{"id":3110,"date":"2025-12-15T14:12:18","date_gmt":"2025-12-15T11:12:18","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=3110"},"modified":"2025-12-15T14:12:18","modified_gmt":"2025-12-15T11:12:18","slug":"hazin-bir-ayriliktan-yeniden-dogusa-donusen-bir-dergi-dogan-kardes","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2025\/12\/15\/hazin-bir-ayriliktan-yeniden-dogusa-donusen-bir-dergi-dogan-kardes\/","title":{"rendered":"Hazin Bir Ayr\u0131l\u0131ktan Yeniden Do\u011fu\u015fa D\u00f6n\u00fc\u015fen Bir Dergi: DO\u011eAN KARDE\u015e"},"content":{"rendered":"

\u00c7ocuklu\u011fum e\u011fitimci olan ebeveynimin tayini dolay\u0131s\u0131yla Anadolu\u2019nun \u00fccra bir k\u00f6y\u00fcnde ge\u00e7ti. K\u0131\u015flar\u0131 normal okul rutini g\u00fcn\u00fc doldururdu. \u00c7oluk \u00e7ocuk c\u00fcmb\u00fcr cemaat o kalabal\u0131kta yaln\u0131zl\u0131k \u00e7ekmezdim. Ama yazlar\u0131 babam\u0131n okul m\u00fcd\u00fcr\u00fc olmas\u0131 sebebiyle izin al\u0131p bir yere ya da memlekete gidemedi\u011fimiz i\u00e7in o kocaaa okulda okulun bah\u00e7esinde biz \u00fc\u00e7 karde\u015f tabiri caizse karga kovalard\u0131k. Lojman\u0131n kocaman g\u00fczel bir bah\u00e7esi ve sayamad\u0131\u011f\u0131m \u00e7e\u015fitlilikte meyve a\u011fa\u00e7lar\u0131 vard\u0131. K\u00e2h a\u011fa\u00e7lar\u0131n tepesinde meyve yiyerek, k\u00e2h alt\u0131na serdi\u011fim kilim \u00fczerine babam\u0131n ald\u0131\u011f\u0131 tatil kitaplar\u0131, \u00e7ocuk dergileri,  \u00e7e\u015fitli \u00e7ocuk hik\u00e2ye ve romanlar\u0131n\u0131 okuyarak ge\u00e7irirdik o koca yazlar\u0131. Kitaplarla olan dostlu\u011fum daha o ya\u015fta o su gibi \u00f6mr\u00fcm\u00fcn ilk \u00e7a\u011flar\u0131nda uzak \u00fclkelere seyahat gibi ba\u015flam\u0131\u015ft\u0131. Babam kitap konusunda bize \u00e7ok c\u00f6mert davranm\u0131\u015ft\u0131r. Kendisi de okumay\u0131 sever. Kitap bizim evin s\u00fcs\u00fc,  en nadide par\u00e7as\u0131d\u0131r. Kitap almak dedin mi akan sular durur. Okuma saati \u00e7ok ciddi bir i\u015ftir bizde. Okumaya ba\u015flay\u0131nca solu\u011fu bile sesli alamazd\u0131n. Demem o ki o kadar yani…! Neyse! Babam\u0131n g\u00f6rev yapt\u0131\u011f\u0131 yer il\u00e7eye onbe\u015f yirmi dakika mesafede k\u0131rsalda bir yerdi. K\u00f6y\u00fcn \u00e7ocuklar\u0131 okul zaman\u0131 bile i\u015f g\u00fcc\u00fc say\u0131l\u0131r, anne babalar\u0131 taraf\u0131ndan evde, bah\u00e7ede, tarlada ne kadar yapabilecekleri i\u015f varsa verilirdi. O sebeple yaz\u0131n oynayacak arkada\u015f bulamazd\u0131k. Di\u011fer \u00f6\u011fretmen \u00e7ocuklar\u0131, memleketlerine gider, sonbahara do\u011fru heybelerinde bir s\u00fcr\u00fc an\u0131, dede nineleri ile ge\u00e7irdikleri zamanlar\u0131n tortusunda kalan ya\u015fanm\u0131\u015fl\u0131klar\u0131 anlat\u0131rlard\u0131. Babam m\u00fcd\u00fcr oldu\u011fu i\u00e7in bizim o kadar uzun boylu uzak kald\u0131\u011f\u0131m\u0131z\u0131 hat\u0131rlam\u0131yorum.  Bu sebeple o zamanlarda oldu\u011fu gibi \u00f6mr\u00fcm\u00fcn sonraki y\u0131llar\u0131nda da kitaplar en kadim sohbet arkada\u015flar\u0131m oldu. Babam \u015fehre her gidi\u015finde hi\u00e7 eli bo\u015f gelmezdi. Bize o zaman\u0131n \u00e7e\u015fitlili\u011fi oran\u0131nda oyuncaklar\u0131n yan\u0131s\u0131ra \u00e7e\u015fit \u00e7e\u015fit kitaplar dergiler al\u0131rd\u0131. \u015eimdi anl\u0131yorum ki \u00e7antadan \u00e7\u0131kan reng\u00e2renk kitaplar ve bana yeni d\u00fcnyalar sunan kapaklar\u0131 ile ilk kar\u015f\u0131la\u015fmam, ilk tan\u0131\u015f\u0131kl\u0131k ve sonras\u0131nda sanki yeni bir arkada\u015fla ilk sohbeti etmenin heves ve heyecan\u0131yla ge\u00e7irdi\u011fim saatler benim seslendirmen olarak \u00e7al\u0131\u015fmama zemin haz\u0131rlayan y\u0131llar olmu\u015f.  Hat\u0131r\u0131mda kalan o kitaplardan baz\u0131lar\u0131;<\/p>\n

Edmondo De Amicis<\/a>\u2019ten  \u00c7ocuk Kalbi<\/a>, Antoine de Saint-Exupery<\/a>\u2019den<\/h3>\n

K\u00fc\u00e7\u00fck Prens<\/a>,  Jules Verne<\/a>\u2019in  Seksen G\u00fcnde D\u00fcnya Turu<\/a>, \u0130ki Y\u0131l Okul Tatili<\/a> , D\u00fcnya’n\u0131n Merkezine Yolculuk ve Denizler Alt\u0131nda Yirmi Bin Fersah<\/a>, Jonathan Swift<\/a>\u2019in  Gulliver’in Gezileri<\/a>, \u00d6mer Seyfettin’den Se\u00e7me Hikayeler<\/a>, Lewis Carroll<\/a>\u2019dan  Alice Harikalar Diyar\u0131nda<\/a>, Daniel Defoe<\/a>\u2019dan  Robinson Crusoe<\/a>, Ferenc Molnar<\/a>\u2019dan Pal Soka\u011f\u0131 \u00c7ocuklar\u0131,  Carlo Collodi<\/a>\u2019den Pinokyo, Jack London<\/a>\u2019dan Beyaz Di\u015f, Charles Dickens<\/a>\u2019tan Oliver Twist, B\u00fcy\u00fck Umutlar, Binbir Gece Masallar\u0131<\/a> vb.. vb.. vb..akl\u0131ma ilk etapta gelenler bunlar..Ve \u00e7ocukluk yazlar\u0131m boyunca daha niceleri.<\/h3>\n

Bir de o vakitlerde \u015eeker Bank gibi bankalar\u0131n \u00e7ocuklar i\u00e7in \u00e7\u0131kard\u0131\u011f\u0131 dergiler vard\u0131. Babam bunlar\u0131n yan\u0131nda Do\u011fan Karde\u015f dergisini de getirirdi. Babamlar\u0131n evde arka balkon; \u00e7ocukluk an\u0131lar\u0131m\u0131zla dolu, oyuncaklar, k\u0131yafetler, e\u015fyalar, kitaplarla bezeli bir ge\u00e7mi\u015f zaman yolculu\u011fudur. Her gidi\u015fimizde o zaman koridoruna girer bir ge\u00e7mi\u015fe gider geliriz. Elime ge\u00e7en ve kapa\u011f\u0131 fazlas\u0131yla a\u015f\u0131nm\u0131\u015f bir Do\u011fan Karde\u015f dergisi b\u00fct\u00fcn bunlar\u0131 d\u00fc\u015f\u00fcnd\u00fcrd\u00fc bana. Sadece fasik\u00fcl fasik\u00fcl tan\u0131d\u0131\u011f\u0131m dergiyi tarih\u00e7e a\u00e7\u0131s\u0131ndan inceledi\u011fimde ise bamba\u015fka bir hik\u00e2ye \u00e7\u0131kt\u0131 kar\u015f\u0131ma. Dergi, Yap\u0131 Kredi Bankas\u0131’n\u0131n<\/a> kurucusu Kaz\u0131m Ta\u015fkent<\/a>\u2019in o\u011flu Do\u011fan’\u0131n ad\u0131na \u00e7\u0131kar\u0131lm\u0131\u015f. Ama dergiye ismini veren hep \u00e7ocuk kalacak olan Do\u011fan\u2019\u0131n ac\u0131 bir hik\u00e2yesi var. O vakitler bilmedi\u011fim bu hikayeyi okuyunca \u00e7ok \u00fcz\u00fcld\u00fcm do\u011frusu. Bankan\u0131n kurucusu Kaz\u0131m Ta\u015fkent o\u011flu Do\u011fan\u2019\u0131  \u0130svi\u00e7re<\/a>‘nin Flims<\/a> kasabas\u0131ndaki bir yat\u0131l\u0131 okulda okumaya g\u00f6nderir. El kadar \u00e7ocuk yat\u0131l\u0131 okulun zorluklar\u0131 bir yana anne baba ilgisi, baba oca\u011f\u0131 ve vatan \u00f6zlemi \u00e7ekmektedir muhtemelen.  Talihsizlik odur ki 10 Nisan 1939 tarihinde Alpler<\/a>\u2019de meydana gelen bir heyelan<\/a> sonucunda on ya\u015f\u0131nda hayata g\u00f6zlerini  yumar.Bu \u00f6l\u00fcm \u00e7ok ac\u0131 dolu \u00f6zlem dolu bir \u00f6l\u00fcmd\u00fcr. Ve Kaz\u0131m Ta\u015fkent, ona olan \u00f6zlemini yans\u0131tmak, onun an\u0131s\u0131n\u0131 ya\u015fatmak i\u00e7in bir \u00e7ocuk dergisi \u00e7\u0131karmay\u0131 d\u00fc\u015f\u00fcn\u00fcr. Yap\u0131 ve Kredi Bankas\u0131\u2019n\u0131n deste\u011fi ile \u00e7\u0131kar\u0131lan dergi, bankan\u0131n eyl\u00fcl 1944’te faaliyete ge\u00e7mesinden yedi ay sonra, yine o d\u00f6nemdeki bankan\u0131n k\u00fclt\u00fcr ve sanat m\u00fc\u015faviri Vedat Nedim T\u00f6r<\/a>‘\u00fcn idaresinde ayl\u0131k bir dergi olarak yay\u0131nlanmaya ba\u015flar. \u0130lk say\u0131s\u0131 Do\u011fan\u2019\u0131n \u00f6l\u00fcm y\u0131ld\u00f6n\u00fcm\u00fc olan Nisan 1945’te \u00e7\u0131kart\u0131l\u0131r. Derginin ilk say\u0131s\u0131nda itibaren “Do\u011fan Karde\u015f”, okurlara ger\u00e7ek bir ki\u015filik olarak yans\u0131t\u0131lma prensibi ile \u00e7al\u0131\u015f\u0131r. Derginin isminin neden Do\u011fan Karde\u015f oldu\u011fu konusu ise  bu hazin ayr\u0131l\u0131\u011f\u0131n\u0131n an\u0131s\u0131na on y\u0131l sonra Vedat Nedim T\u00f6r imzal\u0131 bir yaz\u0131da anlat\u0131l\u0131r.<\/strong><\/h3>\n

Biraz daha ara\u015ft\u0131rd\u0131\u011f\u0131mda \u015fu tarihi bilgilere ula\u015ft\u0131m. Do\u011fan Karde\u015f, 1945-1965 aras\u0131nda, k\u0131sa bir d\u00f6nem hari\u00e7, Vedat Nedim T\u00f6r y\u00f6netiminde yirmi sayfal\u0131k bir dergi olarak \u00e7\u0131kar\u0131lm\u0131\u015f. 2 Ekim 1947 itibar\u0131yla per\u015fembe g\u00fcnleri \u00e7\u0131kan haftal\u0131k bir dergiye d\u00f6n\u00fc\u015fm\u00fc\u015f. 1960’ta boyutlar\u0131 da biraz de\u011fi\u015ftirilerek otuz iki sayfal\u0131k bir dergi olarak \u00e7\u0131karmaya devam etmi\u015f. Aral\u0131k 1965’i g\u00f6sterince tarihler format de\u011fi\u015ftirece\u011fini,  yenilenece\u011fini duyurarak okurlar\u0131ndan bir s\u00fcre izin istemi\u015f. Aradan ge\u00e7en dokuz ay sonunda 31 Ekim 1966 tarihinde Ay\u015fe Ta\u015fkent y\u00f6netiminde yeniden \u00e7\u0131kar\u0131lmaya ba\u015flam\u0131\u015f ve 1978 y\u0131l\u0131na kadar yay\u0131n\u0131 kesintisiz devam etmi\u015f. Dergi o s\u00fcre\u00e7te ara\u015ft\u0131rmalar\u0131mda bulamad\u0131\u011f\u0131m sebepler y\u00fcz\u00fcnden kesintisiz bir ara verir. Ne zaman tekrar \u00e7\u0131kar\u0131laca\u011f\u0131 bilinmeyen bir tarihe ertelenir belki.  Tam on y\u0131l sonra yani tam benim ilkokul \u00e7a\u011flar\u0131mda \u00e7ocuklu\u011fumun en g\u00fczel zamanlar\u0131na tekab\u00fcl eden bir tarihte 1988’de yeniden ayl\u0131k olarak bas\u0131lmaya ba\u015flar. Benim elimdeki n\u00fcshalar seksenlerin sonu doksanlar\u0131n ba\u015f\u0131na aittir. Yay\u0131n hayat\u0131n\u0131 s\u00fcrd\u00fcr\u00fcrken altm\u0131\u015f \u00fc\u00e7 say\u0131dan sonra 1993 y\u0131l\u0131nda sonlan\u0131r.  O vakitler derginin yay\u0131n y\u00f6netmeni, gazeteci Turhan Ilgaz imi\u015f. Ilgaz, bir d\u00f6nem Cumhuriyet gazetesinin yaz\u0131 i\u015fleri m\u00fcd\u00fcr\u00fc olarak g\u00f6rev yapm\u0131\u015f, “gazetecilik” k\u00f6kenli bir isim. Ayr\u0131ca Frans\u0131zcadan yapt\u0131\u011f\u0131 yetkin \u00e7evirileriyle de tan\u0131nmaktad\u0131r. Derginin yay\u0131n koordinat\u00f6rl\u00fc\u011f\u00fc g\u00f6revini, T\u00fcrkiye’nin ilk zek\u00e2 oyunlar\u0131 \u00fcreticilerinden biri olan Ergun Telci \u00fcstlenmi\u015f. \u015eair ve yazar Enis Batur ise, o d\u00f6nemde Yap\u0131 Kredi Yay\u0131nlar\u0131 \u00e7al\u0131\u015fan\u0131 olarak Do\u011fan Karde\u015f’e destek veriyormu\u015f. Nevzat Bas\u0131m o d\u00f6nem derginin yaz\u0131 i\u015fleri m\u00fcd\u00fcr\u00fcd\u00fcr. \u00c7\u0131kt\u0131\u011f\u0131 bu d\u00f6nemde, “\u00e7ocuk meclisi” adl\u0131 bir olu\u015fuma \u00f6nc\u00fcl\u00fck etmi\u015f. 1993 sonras\u0131nda epey uzun bir araya daha girer. Taki 2008 y\u0131l\u0131na kadar.<\/p>\n

2008-2011 y\u0131llar\u0131 aras\u0131nda format de\u011fi\u015ftirerek \u00e7izgi roman dergisi olarak \u00e7\u0131kar\u0131l\u0131r.  Yap\u0131 Kredi Yay\u0131nlar\u0131<\/a> dergiyi ayn\u0131 kapak logosunu kullanarak ayl\u0131k olarak \u00e7\u0131karmaya ba\u015flar. \u0130lk say\u0131s\u0131 1 \u015eubat 2008’de \u00e7\u0131kan dergi; Mart 2011’de yay\u0131nlanan otuz sekizinci say\u0131da sona erer. Bu d\u00f6nemde i\u00e7erikler itibar\u0131 ile bir \u00e7ocuk dergisiyle gen\u00e7lik dergisi aras\u0131nda olan Do\u011fan Karde\u015f’te d\u00f6nemde pop\u00fcler olmu\u015f \u00e7ok dinlenen kasetlerin tan\u0131t\u0131m\u0131, yabanc\u0131 rock \u015fark\u0131c\u0131lar\u0131yla ilgili yaz\u0131lar, T\u00fcrk popunun starlar\u0131yla r\u00f6portajlar da yay\u0131mlan\u0131r.<\/p>\n

Derginin zengin bir kadrosu vard\u0131r. \u00c7ocukken dikkat etmedi\u011fim i\u00e7 kapakta bak\u0131n kimler var kimler?  \u0130lk olarak o \u00e7ekirdek kadroda derginin bas\u0131m ve yay\u0131m\u0131nda \u00f6nemli sorumluluklar \u00fcstlenen isimler aras\u0131nda Onat Kutlar<\/strong><\/a>, Ay\u015fe Abla nam\u0131yla tan\u0131nan Neriman H\u0131z\u0131r<\/strong><\/a> , M\u00fcnevver Alper, Cemal Nadir<\/strong><\/a>, Nebahat Karaorman, Fahr\u00fcnnisa Seden, Selma Emiro\u011flu<\/strong><\/a>, \u015eevki Ak\u00f6ren yer al\u0131r.  Ayr\u0131ca yaz\u0131 ve \u00f6yk\u00fcleriyle Semra \u00d6zin, Nezihe Araz<\/strong><\/a>, G\u00fclten Day\u0131o\u011flu<\/strong><\/a>, Aziz Nesin<\/strong><\/a>, Erhan Bener<\/strong><\/a>, Nezihe Meri\u00e7<\/strong><\/a>, Muzaffer \u0130zg\u00fc<\/strong><\/a>, Nuriye Ege, Abbas C\u0131lga, Nihal Yalaza Taluy; Yabanc\u0131 dilden \u00e7evirileriyle \u0130pek Erdem<\/strong><\/a>, Ak\u015fit G\u00f6kt\u00fcrk<\/strong><\/a>, Azize Bergin<\/strong><\/a> ve Tomris Uyar<\/strong><\/a>; \u015fiirleriyle \u00dcmit Ya\u015far<\/strong><\/a>, \u0130lhan Ge\u00e7er<\/strong><\/a>, Mualla Uzmay<\/strong><\/a>, Hasan Latif Sar\u0131y\u00fcce<\/strong><\/a>, Sabih \u015eendil<\/strong><\/a>, Tar\u0131k Orhan<\/strong><\/a>, Nermin \u00dcnsel<\/strong><\/a>, A. Kutsi Tecer<\/strong><\/a>, Serpil Kenber Ba\u015fak, \u0130dil \u00d6zerdem; karikat\u00fcrleri, desen ve \u00e7izgi roman \u00e7al\u0131\u015fmalar\u0131yla Cemal Nadir, Din\u00e7er Erimer, M\u0131st\u0131k, Feridun Oral<\/strong><\/a>, \u0130smail G\u00fcle\u00e7, Kemal Aydabol, Ahmet G\u00fcven, Enis Temizel, Ate\u015f Sunay, Ertan Din\u00e7er, Tuncay Bat\u0131beki, Nazan Erkmen, Behice Balta, \u015eakir G\u00f6k\u00e7eba\u011f, Kemal G\u00f6khan, Emine Bora, \u015eahin Erko\u00e7ak dergide yer alm\u0131\u015ft\u0131r.<\/h2>\n

\u00c7ocuklara \u00e7ok \u00f6zel bir imk\u00e2n sunulup derginin bir sayfas\u0131 bizlerin \u00fcr\u00fcn\u00fc olan resim ve yaz\u0131lara ayr\u0131l\u0131rd\u0131. Orada bir \u00fcr\u00fcn\u00fcn yay\u0131nlanmas\u0131 o y\u0131llar i\u00e7in \u00e7ocuk d\u00fcnyam\u0131zda b\u00fcy\u00fck bir olayd\u0131. Do\u011fan Karde\u015f, \u00e7ocuk okuyucular\u0131n eserlerine de yer vererek ula\u015ft\u0131\u011f\u0131 kitlenin, \u00e7ocuklar\u0131n hayal d\u00fcnyas\u0131na katk\u0131lar sunmu\u015f gelece\u011fini de \u015fekillendirmi\u015ftir. Hatta \u00e7ocukken Do\u011fan Karde\u015f’e yazd\u0131klar\u0131 mektuplar\u0131 yay\u0131mlanan isimlerin yeti\u015fkinliklerinde \u00fcnl\u00fc oldu\u011funa tan\u0131kl\u0131k ediyoruz \u015fimdi durdu\u011fumzu yerden Kimler var bu \u00fcnl\u00fcler aras\u0131nda derseniz ;  Altan Erbulak<\/strong><\/a>, M\u00fcjdat Gezen<\/strong><\/a>,<\/strong> \u0130dil Biret<\/strong><\/a>, Suna Kan<\/strong><\/a>, Sevin Okyay<\/strong><\/a>, Oya Baydar<\/strong><\/a>, P\u0131nar K\u00fcr<\/strong><\/a>, Halit Refi\u011f<\/strong><\/a> benim tespit edebildiklerim. Gelece\u011fin \u00fcnl\u00fc m\u00fczisyenleri olacak olan ve yurt d\u0131\u015f\u0131nda e\u011fitim g\u00f6ren harika \u00e7ocuklar Suna Kan<\/strong><\/a> ve \u0130dil Biret<\/strong><\/a> ‘in de g\u00f6nderdikleri mektuplar yay\u0131nlanm\u0131\u015ft\u0131r. Hatta \u0130dil Biret, 1948 y\u0131l\u0131nda dergi i\u00e7in bir mar\u015f besteler. Ama \u00f6ncesinde Do\u011fan Karde\u015f dergisi okurlar\u0131 aras\u0131nda bir yar\u0131\u015fma d\u00fczenler mar\u015f\u0131n s\u00f6zlerinin yaz\u0131lmas\u0131 i\u00e7in. Yar\u0131\u015fmada on ya\u015f\u0131ndaki Tomris Sunter’in \u015fiiri birinci olur. Do\u011fan Karde\u015f Mar\u015f\u0131 olarak lanse edilen \u015fiir a\u015fa\u011f\u0131daki gibidir.<\/p>\n

Bilgi doludur i\u00e7i<\/p>\n

Yaz\u0131lar\u0131 hep cici<\/p>\n

Dergilerin i\u00e7inde<\/p>\n

Do\u011fan Karde\u015f birinci<\/p>\n

Do\u011fan Karde\u015f Mar\u015f\u0131, Tomris Sunter<\/p>\n

Bu mar\u015f bestelendikten sonra dergide mar\u015f\u0131n notalar\u0131 da yay\u0131mlanm\u0131\u015f. Edindi\u011fim bir bilgiye g\u00f6re de Ay\u015fe Abla olarak bilinen Neriman H\u0131z\u0131r, Ankara Radyosu<\/strong><\/a>‘nda Radyo \u00c7ocuk Kul\u00fcb\u00fc’n\u00fcn korosunun bu mar\u015f\u0131 s\u00f6ylemesini sa\u011flam\u0131\u015f.<\/p>\n

Kayda d\u00fc\u015fen tarihi s\u00fcrecinde yay\u0131n hayat\u0131 boyunca Do\u011fan Karde\u015f dergisinde \u015fiir, karikat\u00fcr, resim, “g\u00fclery\u00fczl\u00fc foto\u011fraf”,rozet tasar\u0131m gibi \u00e7ok \u00e7e\u015fitli ba\u015fl\u0131klarda yar\u0131\u015fmalar a\u00e7\u0131lm\u0131\u015f.  Bu gibi yar\u0131\u015fmalar b\u00fcy\u00fck ilgi g\u00f6rm\u00fc\u015f. \u0130lkokullar aras\u0131 ilk kompozisyon yar\u0131\u015fmas\u0131 1957 y\u0131l\u0131nda Milli E\u011fitim Bakanl\u0131\u011f\u0131 ile i\u015fbirli\u011fi yap\u0131larak ger\u00e7ekle\u015ftirilmi\u015f. \u0130lk \u00e7ocuk roman\u0131 yar\u0131\u015fmas\u0131 ise 1964 y\u0131l\u0131nda Yap\u0131 Kredi’nin 20. kurulu\u015f y\u0131ld\u00f6n\u00fcm\u00fc nedeniyle \u201cDo\u011fan Karde\u015f \u00c7ocuk Roman\u0131 Arma\u011fan\u0131\u201d ad\u0131 ile yap\u0131lm\u0131\u015f. Mehmet Seyda<\/strong><\/a>\u2019n\u0131n \u201cBir G\u00fcn B\u00fcy\u00fcyeceksin\u201d adl\u0131 roman\u0131 birinci olmu\u015f.  D\u00f6nemin \u00e7ocuk edebiyat\u0131 alan\u0131na ve k\u00fclt\u00fcr hayat\u0131na canl\u0131l\u0131k kat\u0131p, \u0131\u015f\u0131k tutmu\u015f.<\/p>\n

Do\u011fan Karde\u015f bir \u00e7ocuk dergisi olarak do\u011fmu\u015f olmas\u0131na ra\u011fmen d\u00f6neminde ona g\u00f6sterilen yo\u011fun ilgi dolay\u0131s\u0131yla Vedat Nedim T\u00f6r ayn\u0131 ad alt\u0131nda yani Do\u011fan Karde\u015f Kitaplar\u0131 ba\u015fl\u0131\u011f\u0131 ile bir kitap serisi haz\u0131rlam\u0131\u015ft\u0131r. D\u00fcnya \u00e7ocuk edebiyat\u0131ndan bir\u00e7ok \u00fcnl\u00fc yazar\u0131n eseri bu seri ile T\u00fcrk\u00e7eye \u00e7evrilmi\u015ftir. Bu kitap serisi i\u00e7in \u00e7evrilen ilk kitap, Tolstoy<\/strong><\/a>\u2019un k\u00fc\u00e7\u00fckler i\u00e7in yazd\u0131\u011f\u0131 ve 17 \u00f6yk\u00fcden olu\u015fan bu kitab\u0131n \u00e7evirilerini Rus\u00e7a orijinalinden V\u00e2l\u00e2 Nurettin yapm\u0131\u015ft\u0131r.  1946 bas\u0131ml\u0131 bu kitaba bir sahaf arac\u0131l\u0131\u011f\u0131 ile ula\u015ft\u0131m.<\/p>\n

\u00c7ok uzun s\u00fcre \u00f6yk\u00fc ve romanlar da basm\u0131\u015f yay\u0131nevi. Bunlar aras\u0131nda 1949 y\u0131l\u0131nda Amerika\u2019da Chicago \u00dcniversitesi profes\u00f6rlerince \u00e7ocuklar i\u00e7in haz\u0131rlanm\u0131\u015f kitaplar\u0131n \u00e7evirilerine denk geldim. 1950 y\u0131l\u0131nda ise \u201cD\u00fcnya \u00c7ocuk Romanlar\u0131\u201d serisini ba\u015flatm\u0131\u015f. Do\u011fan Karde\u015f Kitaplar\u0131, derginin 1988’de kapanmas\u0131ndan sonra da varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrm\u00fc\u015f bir s\u00fcre. Biz \u00e7ocukluktan ilk gen\u00e7li\u011fe ge\u00e7ti\u011fimiz y\u0131llarda art\u0131k ba\u015fka dergiler, kitaplar okumaya ba\u015flam\u0131\u015fken o da gerek d\u00f6nemin \u00e7ocuk kitlesine hitab\u0131 ve \u00c7ocuk edebiyat\u0131na katk\u0131lar\u0131n\u0131 s\u00fcrd\u00fcrmeye devam etmi\u015f. Ama zaman\u0131n a\u00e7\u0131lmaz kaidesi d\u00fcsturunca her ba\u015flang\u0131c\u0131n bir sonu, her do\u011fu\u015fun bir solu\u015fu, silini\u015fi ger\u00e7e\u011fini ya\u015fam\u0131\u015f.  Baba evinin arka balkonunda camek\u00e2n dolap i\u00e7indeki dergi koleksiyonu ve kitap ar\u015fivi benim kendi tarihimde \u00e7ocuklu\u011fuma giderek \u015fimdiki zamandan bir bak\u0131\u015f atmam\u0131 sa\u011flad\u0131. Bu s\u00fcre\u00e7te en \u00e7ok kalemimi besleyen  YKY K\u00fclt\u00fcr yay\u0131nlar\u0131 aras\u0131ndan \u00e7\u0131kan Mine S\u00f6\u011f\u00fct’\u00fcn 2003 tarihli “Sevgili Do\u011fan Karde\u015f” adl\u0131 an\u0131-inceleme kitab\u0131<\/a> oldu. Ge\u00e7irdi\u011fimiz bir ara tatilin ge\u00e7mi\u015f zaman yolculu\u011fuma sebep olan g\u00fczelli\u011finden arta kalan ve \u00e7ocuklu\u011fuma gitmenin tazeli\u011fi ve enerjisiyle bakanl\u0131ktaki odamda oturmu\u015f Mevlana bulvar\u0131na bakan bah\u00e7emizin sar\u0131 s\u0131cak renklerdeki sonbahar\u0131n\u0131 izliyorum.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c7ocuklu\u011fum e\u011fitimci olan ebeveynimin tayini dolay\u0131s\u0131yla Anadolu\u2019nun \u00fccra bir k\u00f6y\u00fcnde ge\u00e7ti. K\u0131\u015flar\u0131 normal okul rutini…<\/p>\n","protected":false},"author":32,"featured_media":3111,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[20],"tags":[],"ppma_author":[232],"class_list":["post-3110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kitap"],"yoast_head":"\nHazin Bir Ayr\u0131l\u0131ktan Yeniden Do\u011fu\u015fa D\u00f6n\u00fc\u015fen Bir Dergi: DO\u011eAN KARDE\u015e - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2025\/12\/15\/hazin-bir-ayriliktan-yeniden-dogusa-donusen-bir-dergi-dogan-kardes\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hazin Bir Ayr\u0131l\u0131ktan Yeniden Do\u011fu\u015fa D\u00f6n\u00fc\u015fen Bir Dergi: DO\u011eAN KARDE\u015e - simurgedebiyat.com\" \/>\n<meta property=\"og:description\" content=\"\u00c7ocuklu\u011fum e\u011fitimci olan ebeveynimin tayini dolay\u0131s\u0131yla Anadolu\u2019nun \u00fccra bir k\u00f6y\u00fcnde ge\u00e7ti. 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Karadeniz Teknik \u00dcniversitesi Edebiyat Fak\u00fcltesinden mezun olduktan sonra yine ayn\u0131 \u00fcniversitenin Edebiyat b\u00f6l\u00fcm\u00fcnde \u2018Edebiyk\u00f6at\u0131-\u0131 Umumiye Mecmuas\u0131 Teknik Tahlili\u2019 konulu yeni T\u00fcrk edebiyat\u0131 alan\u0131nda y\u00fcksek lisans yapt\u0131. \u00d6\u011fretmen olarak ba\u015flad\u0131\u011f\u0131 mesle\u011fine zaman zaman bakanl\u0131k b\u00fcnyesi ve ta\u015fra te\u015fkilat\u0131ndaki de\u011fi\u015fik g\u00f6revlendirmelerde Ar-Ge \u00e7al\u0131\u015fan\u0131, yerel ve ulusal projelerde koordinat\u00f6r olarak devam etti. 2005 y\u0131l\u0131nda TRT Trabzon Radyosu ak\u015fam ku\u015fa\u011f\u0131nda \u2018Hayal Kahvesi\u2019 adl\u0131 bir program\u0131 haz\u0131rlay\u0131p sundu. 2007-2010 y\u0131llar\u0131 aras\u0131nda Mill\u00ee E\u011fitim Bakanl\u0131\u011f\u0131 Strateji Geli\u015ftirme Daire Ba\u015fkanl\u0131\u011f\u0131nda Stratejik Planlama konusunda \u2018E\u011fitimcilerin E\u011fitimi\u2019 seminerleri verdi. 2012 y\u0131l\u0131nda Ba\u015fkent \u0130leti\u015fim Akademisinde TRT Ana Haber spikerlerinden \u00f6zel olarak sunuculuk, seslendirme, dublaj dersleri ald\u0131. Ard\u0131ndan \u00e7e\u015fitli kay\u0131tlarda baz\u0131 karakterleri seslendirdi. 2014-2016 y\u0131llar\u0131 aras\u0131nda Avrasya \u00dcniversitesi Radyo Televizyon b\u00f6l\u00fcm\u00fcnde \u2018Do\u011fru ve G\u00fczel Konu\u015fma E\u011fitimi, Diksiyon ve Beden Dili\u2019 dersleri \u00e7er\u00e7evesinde okutmanl\u0131k yapt\u0131. Bir\u00e7ok edebi dergide, farkl\u0131 platformlarda yaz\u0131lar\u0131 ve sunumlar\u0131 ile yer ald\u0131. Yazar\u0131n \u2018\u015eafakla Gelen Ya Kebike\u00e7\u2019 ve Yaln\u0131zlar Senfonisi adl\u0131 iki kitab\u0131 bulunmaktad\u0131r. Masal \u00fczerine akademik ara\u015ft\u0131rmalar\u0131na \u00fcniversite y\u0131llar\u0131nda ba\u015flayan yazar, bu birikimlerini Masal Anlat\u0131c\u0131s\u0131 E\u011fitmenli\u011fi seminerlerinde kat\u0131l\u0131mc\u0131larla payla\u015fmaktad\u0131r. 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K\u00d6SA SERT","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/aysegul-kosa-sert\/"},"uagb_comment_info":2,"uagb_excerpt":"\u00c7ocuklu\u011fum e\u011fitimci olan ebeveynimin tayini dolay\u0131s\u0131yla Anadolu\u2019nun \u00fccra bir k\u00f6y\u00fcnde ge\u00e7ti. K\u0131\u015flar\u0131 normal okul rutini...","authors":[{"term_id":232,"user_id":32,"is_guest":0,"slug":"aysegul-kosa-sert","display_name":"Ay\u015feg\u00fcl K\u00d6SA SERT","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/07\/AKS.webp","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/07\/AKS.webp"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"\u0130lk ve orta \u00f6\u011frenimini babas\u0131n\u0131n g\u00f6revi nedeniyle Anadolu\u2019nun\r\n\u00e7e\u015fitli \u015fehirlerinde tamamlad\u0131. \u00c7ocuklu\u011funda ge\u00e7ti\u011fi her co\u011frafya ve tan\u0131d\u0131\u011f\u0131 her insan kalemi\r\n\u00fczerinde iz b\u0131rakm\u0131\u015ft\u0131r. Karadeniz Teknik \u00dcniversitesi Edebiyat Fak\u00fcltesinden mezun\r\nolduktan sonra yine ayn\u0131 \u00fcniversitenin Edebiyat b\u00f6l\u00fcm\u00fcnde \u2018Edebiyk\u00f6at\u0131-\u0131 Umumiye Mecmuas\u0131\r\nTeknik Tahlili\u2019 konulu yeni T\u00fcrk edebiyat\u0131 alan\u0131nda y\u00fcksek lisans yapt\u0131. \u00d6\u011fretmen olarak ba\u015flad\u0131\u011f\u0131 mesle\u011fine zaman zaman bakanl\u0131k b\u00fcnyesi ve ta\u015fra\r\nte\u015fkilat\u0131ndaki de\u011fi\u015fik g\u00f6revlendirmelerde Ar-Ge \u00e7al\u0131\u015fan\u0131, yerel ve ulusal projelerde\r\nkoordinat\u00f6r olarak devam etti. 2005 y\u0131l\u0131nda TRT Trabzon Radyosu ak\u015fam ku\u015fa\u011f\u0131nda \u2018Hayal\r\nKahvesi\u2019 adl\u0131 bir program\u0131 haz\u0131rlay\u0131p sundu. 2007-2010 y\u0131llar\u0131 aras\u0131nda Mill\u00ee E\u011fitim\r\nBakanl\u0131\u011f\u0131 Strateji Geli\u015ftirme Daire Ba\u015fkanl\u0131\u011f\u0131nda Stratejik Planlama konusunda\r\n\u2018E\u011fitimcilerin E\u011fitimi\u2019 seminerleri verdi. 2012 y\u0131l\u0131nda Ba\u015fkent \u0130leti\u015fim Akademisinde TRT\r\nAna Haber spikerlerinden \u00f6zel olarak sunuculuk, seslendirme, dublaj dersleri ald\u0131. Ard\u0131ndan\r\n\u00e7e\u015fitli kay\u0131tlarda baz\u0131 karakterleri seslendirdi. 2014-2016 y\u0131llar\u0131 aras\u0131nda Avrasya \u00dcniversitesi\r\nRadyo Televizyon b\u00f6l\u00fcm\u00fcnde \u2018Do\u011fru ve G\u00fczel Konu\u015fma E\u011fitimi, Diksiyon ve Beden Dili\u2019\r\ndersleri \u00e7er\u00e7evesinde okutmanl\u0131k yapt\u0131. Bir\u00e7ok edebi dergide, farkl\u0131 platformlarda yaz\u0131lar\u0131 ve\r\nsunumlar\u0131 ile yer ald\u0131. Yazar\u0131n \u2018\u015eafakla Gelen Ya Kebike\u00e7\u2019 ve Yaln\u0131zlar Senfonisi adl\u0131 iki kitab\u0131 bulunmaktad\u0131r.\r\nMasal \u00fczerine akademik ara\u015ft\u0131rmalar\u0131na \u00fcniversite y\u0131llar\u0131nda ba\u015flayan yazar, bu\r\nbirikimlerini Masal Anlat\u0131c\u0131s\u0131 E\u011fitmenli\u011fi seminerlerinde kat\u0131l\u0131mc\u0131larla\r\npayla\u015fmaktad\u0131r. Bunun yan\u0131 s\u0131ra \u201cOsmanl\u0131 T\u00fcrk\u00e7esi (Temel d\u00fczey), Beden Dili, Etkili ve\r\nG\u00fczel Konu\u015fma, Diksiyon, Yarat\u0131c\u0131 Yazarl\u0131k\u201d alan\u0131nda seminerler vererek \u00e7al\u0131\u015fmalar\u0131n\u0131\r\ns\u00fcrd\u00fcrmektedir. Halen bir kurumda seslendirme ve sunuculuk yapmakta olan yazar evlidir ve\r\nArda Tar\u0131k\u2019\u0131n annesidir.\r\n"}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/3110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=3110"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/3110\/revisions"}],"predecessor-version":[{"id":3112,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/3110\/revisions\/3112"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/3111"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=3110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=3110"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=3110"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=3110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}