\u201cSanat\u201d \u015fiiri \u015fiirsel \u00f6zelliklerinin yan\u0131 s\u0131ra, bol okumalara f\u0131rsat tan\u0131yan bir \u015fiir. \u00d6zellikle temas\u0131 ba\u011flam\u0131nda \u0130slam tarihindeki farkl\u0131 konulara at\u0131flar yap\u0131labilir bu \u015fiirle.<\/p>\n
\n
AYIN \u015e\u0130\u0130R\u0130<\/b><\/p>\n
Tisfun\u2019daki Sasani saray\u0131nda
\nBir yaz hal\u0131s\u0131 vard\u0131 gonca k\u00f6p\u00fc\u011f\u00fc, g\u00fcl mezat\u0131
\nNarin a\u011fa\u00e7lar\u0131nda heyhey, dallar\u0131nda r\u00fczg\u00e2r di\u015fleri
\nSerpil ve d\u00f6lek bir ak\u0131lla bezeli<\/p>\n
Yan\u0131k ten k\u0131nal\u0131 sakal sahabilirdi bir vakit
\nTa\u015fk\u0131n olup doldulard\u0131 saraya
\n\u00c7\u0131k\u0131p giderlerken \u00fcle\u015fmeden \u00f6nce
\nZarif k\u0131l\u0131\u00e7lar\u0131yla bi\u00e7tilerdi
\nCennet bah\u00e7esine \u00f6yk\u00fcnen hal\u0131y\u0131<\/p>\n
La galibe illallah
\n(Ahmet Murat, Muhit Dergisi<\/i>, S. 13 [Ocak 2021<\/i>], s. 9)<\/p>\nCevat Akkanat<\/strong><\/h3>\nAhmet Murat [\u00d6zel], 1971 Karaman do\u011fumlu. \u015eairli\u011finin yan\u0131 s\u0131ra, \u00e7evirmenlik, edit\u00f6rl\u00fck, radyo ve TV program sunuculu\u011fu gibi \u00f6nemli i\u015flerin \u00fcstesinden geliyor. Fakat b\u00fct\u00fcn bunlardan \u00f6nce onun bir ilahiyat akademisyeni oldu\u011funu da belirtelim.<\/p>\n
\u015eiir, deneme, ara\u015ft\u0131rma, biyografi, \u00e7eviri alanlar\u0131nda eserlere imza atan Ahmet Murat\u2019\u0131n yay\u0131mlanm\u0131\u015f \u015fiir kitaplar\u0131 Kaf ve Rengi, K\u0131\u015f Bilgisi, Kalbin Karar\u0131 & \u0130lahiler ve Ne\u015fideler, Bir \u015eair Bisikletle, Kalbin Karar\u0131 \u015feklinde s\u0131ralanmaktad\u0131r. <\/span><\/p>\nMuhit Dergisinin Ocak 2021 say\u0131s\u0131nda yay\u0131mlanan \u201cSanat\u201d \u015fiiri, ilki d\u00f6rt, ikincisi be\u015f, sonuncusu tek dizeden olmak \u00fczere \u00fc\u00e7 birimlik k\u0131sa bir metin. Bununla birlikte yo\u011fun okumalar sunuyor okura. Bu sunumda, \u015fiirsel s\u00f6ylemin yan\u0131nda \u00f6yk\u00fcleyici ve betimleyici anlat\u0131mlar da dikkat \u00e7ekiyor. B\u00f6ylece, bir yandan olay\u0131, kahramanlar\u0131, yer ve zaman\u0131 s\u0131n\u0131rland\u0131r\u0131lm\u0131\u015f tarihsel bir \u00f6yk\u00fc okurken, \u00f6te yandan imgelerle \u00f6r\u00fcl\u00fc \u015fiirsel bir edayla hemhal oluyor okur. <\/span><\/p>\n\u015eiirin \u00f6yk\u00fcsel yan\u0131 temas\u0131nda tezah\u00fcr ediyor. Di\u011fer bir ifade ile, k\u00fclt\u00fcrel bir arka plana, daha do\u011frusu tarih\u00ee bir olaya yaslan\u0131yor \u201cSanat\u201d. S\u00f6zgelimi, \u015fiirinin ikinci biriminde yer alan \u015fu dizelere bakal\u0131m: <\/span><\/p>\n\u201cYan\u0131k ten k\u0131nal\u0131 sakal sahabilirdi bir vakit
\n<\/i>Ta\u015fk\u0131n olup doldulard\u0131 saraya\u201d<\/i><\/p>\n
\u015eairin \u00f6vg\u00fcyle bahsetti\u011fi \u201cta\u015fk\u0131n\u201d s\u00fcre\u00e7, \u0130slam tarihinin \u00f6nemli bir d\u00f6nemine tekab\u00fcl ediyor. \u015e\u00f6yle ki, d\u00f6rt halifeden \u00d6mer bin Hattab\u2019\u0131n h\u00fck\u00fcm s\u00fcrd\u00fc\u011f\u00fc y\u0131llarda, \u00f6nce 637\u2019de, ard\u0131ndan 642\u2019de S\u00e2s\u00e2n\u00ee topraklar\u0131na taarruzda bulunan Arap ordular\u0131, daha \u00f6nce G\u00f6kt\u00fcrk, Hazar ve Bizansl\u0131larla yapt\u0131klar\u0131 sava\u015flarla iyice g\u00fc\u00e7 yitiren rakiplerini kolayl\u0131kla yenmi\u015flerdir. <\/span>Tisfun (T\u00eesf\u00fbn, Tizfun, Med\u00e2in, Ktesifon, Selm\u00e2n-\u0131 P\u00e2k) yak\u0131nlar\u0131ndaki Kadisiye\u2019deki ilk sava\u015fta, <\/span>S\u00e2s\u00e2n\u00ee ordusu hezimete u\u011fram\u0131\u015ft\u0131r. 642\u2019deki kar\u015f\u0131la\u015fma ise Nih\u00e2vend\u2019de vuku bulmu\u015f, Araplar Tisfun\u2019u t\u00fcm\u00fcyle ele ge\u00e7irmi\u015ftir. Bu arada S\u00e2s\u00e2n\u00ee imparatoru III. Yezdic\u00fcrd Belh\u2019e ka\u00e7m\u0131\u015f; b\u00f6ylece S\u00e2s\u00e2n\u00ee \u0130mparatorlu\u011fu y\u0131k\u0131lm\u0131\u015ft\u0131r.<\/p>\n\u201cTisfun\u2019daki Sasani saray\u0131nda\u201d<\/i> \u015feklinde, \u015fiirin ilk dizesinde ad\u0131 ge\u00e7en Tisfun, Ba\u011fdat\u2019\u0131n 35 km. g\u00fcneyinde, Dicle nehri kenar\u0131nda olup S\u00e2s\u00e2n\u00eelere ba\u015fkentlik yapm\u0131\u015ft\u0131r. Jeopolitik konumundan \u00f6t\u00fcr\u00fc tarih boyunca g\u00fc\u00e7l\u00fc imparatorluklar aras\u0131nda el de\u011fi\u015ftirmi\u015ftir. Bu durum, \u015fehrin \u00e7ok uluslu bir demografik yap\u0131 ile ekonomik, sosyal ve k\u00fclt\u00fcrel zenginlikler kazanmas\u0131n\u0131 sa\u011flam\u0131\u015ft\u0131r.<\/p>\n
S\u00f6z konusu k\u00fclt\u00fcrel zenginliklerin ba\u015f\u0131nda ikinci S\u00e2s\u00e2n\u00ee \u015fah\u0131 I. \u015e\u00e2pur zaman\u0131nda (241-272) yapt\u0131r\u0131lan me\u015fhur T\u00e2k-\u0131 Kisr\u00e2\u2019n\u0131n (T\u00e2k-\u0131 H\u00fcsrev, Eyv\u00e2n-\u0131 Kisr\u00e2, Selm\u00e2n-\u0131 P\u00e2k\u2019\u0131n B\u00fcy\u00fck Kemeri adlar\u0131yla da an\u0131lan Kisr\u00e2 saray\u0131n\u0131n ve kemerinin) bulundu\u011fu bu \u015fehir, <\/span>d\u00f6neminin en b\u00fcy\u00fck yerle\u015fim birimlerinden birisidir. Bu arada, Araplar\u0131n, Beyt\u00fc\u2019l-Ebyaz\u201d (Beyaz Saray) olarak adland\u0131rd\u0131klar\u0131 S\u00e2s\u00e2n\u00ee \u015fahlar\u0131n\u0131n h\u00fck\u00fcmdarl\u0131k saray\u0131 da Tisfun\u2019dad\u0131r. Tak-\u0131 Kisr\u00e2, H\u00fcsrev An\u00fb\u015firv\u00e2n (I. H\u00fcsrev) zaman\u0131nda (531-579) restore edilmeden \u00f6nce, <\/span>S\u00e2s\u00e2n\u00ee h\u00fck\u00fcmdarlar\u0131 Tisfun\u2019da bulunan Beyt\u00fc\u2019l-Ebyaz\u2019\u0131 y\u00f6netim merkezi olarak kullan\u0131yordu. Araplar Tisfun\u2019u ele ge\u00e7irdikleri zaman bu saray h\u00e2l\u00e2 ayaktayd\u0131. Ahmet Murat\u2019\u0131n \u201cSanat\u201d \u015fiirinin ilk dizesinde bahsetti\u011fi S\u00e2s\u00e2n\u00ee saray\u0131 Dicle kenar\u0131nda bulunan bu saray m\u0131d\u0131r, yoksa T\u00e2k-\u0131 Kisr\u00e2 m\u0131d\u0131r, bilmiyoruz! Fakat \u015funu biliyoruz, Araplar, Pers uygarl\u0131\u011f\u0131n\u0131n ihti\u015fam\u0131na ilk kez 7. y\u00fczy\u0131ldaki bahsetti\u011fimiz silahl\u0131 kar\u015f\u0131la\u015fmalar s\u0131ras\u0131nda tan\u0131k olmu\u015ftur. <\/span><\/p>\nAhmet Murat, \u015fiirinde bu tan\u0131kl\u0131\u011f\u0131 tekrar tebar\u00fcz ettiriyor. \u015eimdi ba\u015fa d\u00f6nelim ve metnin betimleyici anlat\u0131mla \u00f6r\u00fcl\u00fc ilk birimini tekrar okuyal\u0131m: <\/span><\/p>\n\u201cTisfun\u2019daki Sasani saray\u0131nda
\n<\/i>Bir yaz hal\u0131s\u0131 vard\u0131 gonca k\u00f6p\u00fc\u011f\u00fc, g\u00fcl mezat\u0131
\n<\/i>Narin a\u011fa\u00e7lar\u0131nda heyhey, dallar\u0131nda r\u00fczg\u00e2r di\u015fleri
\n<\/i>Serpil ve d\u00f6lek bir ak\u0131lla bezeli\u201d<\/i><\/p>\n
\u201cGonca\u201d ve \u201cg\u00fcl\u201d gibi klasik mazmunlar\u0131 yeni ve nispeten al\u0131\u015f\u0131lmam\u0131\u015f ba\u011fda\u015ft\u0131rmalarla \u201chal\u0131\u201dya (yaz hal\u0131s\u0131\u201d; \u201cbahar-\u0131 kisra\u201d olmal\u0131!) s\u0131fat k\u0131lan \u015fair, ayn\u0131 hal\u0131ya, m\u00fc\u015fahhas (narin ve \u201cheyhey\u201dli) a\u011fa\u00e7lar, ve yine al\u0131\u015f\u0131lmam\u0131\u015f ba\u011fda\u015ft\u0131rmal\u0131 (\u201cr\u00fczg\u00e2r di\u015fleri\u201dne maruz) dallar nak\u015fettirmi\u015ftir. Bu nak\u0131\u015f gizemli, hassas bir usun maharetidir. <\/span><\/p>\n\u015eairin S\u00e2s\u00e2n\u00ee saray\u0131ndan bir hal\u0131y\u0131 al\u0131p \u015fiirine i\u015flemesi bo\u015funa de\u011fildir. Araplarla S\u00e2s\u00e2n\u00eeler aras\u0131nda ge\u00e7en s\u00f6z konusu sava\u015flar ba\u011flam\u0131nda, adeta hal\u0131 metaforuna temas etmeye kalemi mahk\u00fbmdur. \u00c7\u00fcnk\u00fc bu ba\u011flam i\u00e7re hal\u0131n\u0131n iki tarih\u00ee konumu vard\u0131r. Bunlardan ilki, S\u00e2s\u00e2n\u00ee imparatorlu\u011funun son d\u00f6nemlerinde Tisfun\u2019da hal\u0131 dokumac\u0131l\u0131\u011f\u0131n\u0131n b\u00fcy\u00fck bir geli\u015fme g\u00f6stermi\u015f olmas\u0131d\u0131r. \u0130kincisi ise, birka\u00e7 tarih\u00ee olaydaki tezah\u00fcrd\u00fcr. S\u00f6zgelimi, 610-641 y\u0131llar\u0131 aras\u0131nda Do\u011fu Roma imparatoru olan Herakleios, 628\u2019de yapt\u0131\u011f\u0131 Tisfun seferini m\u00fcteakip pek \u00e7ok de\u011ferli hal\u0131y\u0131 \u0130stanbul\u2019a g\u00f6t\u00fcrm\u00fc\u015ft\u00fcr. Ayn\u0131 \u015fekilde, 642\u2019deki Arap zapt\u0131ndan sonra da Tisfun\u2019da elde edilen m\u00fccevherlerle s\u00fcsl\u00fc b\u00fcy\u00fck hal\u0131lar yerlerinden edilmi\u015ftir. Tarihi kaynaklar bu s\u00fcreci \u015f\u00f6yle anlatmaktad\u0131r: \u201c\u0130ran\u2019\u0131n fethi esnas\u0131nda S\u00e2s\u00e2n\u00ee h\u00fck\u00fcmdar\u0131 H\u00fcsrev An\u00fb\u015firvan\u2019\u0131n \u201cBahar-\u0131 Kisra\u201d ad\u0131 verilen me\u015fhur hal\u0131s\u0131 par\u00e7alara ayr\u0131larak Medinelilere da\u011f\u0131t\u0131lm\u0131\u015ft\u0131r. Bu par\u00e7alardan her birinin k\u0131ymeti 10.000 dirhem tutmaktayd\u0131. Hz. Ali\u2019nin pay\u0131na d\u00fc\u015fen hal\u0131 par\u00e7as\u0131n\u0131n 20.000 dirheme sat\u0131ld\u0131\u011f\u0131 rivayet edilir. Tisfun\u2019un ele ge\u00e7irilmesinden sonra Araplar\u0131n eline ge\u00e7en di\u011fer k\u0131ymetli kuma\u015flardan bir tanesi Fars \u0131rk\u0131n\u0131n milli bayra\u011f\u0131 olan Diref\u015f-i Kabiyan\u2019d\u0131r. Bu bayra\u011f\u0131n S\u00e2s\u00e2n\u00eeler i\u00e7in \u00f6nemli bir anlam\u0131 vard\u0131 ve genellikle \u00f6l\u00fcm kal\u0131m m\u00fccadelesi verilen sava\u015flarda S\u00e2s\u00e2n\u00eeler bu bayra\u011f\u0131 a\u00e7arak insanlar\u0131n milli duygular\u0131n\u0131 galeyana getirmeye \u00e7al\u0131\u015f\u0131rlard\u0131. Tisfun kentinde muhafaza edilen bu bayrak \u015fehrin d\u00fc\u015fmesi ile beraber Araplar\u0131n eline ge\u00e7mi\u015f ve bayrak \u00fczerindeki de\u011ferli m\u00fccevherler al\u0131narak y\u0131rt\u0131lm\u0131\u015ft\u0131r.\u201d<\/i><\/p>\n
Ahmet Murat\u2019\u0131n \u015fiirinin ikinci biriminde bahsetti\u011fi olay \u00fcstte aktar\u0131m\u0131n\u0131 yapt\u0131\u011f\u0131m\u0131z s\u00fcre\u00e7le ilgili olmal\u0131d\u0131r:<\/p>\n
\u201c\u00c7\u0131k\u0131p giderlerken \u00fcle\u015fmeden \u00f6nce
\n<\/i>Zarif k\u0131l\u0131\u00e7lar\u0131yla bi\u00e7tilerdi
\n<\/i>Cennet bah\u00e7esine \u00f6yk\u00fcnen hal\u0131y\u0131\u201d<\/i><\/p>\n
Bir \u015fiiri somutla\u015ft\u0131rmak her zaman tehlikeler ta\u015f\u0131r. Fakat \u201cSanat\u201d \u015fiiri bizi bu tehlikelerden koruyor. \u00dcstelik \u201cLa g\u00e2libe illallah\u201d (Yusuf Suresi, 21. ayetine at\u0131fla: \u201cAllah\u2019tan ba\u015fka galip yoktur.<\/i>\u201d) \u015feklindeki \u015fiirin son birimiyle bunu per\u00e7inliyor. Peki bu per\u00e7ini nas\u0131l yorumlamal\u0131y\u0131z? Bunu da iki \u015f\u0131k \u00fczere okuyabiliriz: \u0130lk olarak \u201c\u0130slam\u2019\u0131 temsil eden ordu galip gelmi\u015ftir.\u201d h\u00fckm\u00fcn\u00fc vermi\u015f olabilir \u015fair. Fakat bu, ibarenin ola\u011fan anlam\u0131d\u0131r. Bununla birlikte, \u201ccennet bah\u00e7esine \u00f6yk\u00fcnen bir hal\u0131<\/i>\u201dn\u0131n yok edilmesi ba\u011flam\u0131nda da okuyabiliriz. \u00d6yle ya, nas\u0131l olur da b\u00f6yle bir \u00f6yk\u00fcnme h\u00e2s\u0131l olabilir? Zaten bi\u00e7ilmi\u015f olmas\u0131 da bu boy \u00f6l\u00e7\u00fc\u015fme fiilinden \u00f6t\u00fcr\u00fc de\u011fil midir?!. Hem de, \u201ccennet bah\u00e7esine \u00f6yk\u00fcnen bir hal\u0131<\/i>\u201dya g\u00f6re \u201czarif<\/i>\u201dli\u011fi \u00f6ne \u00e7\u0131kar\u0131lan k\u0131l\u0131\u00e7larla! Bu ikinci okuma, bizi geleneksel alg\u0131lardaki k\u0131s\u0131r d\u00f6ng\u00fcden olu\u015fan tart\u0131\u015fmaya g\u00f6t\u00fcr\u00fcr: Tasvir yasa\u011f\u0131na! Akademisyen ve \u015fair olarak Ahmet Murat\u2019\u0131n bu yasa\u011fa prim verece\u011fini ise hi\u00e7 sanmam!<\/p>\n
Toparlarsak: \u201cSanat\u201d \u015fiiri \u015fiirsel \u00f6zelliklerinin yan\u0131 s\u0131ra, <\/span>bol okumalara f\u0131rsat tan\u0131yan bir \u015fiir. \u00d6zellikle temas\u0131 ba\u011flam\u0131nda \u0130slam tarihindeki farkl\u0131 konulara at\u0131flar yap\u0131labilir bu \u015fiirle. Bir k\u0131sm\u0131na de\u011findik bunlar\u0131n; haydi birisine daha temas edelim: Sava\u015fta elde edilen ganimetlerin kullan\u0131m\u0131 hususuna! <\/span><\/p>\nHer biri ayr\u0131 ayr\u0131 bilimsel \u00e7al\u0131\u015fmalara kap\u0131 aralayan bu \u201cat\u0131f\u201dlar bir tarafa, Ahmet Murat bu metni ile bize \u015fiirde bilginin kullan\u0131m\u0131 hususunda ipu\u00e7lar\u0131 sunmu\u015ftur. Fakat benim kanaatim \u015fairin buradaki performans\u0131 negatif y\u00f6ndedir. Nitekim sava\u015f sonras\u0131n\u0131n kazan\u0131m\u0131 olarak takdim edilen s\u00fcre\u00e7ler ve \u015fair taraf\u0131ndan bunlara yap\u0131lan \u00f6vg\u00fcsel yakla\u015f\u0131mlar farkl\u0131 bak\u0131\u015f a\u00e7\u0131lar\u0131 ile tam tersi istikametlerde de\u011ferlendirilebilir.<\/p>\n
Bununla birlikte bu \u015fiiriyle Ahmet Murat, 7. y\u00fczy\u0131lda ya\u015fanm\u0131\u015f tarih\u00ee bir maceray\u0131 g\u00fcn\u00fcm\u00fcze ta\u015f\u0131yarak, \u00e7a\u011f\u0131m\u0131za ve gelecek \u00e7a\u011flara y\u00f6nelik birka\u00e7 kelam etme f\u0131rsat\u0131 sunmu\u015ftur: \u015eu veya bu \u015fekilde, saray mukimi olabilmi\u015flerin, vakit erip de, devridaime -kadere (!) mi diyelim ya da- tabii olduklar\u0131nda, geride ne b\u0131rakt\u0131klar\u0131\u2026 Kalemleri mi zarifti, k\u0131l\u0131\u00e7lar\u0131 m\u0131? Yapt\u0131lar m\u0131, y\u0131kt\u0131lar m\u0131? Cennete mi \u00f6yk\u00fcnd\u00fcler, cehenneme mi? <\/span><\/p>\nMadem \u201csaray mukimlerinden\u201d bahsettik, yine S\u00e2s\u00e2n\u00ee \u015fah\u0131 I. H\u00fcsrev\u2019den tarih\u00ee bir duru\u015f arz edelim: \u201c\u00dclkesini adaletle y\u00f6netmi\u015f ve bu y\u00f6n\u00fcyle tarih ve edebiyat kaynaklar\u0131nda yer alm\u0131\u015f olan I. H\u00fcsrev rivayete g\u00f6re halk\u0131n\u0131 ve ziyaret\u00e7ilerini, saray\u0131n b\u00fcy\u00fck kemerlere sahip geni\u015f avlusundaki eyvan\u0131n tonozuna kadar y\u00fckselen taht\u0131nda otururken kabul ederdi. Buradaki y\u00fcksek kemerlerden birinin \u00fcst\u00fcne ucunda \u00e7an bulunan bir zincir ast\u0131rm\u0131\u015ft\u0131 (zenc\u00eer-i adl). Bu zincirin ucu \u00e7ocuklar\u0131n bile yeti\u015fece\u011fi bir y\u00fckseklikte olup \u015fik\u00e2yeti olan halk buraya gelerek zinciri \u00e7ekince ucundaki \u00e7an\u0131n sesini duyan kisr\u00e2 halk\u0131n\u0131n \u015fik\u00e2yetini bizzat dinlemek i\u00e7in saray\u0131ndan \u00e7\u0131kar, taht\u0131na otururdu.\u201d<\/i><\/p>\n
Ahmet Murat\u2019\u0131n \u201cSanat\u201d \u015fiiri bol okumalar sunuyor demi\u015ftik ya, bak\u0131n bizi \u201cadalet zinciri\u201dne kadar getirip b\u0131rakt\u0131. \u015eimdi bu zincirin \u015fiirini bekliyoruz.<\/p>\n
KAYNAK\u00c7A: <\/span><\/b><\/p>\nAbd\u00fclhakim Ko\u00e7in, \u201cDevlet Y\u00f6netiminde Adaletin Yeri ve Kl\u00e2sik T\u00fcrk \u015eiirine Yans\u0131mas\u0131\u201d, Mill\u00ee E\u011fitim Dergisi, S. 171 (2006), s. 15-29.<\/p>\n
Ahmet Murat, Muhit Dergisi, S. 13 [Ocak 2021], s. 9.<\/p>\n
Ahmet Tal\u00e2t Onay, Eski T\u00fcrk Edebiyat\u0131nda Mazmunlar ve \u0130zah\u0131 (Haz. Cem\u00e2l Kurnaz), Ank., 2000, s. 432.<\/p>\n
https:\/\/docplayer.biz.tr\/31431807-Belleten-dort-ayda-bir-cikar-cilt-lxxviii-sa-nisan-2014-erken-ortacaglarin-sehirler-toplulugu-meda-in-adulhalik-bakir-ahmet-altungok.html [Eri\u015fim Tarihi: 24.01.2021]<\/p>\n
https:\/\/islamansiklopedisi.org.tr\/tak-i-kisra [Eri\u015fim Tarihi: 24.01.2021]<\/p>\n
https:\/\/tr.wikipedia.org\/wiki\/Sasani_%C4%B0mparatorlu%C4%9Fu [Eri\u015fim Tarihi: 24.01.2021]<\/p>\n
https:\/\/www.biyografya.com\/biyografi\/913 [Eri\u015fim Tarihi: 24.01.2021]<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
\u201cSanat\u201d \u015fiiri \u015fiirsel \u00f6zelliklerinin yan\u0131 s\u0131ra, bol okumalara f\u0131rsat tan\u0131yan bir \u015fiir. \u00d6zellikle temas\u0131 ba\u011flam\u0131nda…<\/p>\n","protected":false},"author":17,"featured_media":2049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[22],"tags":[],"ppma_author":[173],"class_list":["post-2048","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-elestiri"],"yoast_head":"\n
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Ele\u015ftiri: Gelenek ve \u0130kinci Yeni \u015eiiri, \u015eiirin \u0130pek Sesi, \u015eiirin \u015eiddeti, \u00d6zg\u00fcn Bir Toplum Kurucu Mehmet \u00c2kif, \u015ei\u2019r-Pen\u00e7e, \u0130kinci Yeni Okumalar\u0131, K\u00f6klenme Bilinci, Kerberos\u2019u Ta\u015flamak. Antoloji: Baba Bu Kitap Sana, Ankara \u015eiirleri Antolojisi, Daima Rabia-M\u0131s\u0131r Direni\u015fi \u0130\u00e7in \u015eiirler, Eski\u015fehir \u015eairler Antolojisi, Bursa Naat Okuyor, Darbeye Direnen \u015eiirler-15 Temmuz Direni\u015f \u015eiirleri, Darbeye Direnen \u015eiirler-28 \u015eubat Direni\u015f \u015eiirleri. Derleme: Bursa\u2019n\u0131n \u00c7anakkale \u015eehitleri, \u00c7anakkale Sava\u015flar\u0131 ve \u0130stanbul, \u00c7anakkale Zaferi ve Bursa, Sanat ve Edebiyat Hayat\u0131n\u0131n 35. Y\u0131l\u0131nda Bestami Yazgan. Biyografi: Feraizciz\u00e2de Mehmet \u015eakir. \u2003","url":"https:\/\/simurgedebiyat.com\/index.php\/author\/cevat-akkanat\/"}]}},"featured_image_urls":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-300x196.jpg",300,196,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",640,417,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",640,417,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-400x250.jpg",400,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-375x375.jpg",375,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-216x216.jpg",216,216,true]},"author_info":{"display_name":"Cevat AKKANAT","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/cevat-akkanat\/"},"category_info":"<a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/elestiri\/\" rel=\"category tag\">Ele\u015ftiri\/Tahlil<\/a>","tag_info":"Ele\u015ftiri\/Tahlil","comment_count":"0","jetpack_featured_media_url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg","uagb_featured_image_src":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-300x196.jpg",300,196,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",640,417,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",640,417,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-400x250.jpg",400,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-375x375.jpg",375,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun.jpg",690,450,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/08\/tisfun-216x216.jpg",216,216,true]},"uagb_author_info":{"display_name":"Cevat AKKANAT","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/cevat-akkanat\/"},"uagb_comment_info":0,"uagb_excerpt":"\u201cSanat\u201d \u015fiiri \u015fiirsel \u00f6zelliklerinin yan\u0131 s\u0131ra, bol okumalara f\u0131rsat tan\u0131yan bir \u015fiir. \u00d6zellikle temas\u0131 ba\u011flam\u0131nda...","authors":[{"term_id":173,"user_id":17,"is_guest":0,"slug":"cevat-akkanat","display_name":"Cevat AKKANAT","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cevat.jpg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cevat.jpg"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"Bal\u0131kesir, 1964. \u0130zmir Dokuz Eyl\u00fcl \u00dcniversitesi, Buca E\u011fitim Fak\u00fcltesi, T\u00fcrk Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fcn\u00fc 1991\u2019de bitirdi. 2000\u2019de K\u0131r\u0131kkale \u00dcniversitesi\u2019nde \u201cGelenek ve \u0130kinci Yeni \u015eiiri\u201d ba\u015fl\u0131kl\u0131 tezle y\u00fcksek lisans\u0131n\u0131 tamamlad\u0131. 1997-2005 aras\u0131nda Lik\u00e2 edebiyat dergisini \u00e7\u0131kard\u0131. \r\n\r\nYay\u0131nlanm\u0131\u015f Eserleri: \r\n\u015eiir: Kara Oyun, G\u00fcz Kl\u00e2si\u011fi, Sen Bir Sevda A\u011fac\u0131s\u0131n T\u00fcrk\u00fcler B\u00fcy\u00fct\u00fcr Y\u00fcz\u00fcn, Tan Tan Traska!, H\u00fczn \u00fc A\u015fk, Korku Isl\u0131\u011f\u0131, Nas\u0131ls\u0131n\u0131z?, H\u00e2s\u0131l\u0131 Memlekette, \u015eanl\u0131 \u015eark\u0131, G\u00fcl\u00fcmse Kul\u00fcb\u00fc, Post Ah, \u00c7arlek, Kabuk, Lirik Parampar\u00e7a, Kovgun \u0130sa T\u00fcrk\u00fcs\u00fc.\r\nDeneme: Edebiyat Hayat Memat, \u0130lhan Berk\u2019in Ha\u015femas\u0131, K\u00f6pekler L\u00fcgati, Deneme Tahtas\u0131, Festivalde \u015eempanze, Iss\u0131zl\u0131k Mar\u015f\u0131, Adalet Divan\u0131, Abide Kubbeler, Ben Size Ne Demi\u015ftim?.\r\nEle\u015ftiri: Gelenek ve \u0130kinci Yeni \u015eiiri, \u015eiirin \u0130pek Sesi, \u015eiirin \u015eiddeti, \u00d6zg\u00fcn Bir Toplum Kurucu Mehmet \u00c2kif, \u015ei\u2019r-Pen\u00e7e, \u0130kinci Yeni Okumalar\u0131, K\u00f6klenme Bilinci, Kerberos\u2019u Ta\u015flamak.\r\nAntoloji: Baba Bu Kitap Sana, Ankara \u015eiirleri Antolojisi, Daima Rabia-M\u0131s\u0131r Direni\u015fi \u0130\u00e7in \u015eiirler, Eski\u015fehir \u015eairler Antolojisi, Bursa Naat Okuyor, Darbeye Direnen \u015eiirler-15 Temmuz Direni\u015f \u015eiirleri, Darbeye Direnen \u015eiirler-28 \u015eubat Direni\u015f \u015eiirleri.\r\nDerleme: Bursa\u2019n\u0131n \u00c7anakkale \u015eehitleri, \u00c7anakkale Sava\u015flar\u0131 ve \u0130stanbul, \u00c7anakkale Zaferi ve Bursa, Sanat ve Edebiyat Hayat\u0131n\u0131n 35. Y\u0131l\u0131nda Bestami Yazgan.\r\nBiyografi: Feraizciz\u00e2de Mehmet \u015eakir.\r\n\r\n\r\n\r\n \r\n\r\n\r\n\u2003\r\n"}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/2048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=2048"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/2048\/revisions"}],"predecessor-version":[{"id":2052,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/2048\/revisions\/2052"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/2049"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=2048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=2048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=2048"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=2048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}