{"id":1760,"date":"2025-05-03T17:52:39","date_gmt":"2025-05-03T14:52:39","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=1760"},"modified":"2025-05-03T17:52:39","modified_gmt":"2025-05-03T14:52:39","slug":"arif-nihat-asyanin-siirine-dair-bir-okuma","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2025\/05\/03\/arif-nihat-asyanin-siirine-dair-bir-okuma\/","title":{"rendered":"Arif Nihat Asya\u2019n\u0131n \u015eiirine Dair Bir Okuma"},"content":{"rendered":"

Bayra\u011f\u0131n G\u00f6lgesinde Bir G\u00f6n\u00fcl Mimar\u0131<\/strong><\/p>\n

 <\/strong><\/p>\n

Mehmet Sait Ulu\u00e7ay<\/em><\/p>\n

Cumhuriyet \u015fiirinin en \u00f6zg\u00fcn ve diri seslerinden biri olan Arif Nihat Asya, sadece \u201cBayrak \u015eairi\u201d olarak an\u0131lmakla s\u0131n\u0131rland\u0131r\u0131lamaz. \u015eiirinde hem bireysel bir i\u00e7 d\u00fcnya hem de kolektif bir tarih bilinci ta\u015f\u0131yan Asya, bi\u00e7imsel sadakati estetikle yo\u011furarak adeta bir g\u00f6n\u00fcl mimar\u0131na d\u00f6n\u00fc\u015f\u00fcr. Bu yaz\u0131, onun edeb\u00ee ki\u015fili\u011fini, \u015fiir anlay\u0131\u015f\u0131n\u0131 ve ard\u0131nda b\u0131rakt\u0131\u011f\u0131 miras\u0131 hem \u00f6vg\u00fcler hem de ele\u015ftiriler e\u015fli\u011finde b\u00fct\u00fcnl\u00fckl\u00fc bir bak\u0131\u015fla ele al\u0131yor.<\/p>\n

Cumhuriyet d\u00f6nemi T\u00fcrk \u015fiirinde, milletin haf\u0131zas\u0131n\u0131 canl\u0131 tutan, inan\u00e7 ve tarihle yo\u011frulmu\u015f hem bireysel hem de toplumsal bir lirizmin sesi y\u00fckselir: Arif Nihat Asya. Onu sadece bir “Bayrak \u015eairi” olarak g\u00f6rmek, bu derin sesi daraltmak olur. O, d\u00fc\u015f\u00fcnceyle bi\u00e7imi bulu\u015fturan nadir ustalardan biridir.<\/p>\n

1910\u2019da Balkanlar\u2019da do\u011fan Asya\u2019n\u0131n hayat\u0131, g\u00f6\u00e7lerin, kay\u0131plar\u0131n ve \u00f6zlemlerin izleriyle \u00f6r\u00fcl\u00fcd\u00fcr. Hen\u00fcz k\u00fc\u00e7\u00fck ya\u015fta babas\u0131n\u0131 yitirir; \u00e7ocuklu\u011fu yetimhanelerde ge\u00e7er. Bu yaln\u0131zl\u0131k, onun ruhunda bir bo\u015fluk yarat\u0131r ve \u015fiirlerinde kendini tamamlamaya \u00e7al\u0131\u015fan bir aray\u0131\u015fa d\u00f6n\u00fc\u015f\u00fcr. Asya\u2019n\u0131n \u015fiiri, adeta bir mimar gibi \u00f6r\u00fcl\u00fcr. Her m\u0131sra, hem duygusal hem de anlam katmanlar\u0131yla di\u011ferinin \u00fcst\u00fcne konur; sadece his de\u011fil, ayn\u0131 zamanda \u00e7a\u011fr\u0131\u015f\u0131m ve d\u00fc\u015f\u00fcnce de ta\u015f\u0131r.<\/p>\n

\u015eiirlerini hem bireysel hem tarihsel bilin\u00e7le kaleme al\u0131r. Y\u0131k\u0131lm\u0131\u015f bir medeniyetin enkaz\u0131 i\u00e7inden yeni bir ruh in\u015fa etmeye \u00e7al\u0131\u015f\u0131r. Bu y\u00f6n\u00fcyle, Yahya Kemal\u2019in ge\u00e7mi\u015fin b\u00fcy\u00fcs\u00fcn\u00fc ta\u015f\u0131yan \u015fiir anlay\u0131\u015f\u0131na akraba say\u0131labilir. Ancak Arif Nihat, ge\u00e7mi\u015fin i\u00e7inde kalmaz; ondan ald\u0131\u011f\u0131 miras\u0131 gelece\u011fe ta\u015f\u0131maya \u00e7al\u0131\u015f\u0131r. \u015eiiri, ruhan\u00ee bir haf\u0131za gibidir.<\/p>\n

 <\/p>\n

\u015eiirinde Bi\u00e7im, Ahenk, Yap\u0131 ve Ses<\/strong><\/p>\n

 <\/strong>Arif Nihat, \u015fiirin bi\u00e7imini hi\u00e7bir zaman ikinci plana atmaz. S\u00f6zc\u00fckleri sadece anlam\u0131n ta\u015f\u0131y\u0131c\u0131s\u0131 olarak de\u011fil, ayn\u0131 zamanda sesin, ritmin ve bi\u00e7imin bir par\u00e7as\u0131 olarak da kullan\u0131r. Onun \u015fiiri, yaln\u0131zca d\u00fc\u015f\u00fcncenin de\u011fil; yap\u0131 ve duygunun i\u00e7 i\u00e7e ge\u00e7ti\u011fi bir b\u00fct\u00fcnl\u00fck sergiler. Hece \u00f6l\u00e7\u00fcs\u00fcne, kafiyeye, aliterasyona ve duraklara \u00f6zen g\u00f6stermesi sadece teknik bir tercih de\u011fildir. Onlar\u0131 bir ahenk unsuru olarak kullan\u0131r.<\/p>\n

Vezinli \u015fiirlerinde \u00f6l\u00e7\u00fc kullan\u0131m\u0131 kusursuzdur. Redif ve kafiye uyumu g\u00f6ze \u00e7arpar. Ancak zaman zaman bu kat\u0131 kal\u0131plardan s\u0131yr\u0131larak serbest \u015fiire de y\u00f6nelir. Asya\u2019da bi\u00e7im, i\u00e7eri\u011fe hizmet eden bir ara\u00e7t\u0131r. Lirik temalarda m\u00fczi\u011fi \u00f6ne \u00e7\u0131kar\u0131rken, \u00f6\u011f\u00fct veren dizelerinde yap\u0131y\u0131 daha s\u0131k\u0131 tutar.<\/p>\n

\u201cDua, Naat, Bayrak, Kaside\u201d gibi t\u00fcrlerde kaleme ald\u0131\u011f\u0131 \u015fiirleri, bi\u00e7imsel sadakati ve estetik yakla\u015f\u0131m\u0131yla da gelenekle ili\u015fkilendirir. Ancak bu ba\u011f, sadece taklit de\u011fildir. Ge\u00e7mi\u015fi yenileyen bir ba\u011fl\u0131l\u0131kla kuruludur. Divan \u015fiirinin bi\u00e7imsel zenginli\u011fini, halk \u015fiirinin i\u00e7tenli\u011fini ve modern \u015fiirin birey merkezli duyarl\u0131l\u0131\u011f\u0131n\u0131 bir araya getirir.<\/p>\n

 <\/p>\n

Edeb\u00ee E\u011filim ve Zihinsel Arka Plan<\/strong><\/p>\n

 <\/strong>Arif Nihat Asya, herhangi bir edeb\u00ee toplulu\u011fa do\u011frudan ba\u011fl\u0131 de\u011fildir. Onu Mill\u00ee Edebiyat \u00e7izgisinin devam\u0131 olarak g\u00f6rmek m\u00fcmk\u00fcnd\u00fcr. Ziya G\u00f6kalp\u2019in \u201cmilletin de\u011ferlerinden sanat \u00fcretme\u201d fikrini i\u00e7selle\u015ftirmi\u015ftir. Yine de \u015fiirini yaln\u0131zca milliyet\u00e7ilik \u00fczerinden okumak eksik olur. Onun m\u0131sralar\u0131nda zaman zaman tasavvufi \u00e7a\u011fr\u0131\u015f\u0131mlar, metafizik sorular, hatta mistik bir bak\u0131\u015f a\u00e7\u0131s\u0131 da yer al\u0131r. Bu y\u00f6n\u00fcyle \u0130kinci Yeni\u2019nin soyut imgelerinden uzak gibi g\u00f6r\u00fcnse de, baz\u0131 metaforlar\u0131nda benzer derinlikleri yakalad\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz.<\/p>\n

Arif Nihat, Garip ak\u0131m\u0131n\u0131n \u015fiirlerini s\u0131radan bulur. \u0130kinci Yeni\u2019nin kapal\u0131 diline ve toplumcu ger\u00e7ek\u00e7ili\u011fin kat\u0131 ideolojik tavr\u0131na temkinli yakla\u015f\u0131r. Onun \u015fiirinde birey vard\u0131r; ama bu birey yaln\u0131zca kendini de\u011fil, milletini, tarihini ve inand\u0131\u011f\u0131 de\u011ferleri de dile getirir.<\/p>\n

Arif Nihat hakk\u0131nda yap\u0131lan yorumlar\u0131n \u00e7o\u011fu \u00f6vg\u00fcyle ba\u015flar. Cemil Meri\u00e7 onu \u201cg\u00f6nl\u00fcn sesi\u201d diye tan\u0131mlar. Ahmet Kabakl\u0131, \u015fiirlerini \u201cmilletin dua kitab\u0131\u201d olarak g\u00f6r\u00fcr. Beh\u00e7et Necatigil ise \u015fiirindeki yap\u0131sal g\u00fcce ve bi\u00e7imsel disipline dikkat \u00e7eker.<\/p>\n

Bana kal\u0131rsa, Arif Nihat Asya T\u00fcrk edebiyat\u0131n\u0131n en g\u00fc\u00e7l\u00fc kalemlerinden biridir. Bayra\u011f\u0131 sadece bir sembol olarak de\u011fil, adeta bir inan\u00e7 olarak i\u015fler \u015fiirine. Onun i\u00e7in vatan, sadece \u00fczerinde ya\u015fan\u0131lan toprak de\u011fildir.  Vatan, ya\u015fanacak ve u\u011fruna \u00f6l\u00fcnecek kutsal bir emanettir.<\/p>\n

Dili yal\u0131n, ama vecizdir. \u201cBayrak\u201d \u015fiiri bu dilin haf\u0131zalara kaz\u0131nm\u0131\u015f en g\u00fc\u00e7l\u00fc \u00f6rne\u011fidir. Be\u015fir Ayvazo\u011flu\u2019nun da belirtti\u011fi gibi, Asya \u015fiirinde hamaseti de\u011fil; i\u00e7tenli\u011fi ve inan\u00e7la harmanlanm\u0131\u015f bir sevgiyi \u00f6ne \u00e7\u0131kar\u0131r.<\/p>\n

Elbette ele\u015ftiriler de eksik de\u011fildir. \u00d6zellikle 1970 sonras\u0131 baz\u0131 ku\u015faklar, onun \u015fiirini fazla \u00f6\u011fretici bulur. Retori\u011fe yasland\u0131\u011f\u0131, duygudan \u00e7ok mesaj\u0131n \u00f6ne \u00e7\u0131kt\u0131\u011f\u0131 ifade edilir. Fakat bu de\u011ferlendirme, Asya\u2019n\u0131n \u015fiirini sadece ideolojik bir \u00e7er\u00e7evede okuman\u0131n getirdi\u011fi bir daralmad\u0131r. \u00c7\u00fcnk\u00fc onun dizelerinde \u00f6yle m\u0131sralar vard\u0131r ki, yaln\u0131zca bir millete de\u011fil, insanl\u0131\u011f\u0131n ortak vicdan\u0131na hitap eder:<\/p>\n

 <\/p>\n

\u201cGel ey sabah g\u00fcne\u015fi, al bayra\u011f\u0131m\u0131 \u00f6p!\u201d<\/p>\n

Bu dize yaln\u0131zca bir \u00fclkeye ya da ideolojiye ait de\u011fildir. Bu, \u015fiirin evrensel g\u00fcc\u00fcd\u00fcr.<\/p>\n

Ancak her \u015fiir her kula\u011fa ayn\u0131 t\u0131n\u0131y\u0131 vermez. Cemal S\u00fcreya, bir yaz\u0131s\u0131nda Asya\u2019n\u0131n \u015fiirinin \u201cfazla nutukvari\u201d oldu\u011funu s\u00f6yler. Ona g\u00f6re Asya\u2019n\u0131n dizeleri mesaj\u0131 \u00f6ne \u00e7\u0131kar\u0131r, estetikten \u00e7ok bildiriyi ta\u015f\u0131r. Modern \u015fiiri benimseyen baz\u0131 isimler ise, Asya\u2019n\u0131n imgelerini \u201cgeleneksel ve tahmin edilebilir\u201d bulur. Bayrak, hilal, \u015fehit, ezan gibi motiflerin tekrar edilmesi, \u015fiiri tek renkli k\u0131labilir onlara g\u00f6re.<\/p>\n

 <\/p>\n

Eserleri ve Kal\u0131c\u0131 Miras\u0131<\/strong><\/p>\n

 <\/strong>Asya\u2019n\u0131n en \u00e7ok bilinen \u015fiir kitaplar\u0131 aras\u0131nda Bir Bayrak R\u00fczg\u00e2r Bekliyor, Dualar ve \u00c2minler, Kubbe-i Hadr\u00e2, Naatlar ve M\u00fcn\u00e2catlar gibi eserler yer al\u0131r. Her birinde bir d\u00fc\u015f\u00fcnce mimarisinin izi g\u00f6r\u00fcl\u00fcr. O sadece \u015fiir yazmam\u0131\u015f; ayn\u0131 zamanda bir bak\u0131\u015f, bir estetik ve bir duru\u015f in\u015fa etmi\u015ftir.<\/p>\n

Bug\u00fcn h\u00e2l\u00e2 kitaplar\u0131 defalarca bas\u0131l\u0131yor; \u00f6zellikle mill\u00ee bayramlarda m\u0131sralar\u0131 gen\u00e7lerin g\u00f6nl\u00fcnde yank\u0131 buluyor. Ancak onu yaln\u0131zca \u201ct\u00f6renlerin \u015fairi\u201d olarak g\u00f6rmek, b\u00fcy\u00fck bir yan\u0131lg\u0131d\u0131r. Arif Nihat Asya, hem d\u00fc\u015f\u00fcncenin hem aidiyetin hem de duan\u0131n \u015fairidir.<\/p>\n

Onun \u015fiiri, sadece okunmak i\u00e7in de\u011fil; ya\u015fanmak, hissedilmek ve ta\u015f\u0131nmak i\u00e7indir. Dizelerinde bir medeniyetin hayali, bir ferdin duas\u0131, bir milletin kalp at\u0131\u015f\u0131 vard\u0131r. T\u00fcrk \u015fiiri, onunla yaln\u0131zca bir bayrak kazanmad\u0131; o bayra\u011f\u0131n g\u00f6lgesinde s\u0131\u011f\u0131n\u0131lacak bir g\u00f6n\u00fcl evi de buldu.<\/p>\n

Ve ne g\u00fczel ki, bu ev h\u00e2l\u00e2 dimdik ayakta. H\u00e2l\u00e2 \u015fiir okuyan her g\u00f6nle a\u00e7\u0131k…<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Bayra\u011f\u0131n G\u00f6lgesinde Bir G\u00f6n\u00fcl Mimar\u0131   Mehmet Sait Ulu\u00e7ay Cumhuriyet \u015fiirinin en \u00f6zg\u00fcn ve diri…<\/p>\n","protected":false},"author":13,"featured_media":1761,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[22,162],"tags":[],"ppma_author":[164],"class_list":["post-1760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-elestiri","category-sait"],"yoast_head":"\nArif Nihat Asya\u2019n\u0131n \u015eiirine Dair Bir Okuma - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2025\/05\/03\/arif-nihat-asyanin-siirine-dair-bir-okuma\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arif Nihat Asya\u2019n\u0131n \u015eiirine Dair Bir Okuma - 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Sait Ulu\u00e7ay: Yedi \u00e7ocuklu ailenin ilk \u00e7ocu\u011fu olarak Ad\u0131yaman ili K\u00e2h-ta il\u00e7esi Salk\u0131mba\u011f\u0131 k\u00f6y\u00fcnde d\u00fcnyaya geldi. Anadolu \u00dcniversitesi \u0130\u015fletme B\u00f6l\u00fcm\u00fc mezunu olan Mehmet Sait Ulu\u00e7ay, 1975 y\u0131l\u0131ndan itibaren muhtelif zamanlarda Herg\u00fcn, Millet Gazetesi ve T\u00fcrk Edebiyat\u0131 Dergisi\u2019nde \u00e7al\u0131\u015ft\u0131. Diyanet \u0130\u015fleri Ba\u015fkanl\u0131\u011f\u0131 ta\u015fra te\u015fkilat\u0131nda \u0130mam-Hatip, memur ve Personel \u015eefi g\u00f6revlerinde bulundu. \u0130ki y\u0131l \u00f6\u011fretmenlik yapt\u0131. 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Yaz\u0131 hayat\u0131na lise y\u0131llar\u0131nda ba\u015flad\u0131. Yaz\u0131 ve \u015fiirleri Herg\u00fcn, Millet, T\u00fcrk Edebiyat\u0131, Edebiyat Ortam\u0131, Ye\u015fil\u0131rmak, H\u00fcr Fikir, Millet, \u00d6rnek Yaz\u0131lar, Yedi \u0130klim, Simuredebiyat, Hizmet, GAP Olay, GAP G\u00fcndemi, Ad\u0131yaman S\u00f6z, Olay, Kalem gazete ve dergilerinde yay\u0131mland\u0131. \u00c7e\u015fitli Dijital Dergilerde \u015fiir ve denemeleri yay\u0131mland\u0131. T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi Y\u00f6netiminde yer ald\u0131. 4 y\u0131l TYB Ad\u0131yaman \u015eube Ba\u015fkanl\u0131\u011f\u0131 yapt\u0131. Halen TYB Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 g\u00f6revini y\u00fcr\u00fctmeye devam etmektedir. Evli, 4 \u00e7ocuk babas\u0131d\u0131r. Yay\u0131nlanm\u0131\u015f Eserleri: 1. Bir Ge\u00e7it Ver D\u00fc\u015f\u00fcncelerinden (\u015eiir) 2. G\u00fcne\u015fe Az Kald\u0131 (\u015eiir) 3. Belki Bir G\u00fcn (\u015eiir) 4. 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Sait Ulu\u00e7ay: Yedi \u00e7ocuklu ailenin ilk \u00e7ocu\u011fu olarak Ad\u0131yaman ili K\u00e2h-ta il\u00e7esi Salk\u0131mba\u011f\u0131 k\u00f6y\u00fcnde d\u00fcnyaya geldi. Anadolu \u00dcniversitesi \u0130\u015fletme B\u00f6l\u00fcm\u00fc mezunu olan Mehmet Sait Ulu\u00e7ay, 1975 y\u0131l\u0131ndan itibaren muhtelif zamanlarda Herg\u00fcn, Millet Gazetesi ve T\u00fcrk Edebiyat\u0131 Dergisi\u2019nde \u00e7al\u0131\u015ft\u0131. Diyanet \u0130\u015fleri Ba\u015fkanl\u0131\u011f\u0131 ta\u015fra te\u015fkilat\u0131nda \u0130mam-Hatip, memur ve Personel \u015eefi g\u00f6revlerinde bulundu. \u0130ki y\u0131l \u00f6\u011fretmenlik yapt\u0131. On y\u0131l s\u00fcre ile \u015eanl\u0131urfa \u0130l K\u00fclt\u00fcr M\u00fcd\u00fcrl\u00fc\u011f\u00fc'nde \u015eube M\u00fcd\u00fcr\u00fc ve \u0130l M\u00fcd\u00fcr\u00fc olarak \u00e7al\u0131\u015ft\u0131. 2000- 2011 y\u0131llar\u0131 aras\u0131nda Bilim Sanayi ve Teknoloji Bakanl\u0131\u011f\u0131, Ad\u0131yaman Bilim, Sanayi ve Teknoloji \u0130l M\u00fcd\u00fcr\u00fc olarak \u00e7al\u0131\u015ft\u0131. Bilim, Sanayi ve Teknoloji \u0130l M\u00fcd\u00fcrl\u00fc\u011f\u00fc g\u00f6revini s\u00fcrd\u00fcrd\u00fc\u011f\u00fc y\u0131llarda ayn\u0131 zamanda Ad\u0131yaman Besni, G\u00f6lba\u015f\u0131 ve K\u00e2hta \u0130l\u00e7eleri Organize Sanayi B\u00f6lgeleri M\u00fcd\u00fcrl\u00fcklerini vek\u00e2letle y\u00fcr\u00fctt\u00fc. Bu OSB\u2019lerin kurulu\u015flar\u0131n\u0131 ger\u00e7ekle\u015ftirdi. 2011 y\u0131l\u0131n-da Bilim Sanayi ve Teknoloji Bakanl\u0131\u011f\u0131'nda Bakanl\u0131k M\u00fc\u015favirli\u011fine atand\u0131. Yaz\u0131 hayat\u0131na lise y\u0131llar\u0131nda ba\u015flad\u0131. Yaz\u0131 ve \u015fiirleri Herg\u00fcn, Millet, T\u00fcrk Edebiyat\u0131, Edebiyat Ortam\u0131, Ye\u015fil\u0131rmak, H\u00fcr Fikir, Millet, \u00d6rnek Yaz\u0131lar, Yedi \u0130klim, Simuredebiyat, Hizmet, GAP Olay, GAP G\u00fcndemi, Ad\u0131yaman S\u00f6z, Olay, Kalem gazete ve dergilerinde yay\u0131mland\u0131. \u00c7e\u015fitli Dijital Dergilerde \u015fiir ve denemeleri yay\u0131mland\u0131. T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi Y\u00f6netiminde yer ald\u0131. 4 y\u0131l TYB Ad\u0131yaman \u015eube Ba\u015fkanl\u0131\u011f\u0131 yapt\u0131. Halen TYB Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 g\u00f6revini y\u00fcr\u00fctmeye devam etmektedir. Evli, 4 \u00e7ocuk babas\u0131d\u0131r. Yay\u0131nlanm\u0131\u015f Eserleri: 1. Bir Ge\u00e7it Ver D\u00fc\u015f\u00fcncelerinden (\u015eiir) 2. G\u00fcne\u015fe Az Kald\u0131 (\u015eiir) 3. Belki Bir G\u00fcn (\u015eiir) 4. Mehmed \u00c2kif ve D\u00fc\u015f\u00fcnce D\u00fcnyas\u0131 (Biyografi) 5. S\u00fcrg\u00fcn ve A\u015fk (Roman) 6. \u0130nsanl\u0131k Tarihinde Erdem Aray\u0131\u015f\u0131 (Deneme) 7. Bitlerin Dans\u0131 (Biyografik Roman) 8. Kay\u0131p Y\u0131ld\u0131z\u0131n Pe\u015finde (Roman) 9. Zeytun \u2013 Bir \u0130syan Roman\u0131","url":"https:\/\/simurgedebiyat.com\/index.php\/author\/mehmet-sait-ulucay\/"}]}},"featured_image_urls":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif-150x150.jpeg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif-224x182.jpeg",224,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif-216x216.jpeg",216,216,true]},"author_info":{"display_name":"Mehmet Sait ULU\u00c7AY","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/mehmet-sait-ulucay\/"},"category_info":"<a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/elestiri\/\" rel=\"category tag\">Ele\u015ftiri\/Tahlil<\/a> <a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/yaz\/sait\/\" rel=\"category tag\">Mehmet Sait ULU\u00c7AY<\/a>","tag_info":"Mehmet Sait ULU\u00c7AY","comment_count":"0","jetpack_featured_media_url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg","uagb_featured_image_src":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif-150x150.jpeg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif-224x182.jpeg",224,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif.jpeg",224,225,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/05\/arif-216x216.jpeg",216,216,true]},"uagb_author_info":{"display_name":"Mehmet Sait ULU\u00c7AY","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/mehmet-sait-ulucay\/"},"uagb_comment_info":0,"uagb_excerpt":"Bayra\u011f\u0131n G\u00f6lgesinde Bir G\u00f6n\u00fcl Mimar\u0131   Mehmet Sait Ulu\u00e7ay Cumhuriyet \u015fiirinin en \u00f6zg\u00fcn ve diri...","authors":[{"term_id":164,"user_id":13,"is_guest":0,"slug":"mehmet-sait-ulucay","display_name":"Mehmet Sait ULU\u00c7AY","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/mehmet-sait-ulucay.jpg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/mehmet-sait-ulucay.jpg"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"M. Sait Ulu\u00e7ay:\t\r\nYedi \u00e7ocuklu ailenin ilk \u00e7ocu\u011fu olarak Ad\u0131yaman ili K\u00e2h-ta il\u00e7esi Salk\u0131mba\u011f\u0131 k\u00f6y\u00fcnde d\u00fcnyaya geldi. \r\nAnadolu \u00dcniversitesi \u0130\u015fletme B\u00f6l\u00fcm\u00fc mezunu olan Mehmet Sait Ulu\u00e7ay, 1975 y\u0131l\u0131ndan itibaren muhtelif zamanlarda Herg\u00fcn, Millet Gazetesi ve T\u00fcrk Edebiyat\u0131 Dergisi\u2019nde \u00e7al\u0131\u015ft\u0131. Diyanet \u0130\u015fleri Ba\u015fkanl\u0131\u011f\u0131 ta\u015fra te\u015fkilat\u0131nda \u0130mam-Hatip, memur ve Personel \u015eefi g\u00f6revlerinde bulundu. \u0130ki y\u0131l \u00f6\u011fretmenlik yapt\u0131. On y\u0131l s\u00fcre ile \u015eanl\u0131urfa \u0130l K\u00fclt\u00fcr M\u00fcd\u00fcrl\u00fc\u011f\u00fc'nde \u015eube M\u00fcd\u00fcr\u00fc ve \u0130l M\u00fcd\u00fcr\u00fc olarak \u00e7al\u0131\u015ft\u0131. 2000- 2011 y\u0131llar\u0131 aras\u0131nda Bilim Sanayi ve Teknoloji Bakanl\u0131\u011f\u0131, Ad\u0131yaman Bilim, Sanayi ve Teknoloji \u0130l M\u00fcd\u00fcr\u00fc olarak \u00e7al\u0131\u015ft\u0131. \r\nBilim, Sanayi ve Teknoloji \u0130l M\u00fcd\u00fcrl\u00fc\u011f\u00fc g\u00f6revini s\u00fcrd\u00fcrd\u00fc\u011f\u00fc y\u0131llarda ayn\u0131 zamanda Ad\u0131yaman Besni, G\u00f6lba\u015f\u0131 ve K\u00e2hta \u0130l\u00e7eleri Organize Sanayi B\u00f6lgeleri M\u00fcd\u00fcrl\u00fcklerini vek\u00e2letle y\u00fcr\u00fctt\u00fc. Bu OSB\u2019lerin kurulu\u015flar\u0131n\u0131 ger\u00e7ekle\u015ftirdi. 2011 y\u0131l\u0131n-da Bilim Sanayi ve Teknoloji Bakanl\u0131\u011f\u0131'nda Bakanl\u0131k M\u00fc\u015favirli\u011fine atand\u0131. \r\nYaz\u0131 hayat\u0131na lise y\u0131llar\u0131nda ba\u015flad\u0131. Yaz\u0131 ve \u015fiirleri Herg\u00fcn, Millet, T\u00fcrk Edebiyat\u0131, Edebiyat Ortam\u0131, Ye\u015fil\u0131rmak, H\u00fcr Fikir, Millet, \u00d6rnek Yaz\u0131lar, Yedi \u0130klim, Simuredebiyat, Hizmet, GAP Olay, GAP G\u00fcndemi, Ad\u0131yaman S\u00f6z, Olay, Kalem gazete ve dergilerinde yay\u0131mland\u0131. \u00c7e\u015fitli Dijital Dergilerde \u015fiir ve denemeleri yay\u0131mland\u0131. \r\nT\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi Y\u00f6netiminde yer ald\u0131. 4 y\u0131l TYB Ad\u0131yaman \u015eube Ba\u015fkanl\u0131\u011f\u0131 yapt\u0131. Halen TYB Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 g\u00f6revini y\u00fcr\u00fctmeye devam etmektedir. Evli, 4 \u00e7ocuk babas\u0131d\u0131r.\r\nYay\u0131nlanm\u0131\u015f Eserleri: \r\n1.\tBir Ge\u00e7it Ver D\u00fc\u015f\u00fcncelerinden (\u015eiir)\r\n2.\tG\u00fcne\u015fe Az Kald\u0131 (\u015eiir)\r\n3.\tBelki Bir G\u00fcn (\u015eiir)\r\n4.\tMehmed \u00c2kif ve D\u00fc\u015f\u00fcnce D\u00fcnyas\u0131 (Biyografi)\r\n5.\tS\u00fcrg\u00fcn ve A\u015fk (Roman)\r\n6. \t \u0130nsanl\u0131k Tarihinde Erdem Aray\u0131\u015f\u0131 (Deneme)\r\n7. \tBitlerin Dans\u0131 (Biyografik Roman)\r\n8.\tKay\u0131p Y\u0131ld\u0131z\u0131n Pe\u015finde (Roman)\r\n9.\tZeytun \u2013 Bir \u0130syan Roman\u0131\r\n"}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=1760"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1760\/revisions"}],"predecessor-version":[{"id":1762,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1760\/revisions\/1762"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/1761"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=1760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=1760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=1760"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=1760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}