Ayn\u0131 d\u00f6nemin \u00fcr\u00fcn\u00fc olan \u2018Tan Tan Traska!\u2019<\/b> da (1986-1987) yine s\u00f6zc\u00fck oyunlar\u0131n\u0131n \u015fiir hesab\u0131na daha ritmik ve ger\u00e7ek\u00e7i nitelikler kazand\u0131\u011f\u0131 bir kitap. Bu kazan\u00e7 \u015fiirin nesnel ba\u011fl\u0131la\u015f\u0131m ilkesine riayet etmesinden g\u00fc\u00e7 al\u0131yor. Bu kez a\u015fa\u011f\u0131 do\u011fru bir iki s\u00f6zc\u00fckle sarkan ve yan yana \u00fc\u00e7 be\u015f s\u00f6zc\u00fckle ve belli harflerin s\u0131k tekrarlanmas\u0131yla sa\u011flanan rezonans daha ak\u0131c\u0131 bir b\u00fct\u00fcnl\u00fc\u011fe ula\u015fm\u0131\u015f g\u00f6r\u00fcn\u00fcyor. \u015eiir nesnel ger\u00e7ekli\u011fini bir \u00e7ocukluk oyunundan al\u0131yor. \u00c7ocukluktaki oyun, ya\u015fam oyununu a\u00e7\u0131klaman\u0131n bir mazereti yap\u0131lm\u0131\u015f bu yoldan.<\/p>\n
Bir bak\u0131ma olan\u2019\u0131 a\u00e7\u0131klamada, bir paravan niyetiyle kullan\u0131l\u0131yor \u2018olmu\u015f\u2019. Bu a\u00e7\u0131klaman\u0131n duygusal bir d\u00fczen getirdi\u011fi ise a\u00e7\u0131k. Nihayet a\u015fka, umuda, yar\u0131na zar atm\u0131\u015f bir \u015fiirle muhatab\u0131z. \u00dc\u00e7 uzun \u015fiirden olu\u015fan kitap, ba\u015fka bir a\u00e7\u0131dan ise bir s\u0131nanman\u0131n \u015fiiridir. Olup bitenlere itiraz eden, bazen isyan bayra\u011f\u0131 \u00e7eken \u015fair, temas etti\u011fi her \u015feyi, kendini tan\u0131man\u0131n, ya\u015fam\u0131 tan\u0131mlaman\u0131n nesnesi yapm\u0131\u015ft\u0131r. Bu tan\u0131mlama \u00e7abas\u0131n\u0131n 12 Eyl\u00fcl 1980 askeri darbesinin yaratt\u0131\u011f\u0131 buhran ko\u015fullar\u0131nda, 23 ya\u015f\u0131nda yap\u0131ld\u0131\u011f\u0131n\u0131 an\u0131msatal\u0131m. Kitab\u0131n duygusal tonu, bi\u00e7im ve i\u00e7erikte \u00e7ocuksu olumsuzlukla y\u00fckl\u00fc. Memlekette \u00fcretilen sahte ve yapay \u015fartlarda \u00e7o\u011funlu\u011fun g\u00f6n\u00fcll\u00fc g\u00f6n\u00fcls\u00fcz oynad\u0131\u011f\u0131 oyuna bir kar\u015f\u0131 \u00e7\u0131k\u0131\u015f\u0131 ifade eden bu \u015fiirin ritmik plan\u0131 fena g\u00f6r\u00fcnm\u00fcyor. Fakat konu\u015fma dilinde dola\u015f\u0131ma giren k\u0131sa ifadelerin toplam\u0131 d\u00fcz c\u00fcmlenin par\u00e7alanm\u0131\u015f \u015fekline \u00e7\u0131k\u0131yor. Ke\u015fke a\u015f\u0131r\u0131 y\u00fcklemli konu\u015fmasa diyece\u011fim. Hatta fiiller t\u00fcm\u00fcyle saf d\u0131\u015f\u0131 b\u0131rak\u0131lsa, bence amac\u0131na daha b\u00fcy\u00fck planda ula\u015fabilirdi \u015fiir. Yeniden tanzim edilmi\u015f eksiltili ifadeye g\u00fczel bir \u00f6rnek vereyim: \u2018egemenlik mar\u015flar\u0131 kutsal t\u00f6renler \/ kutsamalar \/ ulu devlet \/ k\u00f6ledir insan \/ k\u00f6pek kuduru\u011fu\u2019<\/p>\n
Kitab\u0131n \u2018A\u015fk \u015eiiri Sana\u2019 <\/b>adl\u0131 ikinci k\u0131sm\u0131 11 b\u00f6l\u00fcmde kurulmu\u015f. Ta\u015f\u0131d\u0131\u011f\u0131 duygusal y\u00fck\u00fcn niteli\u011fine bak\u0131l\u0131rsa tipik bir a\u015fk \u015fiiri. Anlat\u0131m\u0131n yap\u0131s\u0131, olduk\u00e7a ki\u015fisel arg\u00fcmanlarla \u0131ral\u0131. \u015eiirin 1987 \u0130zmir do\u011fumlu oldu\u011funu s\u00f6yleyelim. Demek \u00f6nceki \u015fiirle ayn\u0131 ya\u015fta yaz\u0131lm\u0131\u015f. G\u00fcnl\u00fck konu\u015fma dilinin rahatl\u0131\u011f\u0131 ve ak\u0131c\u0131l\u0131\u011f\u0131 i\u00e7inde, dizelerin s\u00f6zc\u00fcklere kadar par\u00e7aland\u0131\u011f\u0131 bir bi\u00e7imle gelmi\u015f Akkanat. Bu bi\u00e7imsel in\u015fan\u0131n yenilik\u00e7i bir anlay\u0131\u015fa ilmek att\u0131\u011f\u0131 s\u00f6ylenemez. Mayakovski\u2019den Naz\u0131m Hikmet\u2019e, Apollinaire\u2019den E.B.Lav\u2019a, T\u00fcrk ve d\u00fcnya \u015fiirinde say\u0131s\u0131z \u00f6rneklerini g\u00f6rd\u00fc\u011f\u00fcm\u00fcz bu tip denemelerin, bug\u00fcn art\u0131k i\u00e7erik olarak kavray\u0131\u015f seviyemizi y\u00fckseltecek bir temele oturmas\u0131yla me\u015fru bir konu\u015fma tarz\u0131na kavu\u015fabilece\u011fini d\u00fc\u015f\u00fcn\u00fcyorum. B\u00f6yle d\u00fc\u015f\u00fcn\u00fcyorum da \u015fiirin neredeyse k\u0131rk y\u0131l evvelinden gen\u00e7 i\u015fi oldu\u011funu unutuyor de\u011filim. A\u015fk amac\u0131na hizmet eden bu tip \u015fiirlerin eli y\u00fcz\u00fc d\u00fczg\u00fcn bir g\u00f6r\u00fcn\u00fcm kazanmas\u0131 i\u00e7in en az\u0131ndan kli\u015fe deyi\u015flerden ar\u0131nm\u0131\u015f bir s\u00f6zceyi \u00f6ne almal\u0131 kan\u0131mca. Ayr\u0131ca konu\u015fma dilinden \u015fiirsel plana ge\u00e7i\u015flerde abart\u0131l\u0131 y\u00fcklemli bir dizgeyi geride b\u0131rakmal\u0131. Akkanat kitap boyunca uzanan \u015fiirlerinde, d\u00f6nemin a\u011f\u0131r siyasi ko\u015fullar\u0131ndan sevdice\u011fine, karamsarl\u0131ktan umuda ta\u015f\u0131nman\u0131n yollar\u0131n\u0131 a\u015fk ve siyasi bilin\u00e7 \u00fczerinden ara\u015ft\u0131rmaya koyulmu\u015f. B\u00f6ylece ya\u015fam ger\u00e7e\u011finin anla\u015f\u0131lmas\u0131nda, a\u015fk, \u00e7ocukluk, \u015fiir sanki bir mazerete d\u00f6n\u00fc\u015fm\u00fc\u015f gibidir. Benzer duyarl\u0131k kitab\u0131n son \u015fiirinde de i\u015fliyor. Nihayet \u015fair yar\u0131na dair umutlar\u0131n\u0131 pek insanca duygularla y\u00e2rin koynuna s\u0131\u011f\u0131nmakla b\u00fcy\u00fctebilece\u011fine varm\u0131\u015f g\u00f6r\u00fcn\u00fcyor. Sadece varm\u0131\u015f de\u011fil kendi duygular\u0131na fazlaca iman etmi\u015f. \u00d6yle anla\u015f\u0131l\u0131yor ki gen\u00e7 \u015fair bu fazlal\u0131klar\u0131n dayatt\u0131\u011f\u0131 kli\u015felere \u00e7ok tak\u0131l\u0131 kalm\u0131\u015f. \u0130lk izlenimlerden gelen atmosfere kendini fazlaca kapt\u0131rm\u0131\u015f. B\u00f6yle olunca form ve i\u00e7eri\u011fin \u015fiirin g\u00f6vdesini c\u0131l\u0131z b\u0131rakt\u0131\u011f\u0131 bir toplama ula\u015f\u0131lm\u0131\u015f. Yine de konu\u015fma dilinden ald\u0131\u011f\u0131 cesaretle \u015fiir nam\u0131na ara\u015ft\u0131rmac\u0131 kimli\u011fini s\u00fcrd\u00fcrme kararl\u0131l\u0131\u011f\u0131 gen\u00e7 \u015fair hesab\u0131na takdir edilmeli.<\/p>\n
Bu yaz\u0131 Ali CELEP Taraf\u0131ndan Yaz\u0131lm\u0131\u015f olup, HABER EDEB\u0130YAT (Edebiyat-Ele\u015ftiri-D\u00fc\u015f\u00fcnce) Sanal Dergisinden al\u0131nm\u0131\u015ft\u0131r.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Ayn\u0131 d\u00f6nemin \u00fcr\u00fcn\u00fc olan \u2018Tan Tan Traska!\u2019 da (1986-1987) yine s\u00f6zc\u00fck oyunlar\u0131n\u0131n \u015fiir hesab\u0131na daha ritmik…<\/p>\n","protected":false},"author":22,"featured_media":2430,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[22],"tags":[],"ppma_author":[199],"class_list":["post-2429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-elestiri"],"yoast_head":"\n