{"id":2096,"date":"2025-08-14T09:34:38","date_gmt":"2025-08-14T06:34:38","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=2096"},"modified":"2025-08-14T09:34:38","modified_gmt":"2025-08-14T06:34:38","slug":"ilham-ruzgarlari","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2025\/08\/14\/ilham-ruzgarlari\/","title":{"rendered":"\u0130lham R\u00fczgarlar\u0131"},"content":{"rendered":"

\u0130lham; ruhun k\u0131p\u0131rt\u0131s\u0131ndan sat\u0131ra d\u00fc\u015fen ate\u015ftir.<\/strong> \u0130lham y\u00fczy\u0131llar\u0131 delen, yaz\u0131yla kaleme gelen kitaba d\u00f6n\u00fc\u015fen kalbe i\u015fleyen kur\u015fundur. Yazmak hem bir disiplin i\u015fi hem de ilhamla olur. Yazmak\u2026 Kimi zaman masa ba\u015f\u0131nda saatlerce sab\u0131rla beklenen ve \u00f6zenle i\u015flenen bir nak\u0131\u015ft\u0131r. Kimi de bir r\u00fczg\u00e2r gibi aniden eser, kalbin iklimlerinden do\u011fan sabah g\u00fcne\u015fi. \u0130\u00e7inizi \u0131s\u0131tan bir m\u0131sra bir c\u00fcmledir. Kimilerine g\u00f6re ilham, yazman\u0131n olmazsa olmaz\u0131; kimilerine g\u00f6re ise disiplinli \u00e7al\u0131\u015fman\u0131n yan\u0131nda bir misafir, belki de l\u00fcks. Bir s\u00fcs. Ancak \u015funu ink\u00e2r etmek g\u00fc\u00e7: \u0130lham, duygunun damar\u0131d\u0131r<\/strong>. O geldi\u011finde, kelimeler bir ba\u015fka akar, sat\u0131rlar ba\u015fka bir tat ta\u015f\u0131r. \u0130\u015fte bu y\u00fczden ilham, insan\u0131n duygular\u0131n\u0131 anlatmadaki ate\u015fleyici ve tatl\u0131 bir g\u00fc\u00e7t\u00fcr<\/strong>.<\/p>\n

Yazmak\u2026 \u0130\u00e7ten gelen bir \u00e7a\u011fr\u0131d\u0131r. Bir duygu aniden beliriverir; bir c\u00fcmle, bir kelime hatta bazen tek bir imge bile y\u00fcre\u011fi titretir<\/strong>. \u0130\u015fte o anda yazmak gerekir. \u00c7\u00fcnk\u00fc o his, zaman ge\u00e7tik\u00e7e solar, ilk do\u011fall\u0131\u011f\u0131n\u0131 yitirir. E\u011fer o an yaz\u0131lmazsa, sonradan yaz\u0131lan her \u015fey biraz eksik kal\u0131r; t\u0131pk\u0131 s\u0131ca\u011f\u0131yla insan\u0131n i\u00e7ini \u0131s\u0131tan bir yeme\u011fin so\u011fuduktan sonra ayn\u0131 tad\u0131 vermemesi gibi. Okur da bunu hisseder; s\u0131cak duygularla yo\u011frulmam\u0131\u015f, bekletilmi\u015f c\u00fcmleler hemen kendini ele verir<\/strong>.<\/p>\n

Baz\u0131 yazar ve \u015fairler i\u00e7in ilham, t\u0131pk\u0131 bir gece vakti pencereden s\u0131zan ay \u0131\u015f\u0131\u011f\u0131 gibidir: Gelip gelmeyece\u011fi belli de\u011fildir ama geldi\u011finde her \u015fey parlar. Eski \u015fairlerin, \u015fiirlerini t\u00fct\u00fcn sard\u0131klar\u0131 c\u0131gara k\u00e2\u011f\u0131tlar\u0131na, ya da paketin i\u00e7indeki o bir par\u00e7a beyaz k\u00e2\u011f\u0131da, pe\u00e7etelere, bulabildikleri herhangi bir k\u00e2\u011f\u0131t par\u00e7as\u0131na yazd\u0131\u011f\u0131n\u0131 okumu\u015ftum bir yerde. \u0130lk gen\u00e7lik y\u0131llar\u0131md\u0131. O zamanlar bunu romantik bir efsane gibi d\u00fc\u015f\u00fcn\u00fcrd\u00fcm, \u015fimdi biliyor ve hissediyorum ki kalemin yakalad\u0131\u011f\u0131 duyguyu, o s\u0131cakl\u0131\u011f\u0131yla ka\u00e7\u0131rmadan c\u00fcmleye d\u00f6k\u00fclece\u011fi o vakti ka\u00e7\u0131rmamak gerek<\/strong>.<\/p>\n

T\u00fcrk Edebiyat\u0131n\u0131n \u00fcstad kalemi, rahle-i tedrisinden ge\u00e7en pek \u00e7ok \u015fair ve edebiyat\u00e7\u0131n\u0131n kalemine y\u00f6n veren Ahmet Hamdi Tanp\u0131nar<\/strong>\u2019a dikkat \u00e7ekmek istiyorum. Tanp\u0131nar, ilham\u0131n g\u00fcc\u00fcn\u00fc kabul ederdi ancak onun yaz\u0131m s\u00fcreci daha \u00e7ok d\u00fc\u015f\u00fcnceye ve estetik bak\u0131\u015fa dayan\u0131rd\u0131. Saatleri Ayarlama Enstit\u00fcs\u00fc<\/strong><\/em> gibi bir ba\u015fyap\u0131t, rastlant\u0131sal bir ilhamla de\u011fil, y\u0131llar s\u00fcren d\u00fc\u015f\u00fcnsel bir birikimin sonucudur<\/strong>. Yine de \u015fiirlerinde, \u00f6zellikle \u201cBursa\u2019da Zaman<\/strong>\u201d gibi eserlerinde, ilham\u0131n estetik duyguyla nas\u0131l birle\u015fti\u011fini g\u00f6rmek m\u00fcmk\u00fcnd\u00fcr. Tanp\u0131nar\u2019\u0131n \u015fiiri, ilhamdan \u00e7ok d\u00fc\u015f\u00fcnceyle, zamanla, k\u00fclt\u00fcrle yo\u011frulmu\u015ftur. \u201cBursa\u2019da Zaman\u201d gibi \u015fiirleri bir i\u00e7sel sesin de\u011fil, b\u00fcy\u00fck bir i\u00e7 disiplinin, estetik kayg\u0131n\u0131n \u00fcr\u00fcn\u00fcd\u00fcr<\/strong>. Onun \u015fiiri, uzun d\u00fc\u015f\u00fcnsel y\u00fcr\u00fcy\u00fc\u015flerin ard\u0131ndan gelen, \u00e7ok sesli ve katmanl\u0131 bir edebi yap\u0131d\u0131r. \u0130lham\u0131 k\u00fc\u00e7\u00fcmsemez ama ona bel ba\u011flamaz.<\/p>\n

Biraz da ilham\u0131n \u015fiir kanad\u0131na bakal\u0131m. \u015eiir, bazen bir sabah serinli\u011finde, bazen bir kalp k\u0131r\u0131\u011f\u0131nda, bazen de bir bak\u0131\u015f\u0131n i\u00e7inde filizlenir<\/strong>. Kelimelerin \u00f6tesinde bir sezgi, bir dokunu\u015f, bir i\u00e7 yang\u0131n\u0131d\u0131r \u015fiir. T\u00fcrk \u015fiiri, i\u015fte bu yang\u0131nla yanm\u0131\u015f, bu serinlikle \u00fcrpermi\u015f \u015fairlerin dizeleriyle doludur. Kimileri duygunun co\u015fkusunu anl\u0131k bir ilhamla k\u00e2\u011f\u0131da d\u00f6km\u00fc\u015f, kimileri ise m\u0131sralar\u0131 sab\u0131rla i\u015fleyerek, s\u00f6zc\u00fckleri bir kuyumcu titizli\u011fiyle \u00f6rm\u00fc\u015ft\u00fcr.<\/p>\n

Baz\u0131 \u015fairler vard\u0131r, \u015fiiri bir do\u011fum sanc\u0131s\u0131 gibi ya\u015farlar; dizeler onlar\u0131 bulur, onlar dizeleri tutar. Baz\u0131lar\u0131ysa her sabah erkenden kalkar, masas\u0131na oturur, ilham\u0131 aramaktan \u00e7ok, onu beklemeden in\u015fa eder \u015fiirini. Her ikisi de kutsald\u0131r. \u00c7\u00fcnk\u00fc \u015fiir hem kalbin hem eme\u011fin dilidir<\/strong><\/p>\n

\u015eiire adanm\u0131\u015f bir \u00f6m\u00fcr olarak tan\u0131mlayabilece\u011fimiz Beh\u00e7et Necatigil<\/strong>, \u015fiirini bir ev d\u00fczeni gibi kurar. \u0130lhamla gelen sesi, sab\u0131rla, titizlikle i\u015fler. Onun dizelerinde sadelik ve derinlik yan yanad\u0131r. \u201cEvler, insanlar kadar ya\u015far<\/strong>\u201d derken, yaln\u0131zca bir nesne de\u011fil, bir hayat felsefesi in\u015fa eder. \u015eiiri in\u015fa etmek, onda g\u00fcnl\u00fck bir rit\u00fceldir; her kelime \u00f6l\u00e7\u00fclm\u00fc\u015f, tart\u0131lm\u0131\u015f ve yerle\u015ftirilmi\u015ftir. Toplumcu realist bir edip olan Necatigil ilham\u0131 es ge\u00e7medi\u011fi \u2018Sevgilerde\u2019 \u015fiirinde okuruna seslenirken sevginin, b\u00fct\u00fcn\u00fcyle duygunun ne kadar ehemmiyetli oldu\u011funu \u015f\u00f6yle vurguluyor<\/p>\n

Siz geni\u015f zamanlar umuyordunuz
\n\u00c7irkindi dar vakitlerde bir sevgiyi s\u00f6ylemek.
\nY\u0131llar\u0131n tel\u00e2\u015flarda bu kadar \u00e7abuk
\nGe\u00e7ece\u011fi akl\u0131n\u0131za gelmezdi.<\/em><\/strong><\/p>\n

Gizli bah\u00e7enizde
\nA\u00e7an \u00e7i\u00e7ekler vard\u0131,
\nGecelerde ve yaln\u0131z.
\nVermeye az buldunuz
\nYahut vakit olmad\u0131<\/em><\/strong><\/p>\n

Yazmak ve disiplin deyince akl\u0131ma hep Akif gelir. Safahat \u015fairi Mehmet Akif<\/strong>, \u015fiiri bir sorumluluk ve g\u00f6rev gibi g\u00f6r\u00fcr. O, duygudan ziyade hakikat i\u00e7in yazar. \u0130lham\u0131 beklemez; halk\u0131n ac\u0131s\u0131n\u0131, memleketin sorunlar\u0131n\u0131, \u0130stikl\u00e2l\u2019in nabz\u0131n\u0131 tutar. \u201cKorkma, s\u00f6nmez bu \u015fafaklarda y\u00fczen al sancak<\/strong>!\u201d m\u0131sra\u0131, bir milletin sesi olmak i\u00e7in sab\u0131rla, emekle yaz\u0131lm\u0131\u015ft\u0131r. Hem duygu vard\u0131r ama daha \u00e7ok ya\u015fad\u0131\u011f\u0131 toplumun her haline ayna tutar. O y\u00fczden Akif pek duygu gelsin diye beklemez yazmak i\u00e7in. Hatta hat\u0131rlatay\u0131m \u0130stiklal Mar\u015f\u0131 i\u00e7in d\u00fczenlenen yar\u0131\u015fmaya \u00f6nce kat\u0131lmayan \u015fair daha sonra d\u00f6nemin Maarif Vekili Hamdullah Suphi Bey\u2019in kendisine yazd\u0131\u011f\u0131 5 \u015eubat 1921 tarihli davet mektubuyla \u0130stiklal Mar\u015f\u0131\u2019n\u0131 kaleme al\u0131r.<\/p>\n

T\u00fcrk edebiyat\u0131n\u0131n en de\u011ferli \u015fairlerinden N\u00e2z\u0131m Hikmet<\/strong> hakk\u0131nda hep beyaz pantolon giydi\u011fi, ilham geldi\u011finde dizine yazd\u0131\u011f\u0131 anlat\u0131l\u0131r<\/strong>. N\u00e2z\u0131m Hikmet ilham geldi\u011finde akl\u0131ndakileri s\u00f6zleri hemen beyaz pantolonuna not al\u0131yormu\u015f.  Bu davran\u0131\u015f\u0131n s\u00fcreklili\u011fi ne kadar do\u011fru bilmiyorum ama \u00e7ok sahici geliyor bu hik\u00e2ye bana. Dostu V\u00e2l\u00e2 Nurettin<\/strong>, \u2018Bu D\u00fcnyadan N\u00e2z\u0131m Ge\u00e7ti<\/strong>\u2019 kitab\u0131nda bir anekdot olarak veriyor bu bilgiyi. Adada yapt\u0131klar\u0131 bir y\u00fcr\u00fcy\u00fc\u015f s\u0131ras\u0131nda akl\u0131na gelen dizeyi yazmak i\u00e7in k\u00e2\u011f\u0131t bulamay\u0131nca not etmi\u015f o an \u00fczerindeki beyaz pantolona.<\/p>\n

\u0130lham bazen \u00f6yle bir anda gelir ki\u2014ne defter ne masa arar insan, yaln\u0131zca o an\u0131 yakalamak ister. Naz\u0131m, \u015fiirlerinde s\u0131k s\u0131k anl\u0131k duygu patlamalar\u0131yla konu\u015fur. Onun \u015fiirlerinde ritim, duygu ve imgeler neredeyse bir solukta yaz\u0131lm\u0131\u015f gibidir. Naz\u0131m\u2019\u0131n \u201cBen senden \u00f6nce \u00f6lmek isterim<\/strong>\u201d dizeleri, sevday\u0131 anlat\u0131rken bir anda gelen, sars\u0131c\u0131 bir i\u00e7sel patlaman\u0131n sonucudur. Kendisi de \u00e7o\u011fu zaman m\u0131sralar\u0131 yakalad\u0131\u011f\u0131nda hemen yazmak gerekti\u011fini, yoksa o hissin bir daha ayn\u0131 \u015fekilde geri gelmeyece\u011fini s\u00f6ylerdi. Hakk\u0131nda anlat\u0131lan \u201cbeyaz pantolonuna dizine \u015fiir yazma\u201d hik\u00e2yesi, ilham\u0131n geldi\u011fi an\u0131 ka\u00e7\u0131rmamak i\u00e7in yap\u0131lan her \u015feyin bir simgesidir.<\/p>\n

Naz\u0131m, T\u00fcrk \u015fiirinin ilhamla yo\u011frulmu\u015f devrimci kalemidir. Onun \u015fiiri yaln\u0131zca politik de\u011fil; co\u015fkulu, sevdal\u0131, hayata tutkuyla ba\u011fl\u0131 bir dildir. \u201cMavi g\u00f6zl\u00fc dev\u201d olarak an\u0131lan Naz\u0131m, m\u0131sralar\u0131n\u0131 \u00e7o\u011fu zaman hapishane duvarlar\u0131n\u0131n i\u00e7inden yazm\u0131\u015f, ama kelimelerine g\u00f6ky\u00fcz\u00fcn\u00fc s\u0131\u011fd\u0131rm\u0131\u015ft\u0131r<\/strong>. \u0130lham onun i\u00e7in bir yolda\u015f gibidir; \u201cBug\u00fcn pazar. Bug\u00fcn beni ilk defa g\u00fcne\u015fe \u00e7\u0131kard\u0131lar<\/strong>\u201d dizelerinde oldu\u011fu gibi, bir anl\u0131k i\u00e7 \u0131\u015f\u0131kla gelen ve sat\u0131rlara d\u00f6k\u00fclen ger\u00e7ek bir ruh h\u00e2lidir.<\/p>\n

Naz\u0131m gibi, Ahmed Arif<\/strong> de cebinde hep k\u00fc\u00e7\u00fck bir not k\u00e2\u011f\u0131d\u0131 ta\u015f\u0131rm\u0131\u015f<\/strong>. Karanl\u0131kta, sokakta, otob\u00fcste gelen o kelimeyi hemen not edebilmek i\u00e7in.<\/p>\n

Orhan Veli <\/strong>de hayat\u0131n i\u00e7inden kelimelerle yazard\u0131 \u015fiirini<\/strong>. \u0130lham onun i\u00e7in, bir mart\u0131 sesi, sokakta y\u00fcr\u00fcyen bir kad\u0131n, hatta bir kald\u0131r\u0131m ta\u015f\u0131 olabilirdi. Kendi deyi\u015fiyle: \u201cHer \u015fey \u015fiirdir<\/strong>.\u201d Bu y\u00fczden \u015fiirleri yal\u0131n, sade ama bir o kadar g\u00fc\u00e7l\u00fcd\u00fcr. \u201cAnlatam\u0131yorum\u201d \u015fiiri, belki de tam da bu ilham an\u0131nda gelen duygunun yo\u011funlu\u011fuyla do\u011fmu\u015ftur.<\/p>\n

Orhan Veli\u2019nin de o yokluk y\u0131llar\u0131nda nadir de olsa cebinden eksik etmedi\u011fi k\u00fc\u00e7\u00fck not defterleri varm\u0131\u015f. Bal\u0131k tutarken bile yan\u0131ndayd\u0131 defteri; \u00e7\u00fcnk\u00fc onun i\u00e7in de \u015fiir, hayat\u0131n tam i\u00e7indeydi. \u201cGarip\u201d ak\u0131m\u0131na ad\u0131n\u0131 veren bir garip Orhan Veli \u00f6ld\u00fc\u011f\u00fcnde, ceketinin cebinde, di\u015f f\u0131r\u00e7as\u0131na sar\u0131lm\u0131\u015f bir k\u00e2\u011f\u0131t bulunur. K\u00e2\u011f\u0131tta, yar\u0131m kalm\u0131\u015f ve bir k\u0131sm\u0131 da okunamayacak kadar silik bir \u015fiir vard\u0131r.<\/strong><\/p>\n

Bir iddia sonucu soyad\u0131nda ki \u2018y\u2019 harfini kaybeden Cemal S\u00fcreya<\/strong> \u2018da duygu ve ilham adam\u0131d\u0131r. Cemal S\u00fcreya<\/strong>\u2019n\u0131n dizeleri \u00e2deta ilham\u0131n kalbe dokunu\u015fudur. Onun \u015fiirinde a\u015fk, yaln\u0131zl\u0131k ve \u00f6zlem en ince haliyle s\u00fcz\u00fcl\u00fcr. \u201cSevda S\u00f6zleri<\/strong>\u201d bazen bir r\u00fcyadan, bazen eski bir foto\u011fraftan d\u00f6k\u00fcl\u00fcr. Cemal S\u00fcreya i\u00e7in \u015fiir bir ak\u0131\u015ft\u0131r, bir duygunun k\u00e2\u011f\u0131da temas etti\u011fi and\u0131r. \u201c\u00dcvercinka\u201ddan \u201cS\u0131cak Nal\u201da kadar bir\u00e7ok \u015fiiri, y\u00fcre\u011fine de\u011fen bir \u00e2n\u0131n yank\u0131s\u0131d\u0131r<\/strong>.<\/p>\n

Edip Cansever<\/strong>\u2019in \u015fiiri, i\u00e7sel bir sesin izini s\u00fcrer. \u0130lham onun i\u00e7in rastlant\u0131 de\u011fil, ruhun en k\u0131r\u0131lgan noktas\u0131nda beliren bir sesti. \u201cMasa da masaym\u0131\u015f ha<\/strong>\u201d derken yaln\u0131zca bir nesneyi de\u011fil, insan\u0131n d\u00fcnyadaki a\u011f\u0131rl\u0131\u011f\u0131n\u0131 anlat\u0131r. Onun \u015fiirlerinde, ilham neredeyse soyut bir dost gibidir; gelir, oturur ve \u015fiire d\u00f6n\u00fc\u015f\u00fcr. Edip Cansever ise bir defas\u0131nda, \u201c\u0130lham beklemem, ama geldi\u011finde ka\u00e7\u0131rmam<\/strong>\u201d demi\u015f. O c\u00fcmle, ilham\u0131n de\u011ferini \u00e7ok yal\u0131n ama g\u00fc\u00e7l\u00fc bir \u015fekilde anlat\u0131r.<\/p>\n

\u0130lham ve emekle u\u00e7an iki kanatl\u0131 bir ku\u015ftur \u015fiir Uyar<\/strong>\u2019\u0131n m\u0131sralar\u0131nda. Biri olmazsa u\u00e7maz ve kalbe konmaz o duygu. Turgut Uyar<\/strong> hem duygunun co\u015fkusunu hem de \u015fiirsel kurgunun matemati\u011fini bilen bir \u015fairdir. \u201cG\u00f6\u011fe Bakma Dura\u011f\u0131<\/strong>\u201d gibi \u015fiirleri ilham\u0131n yo\u011fun izlerini ta\u015f\u0131rken, \u201cT\u00fct\u00fcnler Islak<\/strong>\u201d gibi yap\u0131tlar\u0131 uzun bir i\u00e7 sorgunun ve titiz bir i\u015f\u00e7ili\u011fin meyvesidir. Onun \u015fiiri duygudan do\u011far, d\u00fc\u015f\u00fcncede olgunla\u015f\u0131r<\/strong>.<\/p>\n

\u0130lhams\u0131z ve fikirsiz \u015fiir olmaz diye ba\u011f\u0131r\u0131r \u2018Hayatta Ben En \u00e7ok Babam\u0131 Sevdim<\/strong>\u2019 \u015firinin \u015fairi.! Can Y\u00fccel<\/strong>\u2019in \u015fiiri, ya\u015fanm\u0131\u015fl\u0131klar\u0131n, g\u00f6zlemlerin ve kalpten gelen kelimelerin \u00fcr\u00fcn\u00fcd\u00fcr. Mizah\u0131 da h\u00fczn\u00fc de ayn\u0131 sat\u0131ra s\u0131\u011fd\u0131rabilir. \u201cHer \u015fey sende gizli<\/strong>\u201d gibi dizeleriyle insan\u0131n \u00f6z\u00fcne iner. \u0130lham\u0131 an\u0131n i\u00e7inden al\u0131r, ama onu halk diliyle yo\u011furur.<\/p>\n

D\u00fcnya edebiyat\u0131ndan di\u011fer ediplere bakal\u0131m.<\/p>\n

Amerikal\u0131 \u015fair, yazar, edit\u00f6r ve edebiyat ele\u015ftirmeni ve Amerikan edebiyat\u0131nda Romantizm ak\u0131m\u0131n\u0131n \u00f6nemli fig\u00fcrlerinden biri olan Edgar Allan Poe<\/strong>\u2019nun \u015fiirleri ve \u00f6yk\u00fcleri, \u00e7o\u011funlukla karanl\u0131k, gotik ve yo\u011fun duygularla bezelidir. \u0130lham\u0131 bir r\u00fcya, bir k\u00e2bus ya da melankolik bir hayal gibi kucaklayan Poe, \u201cKuzgun<\/strong>\u201d adl\u0131 \u015fiirini bir gece vakti gelen ilhamla yazd\u0131\u011f\u0131n\u0131 belirtmi\u015ftir<\/strong>. \u0130lham onun i\u00e7in g\u00fczelli\u011fin melankoliyle bulu\u015ftu\u011fu yerdedir.<\/p>\n

\u00d6te yanda Rilke<\/strong>\u2019ye g\u00f6re, \u015fiir yazmak, derin bir varolu\u015f h\u00e2lidir<\/strong>. O, ilham\u0131 sab\u0131rla bekleyenlerdendir ama geldi\u011finde de onunla b\u00fct\u00fcnle\u015fir. \u201cGen\u00e7 Bir \u015eaire Mektuplar<\/strong>\u201d adl\u0131 eserinde, ilham\u0131 nas\u0131l ta\u015f\u0131d\u0131\u011f\u0131n\u0131, onun i\u00e7 d\u00fcnyas\u0131nda nas\u0131l b\u00fcy\u00fcy\u00fcp \u015fekillendi\u011fini a\u00e7\u0131k\u00e7a anlat\u0131r: \u201c\u015eiir, duygular aniden ortaya \u00e7\u0131kt\u0131\u011f\u0131nda de\u011fil, onlar\u0131 uzun uzun ya\u015fay\u0131p sindirdikten sonra do\u011far<\/strong>.\u201d<\/p>\n

D\u00fcnya edebiyat\u0131nda modernist hareketin en \u00f6nemli ki\u015filerinden biri olarak tarihe ge\u00e7en ve roman t\u00fcr\u00fcn\u00fcn geli\u015fimine b\u00fcy\u00fck katk\u0131da bulunan Wirginia Woolf<\/strong>\u2019un yaz\u0131 tarz\u0131, bilin\u00e7 ak\u0131\u015f\u0131 tekni\u011fiyle ilham\u0131n en saf halini yakalama \u00e7abas\u0131d\u0131r. Onun eserlerinde, karakterlerin i\u00e7 d\u00fcnyas\u0131, o an\u0131n duygusu, en k\u00fc\u00e7\u00fck k\u0131p\u0131rt\u0131lar bile ilham\u0131n izlerini ta\u015f\u0131r<\/strong>. \u201cMrs. Dalloway\u201d roman\u0131 bu y\u00f6n\u00fcyle, adeta bir g\u00fcn\u00fcn i\u00e7ine s\u0131\u011fan say\u0131s\u0131z ilham k\u0131r\u0131nt\u0131s\u0131yla \u00f6r\u00fcl\u00fcd\u00fcr.<\/p>\n

\u0130lham beklemeksizin yazmay\u0131 se\u00e7enler vard\u0131r. Bir duygu yo\u011funlu\u011funu, <\/strong>\u0130lham\u0131n gelmesini beklemeden, yaz\u0131y\u0131 bir disiplin olarak g\u00f6ren, yazma al\u0131\u015fkanl\u0131\u011f\u0131n\u0131 g\u00fcnl\u00fck bir eyleme d\u00f6n\u00fc\u015ft\u00fcren yazarlar da vard\u0131r<\/strong>. Onlar i\u00e7in yazmak, duygunun de\u011fil eme\u011fin sonucudur.<\/p>\n

Ekonomik ve abart\u0131s\u0131z \u00fcslubuyla tan\u0131nan, macerac\u0131 ya\u015fam tarz\u0131, a\u00e7\u0131k s\u00f6zl\u00fcl\u00fc\u011f\u00fc ve dobra imaj\u0131yla s\u0131kl\u0131kla romantize edilen Amerikal\u0131 yazar Ernest Hemingway<\/strong>, her g\u00fcn sabah erken saatlerde yaz\u0131 masas\u0131na oturur ve belirli bir kelime kotas\u0131n\u0131 tamamlamadan kalkmazm\u0131\u015f. \u201c\u0130lham, her sabah saat 9\u2019da gelir. O saatte masamda otururum<\/strong>\u201d derken, yaz\u0131n\u0131n bir \u00e7al\u0131\u015fma i\u015fi oldu\u011funu vurgular. \u00c7anlar Kimin \u0130\u00e7in \u00c7al\u0131yor<\/strong><\/em> ya da Ya\u015fl\u0131 Adam<\/strong><\/em> ve Deniz<\/strong><\/em> gibi eserleri bu disiplinin meyveleridir.<\/p>\n

Hayat\u0131 intiharla son bulan ve okunan, sevilen pek \u00e7ok esere imza atan Stefan Zweig<\/strong>, d\u00fczenli olarak \u00e7al\u0131\u015fan bir yazard\u0131. Onun eserleri, yo\u011fun bir i\u00e7 g\u00f6zlem ve g\u00f6zlemle beslenen \u00fcretimin sonucudur. \u0130lham\u0131 k\u00fc\u00e7\u00fcmsemez ama ona ba\u011fl\u0131 kalmaz<\/strong>. Satran\u00e7<\/strong><\/em> gibi derin psikolojik eserlerinde, bu d\u00fc\u015f\u00fcnsel birikim ve sab\u0131rl\u0131 yaz\u0131m s\u00fcreci a\u00e7\u0131k\u00e7a g\u00f6r\u00fcl\u00fcr.<\/p>\n

\u0130lham, insan\u0131n i\u00e7ini birden bire \u0131s\u0131tan, yazma iste\u011fini tutu\u015fturan o ilk k\u0131v\u0131lc\u0131msa o an yaz\u0131ya d\u00f6k\u00fclmedi\u011finde, bazen o hissin tazeli\u011fi kaybolur. T\u0131pk\u0131 s\u0131cak yenen bir yeme\u011fin so\u011fudu\u011funda tad\u0131n\u0131 yitirmesi gibi\u2026 \u0130lhamla yaz\u0131lm\u0131\u015f metinler, okura daha h\u0131zl\u0131 ula\u015f\u0131r. O samimi duygu, kelimelerin aras\u0131ndan ge\u00e7ip do\u011frudan kalbe dokunur. Buradan m\u00fctevellit ilham\u0131n k\u0131ymeti so\u011fumadan yazmak da gizlidir. <\/strong>Anlar\u0131 ve duygular\u0131 iyi de\u011ferlendirmek gerekir.  \u0130lham, kap\u0131y\u0131 \u00e7ald\u0131\u011f\u0131nda evde olmazsak, o misafir bir daha gelmeyebilir. O y\u00fczden yazmak gerek. Bazen pe\u00e7eteye, bazen telefonun notlar k\u0131sm\u0131na, bazen bir pe\u00e7etenin k\u00f6\u015fesine\u2026 Yeter ki i\u00e7imizdeki sesin s\u00f6zc\u00fcklere d\u00f6n\u00fc\u015fmesine izin verelim. \u00c7\u00fcnk\u00fc en s\u0131cak, en sahici metinler, tam da o anlarda do\u011far. Ve en \u00e7ok onlar ula\u015f\u0131r okurun kalbine. \u0130lham, kalbin en derin k\u00f6\u015fesinden y\u00fckselen s\u0131cak bir sestir. \u0130lham, yaz\u0131ya can veren ilk nefestir. Kimileri onunla ba\u015flar, kimileri onunla son dokunu\u015fu yapar. Ama her yazar, her \u015fair ve dahi eli kalem tutan safiyane bir kalple kalbini d\u00f6ken her y\u00fcrek, i\u00e7inin bir k\u00f6\u015fesinde onun s\u0131cakl\u0131\u011f\u0131n\u0131 ta\u015f\u0131r. O bazen bir \u00e7ocuk kahkahas\u0131, bazen bir ayr\u0131l\u0131k c\u00fcmlesi, bazen bir sessizlikteki yank\u0131d\u0131r.<\/p>\n

Elbette ilham tek ba\u015f\u0131na yeterli de\u011fildir. \u015eiir ya da edebi t\u00fcrlerin hi\u00e7biri yaln\u0131zca ilhamla yaz\u0131lmaz; terle, emekle, tekrarlarla ve reddedilen dizelerle, uykusuz gecelerce kalbin ate\u015finde harlanan c\u00fcmlelerle \u00f6r\u00fcl\u00fcr<\/strong>. T\u00fcrk edebiyat\u0131n\u0131n b\u00fcy\u00fck ustalar\u0131, bu iki kutbu da \u015fiirlerinde yaz\u0131lar\u0131nda birle\u015ftirmi\u015flerdir. Baz\u0131s\u0131 bir bak\u0131\u015fla, baz\u0131s\u0131 d\u00fczenli \u00e7al\u0131\u015fmayla dizelerini d\u00f6km\u00fc\u015f ama hepsi de ayn\u0131 ate\u015fi ta\u015f\u0131m\u0131\u015ft\u0131r i\u00e7inde: Kalpten kalbe uzanan bir \u015fiir s\u0131cakl\u0131\u011f\u0131n\u0131\u2026 \u015eiirler de di\u011fer edebi metinler de hem bir nefeslik ilham hem de \u00f6m\u00fcrl\u00fck emektir<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130lham; ruhun k\u0131p\u0131rt\u0131s\u0131ndan sat\u0131ra d\u00fc\u015fen ate\u015ftir. \u0130lham y\u00fczy\u0131llar\u0131 delen, yaz\u0131yla kaleme gelen kitaba d\u00f6n\u00fc\u015fen kalbe i\u015fleyen…<\/p>\n","protected":false},"author":32,"featured_media":2097,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[100],"tags":[],"ppma_author":[232],"class_list":["post-2096","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-deneme"],"yoast_head":"\n\u0130lham R\u00fczgarlar\u0131 - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2025\/08\/14\/ilham-ruzgarlari\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0130lham R\u00fczgarlar\u0131 - 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Karadeniz Teknik \u00dcniversitesi Edebiyat Fak\u00fcltesinden mezun olduktan sonra yine ayn\u0131 \u00fcniversitenin Edebiyat b\u00f6l\u00fcm\u00fcnde \u2018Edebiyk\u00f6at\u0131-\u0131 Umumiye Mecmuas\u0131 Teknik Tahlili\u2019 konulu yeni T\u00fcrk edebiyat\u0131 alan\u0131nda y\u00fcksek lisans yapt\u0131. \u00d6\u011fretmen olarak ba\u015flad\u0131\u011f\u0131 mesle\u011fine zaman zaman bakanl\u0131k b\u00fcnyesi ve ta\u015fra te\u015fkilat\u0131ndaki de\u011fi\u015fik g\u00f6revlendirmelerde Ar-Ge \u00e7al\u0131\u015fan\u0131, yerel ve ulusal projelerde koordinat\u00f6r olarak devam etti. 2005 y\u0131l\u0131nda TRT Trabzon Radyosu ak\u015fam ku\u015fa\u011f\u0131nda \u2018Hayal Kahvesi\u2019 adl\u0131 bir program\u0131 haz\u0131rlay\u0131p sundu. 2007-2010 y\u0131llar\u0131 aras\u0131nda Mill\u00ee E\u011fitim Bakanl\u0131\u011f\u0131 Strateji Geli\u015ftirme Daire Ba\u015fkanl\u0131\u011f\u0131nda Stratejik Planlama konusunda \u2018E\u011fitimcilerin E\u011fitimi\u2019 seminerleri verdi. 2012 y\u0131l\u0131nda Ba\u015fkent \u0130leti\u015fim Akademisinde TRT Ana Haber spikerlerinden \u00f6zel olarak sunuculuk, seslendirme, dublaj dersleri ald\u0131. Ard\u0131ndan \u00e7e\u015fitli kay\u0131tlarda baz\u0131 karakterleri seslendirdi. 2014-2016 y\u0131llar\u0131 aras\u0131nda Avrasya \u00dcniversitesi Radyo Televizyon b\u00f6l\u00fcm\u00fcnde \u2018Do\u011fru ve G\u00fczel Konu\u015fma E\u011fitimi, Diksiyon ve Beden Dili\u2019 dersleri \u00e7er\u00e7evesinde okutmanl\u0131k yapt\u0131. Bir\u00e7ok edebi dergide, farkl\u0131 platformlarda yaz\u0131lar\u0131 ve sunumlar\u0131 ile yer ald\u0131. Yazar\u0131n \u2018\u015eafakla Gelen Ya Kebike\u00e7\u2019 ve Yaln\u0131zlar Senfonisi adl\u0131 iki kitab\u0131 bulunmaktad\u0131r. Masal \u00fczerine akademik ara\u015ft\u0131rmalar\u0131na \u00fcniversite y\u0131llar\u0131nda ba\u015flayan yazar, bu birikimlerini Masal Anlat\u0131c\u0131s\u0131 E\u011fitmenli\u011fi seminerlerinde kat\u0131l\u0131mc\u0131larla payla\u015fmaktad\u0131r. Bunun yan\u0131 s\u0131ra \u201cOsmanl\u0131 T\u00fcrk\u00e7esi (Temel d\u00fczey), Beden Dili, Etkili ve G\u00fczel Konu\u015fma, Diksiyon, Yarat\u0131c\u0131 Yazarl\u0131k\u201d alan\u0131nda seminerler vererek \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrmektedir. 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Halen bir kurumda seslendirme ve sunuculuk yapmakta olan yazar evlidir ve Arda Tar\u0131k\u2019\u0131n annesidir.","url":"https:\/\/simurgedebiyat.com\/index.php\/author\/aysegul-kosa-sert\/"}]}},"featured_image_urls":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham.jpg",850,850,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-300x300.jpg",300,300,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-768x768.jpg",640,640,true],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham.jpg",640,640,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham.jpg",850,850,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham.jpg",850,850,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-850x715.jpg",850,715,true],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham.jpg",850,850,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-400x250.jpg",400,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-375x375.jpg",375,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-720x480.jpg",720,480,true],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-850x630.jpg",850,630,true],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-216x216.jpg",216,216,true]},"author_info":{"display_name":"Ay\u015feg\u00fcl K\u00d6SA SERT","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/aysegul-kosa-sert\/"},"category_info":"<a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/deneme\/\" rel=\"category tag\">Deneme<\/a>","tag_info":"Deneme","comment_count":"0","jetpack_featured_media_url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham.jpg","uagb_featured_image_src":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham.jpg",850,850,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-300x300.jpg",300,300,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-768x768.jpg",640,640,true],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham.jpg",640,640,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham.jpg",850,850,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham.jpg",850,850,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-850x715.jpg",850,715,true],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham.jpg",850,850,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-400x250.jpg",400,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-375x375.jpg",375,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-720x480.jpg",720,480,true],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-850x630.jpg",850,630,true],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/Ilham-216x216.jpg",216,216,true]},"uagb_author_info":{"display_name":"Ay\u015feg\u00fcl K\u00d6SA SERT","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/aysegul-kosa-sert\/"},"uagb_comment_info":0,"uagb_excerpt":"\u0130lham; ruhun k\u0131p\u0131rt\u0131s\u0131ndan sat\u0131ra d\u00fc\u015fen ate\u015ftir. \u0130lham y\u00fczy\u0131llar\u0131 delen, yaz\u0131yla kaleme gelen kitaba d\u00f6n\u00fc\u015fen kalbe i\u015fleyen...","authors":[{"term_id":232,"user_id":32,"is_guest":0,"slug":"aysegul-kosa-sert","display_name":"Ay\u015feg\u00fcl K\u00d6SA SERT","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/07\/AKS.webp","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/07\/AKS.webp"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"\u0130lk ve orta \u00f6\u011frenimini babas\u0131n\u0131n g\u00f6revi nedeniyle Anadolu\u2019nun\r\n\u00e7e\u015fitli \u015fehirlerinde tamamlad\u0131. \u00c7ocuklu\u011funda ge\u00e7ti\u011fi her co\u011frafya ve tan\u0131d\u0131\u011f\u0131 her insan kalemi\r\n\u00fczerinde iz b\u0131rakm\u0131\u015ft\u0131r. Karadeniz Teknik \u00dcniversitesi Edebiyat Fak\u00fcltesinden mezun\r\nolduktan sonra yine ayn\u0131 \u00fcniversitenin Edebiyat b\u00f6l\u00fcm\u00fcnde \u2018Edebiyk\u00f6at\u0131-\u0131 Umumiye Mecmuas\u0131\r\nTeknik Tahlili\u2019 konulu yeni T\u00fcrk edebiyat\u0131 alan\u0131nda y\u00fcksek lisans yapt\u0131. \u00d6\u011fretmen olarak ba\u015flad\u0131\u011f\u0131 mesle\u011fine zaman zaman bakanl\u0131k b\u00fcnyesi ve ta\u015fra\r\nte\u015fkilat\u0131ndaki de\u011fi\u015fik g\u00f6revlendirmelerde Ar-Ge \u00e7al\u0131\u015fan\u0131, yerel ve ulusal projelerde\r\nkoordinat\u00f6r olarak devam etti. 2005 y\u0131l\u0131nda TRT Trabzon Radyosu ak\u015fam ku\u015fa\u011f\u0131nda \u2018Hayal\r\nKahvesi\u2019 adl\u0131 bir program\u0131 haz\u0131rlay\u0131p sundu. 2007-2010 y\u0131llar\u0131 aras\u0131nda Mill\u00ee E\u011fitim\r\nBakanl\u0131\u011f\u0131 Strateji Geli\u015ftirme Daire Ba\u015fkanl\u0131\u011f\u0131nda Stratejik Planlama konusunda\r\n\u2018E\u011fitimcilerin E\u011fitimi\u2019 seminerleri verdi. 2012 y\u0131l\u0131nda Ba\u015fkent \u0130leti\u015fim Akademisinde TRT\r\nAna Haber spikerlerinden \u00f6zel olarak sunuculuk, seslendirme, dublaj dersleri ald\u0131. Ard\u0131ndan\r\n\u00e7e\u015fitli kay\u0131tlarda baz\u0131 karakterleri seslendirdi. 2014-2016 y\u0131llar\u0131 aras\u0131nda Avrasya \u00dcniversitesi\r\nRadyo Televizyon b\u00f6l\u00fcm\u00fcnde \u2018Do\u011fru ve G\u00fczel Konu\u015fma E\u011fitimi, Diksiyon ve Beden Dili\u2019\r\ndersleri \u00e7er\u00e7evesinde okutmanl\u0131k yapt\u0131. Bir\u00e7ok edebi dergide, farkl\u0131 platformlarda yaz\u0131lar\u0131 ve\r\nsunumlar\u0131 ile yer ald\u0131. Yazar\u0131n \u2018\u015eafakla Gelen Ya Kebike\u00e7\u2019 ve Yaln\u0131zlar Senfonisi adl\u0131 iki kitab\u0131 bulunmaktad\u0131r.\r\nMasal \u00fczerine akademik ara\u015ft\u0131rmalar\u0131na \u00fcniversite y\u0131llar\u0131nda ba\u015flayan yazar, bu\r\nbirikimlerini Masal Anlat\u0131c\u0131s\u0131 E\u011fitmenli\u011fi seminerlerinde kat\u0131l\u0131mc\u0131larla\r\npayla\u015fmaktad\u0131r. Bunun yan\u0131 s\u0131ra \u201cOsmanl\u0131 T\u00fcrk\u00e7esi (Temel d\u00fczey), Beden Dili, Etkili ve\r\nG\u00fczel Konu\u015fma, Diksiyon, Yarat\u0131c\u0131 Yazarl\u0131k\u201d alan\u0131nda seminerler vererek \u00e7al\u0131\u015fmalar\u0131n\u0131\r\ns\u00fcrd\u00fcrmektedir. Halen bir kurumda seslendirme ve sunuculuk yapmakta olan yazar evlidir ve\r\nArda Tar\u0131k\u2019\u0131n annesidir.\r\n"}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/2096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=2096"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/2096\/revisions"}],"predecessor-version":[{"id":2098,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/2096\/revisions\/2098"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/2097"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=2096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=2096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=2096"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=2096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}