Verimli bir yaz\u0131n insan\u0131 Cevat Akkanat. K\u0131rk y\u0131l\u0131 a\u015fm\u0131\u015f, yaz\u0131n\u0131n t\u00fcrl\u00fc kademelerinde emek yo\u011fun i\u015fler yap\u0131yor. \u0130ster \u015fiir ve \u015fiir ele\u015ftirisi isterse deneme, derleme ve anlat\u0131lar olsun, \u00f6zg\u00fcr, ele\u015ftirel ve rahat i\u015flerdir bunlar. Bilhassa ve ayr\u0131ca ele\u015ftirel planda i\u015f g\u00f6rmesi onun \u015fiir bahsinde bilin\u00e7li bir edim kazanma arzusunu g\u00f6steriyor. Bana \u00f6yle geliyor ki bir \u015fairin \u015fiir ele\u015ftirisi yapmas\u0131, \u00f6z\u00fcnde \u015fiirin ne oldu\u011fu ve ne yapt\u0131\u011f\u0131, nihai tahlilde ne yapmas\u0131 gerekti\u011fine ili\u015fkin bir meydan okumad\u0131r. Bu meydan okuma, do\u011fas\u0131 ve mahiyeti gere\u011fi, \u015fiirin nas\u0131l olmas\u0131na y\u00f6nelik m\u00fclahazalar\u0131 m\u00fcndemi\u00e7tir. B\u00f6yle olunca m\u00fclahazalar\u0131n ucu \u015fairin kendi \u015fiirine de dokunur. Ele\u015ftiri i\u015fte bu dokumac\u0131l\u0131k mesle\u011finde y\u00fcksek estetik de\u011ferlerin, \u015fairin \u00f6z bilincini ilmek ilmek \u00f6rd\u00fc\u011f\u00fc manal\u0131 ve manidar bir giri\u015fim olsa gerektir. Manal\u0131 ve manidar olu\u015fu biraz \u015fairin kendi \u015fiirine meydan okumas\u0131ndan, daha \u00e7ok bu meydan okumayla birlikte \u015fairler aras\u0131nda yerini bilme ve \u00f6l\u00e7me merak\u0131ndan ileri gelir. \u0130yi \u015fiir yazmak isteyen bir \u015fairin poetik fazda nereye konum att\u0131\u011f\u0131 \u00f6nemli diyece\u011fim. Ben kendi pay\u0131ma Akkanat\u2019\u0131n konumunu meraka de\u011fer buldum. Onca s\u00f6z\u00fc bu merak duygusundan sarf ettim. Merak\u0131ma de\u011fdi mi? Merak\u0131ma de\u011fen \u015feyler nelerdi? Ger\u00e7ek \u015fu ki merak etti\u011fim \u015feylerden biri, bug\u00fcne gelirken \u015fiir bahsinde hangi yolu y\u00fcr\u00fcd\u00fc\u011f\u00fcnden \u00e7ok, bu y\u00fcr\u00fcy\u00fc\u015fe e\u015flik eden ele\u015ftirel bilincin hangi poetik dayanaklardan beslendi\u011fiydi. 1980\u2019li y\u0131llar\u0131 seslendiren \u2018Kovgun \u0130sa T\u00fcrk\u00fcs\u00fc\u2019nden, 1990\u2019lar\u0131 sahneleyen \u2018Kara Oyun\u2019a ve bug\u00fcne do\u011fru uzanan \u2018O Halde \u0130syan\u2019dan \u2018Lirik\u2019lere, bir nevi par\u00e7alanm\u0131\u015f duygular haritas\u0131nda Akkanat, modern \u015fiirin k\u0131r\u0131lma anlar\u0131n\u0131 kendi me\u015frebince tan\u0131tmaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Bu tan\u0131kl\u0131\u011f\u0131n, \u015fairin kendi ya\u015fam\u0131ndan soyruk olmad\u0131\u011f\u0131, ku\u015fku g\u00f6t\u00fcrmez bir \u015fiirsel ger\u00e7ek ta\u015f\u0131d\u0131\u011f\u0131 rahatl\u0131kla s\u00f6ylenebilir. O bu tan\u0131kl\u0131kta hem \u015fair olarak kendi ya\u015fam\u0131n\u0131 hem ya\u015fad\u0131\u011f\u0131 \u00e7a\u011f\u0131n gidi\u015fini, a\u015f\u0131land\u0131\u011f\u0131 \u015fiirsel g\u00fc\u00e7 anlam\u0131nda \u00f6ne s\u00fcrm\u00fc\u015ft\u00fcr. O kadar ki tan\u0131kl\u0131\u011f\u0131n b\u0131\u00e7ak gibi keskin ve nesnel g\u00f6zle g\u00f6r\u00fclmesi i\u00e7in \u015fiirini ara\u00e7salla\u015ft\u0131rmaktan \u00e7ekinmedi\u011fi olmu\u015ftur. ( \u2018adalet anneleri adl\u0131 \u015fiir \/ do\u011fum sanc\u0131s\u0131 y\u00fcklenmi\u015f \/ bundand\u0131r korkuyor ordusu \/ resmige\u00e7it buna kilitlenmi\u015f\u2019 (2020)<\/p>\n
\u00d6te yandan Akkanat\u2019\u0131n meydan okumas\u0131, her ne kadar tarihsel ve k\u00fclt\u00fcrel kodlardan el al\u0131yor olsa da \u00f6z\u00fcnde ve ger\u00e7ekte duyguyla \u0131ral\u0131d\u0131r. Lirizm ilk \u015fiir kitab\u0131ndan sonuncusuna onun sesine renk veren ba\u015fat nitelik olmu\u015ftur. T\u00fcrk \u015fiirinin \u2018pathos\u2019 damar\u0131ndan konu\u015fmu\u015ftur. B\u00fct\u00fcn \u015fiirlerini kat eden ses organizasyonu, Yunus Emre\u2019den bug\u00fcne tarihsel geli\u015fimi \u00f6rnekleyen verimlerden etki almaktan \u00e7ekinmemi\u015ftir. O d\u00fcnk\u00fc \u015fiirin ses disiplini deyince anlad\u0131\u011f\u0131 \u015feyi modern fazda ba\u015far\u0131yla uygulam\u0131\u015ft\u0131r. \u00c7abuk ve h\u0131zl\u0131 \u015fiirler yazmay\u0131 belki bu yoldan \u00f6\u011frenmi\u015f olmal\u0131d\u0131r. \u00d6te yandan Akkanat, \u015fiirin dayatt\u0131\u011f\u0131 muhalefet duygusunu, yine \u015fiirin vaz etti\u011fi adalet ilkesiyle dengelemeyi \u00e7ok kez ba\u015farm\u0131\u015ft\u0131r. Habis siyaseti yoktur onun \u015fiirinin diyece\u011fim. O \u00e7ok g\u00fczel a\u015fk \u015fiirleri de toplumsal ve siyasi y\u00fck\u00fc bask\u0131n k\u0131r\u0131k-epik \u015fiirler de yazm\u0131\u015ft\u0131r. Hemen b\u00fct\u00fcn \u015fiirleri \u2018kontrast\u2019 \u00fczerine kurulmu\u015ftur. Mutlulu\u011fu yazd\u0131\u011f\u0131 gibi h\u00fczn\u00fc de \u015fiirine ta\u015f\u0131tm\u0131\u015ft\u0131r. Vuslat\u0131n kuca\u011f\u0131na ayr\u0131l\u0131\u011f\u0131 b\u0131rakm\u0131\u015f, ya\u015fam\u0131n yan\u0131na \u00f6l\u00fcm\u00fc koymu\u015f, a\u00e7\u0131kl\u0131\u011f\u0131n i\u00e7inde \u00e7a\u011fr\u0131\u015f\u0131m\u0131 yedeklemi\u015f vs\u2026 \u015eiirinde k\u0131l\u0131ktan k\u0131l\u0131\u011fa girdi\u011fi de g\u00f6r\u00fclm\u00fc\u015ft\u00fcr. Fakat o b\u00fct\u00fcn hallerine t\u00fcrl\u00fc z\u0131tl\u0131klar da getirse, temelde \u00f6zsel olmay\u0131 hi\u00e7 terk etmemi\u015ftir. Faili belli i\u015fler \u00e7\u0131karmas\u0131 ise nesnel kar\u015f\u0131l\u0131k prati\u011fini g\u00f6zetti\u011fini d\u00fc\u015f\u00fcnd\u00fcr\u00fcr. Gerek \u00f6zsel gerekse g\u00f6r\u00fcn\u00fc\u015fsel anlamda \u015fiirlerinde ki\u015fili\u011fini silen \u015fairlerden de\u011fildir. Lirik \/ Parampar\u00e7a<\/b>\u2019ya varan k\u0131rk y\u0131l\u0131n sonunda, arayan ve deneyen yanlar\u0131 a\u011f\u0131r basan poetik davran\u0131\u015flar sergilemi\u015ftir. O her \u015feyden \u015fiirine \u00f6zler ta\u015f\u0131maya \u00e7al\u0131\u015fm\u0131\u015f, bir \u015fekilde \u015fiire varman\u0131n t\u00fcrl\u00fc yollar\u0131n\u0131 yoklam\u0131\u015ft\u0131r. Kelimelerin ses yap\u0131lar\u0131ndan film karelerine, \u015fair ve yazarlara ya da olaylara manal\u0131 g\u00f6ndermelerden tarih d\u00fc\u015f\u00fcrmelere, okudu\u011fu kitaplardan soka\u011f\u0131n g\u00fcnl\u00fck g\u00f6r\u00fcnt\u00fclerine, s\u00f6z oyunlar\u0131ndan soyut teatral konu\u015fmalara, insan olu\u015fun garip y\u00f6nlerinden en ulvi duygusal tecr\u00fcbelere, ya\u015fam\u0131 anlamland\u0131ran an\u0131lardan ya\u015fanan herhangi bir ana kadar, var olu\u015fu kucaklayan her \u015feyden \u015fiir ad\u0131na nem kapm\u0131\u015ft\u0131r. B\u00fct\u00fcn bu \u015fiir ameliyesini bazen d\u00fczyaz\u0131 tekni\u011fi ile ger\u00e7ekle\u015ftirmi\u015f bazen halk \u015fiiri modunda t\u00fcrk\u00fc s\u00f6yler gibi yazm\u0131\u015f, \u00e2\u015f\u0131klar gibi at\u0131\u015fm\u0131\u015f, (\u2018G\u00fcl\u00fcmse Kul\u00fcb\u00fc\u2019 ilgin\u00e7 deneyimlerle y\u00fckl\u00fcd\u00fcr) yeri geldi\u011finde d\u00fcz ovada elinde isyan bayra\u011f\u0131 ile, da\u011flara ta\u015flara, siyasete, velhas\u0131l topluma do\u011fru arac\u0131s\u0131z konu\u015fmay\u0131 dola\u015f\u0131ma koymu\u015ftur. Do\u011frudan, arac\u0131s\u0131z, d\u00fcz konu\u015fmak, onun \u015fiir siyasetinin belirleyici retori\u011fi olmu\u015ftur. Fakat ne olursa olsun, bi\u00e7im ve i\u00e7eri\u011fin kurulu\u015f mant\u0131\u011f\u0131 bak\u0131m\u0131ndan tart\u0131\u015fmal\u0131 olsun olmas\u0131n, bu siyasetin \u00f6z\u00fcnde ve ameliyesinde s\u00f6z\u00fc yormadan s\u00f6ylemek esast\u0131r. Nihayet \u015fiirinin kurulumunda ironik ala\u015f\u0131m \u00f6nemli bir yer tutmu\u015ftur. A\u015fa\u011f\u0131ya ald\u0131\u011f\u0131m tad\u0131ml\u0131k al\u0131nt\u0131lar onun \u015fiirlerini okumak isteyenler i\u00e7in \u00f6n \u00f6rnek say\u0131ls\u0131n:<\/p>\n
\u2018Seni methedeyim\u2026\u2019 \u2018\u00f6yleyse dural\u0131m \u015fimdi \/ atalara uyup s\u00f6z\u00fc yoral\u0131m \/ bir m\u0131nt\u0131ka temizli\u011fi konu\u015flanm\u0131\u015f buraya \/ senin falan \u0131rmakta yundu\u011funu \/ filan vapurda seyre durdu\u011funu \/ \u015firin yerlerde kendince avundu\u011funu \/ unutma sular\u0131na salal\u0131m\u2019 (2023)<\/p>\n
\u2018ingilizce nas\u0131l havlar k\u00f6pekler \/ hav ne demek e s\u00f6yleyin bebekler \/ kumpas kurmu\u015f hile ile desise \/ f\u0131khiyeye m\u00fclkiyeye \u00e7\u00f6km\u00fc\u015fler\u2019<\/p>\n
\u2018enkazdan sa\u011f \u00e7\u0131kabilen gen\u00e7 \u015fairin \/ ablas\u0131na s\u00f6yledi\u011fi \u015fiir gibi tazesin\u2019 (2023)<\/p>\n
\u2018gecenin boynu uzar seni g\u00f6zlemekten\u2019 (2023)<\/p>\n
Cevat Akkanat\u2019\u0131n \u015fiirlerinde g\u00f6ze \u00e7arpan kusurlar iki y\u00f6nden geliyor: Bi\u00e7imden gelen kusurlar, i\u00e7eri\u011fi bo\u011fan kusurlar. Bu iki y\u00f6nden gelen kusurlara yeri geldik\u00e7e de\u011finmi\u015ftim. Fakat temelde estetik \u00f6z\u00fcn de\u011ferini a\u015fa\u011f\u0131ya iten israflar daha \u00e7ok g\u00f6ze bat\u0131yor diyebiliriz. Bu israf da \u015fairin \u00e7ok konu\u015fma arzusundan do\u011fuyor. S\u0131ralamalar, say\u0131p d\u00f6kmeler, tekrarlar yerinde dola\u015f\u0131ma girdi\u011finde, hususen uzun metrajl\u0131 \u015fiirde b\u00fcy\u00fck etki uyand\u0131rabilecek bir i\u015flev y\u00fcklenirler. Fakat dozu ka\u00e7t\u0131\u011f\u0131nda \u015fiirde alelade yinelemelere d\u00f6n\u00fc\u015fme tehlikesi ya\u015fat\u0131rlar.<\/p>\n
Bu durum bazen bi\u00e7imin \u00f6z\u00fc sakatlad\u0131\u011f\u0131 bazen de \u00f6z\u00fcn ruhuna uygun olmayan bir formu ta\u015f\u0131rmas\u0131 gibi zevksiz alg\u0131lar ya\u015fatabiliyor. Mesela gerek kitaplardan, filmlerden, yazar ve \u015fairlerden esinlenerek yazd\u0131\u011f\u0131 \u2018\u00e7abuk\u2019 \u015fiirlerin gerekse kelime ekonomisinin g\u00f6zetilmedi\u011fi kesitlerde yap\u0131lan s\u0131k tekrar ve retoriksel yinelemeler, saymalar, d\u00f6kmelerin \u00e7ok yer kaplad\u0131\u011f\u0131 \u2018h\u0131zl\u0131\u2019 \u015fiirlerin bazen \u2018tekerleme\u2019 formuna yakla\u015ft\u0131\u011f\u0131 oluyor. Bu bapta Akkanat\u2019\u0131n, \u015fiirin kendine mahsus dinamik i\u015fleyi\u015fi dikkate al\u0131nd\u0131\u011f\u0131nda pek se\u00e7ici davranmad\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcyor. K\u0131yamam\u0131\u015f Akkanat diyece\u011fim, baz\u0131 \u015fiirlerini ay\u0131klamaya, \u015fiirlerindeki baz\u0131 kesitleri kesip k\u0131rpmaya, baz\u0131 \u015fiirlerine estetik filtreler koymaya, boylar\u0131n\u0131 k\u0131saltmaya, huylar\u0131n\u0131 d\u00fczeltmeye.<\/p>\n
Olsun diyemeyece\u011fimiz, baz\u0131 \u015fairlerin yo\u011furt yiyi\u015fi b\u00f6yledir diyemeyece\u011fimiz kusurlar\u0131n d\u0131\u015f\u0131nda kad\u0131 k\u0131z\u0131nda g\u00f6r\u00fclebilecek \u00e7apta olanlar\u0131 dile getirmek ele\u015ftirel ay\u0131b\u0131m\u0131z olur. Bunlar \u015fair ve okur aras\u0131nda vuku bulmas\u0131 muhtemel bir etik s\u00f6zle\u015fmesinin konusudur deyip b\u0131rakal\u0131m. \u015eu var ki edilecek daha \u00e7ok s\u00f6z var Cevat Akkanat\u2019\u0131n \u015fiirleri bahsinde. Fakat ben yine de yaz\u0131nsal me\u015frebime mugayir tutum almaktan ka\u00e7\u0131nmak isterim. Candan okuyun onun \u015fiirlerini derim ve s\u00f6z\u00fc \u015fahane bir \u015fiiriyle ba\u015fkalar\u0131na b\u0131rakmak isterim.<\/p>\n
\u2018\u0131skandal\u0131n pe\u015fine \/ d\u00fc\u015f\u00fcn \u015fimdi haydi bir \/ elinizde delildir \/ i\u015fte fendim bu \u015fiir \/ siz ve tip\u00e7ik vesair \/ c\u00fcmle silah er emir \/ k\u0131z\u0131lay metrosuna \/ k\u00f6pek kul\u00fcb\u00fc denir \/ kul\u00fcbesi k\u0131z olsa \/ yedeklerden kurulsa \/ ne\u015fet\u2019in ba\u011flamas\u0131 \/ g\u00f6n\u00fcl da\u011f\u0131n\u0131 \u00e7alsa \/ kederde de oynar\u0131z \/ d\u00f6ner d\u00f6ner a\u011flar\u0131z \/ istiklal camisinde \/ sakil olsun haliniz \/ ne elliyiz ne elsiz \/ abi karde\u015f de\u011filiz \/ can\u0131m cicim beklerken \/ tekzip yemi\u015f milletiz \/ sava\u015ft\u0131k ve sevi\u015ftik \/ galip geldik yenildik \/ istiklal umduk amma \/ istiskal mar\u015f\u0131 yazd\u0131k\u2019<\/p>\n
Bu Yaz\u0131 Ali CELEP Taraf\u0131ndan Yaz\u0131lm\u0131\u015f olup, EDEB\u0130YAT HABER Sitesinden al\u0131nm\u0131\u015ft\u0131r.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Verimli bir yaz\u0131n insan\u0131 Cevat Akkanat. K\u0131rk y\u0131l\u0131 a\u015fm\u0131\u015f, yaz\u0131n\u0131n t\u00fcrl\u00fc kademelerinde emek yo\u011fun i\u015fler…<\/p>\n","protected":false},"author":22,"featured_media":2804,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[22],"tags":[],"ppma_author":[199],"class_list":["post-2803","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-elestiri"],"yoast_head":"\n