{"id":1683,"date":"2025-04-13T10:17:15","date_gmt":"2025-04-13T07:17:15","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=1683"},"modified":"2025-04-13T10:17:15","modified_gmt":"2025-04-13T07:17:15","slug":"konsomatris-sairler","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2025\/04\/13\/konsomatris-sairler\/","title":{"rendered":"KONSOMATR\u0130S \u015eA\u0130RLER"},"content":{"rendered":"
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Konsomatris \u015fairler dedimse kad\u0131n veya \u015faire anlamay\u0131n\u0131z. \u015eair denildi\u011finde zaten erkek akla gelir. \u00c7\u00fcnk\u00fc kad\u0131n \u015fiir i\u00e7in ilham kayna\u011f\u0131d\u0131r, \u015fiir yazmaz \u015fiir olur. Kad\u0131n, \u015fairi besleyen ilham kayna\u011f\u0131d\u0131r. \u015eair \u00f6zne kad\u0131n nesnedir. Tarihte her ne kadar \u015fiir s\u00f6yleyen kad\u0131nlar \u00e7\u0131km\u0131\u015fsa da bunlar \u00e7o\u011funlukla \u00f6l\u00fc evinde a\u011f\u0131t, d\u00fc\u011f\u00fcn evinde mani yakm\u0131\u015flard\u0131r. Ortado\u011fu co\u011frafyas\u0131nda sava\u015f ve talanlarda erkekleri y\u00fcreklendirmek\/cesaretlendirmek i\u00e7in co\u015fkulu yi\u011fitlik \u015fiirleri s\u00f6ylemi\u015flerdir. \u00d6rne\u011fin Hind b. Ukbe Yerm\u00fck Sava\u015f\u0131’nda da\u011f\u0131lan \u0130slam ordular\u0131n\u0131 s\u00f6yledi\u011fi \u015fiirlerle cesaretlendirip zafer kazan\u0131lmas\u0131na vesile olmu\u015ftur. Sava\u015f ve talanlarda z\u0131lg\u0131t \u00e7al\u0131p heyecan yaratm\u0131\u015flard\u0131r. (Z\u0131lg\u0131t ortado\u011fu co\u011frafyas\u0131nda kad\u0131nlar\u0131n “liii liii liii” diye hayk\u0131rarak \u00e7\u0131kard\u0131klar\u0131 ses!) Bat\u0131’n\u0131n Safo gibi b\u00fcy\u00fck kad\u0131n \u015fairleri oldu\u011fu biliniyor. Ama bana g\u00f6re onlar\u0131n bu g\u00fc\u00e7l\u00fc kad\u0131n \u015fairleri erkeksi ruh ta\u015f\u0131d\u0131klar\u0131 i\u00e7in iyi \u015fair olmu\u015flard\u0131r. Bilindi\u011fi \u00fczere Safo lezbiyendir ve sapk\u0131n \u015fiirleriyle me\u015fhurdur. Hind b.Ukbe’de erkeksi se\u00e7kin bir kad\u0131nd\u0131r. Dul kald\u0131\u011f\u0131nda babas\u0131 Mekke’nin ileri gelenlerini s\u0131ralad\u0131\u011f\u0131nda”bana isim sayma adam s\u00f6yle!” demi\u015ftir…<\/div>\n<\/div>\n
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Benim konsomatris diye tan\u0131mlad\u0131\u011f\u0131m \u015fairler erkek. \u0130zmir fuar\u0131nda gazino, pavyon veya meyhanelerde masalara \u00e7a\u011fr\u0131ld\u0131\u011f\u0131nda gidip \u015fiir okuyorlarm\u0131\u015f. Ger\u00e7i bu \u015fairlerin ad\u0131n\u0131 bilmiyoruz ama gazeteye verilen ilandan b\u00f6yle \u015fairlerin oldu\u011funu ve kabiliyetlerine g\u00f6re \u015fiir s\u00f6yleyip para kazand\u0131klar\u0131n\u0131 \u00f6\u011freniyoruz. Pavyonlarda masalara \u00e7a\u011fr\u0131lan konsomatris kad\u0131nlar gibi burada \u015fair masaya \u00e7a\u011fr\u0131l\u0131p \u015fiir okuyor.Tabi gazino, pavyon veya meyhane ortamlar\u0131nda siyasi \u015fiirler s\u00f6ylenece\u011fini beklemeyiniz. Bu ortamda ancak a\u015fk, kad\u0131n ve \u015farap \u015fiirleri okunur. Nereden mi biliyoruz? \u0130lan\u0131n i\u00e7eri\u011finden. “\u015eairler” diye bir \u015fiir yazm\u0131\u015f, o yaz\u0131da Shakespeare’in veciz bir ifadesinde ge\u00e7ti\u011fi \u00fczere “k\u00f6t\u00fc \u015fiir yazan \u015fairleri \u00f6ld\u00fcr\u00fcn” s\u00f6z\u00fcne yer vermi\u015ftim. Tabii \u015fairlerin kad\u0131nlar\u0131 ayartmak i\u00e7in \u015fiir s\u00f6ylediklerini, Fuzuli’nin dedi\u011fi gibi “s\u00f6zlerinin yalan” oldu\u011funu yazm\u0131\u015ft\u0131m. Al\u0131nan \u015fairler olmu\u015ftu. Oysa bu ilan benim \u015fiirimde s\u00f6ylediklerimi hakl\u0131 \u00e7\u0131karm\u0131\u015ft\u0131r.<\/div>\n<\/div>\n
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\u015eairlerin serseri ruhlar\u0131 onlar\u0131 her hale sokmaktad\u0131r. Bu ilanda g\u00f6r\u00fcld\u00fc\u011f\u00fc \u00fczere gazinoya\/pavyona d\u00fc\u015f\u00fcrm\u00fc\u015f. Allah daha beterin saklas\u0131n. Ben de \u015fairim. \u015eiirde yalan hakikat, hikmet, ayartma vs. her\u015fey vard\u0131r. Kur’an’\u0131n dedi\u011fi gibi “sahralarda dola\u015fan mecnunlar gibidir.” \u0130yisi vard\u0131r k\u00f6t\u00fcs\u00fc vard\u0131r… Ak\u0131ll\u0131s\u0131 vard\u0131r delisi vard\u0131r. Burada en iyi \u015fairlerin deliler oldu\u011funu s\u00f6ylemeliyim. \u0130lk akl\u0131ma gelen \u00e7\u0131lg\u0131n Nietzsche ve ak\u0131l hastas\u0131 Ezra Pount!<\/div>\n<\/div>\n
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\u015eairlik se\u00e7kinlik midir, yoksa d\u00fc\u015fk\u00fcnl\u00fck m\u00fcd\u00fcr? Ge\u00e7mi\u015fte bunu nas\u0131l g\u00f6rm\u00fc\u015f, nas\u0131l de\u011ferlendirmeler? Klasik devirlerde, feodal sisteminde \u015fairler, ozanlar, dengbejler<\/div>\n
kabile ve a\u015firetleri \u00f6ven \u015fiirler yazm\u0131\u015flard\u0131r. Her a\u015firet ve kabilenin bir \u015fairi var. Bunlar saz ve s\u00f6zleriyle hizmet ediyor. A\u015firet ve kabile bunlar\u0131 besliyor. Bunu daha geli\u015fmi\u015f \u015feklini Osmanl\u0131’n\u0131n Patrimonyal sisteminde g\u00f6r\u00fcyoruz. \u00d6rne\u011fin Osmanl\u0131 Patrimonyal sisteminde \u015fairler ideolojik olarak kullanm\u0131\u015ft\u0131r. Halil \u0130nalc\u0131k “\u015eair ve Patron” kitab\u0131 ile “Has-Ba\u011f\u00e7ede Ay\u015f \u00fc Tarab” kitaplar\u0131nda bu konuyu anlatm\u0131\u015ft\u0131r. \u0130lgin\u00e7 olan \u0130nalc\u0131k dahi mutriblerle \u015fairlerin ad\u0131n\u0131 ayn\u0131 hizaya yazm\u0131\u015f. “Nedimler, Mutribler, \u015eairler” alt ba\u015fl\u0131\u011f\u0131n\u0131 koymu\u015f kitaba. \u015eahsen \u015fairler ad\u0131na ben bunu incitici buluyorum. \u00c7\u00fcnk\u00fc Osmanl\u0131 saray\u0131nda mutriblik pek de se\u00e7kin bir meslek de\u011filmi\u015f. Bunu nereden mi biliyorum. Frans\u0131z el\u00e7ili\u011finin bir m\u00fczkli balosuna ailesiyle kat\u0131lan, kendisini e\u015fiyle birlikte dansa kald\u0131rmak isteyen b\u00fcy\u00fck el\u00e7iye, Sultan Abdulaziz “bizde bu i\u015fi k\u00f6le ve cariyelerimiz yapar biz seyrederiz” demi\u015ftir. B\u00f6ylesine bir bak\u0131\u015f\u0131n hakim oldu\u011fu sarayda mutriblar ile \u015fairlerin birlikte zikredilesi \u015fair Nabi’nin “g\u00f6rm\u00fc\u015f\u00fcz” redifli gazelinde ge\u00e7en “\u00e7anakyalay\u0131c\u0131lar\u0131” hat\u0131rlat\u0131yor birazda…<\/div>\n<\/div>\n
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Ayr\u0131ca \u0130nalc\u0131k, “\u015eair ve Patron” kitab\u0131nda kap\u0131kulu \u015fairlerin padi\u015fahlardan y\u00fckl\u00fc c\u00fclus ve bah\u015fi\u015fler ald\u0131klar\u0131n\u0131 yazm\u0131\u015ft\u0131r. \u015eairlere ka\u015f\u0131 padi\u015fahlar\u0131m\u0131z olduk\u00e7a c\u00f6mert davranm\u0131\u015f b\u00fcy\u00fck bah\u015fi\u015f ve hediyeler vermi\u015ftir. Bu gelenek Mustafa Kemal’den sonra sanki kalkm\u0131\u015f gibidir. Cumhuriyet tarihinde bir tek Mustafa Kemal ayd\u0131n ve \u015fairlerin k\u0131ymetini \u00e7ok iyi bilmi\u015f onlar\u0131 hem i\u00e7ki sofras\u0131nda a\u011f\u0131rlam\u0131\u015f hem b\u00fcy\u00fck makam ve mevkilere getirmi\u015ftir. M. Kemal bu konuda \u00f6ylesine c\u00f6merttir ki Kemalettin Kamu’nun bir \u015fiir kitab\u0131na 500 cumhuriyet alt\u0131n\u0131 vermi\u015ftir. Matemati\u011fim zay\u0131f oldu\u011fu i\u00e7in ben bug\u00fcnk\u00fc de\u011ferini hesaplayam\u0131yorum var\u0131n siz hesaplay\u0131n. Cumhuriyet devrinde ayd\u0131n ve sanat\u00e7\u0131ya bu denli c\u00f6mert davranan, makam mevki veren ba\u015fka bir cumhurureis gelmemi\u015ftir. Cumhuriyetin ilk d\u00f6neminde siyasi ve idari s\u0131n\u0131f\u0131n entelekt\u00fcel ve k\u00fclt\u00fcrel seviyesi \u00e7ok y\u00fcksektir. Cumhuriyet tarihindeki bu ilk d\u00f6nem k\u00fclt\u00fcrel ve entelekt\u00fcel birikim bir daha yakalanamam\u0131\u015ft\u0131r. \u00c7\u00fcnk\u00fc bunlar imparatorluk bakiyesi ayd\u0131n ve sanat\u00e7\u0131lard\u0131r.<\/div>\n<\/div>\n
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Konsomatris \u015fairlerden kap\u0131kulu \u015fairlere geldik. Baz\u0131lar\u0131 “konsomatris \u015fairleri” k\u0131nayabilirler. Ancak unutmamaml\u0131d\u0131r ki \u015fiir ve nesir alan\u0131nda bu t\u00fcr benzetmeler \u00e7ok yap\u0131l\u0131r. “Fikrin Fahi\u015feleri”, “fikrin zamparalar\u0131” ve “edebiyat\u0131n orospular\u0131”ndan bahsedilir. Ben de bunlara ilavaten “\u015fiirin konsomatristleri” daha do\u011frusu “Konsomatris \u015eairler” oldu\u011funu ve bizatihi ge\u00e7mi\u015fte \u0130zmir Fuar\u0131’nda bir meslek olarak varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc\u011f\u00fcn\u00fc s\u00f6yl\u00fcyorum. Ayr\u0131ca fikrin fahi\u015feleri, zamparalar\u0131, edebiyat\u0131n orospular\u0131 soyut olarak kullan\u0131lm\u0131\u015f kavramlar iken, ben burada “konsomatris \u015fairler”i somut olarak g\u00f6steriyorum. En b\u00fcy\u00fck delilim de gazete ilan\u0131! Necip Faz\u0131l fikrin fahi\u015fesi ve zamparas\u0131ndan, Stefan Zweig edebiyat\u0131n orospusu’ndan bahsetmi\u015ftir. Necip Faz\u0131l bu kavramlar\u0131 kimler i\u00e7in s\u00f6yledi\u011fini ima etmi\u015f ancak isim vermemi\u015ftir. Ancak Stefan Zweig “Edebiyat\u0131n Orospusu” s\u0131fat\u0131n\u0131 b\u00fcy\u00fck usta Balzac i\u00e7in kullanmaktan \u00e7ekinmemi\u015ftir.<\/div>\n<\/div>\n
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Benim kulland\u0131\u011f\u0131m konsomatris kavram\u0131 edebiyat tarihine ge\u00e7er mi bilmem? Bu tan\u0131mlamam\u0131 \u015fairler nas\u0131l kar\u015f\u0131lar onu da bilemem. Ge\u00e7mi\u015fte \u015fiir yaz\u0131c\u0131lar\u0131lar\u0131n\u0131n \u00e7antalar\u0131nda \u015fiir satt\u0131\u011f\u0131, destanc\u0131lar\u0131n omuzlar\u0131na ast\u0131klar\u0131 teyipte halka destan dinletip destan satt\u0131\u011f\u0131, meyhane \u015fiirlerinin TV ekranlar\u0131nda okundu\u011fu bu memlekette “konsomatris \u015fairler”in olmas\u0131 kadar do\u011fal bir \u015fey yoktur. \u015eairin tarihi bu uzun maceras\u0131ndan sonra geldi\u011fi noktada \u015fiir \u00f6lm\u00fc\u015ft\u00fcr. Art\u0131k \u015fiir Monna Roza gibi daktilo ile \u00e7o\u011falt\u0131l\u0131p elden elde dola\u015fm\u0131yor. Art\u0131k kitleri harekete ge\u00e7irecek g\u00fcc\u00fc de yok! \u015eiir pop\u00fclerli\u011fini yitirmi\u015ftir. En radikal \u015fiir yazan \u015fairleri polis takip etmiyor. Devlet art\u0131k \u015fairleri hspise stm\u0131yor. \u00c7\u00fcnk\u00fc \u015fiirin ne devrim yapacak g\u00fcc\u00fc ne gazino ve pavyonlarda halk\u0131 e\u011flendirecek co\u015fkusu var. Art\u0131k \u015fairler fikrin fahi\u015fesi olsalar da \u015fiir kar\u0131n doyurmuyor. Zamparas\u0131 da olsalar kad\u0131nlar \u015fiire kulak kesilmiyor, \u015fairlere y\u00fcz vermiyorlar. As\u0131l trajik olan ise “konsomatris \u015fairler” bu d\u00fcnyadan g\u00f6\u00e7m\u00fc\u015f, \u015fiir \u00e7a\u011f\u0131 kapanm\u0131\u015ft\u0131r…<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\"\u015funu<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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T\u00fcm ifadeler:<\/div>\n

6<\/span><\/span>6<\/span><\/span><\/div>\n<\/div>\n<\/div>\n

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Konsomatris \u015fairler dedimse kad\u0131n veya \u015faire anlamay\u0131n\u0131z. \u015eair denildi\u011finde zaten erkek akla gelir. \u00c7\u00fcnk\u00fc kad\u0131n…<\/p>\n","protected":false},"author":16,"featured_media":1684,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[101,171],"tags":[],"ppma_author":[351],"class_list":["post-1683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haber","category-mehmet-kurtoglu"],"yoast_head":"\nKONSOMATR\u0130S \u015eA\u0130RLER - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2025\/04\/13\/konsomatris-sairler\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KONSOMATR\u0130S \u015eA\u0130RLER - 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Nietzsche \u015fiiri Matti Braun taraf\u0131ndan Almanca, \u0130ngilizce, \u0130talyanca ve Frans\u0131zca, H\u00fcseyin \u015fiiri Fars\u00e7a\u2019ya, Rabia \u015fiiri ise \u0130ngilizce ve Arap\u00e7aya \u00e7evrilmi\u015ftir. Romanya\u2019da yay\u0131nlanan Poez\u0131a ve KADO Calea Poeziei (June 2014) dergisinde \u015fiirleri Romance yay\u0131nlanm\u0131\u015ft\u0131r. Uluslararas\u0131 bir\u00e7ok kanallara r\u00f6portajlar vermi\u015f, metin yazarl\u0131\u011f\u0131 yapt\u0131\u011f\u0131 belgeseller T\u00fcrk\u00e7e ve \u0130ngilizce olarak yay\u0131nlanm\u0131\u015ft\u0131r. \u015eURKAV(\u015eanl\u0131urfa K\u00fclt\u00fcr ve Ara\u015ft\u0131rma Vakf\u0131), Anadolu Yazarlar Birli\u011fi, GAP Gazeteciler Cemiyeti, \u0130LESAM, \u0130lim Yayma Cemiyeti \u00fcyesi olan yazar, T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa kurucu \u00fcyesi olup 8 y\u0131l Urfa\u2019da, 4 y\u0131l Ankara\u2019da \u015fube ba\u015fkanl\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. Halen, T\u00fcrkiye Yazarlar Birli\u011fi Genel Merkez Y\u00f6netim Kurul \u00fcyesidir. Evli \u00fc\u00e7 \u00e7ocuk babas\u0131 olan yazar, Urfa\u2019da farkl\u0131 kurumlarda memur ve y\u00f6neticilik yapt\u0131ktan sonra 2008 y\u0131l\u0131nda Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc K\u00fclt\u00fcr ve Tescil Daire Ba\u015fkanl\u0131\u011f\u0131, K\u00fct\u00fcphaneler ve Yay\u0131nlar \u015fubesine m\u00fcd\u00fcr olarak atanm\u0131\u015ft\u0131r. Yay\u0131nlanm\u0131\u015f Eserleri: Bana Kendini Anlat, \u015eiir, 1998, Haf\u0131zas\u0131n\u0131 Kaybeden \u015eehir, Deneme, 1999, Gurbeti Olmayan Diyar, \u015eiir, 2000, Urfa Efsaneleri, Ara\u015ft\u0131rma, 2005 (3 bask\u0131), \u00c7a\u011fa K\u00fcsen Leyla, \u015eiir, 2005, Ben Kendimden Yanay\u0131m, Deneme, 2005, K\u00fclt\u00fcr \u015eehri Urfa, Ara\u015ft\u0131rma, 2006 (3 bask\u0131), \u015eiir \u015eehir Urfa, \u015eiir Se\u00e7kisi, 2006 (3 bask\u0131), Haf\u0131zas\u0131n\u0131 Arayan \u015eehir, Deneme, 2007, Sava\u015f\u0131n \u00c2\u015f\u0131klar\u0131, Tiyatro, 2008, Urfal\u0131 Nabi, Biyografi, 2008,Ben Yusuf Sen Z\u00fcleyha, \u015eiir, 2009, \u00c7a\u011f\u0131n Divanesi, Rubailer, 2010, G\u00e2vur Mahallesinde A\u015fk, Roman, 2011, R\u0131fk\u0131 Kaymaz Kitab\u0131, Biyografi, 2011, \u0130brahim\u2019in Nazargah\u0131 Urfa, Gezi, 2012, Melik\u00fc\u015f \u015euara Yusuf Nabi, Biyografi, 2012, Eski D\u00fcnyaya Seyahat, Gezi, 2014 (TYB Gezi \u00d6d\u00fcl\u00fc), Hasret ve Umut Bosna, Gezi, 2014, T\u00fcrk Sinemas\u0131nda Urfa, \u0130nceleme Ara\u015ft\u0131rma, 2015, Hasret ve Azap Tanp\u0131nar\u2019da \u015eehir ve Kad\u0131n, \u0130nceleme, 2015, Bir Bat\u0131 Masal\u0131 Shakespeare, \u0130nceleme 2015, Metafizi\u011fin Trajik \u015eairi Necip Faz\u0131l, \u0130nceleme 2015, Bu Eller Utand\u0131rmaz Adam\u0131, Fikir 2016, Mehmet \u00c2kif, Biyografi, 2016, Dilim T\u00fcrk\u00fc G\u00f6nl\u00fcm Gazel, \u015eiir, 2017, \u015eehristan Deneme, 2017, Ezelden Urfa, Deneme, 2018, Az Gezdim \u00c7ok G\u00f6rd\u00fcm, Gezi 2018, Tanr\u0131y\u0131 \u0130cat Etmek, Deneme, 2018, Ye\u015fil\u00e7am\u2019\u0131n \u0130mgeleri, \u0130nceleme, 2020 Metin Yazarl\u0131\u011f\u0131 ve Dan\u0131\u015fmanl\u0131k Yapt\u0131\u011f\u0131 Belgeseller: K\u00fclt\u00fcr ve \u0130nan\u00e7lar Diyar\u0131 Urfa, Belgesel Senaryo, (\u0130ngilizce ve T\u00fcrk\u00e7e) 2006 Urfa Vak\u0131f Medeniyeti ve Su, Belgesel, 2008 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Vak\u0131f \u0130nsanlar, Belgesel, 2007 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Medeniyetler Kav\u015fa\u011f\u0131 Urfa, Belgesel Urfa Valili\u011fi, 2013 Anadolu\u2019ya A\u00e7\u0131lan Kap\u0131 Mu\u015f, Belgesel, Mu\u015f Valili\u011fi, 2013 (T\u00fcrk\u00e7e, \u0130ngilizce, Arap\u00e7a, Fars\u00e7a) Bir Derginin Ser\u00fcveni: Vak\u0131flar Dergisi, Genel Dan\u0131\u015fmanl\u0131k, 2013 \u00dc\u00e7 Karde\u015f \u015eehir, (Urfa-Harput Kerk\u00fck), Belgesel, K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131,2014 Alm\u0131\u015f oldu\u011fu \u00d6d\u00fcller: Kandil \u00c7ocuk Dergisi \u015eiir \u00d6d\u00fcl\u00fc Mansiyon 1986 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00f6d\u00fcl\u00fc 1991 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00d6d\u00fcl\u00fc 1999 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Deneme \u00d6d\u00fcl\u00fc 2002 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Gazetecisi \u00d6d\u00fcl\u00fc 2003 K\u00fclt\u00fcrel \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Te\u015fekk\u00fcr Belgesi 2006 Sosyal \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Takdir Belgesi 2006 Anadolu Yazarlar Birli\u011fi \u201c\u00dcst\u00fcn Hizmet Berat\u0131\u201d 2014 T\u00fcrkiye Yazarlar Birli\u011fi Gezi Dal\u0131nda Y\u0131l\u0131n Yazar\u0131 \u00d6d\u00fcl\u00fc 2014 TYB Y\u0131l\u0131n Yay\u0131nc\u0131l\u0131k \u00d6d\u00fcl\u00fc, Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Yay\u0131nlar\u0131 2015 (M\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131m birim) ESKADER 2018 y\u0131l\u0131 \u015fehir kitab\u0131 dal\u0131nda Y\u0131l\u0131n yazar\u0131 \u00d6d\u00fcl\u00fc \u00dcye Oldu\u011fu Sivil Toplum \u00d6rg\u00fctleri: T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi kurucu \u00fcye ve Ba\u015fkanl\u0131k (2000-2007) T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 (2012-2016) TYB Genel Merkez Y\u00f6netim Kurul \u00dcyesi (2016-\u2026..) \u015eURKAV (\u015eanl\u0131urfa K\u00fclt\u00fcr Ara\u015ft\u0131rma Vak\u0131f\u0131 M\u00fctevellisi) \u0130lim Yayma Cemiyeti \u00dcyesi. \u0130LESAM \u00dcyesi Anadolu Yazarlar Birli\u011fi \u00dcyesi GAP Gazeteciler Birli\u011fi \u00dcyesi Yazd\u0131\u011f\u0131 Dergi ve Gazeteler: T\u00fcrk Dili, Yedi \u0130klim, Bir Nokta, Bizim K\u00fclliye, Hece, T\u00fcrk Edebiyat\u0131, K\u00fclt\u00fcr, \u0130slami Edebiyat, Suhan, M\u00fcrekkep, Ard\u0131\u00e7, \u0130maret, T\u00fcrk\u00fc, Eyvan, \u015eiir Vakti, Hece Ta\u015flar\u0131, T\u00fcrk Yurdu, Vak\u0131flar Dergisi ve TYB Akademi 2010-2011 y\u0131llar\u0131 aras\u0131nda Milli Gazete\u2019de haftal\u0131k edebiyat ve fikir yaz\u0131lar\u0131 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KURTO\u011eLU","image":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/simurgedebiyat.com\/#\/schema\/person\/image\/23494c9101089ad44ae88ce9d2f56aac","url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","caption":"Mehmet KURTO\u011eLU"},"description":"1969 da \u015eanl\u0131urfa\u2019da do\u011fdu. \u015eiir, deneme, inceleme, biyografi, belgesel, roman ve tiyatro dal\u0131nda eserler yazd\u0131. 2005 de K\u0131r\u0131m ve 2015 y\u0131l\u0131nda Kazan\u2019da yap\u0131lan T\u00fcrk\u00e7enin Uluslararas\u0131 \u015eiir \u015e\u00f6lenine kat\u0131lan Kurto\u011flu, 2014 y\u0131l\u0131nda \u201cEski D\u00fcnyaya Seyahat\u201d kitab\u0131yla gezi dal\u0131nda T\u00fcrkiye Yazarlar Birli\u011fi y\u0131l\u0131n yazar\u0131 \u00f6d\u00fcl\u00fcne lay\u0131k g\u00f6r\u00fcld\u00fc. Nietzsche \u015fiiri Matti Braun taraf\u0131ndan Almanca, \u0130ngilizce, \u0130talyanca ve Frans\u0131zca, H\u00fcseyin \u015fiiri Fars\u00e7a\u2019ya, Rabia \u015fiiri ise \u0130ngilizce ve Arap\u00e7aya \u00e7evrilmi\u015ftir. Romanya\u2019da yay\u0131nlanan Poez\u0131a ve KADO Calea Poeziei (June 2014) dergisinde \u015fiirleri Romance yay\u0131nlanm\u0131\u015ft\u0131r. Uluslararas\u0131 bir\u00e7ok kanallara r\u00f6portajlar vermi\u015f, metin yazarl\u0131\u011f\u0131 yapt\u0131\u011f\u0131 belgeseller T\u00fcrk\u00e7e ve \u0130ngilizce olarak yay\u0131nlanm\u0131\u015ft\u0131r. \u015eURKAV(\u015eanl\u0131urfa K\u00fclt\u00fcr ve Ara\u015ft\u0131rma Vakf\u0131), Anadolu Yazarlar Birli\u011fi, GAP Gazeteciler Cemiyeti, \u0130LESAM, \u0130lim Yayma Cemiyeti \u00fcyesi olan yazar, T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa kurucu \u00fcyesi olup 8 y\u0131l Urfa\u2019da, 4 y\u0131l Ankara\u2019da \u015fube ba\u015fkanl\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. Halen, T\u00fcrkiye Yazarlar Birli\u011fi Genel Merkez Y\u00f6netim Kurul \u00fcyesidir. Evli \u00fc\u00e7 \u00e7ocuk babas\u0131 olan yazar, Urfa\u2019da farkl\u0131 kurumlarda memur ve y\u00f6neticilik yapt\u0131ktan sonra 2008 y\u0131l\u0131nda Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc K\u00fclt\u00fcr ve Tescil Daire Ba\u015fkanl\u0131\u011f\u0131, K\u00fct\u00fcphaneler ve Yay\u0131nlar \u015fubesine m\u00fcd\u00fcr olarak atanm\u0131\u015ft\u0131r. Yay\u0131nlanm\u0131\u015f Eserleri: Bana Kendini Anlat, \u015eiir, 1998, Haf\u0131zas\u0131n\u0131 Kaybeden \u015eehir, Deneme, 1999, Gurbeti Olmayan Diyar, \u015eiir, 2000, Urfa Efsaneleri, Ara\u015ft\u0131rma, 2005 (3 bask\u0131), \u00c7a\u011fa K\u00fcsen Leyla, \u015eiir, 2005, Ben Kendimden Yanay\u0131m, Deneme, 2005, K\u00fclt\u00fcr \u015eehri Urfa, Ara\u015ft\u0131rma, 2006 (3 bask\u0131), \u015eiir \u015eehir Urfa, \u015eiir Se\u00e7kisi, 2006 (3 bask\u0131), Haf\u0131zas\u0131n\u0131 Arayan \u015eehir, Deneme, 2007, Sava\u015f\u0131n \u00c2\u015f\u0131klar\u0131, Tiyatro, 2008, Urfal\u0131 Nabi, Biyografi, 2008,Ben Yusuf Sen Z\u00fcleyha, \u015eiir, 2009, \u00c7a\u011f\u0131n Divanesi, Rubailer, 2010, G\u00e2vur Mahallesinde A\u015fk, Roman, 2011, R\u0131fk\u0131 Kaymaz Kitab\u0131, Biyografi, 2011, \u0130brahim\u2019in Nazargah\u0131 Urfa, Gezi, 2012, Melik\u00fc\u015f \u015euara Yusuf Nabi, Biyografi, 2012, Eski D\u00fcnyaya Seyahat, Gezi, 2014 (TYB Gezi \u00d6d\u00fcl\u00fc), Hasret ve Umut Bosna, Gezi, 2014, T\u00fcrk Sinemas\u0131nda Urfa, \u0130nceleme Ara\u015ft\u0131rma, 2015, Hasret ve Azap Tanp\u0131nar\u2019da \u015eehir ve Kad\u0131n, \u0130nceleme, 2015, Bir Bat\u0131 Masal\u0131 Shakespeare, \u0130nceleme 2015, Metafizi\u011fin Trajik \u015eairi Necip Faz\u0131l, \u0130nceleme 2015, Bu Eller Utand\u0131rmaz Adam\u0131, Fikir 2016, Mehmet \u00c2kif, Biyografi, 2016, Dilim T\u00fcrk\u00fc G\u00f6nl\u00fcm Gazel, \u015eiir, 2017, \u015eehristan Deneme, 2017, Ezelden Urfa, Deneme, 2018, Az Gezdim \u00c7ok G\u00f6rd\u00fcm, Gezi 2018, Tanr\u0131y\u0131 \u0130cat Etmek, Deneme, 2018, Ye\u015fil\u00e7am\u2019\u0131n \u0130mgeleri, \u0130nceleme, 2020 Metin Yazarl\u0131\u011f\u0131 ve Dan\u0131\u015fmanl\u0131k Yapt\u0131\u011f\u0131 Belgeseller: K\u00fclt\u00fcr ve \u0130nan\u00e7lar Diyar\u0131 Urfa, Belgesel Senaryo, (\u0130ngilizce ve T\u00fcrk\u00e7e) 2006 Urfa Vak\u0131f Medeniyeti ve Su, Belgesel, 2008 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Vak\u0131f \u0130nsanlar, Belgesel, 2007 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Medeniyetler Kav\u015fa\u011f\u0131 Urfa, Belgesel Urfa Valili\u011fi, 2013 Anadolu\u2019ya A\u00e7\u0131lan Kap\u0131 Mu\u015f, Belgesel, Mu\u015f Valili\u011fi, 2013 (T\u00fcrk\u00e7e, \u0130ngilizce, Arap\u00e7a, Fars\u00e7a) Bir Derginin Ser\u00fcveni: Vak\u0131flar Dergisi, Genel Dan\u0131\u015fmanl\u0131k, 2013 \u00dc\u00e7 Karde\u015f \u015eehir, (Urfa-Harput Kerk\u00fck), Belgesel, K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131,2014 Alm\u0131\u015f oldu\u011fu \u00d6d\u00fcller: Kandil \u00c7ocuk Dergisi \u015eiir \u00d6d\u00fcl\u00fc Mansiyon 1986 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00f6d\u00fcl\u00fc 1991 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00d6d\u00fcl\u00fc 1999 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Deneme \u00d6d\u00fcl\u00fc 2002 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Gazetecisi \u00d6d\u00fcl\u00fc 2003 K\u00fclt\u00fcrel \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Te\u015fekk\u00fcr Belgesi 2006 Sosyal \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Takdir Belgesi 2006 Anadolu Yazarlar Birli\u011fi \u201c\u00dcst\u00fcn Hizmet Berat\u0131\u201d 2014 T\u00fcrkiye Yazarlar Birli\u011fi Gezi Dal\u0131nda Y\u0131l\u0131n Yazar\u0131 \u00d6d\u00fcl\u00fc 2014 TYB Y\u0131l\u0131n Yay\u0131nc\u0131l\u0131k \u00d6d\u00fcl\u00fc, Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Yay\u0131nlar\u0131 2015 (M\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131m birim) ESKADER 2018 y\u0131l\u0131 \u015fehir kitab\u0131 dal\u0131nda Y\u0131l\u0131n yazar\u0131 \u00d6d\u00fcl\u00fc \u00dcye Oldu\u011fu Sivil Toplum \u00d6rg\u00fctleri: T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi kurucu \u00fcye ve Ba\u015fkanl\u0131k (2000-2007) T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 (2012-2016) TYB Genel Merkez Y\u00f6netim Kurul \u00dcyesi (2016-\u2026..) \u015eURKAV (\u015eanl\u0131urfa K\u00fclt\u00fcr Ara\u015ft\u0131rma Vak\u0131f\u0131 M\u00fctevellisi) \u0130lim Yayma Cemiyeti \u00dcyesi. \u0130LESAM \u00dcyesi Anadolu Yazarlar Birli\u011fi \u00dcyesi GAP Gazeteciler Birli\u011fi \u00dcyesi Yazd\u0131\u011f\u0131 Dergi ve Gazeteler: T\u00fcrk Dili, Yedi \u0130klim, Bir Nokta, Bizim K\u00fclliye, Hece, T\u00fcrk Edebiyat\u0131, K\u00fclt\u00fcr, \u0130slami Edebiyat, Suhan, M\u00fcrekkep, Ard\u0131\u00e7, \u0130maret, T\u00fcrk\u00fc, Eyvan, \u015eiir Vakti, Hece Ta\u015flar\u0131, T\u00fcrk Yurdu, Vak\u0131flar Dergisi ve TYB Akademi 2010-2011 y\u0131llar\u0131 aras\u0131nda Milli Gazete\u2019de haftal\u0131k edebiyat ve fikir yaz\u0131lar\u0131 yazd\u0131.","url":"https:\/\/simurgedebiyat.com\/index.php\/author\/mehmet-kurtoglu\/"}]}},"featured_image_urls":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-256x300.jpg",256,300,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-512x500.jpg",512,500,true],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-512x340.jpg",512,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-400x250.jpg",400,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-375x375.jpg",375,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-512x480.jpg",512,480,true],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-216x216.jpg",216,216,true]},"author_info":{"display_name":"Mehmet 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KURTO\u011eLU","comment_count":"0","jetpack_featured_media_url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg","uagb_featured_image_src":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-150x150.jpg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-256x300.jpg",256,300,true],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-512x500.jpg",512,500,true],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-512x340.jpg",512,340,true],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-400x250.jpg",400,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-272x182.jpg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-375x375.jpg",375,375,true],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-512x480.jpg",512,480,true],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris.jpg",512,600,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/04\/konsomatris-216x216.jpg",216,216,true]},"uagb_author_info":{"display_name":"Mehmet KURTO\u011eLU","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/mehmet-kurtoglu\/"},"uagb_comment_info":0,"uagb_excerpt":"Konsomatris \u015fairler dedimse kad\u0131n veya \u015faire anlamay\u0131n\u0131z. \u015eair denildi\u011finde zaten erkek akla gelir. \u00c7\u00fcnk\u00fc kad\u0131n...","authors":[{"term_id":351,"user_id":16,"is_guest":0,"slug":"mehmet-kurtoglu","display_name":"Mehmet KURTO\u011eLU","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","first_name":"","last_name":"","user_url":"","job_title":"","description":"1969 da \u015eanl\u0131urfa\u2019da do\u011fdu. \u015eiir, deneme, inceleme, biyografi, belgesel, roman ve tiyatro dal\u0131nda eserler yazd\u0131. 2005 de K\u0131r\u0131m ve 2015 y\u0131l\u0131nda Kazan\u2019da yap\u0131lan T\u00fcrk\u00e7enin Uluslararas\u0131 \u015eiir \u015e\u00f6lenine kat\u0131lan Kurto\u011flu, 2014 y\u0131l\u0131nda \u201cEski D\u00fcnyaya Seyahat\u201d kitab\u0131yla gezi dal\u0131nda T\u00fcrkiye Yazarlar Birli\u011fi y\u0131l\u0131n yazar\u0131 \u00f6d\u00fcl\u00fcne lay\u0131k g\u00f6r\u00fcld\u00fc. Nietzsche \u015fiiri Matti Braun taraf\u0131ndan Almanca, \u0130ngilizce, \u0130talyanca ve Frans\u0131zca, H\u00fcseyin \u015fiiri Fars\u00e7a\u2019ya, Rabia \u015fiiri ise \u0130ngilizce ve Arap\u00e7aya \u00e7evrilmi\u015ftir. Romanya\u2019da yay\u0131nlanan Poez\u0131a ve KADO Calea Poeziei (June 2014) dergisinde \u015fiirleri Romance yay\u0131nlanm\u0131\u015ft\u0131r. Uluslararas\u0131 bir\u00e7ok kanallara r\u00f6portajlar vermi\u015f, metin yazarl\u0131\u011f\u0131 yapt\u0131\u011f\u0131 belgeseller T\u00fcrk\u00e7e ve \u0130ngilizce olarak yay\u0131nlanm\u0131\u015ft\u0131r. \u015eURKAV(\u015eanl\u0131urfa K\u00fclt\u00fcr ve Ara\u015ft\u0131rma Vakf\u0131), Anadolu Yazarlar Birli\u011fi, GAP Gazeteciler Cemiyeti, \u0130LESAM, \u0130lim Yayma Cemiyeti \u00fcyesi olan yazar, T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa kurucu \u00fcyesi olup 8 y\u0131l Urfa\u2019da, 4 y\u0131l Ankara\u2019da \u015fube ba\u015fkanl\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. Halen, T\u00fcrkiye Yazarlar Birli\u011fi Genel Merkez Y\u00f6netim Kurul \u00fcyesidir. Evli \u00fc\u00e7 \u00e7ocuk babas\u0131 olan yazar, Urfa\u2019da farkl\u0131 kurumlarda memur ve y\u00f6neticilik yapt\u0131ktan sonra 2008 y\u0131l\u0131nda Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc K\u00fclt\u00fcr ve Tescil Daire Ba\u015fkanl\u0131\u011f\u0131, K\u00fct\u00fcphaneler ve Yay\u0131nlar \u015fubesine m\u00fcd\u00fcr olarak atanm\u0131\u015ft\u0131r.\r\n\r\nYay\u0131nlanm\u0131\u015f Eserleri: Bana Kendini Anlat, \u015eiir, 1998, Haf\u0131zas\u0131n\u0131 Kaybeden \u015eehir, Deneme, 1999, Gurbeti Olmayan Diyar, \u015eiir, 2000, Urfa Efsaneleri, Ara\u015ft\u0131rma, 2005 (3 bask\u0131), \u00c7a\u011fa K\u00fcsen Leyla, \u015eiir, 2005, Ben Kendimden Yanay\u0131m, Deneme, 2005, K\u00fclt\u00fcr \u015eehri Urfa, Ara\u015ft\u0131rma, 2006 (3 bask\u0131), \u015eiir \u015eehir Urfa, \u015eiir Se\u00e7kisi, 2006 (3 bask\u0131), Haf\u0131zas\u0131n\u0131 Arayan \u015eehir, Deneme, 2007, Sava\u015f\u0131n \u00c2\u015f\u0131klar\u0131, Tiyatro, 2008, Urfal\u0131 Nabi, Biyografi, 2008,Ben Yusuf Sen Z\u00fcleyha, \u015eiir, 2009, \u00c7a\u011f\u0131n Divanesi, Rubailer, 2010, G\u00e2vur Mahallesinde A\u015fk, Roman, 2011, R\u0131fk\u0131 Kaymaz Kitab\u0131, Biyografi, 2011, \u0130brahim\u2019in Nazargah\u0131 Urfa, Gezi, 2012, Melik\u00fc\u015f \u015euara Yusuf Nabi, Biyografi, 2012, Eski D\u00fcnyaya Seyahat, Gezi, 2014 (TYB Gezi \u00d6d\u00fcl\u00fc), Hasret ve Umut Bosna, Gezi, 2014, T\u00fcrk Sinemas\u0131nda Urfa, \u0130nceleme Ara\u015ft\u0131rma, 2015, Hasret ve Azap Tanp\u0131nar\u2019da \u015eehir ve Kad\u0131n, \u0130nceleme, 2015, Bir Bat\u0131 Masal\u0131 Shakespeare, \u0130nceleme 2015, Metafizi\u011fin Trajik \u015eairi Necip Faz\u0131l, \u0130nceleme 2015, Bu Eller Utand\u0131rmaz Adam\u0131, Fikir 2016, Mehmet \u00c2kif, Biyografi, 2016, Dilim T\u00fcrk\u00fc G\u00f6nl\u00fcm Gazel, \u015eiir, 2017, \u015eehristan Deneme, 2017, Ezelden Urfa, Deneme, 2018, Az Gezdim \u00c7ok G\u00f6rd\u00fcm, Gezi 2018, Tanr\u0131y\u0131 \u0130cat Etmek, Deneme, 2018, Ye\u015fil\u00e7am\u2019\u0131n \u0130mgeleri, \u0130nceleme, 2020\r\n\r\nMetin Yazarl\u0131\u011f\u0131 ve Dan\u0131\u015fmanl\u0131k Yapt\u0131\u011f\u0131 Belgeseller:\r\n\r\nK\u00fclt\u00fcr ve \u0130nan\u00e7lar Diyar\u0131 Urfa, Belgesel Senaryo, (\u0130ngilizce ve T\u00fcrk\u00e7e) 2006\r\nUrfa Vak\u0131f Medeniyeti ve Su, Belgesel, 2008 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa\r\nVak\u0131f \u0130nsanlar, Belgesel, 2007 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa\r\nMedeniyetler Kav\u015fa\u011f\u0131 Urfa, Belgesel Urfa Valili\u011fi, 2013\r\nAnadolu\u2019ya A\u00e7\u0131lan Kap\u0131 Mu\u015f, Belgesel, Mu\u015f Valili\u011fi, 2013 (T\u00fcrk\u00e7e, \u0130ngilizce, Arap\u00e7a, Fars\u00e7a)\r\nBir Derginin Ser\u00fcveni: Vak\u0131flar Dergisi, Genel Dan\u0131\u015fmanl\u0131k, 2013\r\n\u00dc\u00e7 Karde\u015f \u015eehir, (Urfa-Harput Kerk\u00fck), Belgesel, K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131,2014\r\nAlm\u0131\u015f oldu\u011fu \u00d6d\u00fcller:\r\n\r\nKandil \u00c7ocuk Dergisi \u015eiir \u00d6d\u00fcl\u00fc Mansiyon 1986\r\n11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00f6d\u00fcl\u00fc 1991\r\n11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00d6d\u00fcl\u00fc 1999\r\nGAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Deneme \u00d6d\u00fcl\u00fc 2002\r\nGAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Gazetecisi \u00d6d\u00fcl\u00fc 2003\r\nK\u00fclt\u00fcrel \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Te\u015fekk\u00fcr Belgesi 2006\r\nSosyal \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Takdir Belgesi 2006\r\nAnadolu Yazarlar Birli\u011fi \u201c\u00dcst\u00fcn Hizmet Berat\u0131\u201d 2014\r\nT\u00fcrkiye Yazarlar Birli\u011fi Gezi Dal\u0131nda Y\u0131l\u0131n Yazar\u0131 \u00d6d\u00fcl\u00fc 2014\r\nTYB Y\u0131l\u0131n Yay\u0131nc\u0131l\u0131k \u00d6d\u00fcl\u00fc, Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Yay\u0131nlar\u0131 2015 (M\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131m birim)\r\nESKADER 2018 y\u0131l\u0131 \u015fehir kitab\u0131 dal\u0131nda Y\u0131l\u0131n yazar\u0131 \u00d6d\u00fcl\u00fc\r\n\u00dcye Oldu\u011fu Sivil Toplum \u00d6rg\u00fctleri:\r\n\r\nT\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi kurucu \u00fcye ve Ba\u015fkanl\u0131k (2000-2007)\r\nT\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 (2012-2016)\r\nTYB Genel Merkez Y\u00f6netim Kurul \u00dcyesi (2016-\u2026..)\r\n\u015eURKAV (\u015eanl\u0131urfa K\u00fclt\u00fcr Ara\u015ft\u0131rma Vak\u0131f\u0131 M\u00fctevellisi)\r\n\u0130lim Yayma Cemiyeti \u00dcyesi.\r\n\u0130LESAM \u00dcyesi\r\nAnadolu Yazarlar Birli\u011fi \u00dcyesi\r\nGAP Gazeteciler Birli\u011fi \u00dcyesi\r\nYazd\u0131\u011f\u0131 Dergi ve Gazeteler:\r\n\r\nT\u00fcrk Dili, Yedi \u0130klim, Bir Nokta, Bizim K\u00fclliye, Hece, T\u00fcrk Edebiyat\u0131, K\u00fclt\u00fcr, \u0130slami Edebiyat, Suhan, M\u00fcrekkep, Ard\u0131\u00e7, \u0130maret, T\u00fcrk\u00fc, Eyvan, \u015eiir Vakti, Hece Ta\u015flar\u0131, T\u00fcrk Yurdu, Vak\u0131flar Dergisi ve TYB Akademi 2010-2011 y\u0131llar\u0131 aras\u0131nda Milli Gazete\u2019de haftal\u0131k edebiyat ve fikir yaz\u0131lar\u0131 yazd\u0131."}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=1683"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1683\/revisions"}],"predecessor-version":[{"id":1685,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1683\/revisions\/1685"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/1684"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=1683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=1683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=1683"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=1683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}