015feriat sizin amellerinizde g\u00f6r\u00fcnmek ister.\u201d (s. 133)
\nG\u00fcl yeti\u015ftiren adam, camideki insanlara etkilenecekleri s\u00f6zler s\u00f6yler. \u0130nsanlar\u0131 ya\u015fl\u0131 adam\u0131n
\ns\u00f6zleri \u00e7ok etkiler hatta f\u00f6tr \u015fapkal\u0131 olan bir ki\u015fi \u015fapkas\u0131n\u0131 buru\u015fturur, atacak yer arar.
\n\u201cSizler namaz k\u0131lan Nasran\u00eelere benziyorsunuz. Namaz k\u0131l\u0131yorsunuz ama g\u00f6r\u00fcn\u00fc\u015f\u00fcn\u00fcz Nasran\u00eeler gibi.
\nKarde\u015fler! D\u0131\u015f\u0131 k\u00e2fire benzeyen insan\u0131n i\u00e7i de ona benzemeye ba\u015flar\u2026\u201d (s.133)
\nBaz\u0131 insanlar onun deli oldu\u011funu d\u00fc\u015f\u00fcnse de, baz\u0131lar\u0131 ger\u00e7ekleri s\u00f6yledi\u011fini belirtir. Eserde
\n\u00d6kke\u015f Usta ile Bekir Efendi aras\u0131nda \u015f\u00f6yle bir konu\u015fma ge\u00e7er:
\n\u201cBizi Nasran\u00eelere benzetti, dedi \u00d6kke\u015f Usta
\nEvet, dedi Bekir Efendi, Nasran\u00eelere mi benziyoruz acaba biz? Onlara benzetti bizi.
\nBilmese s\u00f6ylemezdi, dedi \u00d6kke\u015f Usta. (s.135)
\nRoman\u0131n sonunda t\u00fcm bu ya\u015fan\u0131lanlar\u0131n ard\u0131ndan elli y\u0131ld\u0131r evinden \u00e7\u0131kmay\u0131p g\u00fcl yeti\u015ftirmekle
\nme\u015fgul olan ya\u015fl\u0131 adam bir gazete haberinde \u015fu ifadelerle yer al\u0131r:
\n80 ya\u015f\u0131nda bir adam tutukland\u0131.\u2026
\nHalk\u0131 ayaklanmaya k\u0131\u015fk\u0131rtt\u0131\u011f\u0131 iddias\u0131yla tutuklanan ihtiyar\u0131n akl\u00ee dengesinin yerinde olmad\u0131\u011f\u0131
\nsan\u0131l\u0131yor\u2026(s.139)
\nGelelim eserde i\u015flenen ikinci hayat tarz\u0131na.
\nEserdeki \u015fah\u0131slar \u00e7e\u015fitli ya\u015fant\u0131lar\u0131 simgeleyen ki\u015filikler olarak g\u00f6z\u00fcm\u00fcze \u00e7arpmaktad\u0131r. Sitare,
\nZelda, Tansel ve di\u011fer baz\u0131 yan karakterler \u00e7arp\u0131k ili\u015fkiler ser\u00fcveninde yer alan ki\u015filerdir.
\nSitare, toplumdaki yozla\u015fm\u0131\u015f, kendi k\u00fclt\u00fcr\u00fcn\u00fc be\u011fenmeyen, kendini ve kimli\u011fini bilmeyen,
\nhasta e\u015fiyle sorunlar\u0131 olan, bunal\u0131mlarda olup kendini kaybeden, sahte mutluluklarla kendini
\navutan, dini ve ahlaki de\u011ferlerinden yoksun insanlar\u0131 temsil eder. Nitekim manevi \u00e7\u00f6k\u00fc\u015f i\u00e7inde
\nbocalayan Sitare roman\u0131n sonunda intihar eder.
\nSitare, k\u00fclt\u00fcr yozla\u015fmas\u0131 i\u00e7inde bocalam\u0131\u015f, zavall\u0131 bir ki\u015filiktir. Kumar oynayan, yanl\u0131\u015f ki\u015filerle
\narkada\u015fl\u0131k eden, kocas\u0131 hastanede yatarken tatile giden, g\u00fcn\u00fcn\u00fc g\u00fcn etmeye \u00e7al\u0131\u015fan biridir.
\nRomanda aile kurumundan evlilik ili\u015fkilerine, giyim ku\u015famdan ileti\u015fim bi\u00e7imine, tek katl\u0131
\nevlerden y\u00fcksek katl\u0131 apartman hayat\u0131na, mefru\u015fat ve di\u011fer k\u00fc\u00e7\u00fck ev e\u015fyas\u0131ndan t\u00fcketilen
\nme\u015frubat ve di\u011fer temel g\u0131da maddelerine kadar her \u015fey ba\u015f d\u00f6nd\u00fcr\u00fcc\u00fc bir h\u0131zla de\u011fi\u015fime
\nu\u011fram\u0131\u015ft\u0131r. Eserde bat\u0131l\u0131 tarzdaki modern hayat\u0131n yans\u0131mas\u0131 olarak her \u015feyin de\u011fi\u015fti\u011finden
\nbahsedilir. Yeni d\u00fczende aileden k\u0131l\u0131k k\u0131yafete, evlere, yeme i\u00e7meye kadar her \u015fey de\u011fi\u015fmi\u015ftir.
\nSahte ve ge\u00e7ici mutluluklar, haz pe\u015finde ko\u015fan modern insan\u0131n bunal\u0131mlar\u0131 tek tek i\u015flenmi\u015ftir
\nromanda.<\/p>\n

\"Rasim
\n\u0130nsan ili\u015fkileri, mek\u00e2nlar, sosyal-k\u00fclt\u00fcrel hayat, anlay\u0131\u015f, hatta dil bile de\u011fi\u015fmi\u015ftir. Sitare\u2019nin
\ne\u015finin ad\u0131n\u0131n romanda \u00c7arli olarak ge\u00e7mesi, ki\u015filerin kendi aras\u0131nda zaman zaman \u0130ngilizce
\nkonu\u015fmalar\u0131 sosyal ve k\u00fclt\u00fcrel yozla\u015fmalar\u0131n k\u00fc\u00e7\u00fck birer \u00f6rnekleridir. Sitare ile yazar
\naras\u0131ndaki bir konu\u015fmada \u015fu ifadeler yer al\u0131r:
\nKiss me, diyor Sitare
\nSitare, diye f\u0131s\u0131ld\u0131yorum.
\nOh, come on, diyor (s.12)
\nZavall\u0131 \u00c7arli,
\nZavall\u0131 koca \u00f6k\u00fcz.
\nSusuyor birden.
\nOh, darling, diyor, come on (s.13)
\nDe\u011fi\u015fen ya\u015fam tarzlar\u0131 eserde s\u0131k\u00e7a anlat\u0131l\u0131r. Evde ya da di\u011fer baz\u0131 mek\u00e2nlarda sabahlara kadar
\npartiler verip yiyip i\u00e7mek, dans etmek, kendinden ge\u00e7mek modern ya\u015fam\u0131n gereklerinden
\nbiriymi\u015f gibi g\u00f6r\u00fcl\u00fcr. Eserde bu durum \u015f\u00f6yle ifade edilir:
\nSitare\u2019nin bir deniz k\u0131y\u0131s\u0131nda, da\u011f ba\u015f\u0131nda, kentin orta yerinde yani her yerde evi vard\u0131r. S\u0131k s\u0131k
\narkada\u015flar\u0131yla evde parti halindedir. Onlarla birlikte \u00c7arli yani e\u015finin g\u00f6z\u00fc \u00f6n\u00fcnde yerler, i\u00e7erler ve
\ndans edip \u015fark\u0131lar s\u00f6ylerler. \u00c7arli bir k\u00f6\u015fede olanlara \u00fcz\u00fcl\u00fcr.
\nO gece bir y\u0131\u011f\u0131n konu\u011fu vard\u0131 Sitare\u2019nin\u2026Herkes yiyor, i\u00e7iyor, g\u00fcl\u00fcyor, e\u011fleniyor, Sitare yeni sevgilisini
\nkolluyor, bir ara gidip onun oturdu\u011fu koltu\u011fa ili\u015fiyor.(s.15)
\nRomanda \u015fehirlerin kimli\u011finin de\u011fi\u015fmesi de s\u0131k\u00e7a anlat\u0131l\u0131r. Art\u0131k \u015fehrin her yerinde \u0131\u015f\u0131kl\u0131
\nreklam ilanlar\u0131, bankalar ve oteller bulunmaktad\u0131r. Otel ve bankalar\u0131n \u00e7oklu\u011fu anlat\u0131l\u0131r. Eserden
\nald\u0131\u011f\u0131m baz\u0131 al\u0131nt\u0131lar bize \u015fehirlerin de\u011fi\u015fen yap\u0131s\u0131n\u0131 \u015f\u00f6yle ifade eder:
\nHer taraf otel yahut motel. Banka ilanlar\u0131. Korkun\u00e7 \u0131\u015f\u0131kl\u0131 reklamlar. Kentin \u00f6zeti: otel ve banka. Ad\u0131m
\nba\u015f\u0131 e\u011flence yerleri. \u00dcnl\u00fc \u015fark\u0131c\u0131lar. Yaln\u0131z gezginler i\u00e7in gazetelerde ilanlar: \u201cYaln\u0131z kalmay\u0131n beni
\n\u00e7a\u011f\u0131r\u0131n. Alt\u0131nda bir telefon numaras\u0131. Bir eczaneye giriyorum. Aspirin. Sonra aspirini bedavaya
\ngetirebilir miyim d\u00fc\u015f\u00fcncesiyle makineye para at\u0131yorum. Fakat makine o paray\u0131 da yutuyor. \u00c7\u0131k\u0131yorum….\u201d
\n(s. 28)
\nHer otel ayr\u0131 bir kenttir burada. Y\u0131llarca hi\u00e7 d\u0131\u015far\u0131ya \u00e7\u0131kma ihtiyac\u0131n\u0131 duyumsamadan kalabilirsiniz ayn\u0131
\notelde. \u0130sterseniz elbet. Giyimevlerinden berberine, kuaf\u00f6r\u00fcne, lokantas\u0131ndan bakkal\u0131na, manav\u0131na,
\nkafeteryas\u0131ndan e\u011flence yerlerine kadar, ne istersen var. Tek eksi\u011fi g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131… Hep elektrik \u0131\u015f\u0131klar\u0131.
\nSanki b\u00f6yle \u0131\u015f\u0131klarda do\u011fduk ve sanki b\u00f6yle \u0131\u015f\u0131klar i\u00e7inde ya\u015famaya mecburuz. \u0130yisi mi bundan da tat
\nalmaya bakmal\u0131.(s.51)
\nG\u00f6r\u00fcld\u00fc\u011f\u00fc \u00fczere Rasim \u00d6zden\u00f6ren bu romanda \u00fclkemizde ba\u015f d\u00f6nd\u00fcr\u00fcc\u00fc h\u0131zla de\u011fi\u015fen
\nbireysel ve toplumsal hayat, iki farkl\u0131 sosyal ya\u015fant\u0131 irdelenerek anlatm\u0131\u015ft\u0131r.
\nSonu\u00e7 olarak eserde bireyin toplumsal de\u011fi\u015fimlerle bat\u0131ya ayak uydurmaya \u00e7al\u0131\u015f\u0131rken ya\u015fad\u0131\u011f\u0131
\nolumsuz durumlar Sitare ve arkada\u015flar\u0131n\u0131n \u015fahs\u0131nda anlat\u0131lm\u0131\u015f, \u0130slam medeniyeti minvalinde
\n\u015fekillenen geleneksel hayat ile modern hayat kar\u015f\u0131la\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

Hik\u00e2ye ve deneme yazar\u0131 Rasim \u00d6zden\u00f6ren 20 May\u0131s 1940 Kahramanmara\u015f do\u011fumludur. \u015eair Alaeddin \u00d6zden\u00f6ren\u2019in ikiz…<\/p>\n","protected":false},"author":51,"featured_media":3645,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[20],"tags":[],"ppma_author":[281],"class_list":["post-3644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kitap"],"yoast_head":"\nRasim \u00d6ZDEN\u00d6REN'in 'G\u00fcl Yeti\u015ftiren Adam' \u0130simli Kitab\u0131n\u0131n \u0130ncelenmesi (Song\u00fcl \u00d6ZEL) - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2026\/01\/27\/rasim-ozdenorenin-gul-yetistiren-adam-isimli-kitabinin-incelenmesi-songul-ozel\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rasim \u00d6ZDEN\u00d6REN'in 'G\u00fcl Yeti\u015ftiren Adam' \u0130simli Kitab\u0131n\u0131n \u0130ncelenmesi (Song\u00fcl \u00d6ZEL) - 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Ayr\u0131ca felsefe ve ilahiyat lisans mezunu. \u00c7e\u015fitli liselerde \u00f6\u011fretmenlik yapt\u0131. T\u00fcrk Dili ve Edebiyat\u0131 \u00f6\u011fretmenli\u011fi yap\u0131yor. Valilik, ASB\u00dc ve MEB ortakl\u0131\u011f\u0131nda Bilge Yazarlar Projesi kapsam\u0131nda Ankara Sosyal Bilimler \u00dcniversitesi\u2019nde Yazarl\u0131k At\u00f6lyesi dersleri vermektedir. Ayr\u0131ca Beden Dili ve Etkili \u0130leti\u015fim, H\u0131zl\u0131 Okuma Teknikleri e\u011fitmenidir. \u00c7ocuk ve yeti\u015fkin edebiyat\u0131 alan\u0131nda \u015fiir ve yaz\u0131lar\u0131 bulunmaktad\u0131r. Bir\u00e7ok antolojide eserleri yay\u0131mland\u0131. G\u00f6kmedrese \u0130lahiyat Ara\u015ft\u0131rmalar\u0131 2 adl\u0131 eserde b\u00f6l\u00fcm yazarl\u0131\u011f\u0131 yapt\u0131. 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tag\">Kitap<\/a>","tag_info":"Kitap","comment_count":"0","jetpack_featured_media_url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son.jpg","uagb_featured_image_src":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son.jpg",369,600,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son-185x300.jpg",185,300,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son.jpg",369,600,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son.jpg",369,600,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son.jpg",369,600,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son.jpg",369,600,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son.jpg",369,600,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son-369x500.jpg",369,500,true],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son.jpg",369,600,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son-369x340.jpg",369,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son-369x250.jpg",369,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son-369x375.jpg",369,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son-369x480.jpg",369,480,true],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son.jpg",369,600,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/son-216x216.jpg",216,216,true]},"uagb_author_info":{"display_name":"Song\u00fcl \u00d6ZEL","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/songul-ozel\/"},"uagb_comment_info":0,"uagb_excerpt":"Hik\u00e2ye ve deneme yazar\u0131 Rasim \u00d6zden\u00f6ren 20 May\u0131s 1940 Kahramanmara\u015f do\u011fumludur. \u015eair Alaeddin \u00d6zden\u00f6ren\u2019in ikiz...","authors":[{"term_id":281,"user_id":51,"is_guest":0,"slug":"songul-ozel","display_name":"Song\u00fcl \u00d6ZEL","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/SSSSSSSSSSSSSSSS.jpeg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2026\/01\/SSSSSSSSSSSSSSSS.jpeg"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"E\u011fitimci-yazar, edit\u00f6r Song\u00fcl \u00d6zel Sivas do\u011fumlu. 1997 y\u0131l\u0131nda Cumhuriyet \u00dcniversitesi T\u00fcrk Dili ve Edebiyat\u0131 b\u00f6l\u00fcm\u00fcnden mezun oldu. 2016\u2019da Eski T\u00fcrk Edebiyat\u0131 alan\u0131nda y\u00fcksek lisans yapt\u0131. Ayr\u0131ca felsefe ve ilahiyat lisans mezunu. \u00c7e\u015fitli liselerde \u00f6\u011fretmenlik yapt\u0131. T\u00fcrk Dili ve Edebiyat\u0131 \u00f6\u011fretmenli\u011fi yap\u0131yor. Valilik, ASB\u00dc ve MEB ortakl\u0131\u011f\u0131nda Bilge Yazarlar Projesi kapsam\u0131nda Ankara Sosyal Bilimler \u00dcniversitesi\u2019nde Yazarl\u0131k At\u00f6lyesi dersleri vermektedir. Ayr\u0131ca Beden Dili ve Etkili \u0130leti\u015fim, H\u0131zl\u0131 Okuma Teknikleri e\u011fitmenidir.\r\n\u00c7ocuk ve yeti\u015fkin edebiyat\u0131 alan\u0131nda \u015fiir ve yaz\u0131lar\u0131 bulunmaktad\u0131r. Bir\u00e7ok antolojide eserleri yay\u0131mland\u0131. G\u00f6kmedrese \u0130lahiyat Ara\u015ft\u0131rmalar\u0131 2 adl\u0131 eserde b\u00f6l\u00fcm yazarl\u0131\u011f\u0131 yapt\u0131.\r\nHalk Edebiyat\u0131, Hece Ta\u015flar\u0131, Sebil\u00fcrre\u015fad, Dilhane, \u015eiar, S\u00f6\u011f\u00fct, T\u00fcrkay, Edeb\u00ee K\u00f6pr\u00fc, Sadeimge, G\u00fcneysu, Yitiks\u00f6z, \u015eehir Defteri, Asanatlar gibi bir\u00e7ok dergide eserleri yay\u0131mland\u0131. \u00c7e\u015fitli dergilerde yaz\u0131 \u00e7al\u0131\u015fmalar\u0131 devam etmektedir.\r\nEserleri\r\n1.\tS\u00fcveyda Hece Hece (Anadolu K\u00fclt\u00fcr Kitapl\u0131\u011f\u0131 2016)\r\n2.\tSobeledim Seni D\u00fcnya (Bengisu yay\u0131nlar\u0131 2020) \r\n3.\t\u015eiir \u015eiir Enbiya (\u00c7\u0131ra yay. 2020)\r\n4.\tSevgi Ta\u015f\u0131yan Ku\u015f (\u00c7\u0131ra yay. 2021)\r\n5.\tYitik (\u00c7\u0131ra Yay.2024)\r\n6.\tYe\u015fil Kuyu (KDY Yay.2024)\r\n7.\tK\u00fc\u00e7\u00fck \u015eiirler (KDY Yay.2024)\r\n8.\tKalbe Firar (KDY Yay.2024)\r\n\u00d6\u011frencilerle yay\u0131nlanan ortak \u00e7ocuk kitaplar\u0131\r\n1.\tUzaktan Hayaller (2019)\r\n2.\tD\u00f6rt Mevsim \u015eiir(2020)\r\n3.\t\u00c7ocuk\u00e7a \u015eiirler (2019)\r\n4.\tG\u00fcl Bah\u00e7esi (2020)\r\n"}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/3644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=3644"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/3644\/revisions"}],"predecessor-version":[{"id":3646,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/3644\/revisions\/3646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/3645"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=3644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=3644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=3644"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=3644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}