K\u00f6klenme Bilinci Cevat Akkanat\u2019\u0131n \u0130kinci Yeni \u015fairlerini konu alan makalelerinden olu\u015fan bir \u00e7al\u0131\u015fma. \u0130kinci Yeni \u015eairleri \u00f6rne\u011fi alt ba\u015fl\u0131\u011f\u0131n\u0131 ta\u015f\u0131yan eser on be\u015f makalenin toplam\u0131ndan olu\u015fuyor. Eseri, Kitapyurdu Do\u011frudan Yay\u0131nc\u0131l\u0131k (KDY) okurla bulu\u015fturdu.<\/p>\n
K\u00f6klenme Bilinci\u2019nde yer alan makalelerin ba\u015fl\u0131klar\u0131 \u015f\u00f6yle: Modernle\u015fme ve \u015eiirimizin Geli\u015fimi, \u0130kinci Yeni \u015eiirinin Olu\u015fumu ve Sonras\u0131, T\u00fcrk Edebiyat\u0131nda Gelenek Sorunu, Gelenek Kar\u015f\u0131s\u0131nda Cemal S\u00fcreya, Cemal S\u00fcreya \u015eiirinde Gelene\u011fin G\u00f6r\u00fcn\u00fcm\u00fc, Gelenek Kar\u015f\u0131s\u0131nda Ece Ayhan ve \u015eiiri, Edip Cansever\u2019in Gelenek Ba\u011f\u0131, \u0130lhan Berk\u2019in \u015eiirdeki G\u00f6r\u00fcn\u00fcm\u00fc, Sezai Karako\u00e7\u2019un Gelenekle \u0130lgili D\u00fc\u015f\u00fcnceleri ve \u015eiirdeki Geleneksel \u015eekil Unsurlar\u0131, Sezai Karako\u00e7 \u015eiirinde Geleneksel Muhteva Unsurlar\u0131n\u0131n \u00d6nemi, Turgut Uyar ve Gelenek, \u00dclk\u00fc Tamer ve \u015eiir Gelene\u011fimiz.<\/p>\n
Cevat Akkanat 1980\u2019lerin ilk y\u0131llar\u0131nda \u015fiir yolculu\u011funa ba\u015flad\u0131. O y\u0131llarda edebiyat ortam\u0131na egemen olan \u0130kinci Yeni \u015fairlerinin maceralar\u0131yla yolu k\u0131sa s\u00fcrede kesi\u015fti. B\u00f6ylece, hareketin belli ba\u015fl\u0131 temsilcilerinin ba\u015fta \u015fiirleri olmak \u00fczere farkl\u0131 edebi verimlerini okudu, inceledi. Dolay\u0131s\u0131yla, onlar\u0131n metinlerine iyice n\u00fcfuz etmesi Akkanat i\u00e7in zor olmad\u0131.<\/p>\n
\u0130kinci Yeni \u015fairlerinin edebi verimlerine olan ilgisi sonraki y\u0131llarda farkl\u0131 boyutlara b\u00fcr\u00fcnen Cevat Akkanat, 1990\u2019lar\u0131n sonlar\u0131nda onlar\u0131 akademik bir \u00e7al\u0131\u015fman\u0131n konusu yapt\u0131. Edebi mesaisinin ba\u015f k\u00f6\u015fesine oturan bu \u00e7al\u0131\u015fmay\u0131, Gelenek ve \u0130kinci Yeni \u015eiiri adl\u0131 y\u00fcksek lisan tezi ile ta\u00e7land\u0131rd\u0131.<\/p>\n
K\u00f6klenme Bilinci\u2019nin arka kapak yaz\u0131s\u0131nda kitap \u015fu sat\u0131rlarla takdim edilir:<\/p>\n
\u201c\u0130kinci Yeni\u2019nin hangi tarihte kuruldu\u011fu, kurulu\u015f s\u00fcreci, ne zaman sona erdi\u011fi gibi hususlar, b\u00fct\u00fcn somut verilere ra\u011fmen, \u00fczerinde ittifak edilen \u015feyler de\u011fildir. S\u00f6zgelimi kurulu\u015f y\u0131l\u0131 olarak 1953 ila 1956 aras\u0131ndaki d\u00f6rt ayr\u0131 y\u0131la at\u0131flar yap\u0131lmaktad\u0131r. Bunun gibi, harekete kimlerin d\u00e2hil oldu\u011fu da hep tart\u0131\u015f\u0131lm\u0131\u015ft\u0131r. Toplulu\u011fun olu\u015fumu belirli bir pl\u00e2n ve programdan ziyade rastlant\u0131sald\u0131r. Aynen ad\u0131n\u0131 al\u0131\u015f\u0131 gibi\u2026 Yukar\u0131da bahsetti\u011fimiz y\u0131llarda Yeditepe, Yenilik, A, \u0130stanbul, \u015eiir Sanat\u0131, Pazar Postas\u0131 gibi dergilerde \u015fiir yazan \u00e7o\u011fu birbirinden habersiz bir grup \u015fair, Muzaffer Erdost\u2019un 19 A\u011fustos 1956\u2019da Son Havadis\u2019te yazd\u0131\u011f\u0131 bir yaz\u0131n\u0131n ba\u015fl\u0131\u011f\u0131 ile tarihe ge\u00e7mi\u015f oldular. S\u00fcre\u00e7 i\u00e7erisinde \u0130kinci Yeni\u2019nin ne\u2019li\u011fi hususu \u2018ak\u0131m\u2019, \u2018topluluk\u2019, yahut \u2018hareket\u2019 olu\u015f\/olmay\u0131\u015f ba\u011flamlar\u0131 ile de tart\u0131\u015f\u0131lm\u0131\u015f, bu konuda da ortak bir kanaate ula\u015f\u0131lamam\u0131\u015ft\u0131r. <\/em><\/p>\n B\u00fct\u00fcn bunlar olup biterken \u0130kinci Yeni, olumlu yahut olumsuz, pek \u00e7ok ki\u015finin ilgi oda\u011f\u0131 olmu\u015ftur. \u00c7o\u011fu polemik seviyesinde geli\u015fen tart\u0131\u015fmalar, \u0130kinci Yeni\u2019nin \u00e7evresinde geli\u015fmi\u015ftir. Bunlar aras\u0131nda edebiyat d\u0131\u015f\u0131 ama\u00e7larla yap\u0131lan ele\u015ftiriler, pe\u015fin yarg\u0131lar, su\u00e7lamalar ve kal\u0131pla\u015fm\u0131\u015f ifadeler, bir s\u00fcre hareketin asl\u00ee (\u015fiirsel) niteliklerinin g\u00f6r\u00fclmesini engellemi\u015ftir. \u0130kinci Yeni etraf\u0131nda kopar\u0131lan sert tart\u0131\u015fmalar\u0131 bir tarafa b\u0131rakarak, hareketin \u015fiirsel \u00f6zelliklerini ana \u00e7izgileriyle belirtelim: \u0130kinci Yeni \u015fiiri, kapal\u0131 ve soyut bir \u015fiirdir. Bu, al\u0131\u015f\u0131lmam\u0131\u015f ba\u011fda\u015ft\u0131rmalar ve s\u00f6z diziminin bozulmas\u0131 gibi yollarla sa\u011flanm\u0131\u015ft\u0131r. \u00c7a\u011fr\u0131\u015f\u0131m zenginli\u011fi ve d\u00fczensizli\u011fi \u0130kinci Yeni\u2019nin ay\u0131rt edici \u00f6zellikleri aras\u0131nda yer al\u0131r. B\u00fct\u00fcn bunlarla birlikte, \u0130kinci Yeni\u2019yle birlikte \u015fiirimizde tasannu yeniden ba\u015flam\u0131\u015ft\u0131r<\/em>.\u201d<\/p>\n Kitab\u0131n i\u00e7eri\u011fine g\u00f6z gezdirdi\u011fimizde, modernle\u015fme ve Tanzimat edebiyat\u0131ndan ba\u015flayarak 1950\u2019lere kadar gelen s\u00fcreci de\u011ferlendirir. As\u0131l odakland\u0131\u011f\u0131 d\u00f6nem ise \u0130kinci Yeni\u2019nin de var oldu\u011fu 1950 ve sonras\u0131 s\u00fcre\u00e7tir. Bu b\u00f6l\u00fcmde d\u00f6nemin sosyal manzaras\u0131na de\u011finilirken, \u0130kinci Yeninin Demokrat Parti (DP)\u2019nin bask\u0131s\u0131 sonucu olu\u015fan bir \u015fiir hareketi oldu\u011fu hususunu hat\u0131rlatarak, bunun tamam\u0131yla do\u011fru olamasa da ya\u015fan\u0131lan \u2018devrin ruhu\u2019 \u0130kinci Yeninin \u015fairlerine ve onlar\u0131n ortaya koydu\u011fu edebi eserlere mutlak surette etki etmi\u015ftir sonucuna ula\u015f\u0131r.<\/p>\n Akkanat, K\u00f6klenme Bilinci\u2019nde Cemal S\u00fcreya, Ece Ayhan, Edip Cansever, \u0130lhan Berk, Turgut Uyar, Sezai Karako\u00e7 ve \u00dclk\u00fc Tamer\u2019in \u015fiirlerini, geleneksel \u015fiirimiz (Divan \u015fiiri, Halk \u015fiiri) ve Bat\u0131 \u015fiiri ba\u011flamlar\u0131nda ele al\u0131r, inceler.<\/p>\n Kitab\u0131 okuyup bitirdi\u011finizde \u015fu sonuca ula\u015fman\u0131z m\u00fcmk\u00fcnd\u00fcr: \u015eiirimizin k\u00f6kl\u00fc bir ge\u00e7mi\u015fi vard\u0131r ve bu ge\u00e7mi\u015f, geriden gelenlere her an kaynakl\u0131k yapacak bir zenginliktedir. K\u00f6klenme Bilinci ile \u0130kinci Yeni \u015fairleri bunun en g\u00fczel \u00f6rne\u011fi olarak dikkatlere sunulmu\u015ftur.<\/p>\n (K\u00f6klenme Bilici, Cevat Akkanat, KDY Kitapyurdu Do\u011frudan Yay\u0131nc\u0131l\u0131k, \u0130st., 2024, 224 s.)<\/p>\n","protected":false},"excerpt":{"rendered":" K\u00f6klenme Bilinci Cevat Akkanat\u2019\u0131n \u0130kinci Yeni \u015fairlerini konu alan makalelerinden olu\u015fan bir \u00e7al\u0131\u015fma. \u0130kinci Yeni…<\/p>\n","protected":false},"author":29,"featured_media":1869,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[22],"tags":[],"ppma_author":[200],"class_list":["post-1868","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-elestiri"],"yoast_head":"\n