{"id":2655,"date":"2025-10-30T14:35:28","date_gmt":"2025-10-30T11:35:28","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=2655"},"modified":"2025-10-30T14:35:28","modified_gmt":"2025-10-30T11:35:28","slug":"cevat-akkanatin-siirleri-uzerine-6-ali-celep","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2025\/10\/30\/cevat-akkanatin-siirleri-uzerine-6-ali-celep\/","title":{"rendered":"Cevat Akkanat\u2019\u0131n \u015eiirleri \u00dczerine: 6 | Ali Celep"},"content":{"rendered":"
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Cevat Akkanat\u2019\u0131n yirmili ya\u015flar\u0131n\u0131n bir di\u011fer verimi de \u2018Iss\u0131zl\u0131k Mar\u015f\u0131\u2019d\u0131r. \u0130\u00e7indekiler 1985-1987 y\u0131llar\u0131 aras\u0131nda kaleme al\u0131nm\u0131\u015f. Pek \u00e7o\u011fu nesir biraz\u0131 mensur bi\u00e7imli metinlerin aras\u0131na okumaya al\u0131\u015fageldi\u011fimiz formalar da serpi\u015ftirilmi\u015f. Gen\u00e7li\u011fin tetikledi\u011fi g\u00f6z\u00fc peklik, at\u0131lganl\u0131k ve bir \u00f6l\u00e7\u00fcde sertli\u011fin s\u0131rtlad\u0131\u011f\u0131 bu metinlerin ortak vasf\u0131n\u0131 iki s\u00f6zc\u00fckle belirlemek m\u00fcmk\u00fcn: \u2018kar\u015f\u0131\u2019 ve \u2018\u00e7\u0131k\u0131\u015f\u2019. O, kendi tavr\u0131n\u0131n hakl\u0131l\u0131\u011f\u0131ndan o kadar emin ki kitab\u0131n ba\u015fucuna bir \u2018y\u00f6nlendiri\u2019 de kondurmu\u015f. Bu y\u00f6nde sadece \u00e7a\u011f\u0131na, \u00e7a\u011f\u0131nda ya\u015fananlara ka\u015f\u0131n\u0131 \u00e7atmakla kalmam\u0131\u015f, yayg\u0131n poetik tutum al\u0131\u015flar\u0131n topuna da vermi\u015f veri\u015ftirmi\u015f. S\u0131k\u0131lm\u0131\u015f bir yumruk gibi konu\u015fmu\u015f diyece\u011fim. Evvela bu \u2018y\u00f6nlendiri\u2019 i\u015fini ciddiye almak laz\u0131m. Belli ki Akkanat \u2018poetik\u2019 varl\u0131\u011f\u0131ndan \u00e7ok \u015fiirin destekleyici g\u00fc\u00e7 olarak konumland\u0131r\u0131ld\u0131\u011f\u0131 \u2018sivil\u2019 duru\u015fun \u00f6nemine daha \u00e7ok dikkat \u00e7ekmek istemi\u015f. Hal b\u00f6yle olunca \u015fiirin kurucu, yayg\u0131n ya da ayr\u0131ks\u0131 parametreleri d\u0131\u015f\u0131nda sivil ve itaatsiz duyarl\u0131\u011f\u0131n \u00f6n ald\u0131\u011f\u0131 bir cepheden seslenmi\u015f \u015fair. \u2018Y\u00f6nlendiri\u2019 de zaten okuru bu yola y\u00f6nlendiriyor olmal\u0131 ki i\u00e7indekileri \u2018yaz\u0131lar\u2019 diye en ba\u015fta kodlama ihtiyac\u0131 duymu\u015f: \u2018Bu yaz\u0131lar b\u00f6yle bir d\u00fc\u015f\u00fcncenin \u00fcr\u00fcn\u00fc ve yazar\u0131n\u0131 \u2018bi\u00e7imler\u2019 ilgilendirmiyor\u2019. Bana g\u00f6re metnin ba\u011f\u0131rsaklar\u0131 temizlenip sunulsayd\u0131 \u00e7a\u011f\u0131n\u0131 ve onu bi\u00e7imleyen insan ili\u015fkilerini a\u00e7\u0131k\u00e7a itham eden g\u00fc\u00e7l\u00fc bir mensur yap\u0131 kurma olana\u011f\u0131 elde edilebilirdi. Bu tip metin elde etmenin yolu en ba\u015fta ve ivedilikle ihtiya\u00e7 fazlas\u0131 s\u00f6zc\u00fcklerin at\u0131lmas\u0131ndan ge\u00e7iyor. Sonra metni ta\u015f\u0131y\u0131c\u0131 s\u00f6zcelerin \u015fiirsel dizgeye uygun dizilimi, s\u00f6zgelimi bilin\u00e7li ya da bilin\u00e7 ak\u0131\u015f\u0131 tekni\u011fi ile estetik kurulumu gereksinir vs. Akkanat \u00f6yle anla\u015f\u0131l\u0131yor ki ne dedi\u011fiyle ilgilenmeyi tercih etmi\u015f, nas\u0131l s\u00f6ylemek endi\u015fesinden \u00e7ok. Ve daha \u00e7ok da \u2018bu sars\u0131nt\u0131 \u00e7a\u011f\u0131nda duyarl\u0131 kalman\u0131n\u2019 derdiyle hasbelkader yazmaya odaklanm\u0131\u015f.<\/p>\n

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Bu metinlerin t\u00fcm\u00fc \u015fairin sada\u011f\u0131ndan \u00e7\u0131km\u0131\u015f oklar gibi yaz\u0131lm\u0131\u015f. Ve bu oklar\u0131n hepsi \u015fairin kendi karakterini anlatmay\u0131 hedeflemi\u015f. Dahas\u0131 kendi benli\u011fine kilitlenmi\u015f anlat\u0131lar bunlar. Benlik diyorum da bunun gen\u00e7li\u011fin yakas\u0131 a\u00e7\u0131k ba\u011fr\u0131yla \u0131ral\u0131 bir benlik oldu\u011funu unutuyor de\u011filim. K\u0131saca \u2018Iss\u0131zl\u0131k Mar\u015f\u0131\u2019, \u00e7a\u011f\u0131ndan sorumlu bir \u015fair b\u00fct\u00fcn olup bitenler kar\u015f\u0131s\u0131nda ger\u00e7ek anlamda nas\u0131l ve hangi konumda bug\u00fcn\u00fcn tan\u0131\u011f\u0131 olabilir sorusuna verilen \u2018duygusal\u2019 yan\u0131tlar olarak dinlenebilir. Bu tan\u0131kl\u0131kta \u015fair hesab\u0131na \u2018geri \u00e7ekilme\u2019 gibi pasif bir duru\u015f yoktur. Akkanat metinleri aktive ederken evrensel k\u00f6t\u00fcl\u00fck \u00f6rg\u00fctlenmesine kar\u015f\u0131 \u00e7\u0131k\u0131\u015fa destek oldu\u011funu d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc Ece Ayhan ve Seferis gibi \u015fairleri de yan\u0131na alm\u0131\u015f. Olan biten \u00e7irkinlilere kar\u015f\u0131 insan\u0131n kan\u0131n\u0131 bozan devasa sessizli\u011fe kendi \u0131ss\u0131z k\u00f6\u015fesinden \u00e7\u0131\u011fl\u0131klar f\u0131rlatm\u0131\u015f. Bu \u00e7\u0131\u011fl\u0131klar aras\u0131nda \u2018tarihin son \u00f6dle\u011fi\u2019 gibi g\u00fczel ve manal\u0131 deyi\u015fler de yerini alm\u0131\u015f ki insan\u0131n ke\u015fke bu \u00e7\u0131\u011fl\u0131klar \u015fiirsel bir formda yerini bulsayd\u0131 diyesi geliyor. Fakat o ba\u015ftan estetik forma da kar\u015f\u0131 \u00e7\u0131kmay\u0131 g\u00f6ze alarak Iss\u0131zl\u0131k Mar\u015f\u0131\u2019n\u0131 yazm\u0131\u015f. Estetik alg\u0131y\u0131 da kar\u015f\u0131 \u00e7\u0131k\u0131lan bir otorite olarak kafas\u0131na koymu\u015f diyece\u011fim. Yine de b\u00fct\u00fcn bu kar\u015f\u0131 \u00e7\u0131k\u0131\u015flar\u0131n son tahlilde deneysel oldu\u011fu \u00e7ok a\u00e7\u0131k. Bu deneyselliklerden 1986\u2019da \u015fairin sa\u011f \u00e7\u0131kt\u0131\u011f\u0131 g\u00fczel par\u00e7alar da var tad\u0131ml\u0131k:<\/p>\n

\u2018ey onurun \u00f6teki ad\u0131 a\u011f\u0131r ve aksak g\u00fcnlerden ge\u00e7ip geldik \/ ey sevgili ey sevgili sevgili \u00f6ld\u00fcr\u00fclemedik sa\u011f kald\u0131k\u2019<\/p>\n<\/div>\n