{"id":1552,"date":"2025-03-30T01:27:43","date_gmt":"2025-03-29T22:27:43","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=1552"},"modified":"2025-04-07T13:39:25","modified_gmt":"2025-04-07T10:39:25","slug":"kasaba-edebiyati-ve-genc-anadolu-siiri","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2025\/03\/30\/kasaba-edebiyati-ve-genc-anadolu-siiri\/","title":{"rendered":"\u201cKASABA EDEB\u0130YATI\u201d VE GEN\u00c7 ANADOLU \u015e\u0130\u0130R\u0130"},"content":{"rendered":"

Cevat AKKANAT<\/strong><\/p>\n

 <\/strong>Sezai Karako\u00e7 \u201c\u2026 T\u00fcrk edebiyat\u0131n\u0131n a\u011f\u0131rl\u0131k merkezi, kasaba ve k\u00fc\u00e7\u00fck \u015fehirler edebiyat\u0131 olmal\u0131d\u0131r, en az\u0131ndan o yola \u00e7\u0131kmal\u0131.\u201d diyor, 1962\u2019de kaleme ald\u0131\u011f\u0131 me\u015fhur \u201cKasaba Edebiyat\u0131\u201d adl\u0131 makalesinde. \u00dcstada g\u00f6re, k\u00f6y edebiyat\u0131 ve end\u00fcstri \u00e7a\u011f\u0131n\u0131n olumsuzluklar\u0131 ile kirlenen burjuva ve proloterya edebiyatlar\u0131 \u201cedebiyat olmaktan\u201d \u00e7\u0131km\u0131\u015ft\u0131r. \u00c7\u00fcnk\u00fc edebiyat i\u00e7in vazge\u00e7ilmez unsur olan \u201cki\u015fi\u201d yoktur bu edebiyatlarda. Daha \u00e7ok \u201ctopluluk fatalizmi\u201d egemendir onlara. Eser, \u201csosyoloji\u201dye malzeme oldu\u011fu kadar\u0131yla eserdir. Dolay\u0131s\u0131yla, bunlar\u0131n \u201csanat de\u011fer\u201dlerinden s\u00f6z edilemez. Bu t\u00fcr edeb\u00ee yap\u0131lanmalar i\u00e7in \u201cedebiyat monopolleri, diktat\u00f6rl\u00fckleri\u201d ifadesini kullan\u0131r Karako\u00e7. Kendisini b\u00f6yle bir edebiyat ortam\u0131n\u0131n \u201cistilas\u0131na\u201d terk etmi\u015f edebiyatlara (milletlerin edebiyat\u0131na) ise \u201cintihar etmi\u015f\u201d g\u00f6z\u00fcyle bakar.<\/p>\n

Oysa, \u201ckasaba ve k\u00fc\u00e7\u00fck \u015fehirler\u201d sanat\u0131n as\u0131l yataklar\u0131d\u0131r. Bu mekanlarda sanat \u201colanca h\u00fcr\u201dl\u00fc\u011fe sahiptir. \u00d6yle ya, \u201cinsan art\u0131k ki\u015file\u015fmi\u015ftir\u201d buralarda, yani \u201c\u015fahsiyet\u201d kazanm\u0131\u015ft\u0131r: \u201cBir yandan eve, aileye ve toplulu\u011fa bir iple ba\u011fl\u0131d\u0131r. Bu ip halat da olabilir, pamuk ipli\u011fi de. \u0130nsan her \u015feyini toplulu\u011fa adam\u0131\u015f da olabilir, kendi i\u00e7ine de e\u011filebilir ve orada hi\u00e7bir insan\u0131n inmedi\u011fi bir derinlik, bir yaln\u0131zl\u0131k, m\u00fcthi\u015f deniz gibi yosunlar\u0131 bulabilir. (\u2026) K\u00fc\u00e7\u00fck \u015fehir veya kasaba, insan\u0131 ke\u015ffetmek, hatt\u00e2 edeb\u00ee anlamda icat etmek i\u00e7in ideal bir birim, geometrideki alt\u0131n \u00f6l\u00e7\u00fcd\u00fcr \u00e2deta.\u201d<\/p>\n

Bug\u00fcn, hakl\u0131 veya haks\u0131z \u2013ki 1960\u2019l\u0131 y\u0131llar\u0131n sosyal \u015fartlar\u0131 etkilemi\u015f olmal\u0131d\u0131r \u00fcstad\u0131, ayr\u0131ca nedense Bat\u0131 terminolojisi kullanm\u0131\u015ft\u0131r- Sezai Karako\u00e7\u2019un s\u00f6zkonusu makalesini g\u00fcndeme getirmemizin sebebi ne olabilir? \u0130ki sebepten s\u00f6z edebilirim. \u0130lki, resm\u00ee kanallar\u0131n g\u00fcd\u00fcm\u00fcyle belli bir hakimiyet kuran ve memleketin k\u00fclt\u00fcr sanat ortam\u0131na musallat olan bir edebiyat\u0131n varl\u0131\u011f\u0131 ve bundan duydu\u011fumuz rahats\u0131zl\u0131klar. Bug\u00fcn, T\u00fcrk edebiyat\u0131n\u0131n ana damar\u0131 olarak empoze edilen bu yap\u0131lanma, Sezai Karako\u00e7\u2019un s\u0131ralad\u0131\u011f\u0131 menfilikleri ta\u015f\u0131maktad\u0131r: \u201cHayal g\u00fcc\u00fc s\u0131n\u0131rlan\u0131r ve sanat\u00e7\u0131ya yeten h\u00fcrl\u00fc\u011f\u00fcn asgar\u00ee pay\u0131 kalmay\u0131nca, sanat eseri k\u0131l\u0131\u011f\u0131nda olan, fakat de\u011ferinde olmayan bir tak\u0131m kitaplar piyasay\u0131 kaplar. Hatta bunlar, edebiyat d\u0131\u015f\u0131 sebeplerle yabanc\u0131 dillere de \u00e7evrilir, arma\u011fanlar da al\u0131r. Ama art\u0131k edebiyat ki\u015fili\u011fini yitirmi\u015ftir, hatt\u00e2 benli\u011fini.\u201d<\/p>\n

\u0130kinci sebep, ki as\u0131l gayemiz budur, merkez\u00ee yap\u0131lanman\u0131n d\u0131\u015f\u0131nda kald\u0131\u011f\u0131n\u0131 iddia edenler veya bizim \u00f6yle g\u00f6rmek istedi\u011fimiz \u015fairlerden bir k\u0131sm\u0131n\u0131n durumunu incelemek. Belki g\u00fcn\u00fcm\u00fcz \u201ckasaba ve k\u00fc\u00e7\u00fck \u015fehir\u201d edebiyat\u0131na tekab\u00fcl etmeyecek ama, g\u00fcn\u00fcm\u00fcz Anadolu edebiyat\u0131na y\u00f6nelik tetkiklerde bulunmak. Ku\u015fkusuz, geni\u015f bir akademik \u00e7al\u0131\u015fmayla ancak halledilebilecek bir meseleyi, k\u0131sa bir de\u011ferlendirme yaz\u0131s\u0131n\u0131n konusu k\u0131lmak, i\u015fimizi zorla\u015ft\u0131rmaktad\u0131r. Zorlu\u011fu a\u015fman\u0131n bir yolu olarak, sadece \u015fiiri konu edinece\u011fiz. Son olarak daha ilgin\u00e7 gelebilecek bir hususu da kaydedelim: Bu yaz\u0131da kullanaca\u011f\u0131m\u0131z metinleri, Anadolu\u2019nun \u00e7e\u015fitli \u015fehirlerinde ya\u015fayan gen\u00e7 \u015fairlerin bug\u00fcnlerde yay\u0131mlanan kitaplar\u0131ndan alaca\u011f\u0131z. B\u00f6ylece, sayr\u0131 merkezin d\u0131\u015f\u0131nda geli\u015fen gen\u00e7 Anadolu \u015fiirinin \u00f6zelliklerine dair h\u00fck\u00fcmler verme imkan\u0131na da kavu\u015faca\u011f\u0131z.<\/p>\n

\u00d6yleyse ba\u015flayal\u0131m:<\/p>\n

\u201cBenden bir dize\/bir kelime bile yok ya\u011fmurda\u201d<\/p>\n

Mustafa Muharrem (1968), \u0130sa\u2019dan \u00d6nce G\u00fcl ve \u00d6\u00e7 Terimleri\u2019nden sonra Kemans\u0131z Kare\u2019yi (S\u0131r Yay., Bursa, 2006, 95 s.) yay\u0131mlad\u0131. Bursa\u2019da ya\u015fayan \u015fairin, hangi \u015fiir co\u011frafyas\u0131nda durdu\u011funu uzun uzun sorgulamak yerine, aktar\u0131lacak birka\u00e7 dizeyle maksad\u0131n has\u0131l olmas\u0131n\u0131 sa\u011flamak m\u00fcmk\u00fcn m\u00fc?<\/p>\n

\u201cNe hecelerim bir ekme\u011fi gagalar;\/ne tenim\/sabah\u0131n kadifeye, re\u00e7el prensli\u011fine,\/caddelere kar\u015f\u0131 i\u015fledi\u011fi su\u00e7lara ihtar.\u201d (s. 9)<\/p>\n

\u201cKimi esvap k\u00f6p\u00fc\u011f\u00fcnden,\/ ya\u011fmurdan,\/birka\u00e7 alkoll\u00fc remizden ibaret yolda\/\u00fcn kat\u0131yor p\u0131t\u0131raklar\u0131ma ya\u015famak \u00e7antas\u0131.\u201d (s. 16)<\/p>\n

\u201cBen k\u00fc\u00e7\u00fckken, yapraklar\u0131n\/aras\u0131n\u0131 dolduran \u0131\u015f\u0131k bandosunu fark etmemi\u015fken daha,\/bal\u00e7\u0131k bilgisini dizerdim masallara.\/Gece\u201d<\/p>\n

Al\u0131\u015f\u0131lmam\u0131\u015f ba\u011fda\u015ft\u0131rmalar, aktarmalar, g\u00f6ndermeler, eksiltili anlat\u0131mlar, uzak \u00e7a\u011fr\u0131\u015f\u0131mlar ve soyutlamalar i\u00e7inde bo\u011fulmu\u015f bir imge umman\u0131 denilebilir mi Mustafa Muharrem\u2019in \u015fiirine? Bunlar\u0131n yo\u011fun kullan\u0131m\u0131, ister istemez \u015fiirde anlam problemi olu\u015fturuyor. Bu neyse de, duygu de\u011ferine getirdi\u011fi halel ne olacak?<\/p>\n

 <\/p>\n

Hayat \u00c7ekilecek mi?<\/strong><\/p>\n

Ad\u0131n\u0131 bakt\u0131\u011f\u0131n\u0131zda kesin karar\u0131n\u0131z\u0131 vermeniz m\u00fcmk\u00fcn: Ka\u00e7\u0131\u015flar Almana\u011f\u0131. Sadece kitab\u0131n ad\u0131 de\u011fil [\u00c7ekil Gideyim Hayat (Lamure Yay., \u0130st., 2006, 61 s.)], H\u00fcseyin Kaya (1975)\u2019n\u0131n \u015fiirlerine verdi\u011fi adlar da bu ihtimali art\u0131r\u0131yor: \u00c7\u00f6l, H\u00fcz\u00fcn K\u0131ssas\u0131, Ac\u0131 Da\u011f, Hicret, Elem \u00c7i\u00e7e\u011fi, T\u0131ls\u0131m, K\u00fcsuf, Son, Fasl-I Hazan, Yitik Yol, Karanl\u0131k, D\u00fc\u015fk\u00fcn\u00fcn D\u00fc\u015fl\u00fc\u011f\u00fcnden, Yetim \u015eiir\u2026 Hadi bakal\u0131m, iki b\u00f6l\u00fcml\u00fck kitab\u0131n ad\u0131 da \u201cH\u00fcz\u00fcnler Evi\u201dni ta\u015f\u0131yor. Fakat biz bu \u201cad\u201dland\u0131rmalara tak\u0131l\u0131p kalmayal\u0131m, metinlere bakal\u0131m:<\/p>\n

\u201cg\u00fcl bilmi\u015fim \u00f6mr\u00fcme\/vurdu\u011fun bu yaray\u0131\u201d (s. 11)<\/p>\n

\u201csana bir kere daha ac\u0131lar ad\u0131yorum\u201d (s. 12)<\/p>\n

\u201cm\u0131zra\u011f\u0131n\u0131n ucunu \u00e7evirme y\u00fcre\u011fimden\u201d (s. 18)<\/p>\n

\u201ck\u00fcl\u00fcme tutunduk\u00e7a yeniden yan\u0131yorum\u201d (s. 22)<\/p>\n

\u201cbeni hayata de\u011fil\/beni kendine ba\u011fla\u201d (s. 25)<\/p>\n

\u201caya\u011f\u0131m\u0131n alt\u0131ndan ak\u0131p giden hayata\/verme beni bir daha\u201d (33)<\/p>\n

\u201cs\u00fcr bir \u00f6m\u00fcr h\u00fckm\u00fcn\u00fc\/ma\u011flup topraklar\u0131mda\u201d (s. 35)<\/p>\n

\u201cnas\u0131l olsa \u00e7\u00f6l ye\u015ferten g\u00f6zlerini melekler\/vebal\u0131 bir \u015fairin dilinden dinleyecek\u201d (s. 41)<\/p>\n

G\u00f6r\u00fcld\u00fc\u011f\u00fc \u00fczere, Sivas\u2019tan seslenen H\u00fcseyin Kaya \u015fiirini ve bizi hayat d\u0131\u015f\u0131na itiyor. Yenilgiye odaklanm\u0131\u015f bu h\u00e2l, hangi yaram\u0131za tuz basacak?<\/p>\n

 <\/p>\n

Ni\u00e7in Tenhal\u0131\u011fa Yolculuk?<\/strong><\/p>\n

Tenhalay\u0131n Kalbimi (\u0130lkKitap Yay., \u0130st., 2006, 74 s.), Tokat\u2019tan \u015fiir ortam\u0131na i\u015ftirak eden Mustafa U\u00e7urum (1973)\u2019un ilk \u015fiir kitab\u0131d\u0131r. \u015e\u00f6yle bir bakt\u0131\u011f\u0131n\u0131zda, olumlu bir melal sezilebilir U\u00e7urum\u2019un \u015fiirinde. Fakat derinlere inerseniz k\u0131r\u0131kl\u0131kla bir ka\u00e7\u0131\u015f, bir yenilgi ile kar\u015f\u0131la\u015facaks\u0131n\u0131z. \u00c7\u00fcnk\u00fc, yakas\u0131na usand\u0131r\u0131c\u0131 bir \u015fairanelik yap\u0131\u015ft\u0131rm\u0131\u015ft\u0131r. Ni\u00e7in maraz\u00ee haller do\u011furmas\u0131n bu? Bir de d\u00f6nemlik \u201cezber\u201d yakla\u015f\u0131mlara pirim vermesi yok mu U\u00e7urum\u2019un; \u201csalt \u015fiirci\u201d ve edilgen bir \u00e7izgiden seslenmesi:<\/p>\n

\u201chani diyorum patron tutmazsa hesab\u0131m\/berabere kal\u0131rsam onu da yaz hesaba\/\u00fcst\u00fc kals\u0131n hayr\u0131m\u0131n belki bin kaza savar\u201d (s. 22)<\/p>\n

 \u201ck\u00fcsk\u00fcn bir sava\u015f\u00e7\u0131y\u0131m ba\u015f\u0131n\u0131 al\u0131p giden\u201d (s. 45)<\/p>\n

\u201cb\u00fct\u00fcn sabahlar\u0131m\u0131 fiyasko selaml\u0131yor\u201d (s. 59)<\/p>\n

\u201cg\u00f6\u011fe y\u00fckselen bir \u00e7ukurday\u0131m\/ve \u015feyhim hi\u00e7 yan\u0131ltmad\u0131 beni.\u201d (s. 64)<\/p>\n

\u015eunlar ise U\u00e7urum\u2019un dinamik duru\u015flar\u0131 sebebiyle, be\u011fendi\u011fim dizeleri aras\u0131ndad\u0131r:<\/p>\n

\u201cher \u00e7ocu\u011fa yak\u0131\u015f\u0131r gelinlik giymi\u015f nisan\u201d (s. 6)<\/p>\n

 \u201cbu da\u011f\u0131 \u00f6nce ben a\u015fmal\u0131y\u0131m\/bir ucundan ben tutmal\u0131y\u0131m hayat dedim bismillah\u201d (s.28)<\/p>\n

\u201c\u00e7a\u011f\u0131r beni, rahatta dinle\/ bozulsun esas duru\u015fun\u201d (s. 55)<\/p>\n

 <\/p>\n

H\u00fcz\u00fcnlere sahip kim?<\/strong><\/p>\n

    \n
  1. Akif \u015eahin (Malatya, 1970), Bahaettin Karako\u00e7\u2019un onay\u0131n\u0131 da alarak yay\u0131mlad\u0131\u011f\u0131 ilk kitab\u0131na Sahipsiz H\u00fcz\u00fcnler (Dolunay Yay., K. Mara\u015f, 2006, 96 s.) ad\u0131n\u0131 vermi\u015f. \u201cA\u015fk ve H\u00fcz\u00fcn\u201d, \u201cTutku ve N\u00fcmayi\u015f\u201d, \u201cDi\u011fer Zamanlar\u201d diye de b\u00f6l\u00fcmlemi\u015f kitab\u0131n\u0131.<\/li>\n<\/ol>\n

    H\u00fcseyin Kaya ve Mustafa U\u00e7urum\u2019la ayn\u0131 kategoriye dahil edebilir miyiz M. Akif \u015eahin\u2019i? H\u00fczne meyledi\u015f bunu gerektirir mi?<\/p>\n

    \u201ca\u011flar\u0131m\/baharda bulutlardan a\u015fa\u011f\u0131\/seni \u0131slatamam\u201d (s. 8)<\/p>\n

    \u201cesaret\/y\u00fcre\u011fimde u\u00e7u\u015fur\/sessizce\u201d (s. 12)<\/p>\n

    \u201cbense kanad\u0131 k\u0131r\u0131k ku\u015f gibi\/y\u00fcre\u011fim yan\u0131k\u201d (s. 20)<\/p>\n

    Kitab\u0131n ilk b\u00f6l\u00fcm\u00fc i\u00e7in dedi\u011fimiz ge\u00e7erli olabilir. Sonraki b\u00f6l\u00fcmlerde \u201cumuda yolculuk\u201d ba\u015fl\u0131yor \u015eahin i\u00e7in:<\/p>\n

    \u201cba\u011fland\u0131m\/hayat\u0131n \u00e7ekici taraflar\u0131na\u201d (s. 25)<\/p>\n

    \u201chat\u0131ram olamad\u0131; a\u015fka ait\/umuda yolculuk\u201d (s. 30)<\/p>\n

    \u201cyad\u0131rganan yavanla\u015fan hayat\u0131n kar\u015f\u0131s\u0131nda\/y\u0131lmad\u0131k\u201d (s. 54)<\/p>\n

    Bunlar o kadar \u00f6nemli mi? Hay\u0131r, M. Akif \u015eahin\u2019in \u015fiirinde ba\u015fka hususlara de\u011finmeli: S\u0131radanla\u015fm\u0131\u015f s\u00f6ylemlere mesela: \u201cz\u00fc\u011f\u00fcrt a\u015fklar\u201d, \u201cbir \u00e7ift beyaz kanat\u201d, \u201cruhuma aks\u0131n\u201d,  \u201ckanad\u0131 k\u0131r\u0131k ku\u015f\u201d, \u201cmavi g\u00f6ky\u00fcz\u00fc\u201d, \u201csigara duman\u0131yla\u201d, \u201csevenlerin kaderi\u201d\u2026<\/p>\n

    Bir de, \u015fiirsel s\u00f6yleyi\u015fin yok oldu\u011fu, nesre yakla\u015f\u0131lan b\u00f6l\u00fcmler var, \u00f6zellikle biyografik nitelikli uzun metinlerde:<\/p>\n

    \u201cliseliyken\/haylazl\u0131\u011f\u0131m, disiplin kuruluyla tan\u0131\u015ft\u0131rd\u0131\/asili\u011fim saltanat kurdu\u201d (s. 30)<\/p>\n

    \u201cslogan ve bildiri olarak toplumlara\/duygu y\u00fckl\u00fc ezgile\u015fiyorlar radyolara\/dergilere makale\/panellerde sessiz kal\u0131yorlar\/kokmayan\/bir bah\u00e7enin g\u00fclleri gibi\u201d (s. 46)<\/p>\n

     <\/p>\n

    \u00c7a\u011f\u0131n\u0131n Fark\u0131\u2026<\/strong><\/p>\n

    Her A\u015fk Bir Ayr\u0131l\u0131k (\u0130lkKitap, \u0130st., 2006, 96 s) ile Konya\u2019dan okuyucunun kar\u015f\u0131s\u0131na \u00e7\u0131kan M. Ali K\u00f6seo\u011flu (1977)\u2019nun \u015fiirini \u201cyal\u0131n\u201d bulmak m\u00fcmk\u00fcn. Bu ifade \u015fiirde \u201cimge\u201dyi \u00f6l\u00e7\u00fcl\u00fc kullanmak anlam\u0131na geliyor. M\u00fcmk\u00fcn mertebe \u00f6l\u00e7\u00fcl\u00fc davran\u0131yor K\u00f6seo\u011flu, bo\u011fmuyor s\u00f6ylemek istedi\u011fini:<\/p>\n

    \u201cbesmele \u00e7ektim ad\u0131ndan \u00f6nce\/aln\u0131ma koydum bir yaz\u0131\/gelmezsen sebebini sormayaca\u011f\u0131m\u201d (s. 13)<\/p>\n

    \u201cdeniz tuttu beni\/g\u00f6zlerine benzemeyen\/koyu mavi\u201d (s. 19)<\/p>\n

    K\u00f6seo\u011flu \u015fiirinin konular\u0131n\u0131, kitaba takdim yazan Mustafa \u00d6z\u00e7elik \u015f\u00f6yle belirtmi\u015f: \u201cAyr\u0131l\u0131k, hasret, sitem, \u00f6l\u00fcm. (\u2026) Ama \u00e7a\u011f\u0131n\u0131n da fark\u0131nda\u2026\u201d<\/p>\n

    \u00c7a\u011f\u0131n\u0131n fark\u0131nda oldu\u011fu b\u00f6l\u00fcmden \u00f6rnek vereyim diyorum, fakat bir ad\u0131m at\u0131nca, sadece \u015fiir ad\u0131yla yetinmek zorunda kal\u0131yorum: \u201cBir Ad\u0131 Kud\u00fcs Bir Ad\u0131 Fell\u00fbce\u201d!<\/p>\n

    Peki, K\u00f6seo\u011flu\u2019nun ana hareket noktas\u0131 hakk\u0131nda ne s\u00f6yleyebiliriz: \u201cA\u015fk\u201d.<\/p>\n

    \u201c\u015fimdi masal\u0131n\u0131 okuyorum i\u00e7imin\/g\u00f6kten ne d\u00fc\u015ferse d\u00fc\u015fs\u00fcn.\u201d (s. 9)<\/p>\n

    \u201cuzak dur\/a\u015fk ac\u0131d\u0131r \u00e7\u00fcnk\u00fc\u201d (s. 34)<\/p>\n

    \u201cbenim i\u00e7in dua et\/kalbime \u00fcfle\/\u00fc\u00e7 kere\u201d (s. 42)<\/p>\n

    Kendi ad\u0131ma, bu \u201cnokta\u201dy\u0131 be\u011fenemiyorum!<\/p>\n

     <\/p>\n

    Parantez Yanl\u0131\u015f!<\/strong><\/p>\n

    Mehmet Gemci (1966), 90\u2019l\u0131 y\u0131llarda K. Mara\u015f\u2019ta \u00e7\u0131kard\u0131\u011f\u0131 Yaln\u0131z Ard\u0131\u00e7 dergisi ile T\u00fcrk edebiyat\u0131na \u00f6nemli  katk\u0131lar\u0131 olan bir isimdir. Yanl\u0131\u015f Parantez (Yaln\u0131z Ard\u0131\u00e7 Kitaplar\u0131, K. Mara\u015f, 2005, 59 s.) ise Gemci\u2019nin terenn\u00fcm etti\u011fi ilk ve tek \u015fiir kitab\u0131 olma \u00f6zelli\u011fini ta\u015f\u0131maktad\u0131r.<\/p>\n

    Mehmet Gemci\u2019nin kitab\u0131na Yanl\u0131\u015f Parantez demesi yerinde tercih. Zira kendisini yahut insan\u0131 anlat\u0131rken \u00f6nce nesnelere, kavramlara, di\u011fer varl\u0131klara y\u00f6neltiyor bak\u0131\u015flar\u0131n\u0131. Bu anlamda \u00f6zellikle mekanlar dikkate de\u011fer: Ah\u0131r da\u011f\u0131 etekleri, Yaln\u0131zard\u0131\u00e7, P\u0131narba\u015f\u0131, Dikilita\u015f, Kapal\u0131\u00e7ar\u015f\u0131, Ta\u015fhan, suyu \u00e7ekilmi\u015f bir \u0131rmak, kap\u0131lar, \u00e7e\u015fmeler, a\u011fa\u00e7, Balkanlar, Kosova, Don, Volga, Tuna, Sultan Ahmet, \u015eehzadeba\u015f\u0131, S\u00fcleymaniye, Topkap\u0131, Kud\u00fcs, Filistin, \u00c7in \u00fc Ma\u00e7in\u2026 Bunlara muhterem telmih unsurlar\u0131n\u0131 da katabiliriz: Al\u00e2eddin, H\u0131z\u0131r, Dede Korkut, Kesikba\u015flar, Sultan Murat, S\u0131rp y\u0131lan\u0131, Kaz\u0131kl\u0131 Voyvoda, Yunus, Musa, Ey\u00fcp, Pamuk Prenses, Sultan S\u00fcleyman, H\u00fcth\u00fct, Ebabil, \u0130brahim, Yedi G\u00fczel Adam, Yusuf, Anka\u2026 B\u00fct\u00fcn bunlara bakarsak, Gemci\u2019nin en az\u0131ndan k\u00fclt\u00fcrel unsurlara dayal\u0131 bir \u015fiir kurdu\u011funu, duygu ve d\u00fc\u015f\u00fcncelerini \u015fiirsel doyum atmosferine ta\u015f\u0131rken ebed\u00ee miras\u0131n katk\u0131s\u0131na m\u00fcracaat etti\u011fini g\u00f6r\u00fcr\u00fcz.<\/p>\n

     <\/p>\n

    Olumlu Mensubiyet (mi)!?<\/strong> <\/p>\n

    Murat Soyak (1971), dergilerde ad\u0131na s\u0131k\u00e7a rastlad\u0131\u011f\u0131m\u0131z bir \u015fair. Ni\u011fde\u2019den sesleniyor. Kitab\u0131n\u0131n ad\u0131: Irmaklarca. (\u0130lkKitap Yay., \u0130st., 2006, 63 s.)<\/p>\n

    Sade bir a\u011fz\u0131 var. G\u00fcr\u00fclt\u00fcye ve laf kalabal\u0131\u011f\u0131na tahamm\u00fcl\u00fc yok. Ama daha da \u00f6nemlisi, mensubiyetini a\u015fik\u00e2r:<\/p>\n

    \u201ckefenini haz\u0131r tutan bir baban\u0131n o\u011fullar\u0131yd\u0131k\/bir yan\u0131m\u0131z ba\u011f bah\u00e7e\/bir yan\u0131m\u0131z ahir d\u00fcnya\/kom\u015fumuz olurdu \u0130brahim\u201d (s. 7)<\/p>\n

    Bu yeter bir h\u00e2l de\u011fil tabii ki. \u00d6yleyse farkl\u0131 hususlar\u0131na da bakal\u0131m bu \u015fiirin. \u201cKo\u015fuk \u015fiir\u201de, yani \u00f6l\u00e7\u00fcye, uya\u011fa, bi\u00e7im oyunlar\u0131na d\u00f6n\u00fck y\u00f6n\u00fc, ses ve anlam oyunlar\u0131, g\u00fcnl\u00fck dilden faydalanma, vb\u2026 bunlardan mahrum metinlerin aras\u0131nda, \u015fiirinin bir ba\u015fka cazibesi:<\/p>\n

    \u201chayat g\u00fczel mi dedin, eyvallah\/cemre d\u00fc\u015fer, fen bilgisi \u015fa\u015f\u0131r\u0131r\/kekik kokulu \u00e7ocuklara sormal\u0131\/nas\u0131l da \u00e7al\u0131\u015f\u0131rm\u0131\u015f m\u00fcbarek toprak\u201d (s. 24)<\/p>\n

    \u201cinsan\u0131 da yutar elbet\/bire hi\u00e7 veren beton\u201d (s. 31)<\/p>\n

    \u201ccici ferhat, o zamanlar \u00e7\u0131rak\/haftal\u0131klar birikince mavi bisiklet\/bir hava bir hava sorma gitsin\/futbol sahas\u0131n\u0131 kesip bi\u00e7iyor\u201d (s. 46).<\/p>\n

    Bu k\u0131sa de\u011ferlendirmeden sonra ortaya ne \u00e7\u0131k\u0131yor dersiniz? G\u00fcn\u00fcm\u00fcz Anadolu \u015fairleri Sezai Karako\u00e7\u2019un beklentisine cevap verebilmi\u015fler midir? Yoksa, teslim mi olmu\u015flard\u0131r \u201cps\u00f6do felsefe ve ps\u00f6do ilim haline\u201d gelen anlay\u0131\u015fa? Yahut \u015f\u00f6yle soral\u0131m, g\u00fcn\u00fcm\u00fcz gen\u00e7 Anadolu \u015fiiri, yayg\u0131n (piyasa) \u015fiirin neresine d\u00fc\u015fmektedir? Ona eklenmi\u015f midir, yahut onun aldat\u0131c\u0131 g\u00fcncelli\u011fine kar\u015f\u0131 koyup, kendine has bir \u00f6zg\u00fcrl\u00fc\u011f\u00fcn yolunu mu tutmu\u015ftur?<\/p>\n

     <\/p>\n

     <\/p>\n

     <\/p>\n

     <\/p>\n","protected":false},"excerpt":{"rendered":"

    Cevat AKKANAT  Sezai Karako\u00e7 \u201c\u2026 T\u00fcrk edebiyat\u0131n\u0131n a\u011f\u0131rl\u0131k merkezi, kasaba ve k\u00fc\u00e7\u00fck \u015fehirler edebiyat\u0131 olmal\u0131d\u0131r,…<\/p>\n","protected":false},"author":17,"featured_media":1553,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[179,172],"tags":[],"ppma_author":[173],"class_list":["post-1552","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arastirmalar","category-akkanat"],"yoast_head":"\n\u201cKASABA EDEB\u0130YATI\u201d VE GEN\u00c7 ANADOLU \u015e\u0130\u0130R\u0130 - 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Yay\u0131nlanm\u0131\u015f Eserleri: \u015eiir: Kara Oyun, G\u00fcz Kl\u00e2si\u011fi, Sen Bir Sevda A\u011fac\u0131s\u0131n T\u00fcrk\u00fcler B\u00fcy\u00fct\u00fcr Y\u00fcz\u00fcn, Tan Tan Traska!, H\u00fczn \u00fc A\u015fk, Korku Isl\u0131\u011f\u0131, Nas\u0131ls\u0131n\u0131z?, H\u00e2s\u0131l\u0131 Memlekette, \u015eanl\u0131 \u015eark\u0131, G\u00fcl\u00fcmse Kul\u00fcb\u00fc, Post Ah, \u00c7arlek, Kabuk, Lirik Parampar\u00e7a, Kovgun \u0130sa T\u00fcrk\u00fcs\u00fc. Deneme: Edebiyat Hayat Memat, \u0130lhan Berk\u2019in Ha\u015femas\u0131, K\u00f6pekler L\u00fcgati, Deneme Tahtas\u0131, Festivalde \u015eempanze, Iss\u0131zl\u0131k Mar\u015f\u0131, Adalet Divan\u0131, Abide Kubbeler, Ben Size Ne Demi\u015ftim?. Ele\u015ftiri: Gelenek ve \u0130kinci Yeni \u015eiiri, \u015eiirin \u0130pek Sesi, \u015eiirin \u015eiddeti, \u00d6zg\u00fcn Bir Toplum Kurucu Mehmet \u00c2kif, \u015ei\u2019r-Pen\u00e7e, \u0130kinci Yeni Okumalar\u0131, K\u00f6klenme Bilinci, Kerberos\u2019u Ta\u015flamak. Antoloji: Baba Bu Kitap Sana, Ankara \u015eiirleri Antolojisi, Daima Rabia-M\u0131s\u0131r Direni\u015fi \u0130\u00e7in \u015eiirler, Eski\u015fehir \u015eairler Antolojisi, Bursa Naat Okuyor, Darbeye Direnen \u015eiirler-15 Temmuz Direni\u015f \u015eiirleri, Darbeye Direnen \u015eiirler-28 \u015eubat Direni\u015f \u015eiirleri. Derleme: Bursa\u2019n\u0131n \u00c7anakkale \u015eehitleri, \u00c7anakkale Sava\u015flar\u0131 ve \u0130stanbul, \u00c7anakkale Zaferi ve Bursa, Sanat ve Edebiyat Hayat\u0131n\u0131n 35. Y\u0131l\u0131nda Bestami Yazgan. 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Yay\u0131nlanm\u0131\u015f Eserleri: \u015eiir: Kara Oyun, G\u00fcz Kl\u00e2si\u011fi, Sen Bir Sevda A\u011fac\u0131s\u0131n T\u00fcrk\u00fcler B\u00fcy\u00fct\u00fcr Y\u00fcz\u00fcn, Tan Tan Traska!, H\u00fczn \u00fc A\u015fk, Korku Isl\u0131\u011f\u0131, Nas\u0131ls\u0131n\u0131z?, H\u00e2s\u0131l\u0131 Memlekette, \u015eanl\u0131 \u015eark\u0131, G\u00fcl\u00fcmse Kul\u00fcb\u00fc, Post Ah, \u00c7arlek, Kabuk, Lirik Parampar\u00e7a, Kovgun \u0130sa T\u00fcrk\u00fcs\u00fc. Deneme: Edebiyat Hayat Memat, \u0130lhan Berk\u2019in Ha\u015femas\u0131, K\u00f6pekler L\u00fcgati, Deneme Tahtas\u0131, Festivalde \u015eempanze, Iss\u0131zl\u0131k Mar\u015f\u0131, Adalet Divan\u0131, Abide Kubbeler, Ben Size Ne Demi\u015ftim?. 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AKKANAT","comment_count":"0","jetpack_featured_media_url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg","uagb_featured_image_src":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu-150x150.jpeg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu-272x182.jpeg",272,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu.jpeg",275,183,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/anadolu-216x183.jpeg",216,183,true]},"uagb_author_info":{"display_name":"Cevat AKKANAT","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/cevat-akkanat\/"},"uagb_comment_info":0,"uagb_excerpt":"Cevat AKKANAT  Sezai Karako\u00e7 \u201c\u2026 T\u00fcrk edebiyat\u0131n\u0131n a\u011f\u0131rl\u0131k merkezi, kasaba ve k\u00fc\u00e7\u00fck \u015fehirler edebiyat\u0131 olmal\u0131d\u0131r,...","authors":[{"term_id":173,"user_id":17,"is_guest":0,"slug":"cevat-akkanat","display_name":"Cevat AKKANAT","avatar_url":{"url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cevat.jpg","url2x":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cevat.jpg"},"first_name":"","last_name":"","user_url":"","job_title":"","description":"Bal\u0131kesir, 1964. \u0130zmir Dokuz Eyl\u00fcl \u00dcniversitesi, Buca E\u011fitim Fak\u00fcltesi, T\u00fcrk Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fcn\u00fc 1991\u2019de bitirdi. 2000\u2019de K\u0131r\u0131kkale \u00dcniversitesi\u2019nde \u201cGelenek ve \u0130kinci Yeni \u015eiiri\u201d ba\u015fl\u0131kl\u0131 tezle y\u00fcksek lisans\u0131n\u0131 tamamlad\u0131. 1997-2005 aras\u0131nda Lik\u00e2 edebiyat dergisini \u00e7\u0131kard\u0131. \r\n\r\nYay\u0131nlanm\u0131\u015f Eserleri: \r\n\u015eiir: Kara Oyun, G\u00fcz Kl\u00e2si\u011fi, Sen Bir Sevda A\u011fac\u0131s\u0131n T\u00fcrk\u00fcler B\u00fcy\u00fct\u00fcr Y\u00fcz\u00fcn, Tan Tan Traska!, H\u00fczn \u00fc A\u015fk, Korku Isl\u0131\u011f\u0131, Nas\u0131ls\u0131n\u0131z?, H\u00e2s\u0131l\u0131 Memlekette, \u015eanl\u0131 \u015eark\u0131, G\u00fcl\u00fcmse Kul\u00fcb\u00fc, Post Ah, \u00c7arlek, Kabuk, Lirik Parampar\u00e7a, Kovgun \u0130sa T\u00fcrk\u00fcs\u00fc.\r\nDeneme: Edebiyat Hayat Memat, \u0130lhan Berk\u2019in Ha\u015femas\u0131, K\u00f6pekler L\u00fcgati, Deneme Tahtas\u0131, Festivalde \u015eempanze, Iss\u0131zl\u0131k Mar\u015f\u0131, Adalet Divan\u0131, Abide Kubbeler, Ben Size Ne Demi\u015ftim?.\r\nEle\u015ftiri: Gelenek ve \u0130kinci Yeni \u015eiiri, \u015eiirin \u0130pek Sesi, \u015eiirin \u015eiddeti, \u00d6zg\u00fcn Bir Toplum Kurucu Mehmet \u00c2kif, \u015ei\u2019r-Pen\u00e7e, \u0130kinci Yeni Okumalar\u0131, K\u00f6klenme Bilinci, Kerberos\u2019u Ta\u015flamak.\r\nAntoloji: Baba Bu Kitap Sana, Ankara \u015eiirleri Antolojisi, Daima Rabia-M\u0131s\u0131r Direni\u015fi \u0130\u00e7in \u015eiirler, Eski\u015fehir \u015eairler Antolojisi, Bursa Naat Okuyor, Darbeye Direnen \u015eiirler-15 Temmuz Direni\u015f \u015eiirleri, Darbeye Direnen \u015eiirler-28 \u015eubat Direni\u015f \u015eiirleri.\r\nDerleme: Bursa\u2019n\u0131n \u00c7anakkale \u015eehitleri, \u00c7anakkale Sava\u015flar\u0131 ve \u0130stanbul, \u00c7anakkale Zaferi ve Bursa, Sanat ve Edebiyat Hayat\u0131n\u0131n 35. Y\u0131l\u0131nda Bestami Yazgan.\r\nBiyografi: Feraizciz\u00e2de Mehmet \u015eakir.\r\n\r\n\r\n\r\n \r\n\r\n\r\n\u2003\r\n"}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=1552"}],"version-history":[{"count":1,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1552\/revisions"}],"predecessor-version":[{"id":1554,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1552\/revisions\/1554"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/1553"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=1552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=1552"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=1552"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=1552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}