{"id":1488,"date":"2025-03-24T20:05:16","date_gmt":"2025-03-24T17:05:16","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=1488"},"modified":"2025-03-24T20:05:49","modified_gmt":"2025-03-24T17:05:49","slug":"cagri-muaviye-filmi-ve-tek-kisilik-showlar","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2025\/03\/24\/cagri-muaviye-filmi-ve-tek-kisilik-showlar\/","title":{"rendered":"\u00c7A\u011eRI, MUAV\u0130YE F\u0130LM\u0130 Ve TEK K\u0130\u015e\u0130L\u0130K SHOWLAR"},"content":{"rendered":"
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I.<\/div>\n<\/div>\n
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Ortado\u011fu\u2019da haritalar \u00e7izilirken sosyal medyada kimlik ve mezhep \u00fczerinden o denli \u00e7ok payla\u015f\u0131m yap\u0131l\u0131yor ki, bunun gizli bir el taraf\u0131ndan y\u00f6nlendirildi\u011fini g\u00f6rmemek i\u00e7in ancak k\u00f6r olmak gerekir. Bir yanda gazeteciler, yazarlar, stratejistler di\u011fer yanda \u015fovmenler ve cahil halk kitleleri\u2026 Ortado\u011fu\u2019daki yeralt\u0131 kaynaklar\u0131n\u0131n payla\u015f\u0131m sava\u015f\u0131 ve yeni haritalar\u0131n \u00e7izilmesini g\u00f6remeyenler, mezhep ve kimlik \u00fczerinden y\u00fcr\u00fcmektedirler. \u00d6zellikle son g\u00fcnlerde tek ki\u015filik Showlar\u0131yla ben aleviyim deyip g\u00fcya Alevilik \u00fczerinden, ben \u0130slamc\u0131y\u0131m deyim din \u00fczerinden, ben k\u00fcrd\u00fcm deyip k\u00fcrtl\u00fck \u00fczerinden komiklik yapanlar\u0131n sosyal medyada binlerce ki\u015fi taraf\u0131ndan takip edilmesi dikkate \u015fayand\u0131r. Asl\u0131nda bu Showlarla toplum bir yandan komedi \u00fczerinden ayr\u0131\u015ft\u0131r\u0131l\u0131rken di\u011fer yandan kimlik ve mezhep \u00fczerinden \u201c\u00f6teki\u201d olu\u015fturulmaya \u00e7al\u0131\u015f\u0131l\u0131yor. Bu masumane g\u00f6r\u00fcnen Showlar\u0131n bir anda furya olarak sosyal medyada varl\u0131k g\u00f6stermesi gizli bir g\u00fcc\u00fcn toplum m\u00fchendisli\u011fine soyundu\u011funu g\u00f6stermektedir.<\/div>\n<\/div>\n
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II.<\/div>\n
Arap \u00fclkelerinde yay\u0131nlanmaya ba\u015flayan Muaviye filmini de mezhep \u00fczerinden yap\u0131lmak istenenin toplum m\u00fchendisli\u011fi oldu\u011funu unutmamak gerekir. Bu film \u00fczerine yap\u0131lan tart\u0131\u015fmalara girmeden \u00f6nce 1976 y\u0131l\u0131nda \u00e7ekilen \u00c7a\u011fr\u0131 filmi \u00fczerinden bir giri\u015f yapmak istiyorum. Suriyeli y\u00f6netmen Mustafa Akkad\u2019\u0131n \u00c7a\u011fr\u0131 filminin nas\u0131l b\u00fcy\u00fck zorluklar i\u00e7inde \u00e7ekti\u011fini \u00f6\u011frenmek istiyorsan\u0131z Y\u0131lmaz \u00d6zdil\u2019in bu filmin kamera arkas\u0131n\u0131 anlatt\u0131\u011f\u0131 payla\u015f\u0131m\u0131 mutlaka izlemelisiniz. \u00d6zdil\u2019in anlatt\u0131\u011f\u0131na g\u00f6re suriye ve Amerika vatanda\u015f\u0131 olan Mustafa Akkad, \u00e7ocuklar\u0131na ve \u0130slam d\u00fcnyas\u0131na \u0130slam\u2019\u0131 g\u00fczel bir \u015fekilde nas\u0131l anlat\u0131r\u0131m \u00e7abas\u0131na giriyor. \u00d6yle bir \u015fey yapmal\u0131y\u0131m ki hem M\u00fcsl\u00fcmanlara hem de Amerika ve Avrupa\u2019daki ecnebilere \u0130slam konusunda g\u00fczel bir mesaj vermeliyim diye d\u00fc\u015f\u00fcn\u00fcyor. Bu ama\u00e7la peygamberimizin hayat\u0131n\u0131 filme almak istiyor. B\u00f6ylece \u0130slam hakk\u0131ndaki \u00f6n yarg\u0131lar\u0131 y\u0131kmak, \u0130slam’\u0131n ho\u015fg\u00f6r\u00fcs\u00fcn\u00fc anlatmak istiyor. Ancak bu filmi \u00e7ekmek i\u00e7in \u00e7ok b\u00fcy\u00fck b\u00fct\u00e7e gerekiyor. Hollywood\u2019da Yahudi lobisi g\u00fc\u00e7l\u00fc oldu\u011fundan bu filmi orada \u00e7ekilmeyece\u011fini biliyor. Be\u015f y\u0131l boyunca Arap \u00fclkelerinin ba\u015fkentlerini dola\u015f\u0131yor Kuveyt, Libya ve Fas\u2019\u0131 ikna ediyor. Bu \u00fclkeler filmi yapmak i\u00e7in on milyon dolar veriyor. Paralar bir \u0130svi\u00e7re bankas\u0131na yat\u0131r\u0131l\u0131yor. Y\u0131lmaz \u00d6zdil\u2019in anlatt\u0131\u011f\u0131na g\u00f6re bu s\u0131rada Adnan Ka\u015f\u0131k\u00e7\u0131, Mustafa Akkad\u2019\u0131n filmi \u00e7ekti\u011fini \u00f6\u011frenince \u201cne kadar para istiyorsan vereyim\u201d diyor. Beyrutta b\u00fcro tutup \u00e7al\u0131\u015fmas\u0131n\u0131 sa\u011fl\u0131yor. Bilindi\u011fi \u00fczere Adnan Ka\u015f\u0131k\u00e7\u0131 Suudili milyarder. Akkad Beyrut\u2019ta \u00e7al\u0131\u015fmaya ba\u015fl\u0131yor M\u0131s\u0131r\u2019da El Ezher\u2019de senaryoyu haz\u0131rl\u0131yor. Senaryonun senaristi bir Amerikal\u0131 ama senaryoyu inceleyip onaylayan Ezher ulemas\u0131. Senaryonun her sahifesini onay veriyorlar. Bir y\u0131lda tamamlan\u0131yor. Bu senaryo ile L\u00fcbnan\u2019a gidip Y\u00fcksek \u015eii Konseyi\u2019ne sunuyor. Suudi Arabistan\u2019a sunuyor. Suudi \u00f6rg\u00fct\u00fc Rab\u0131ta onay vermiyor. Haramd\u0131r diyor. Arabistan kar\u015f\u0131 \u00e7\u0131k\u0131nca Adnan Ka\u015f\u0131k\u00e7\u0131 da deste\u011fini geri \u00e7ekiyor. Ard\u0131ndan Kuveyt\u2019te deste\u011fini \u00e7ekiyor, Filmin \u00e7ekimi zora giriyor. Akkad Fas\u2019a gidiyor. Fas Kral\u0131 II. Hasan destek veriyor. Fas\u2019ta \u00e7ekilmesi i\u00e7in st\u00fcdyo in\u015fa ediyor. Temsili Mekke ve Kabe\u2019yi kuruyor. Alt\u0131 ay filmi \u00e7ekiyor. Filmin \u00e7ekimi devam etti\u011fi s\u0131rada Kral, Akkad\u2019\u0131 \u00e7a\u011f\u0131r\u0131p \u201cderhal Fas\u2019\u0131 terk etmesini istiyor. Kral\u0131n huzurunda \u00e7\u0131kt\u0131ktan sonra Akkad\u2019a; “\u0130slam Konferans\u0131n\u0131n Fas\u2019ta d\u00fczenlenece\u011fini, \u00e7a\u011fr\u0131 filmi burada \u00e7ekildi\u011finden dolay\u0131 Suudi Kral\u0131 Faysal\u2019\u0131n toplant\u0131ya kat\u0131lmayaca\u011f\u0131n\u0131, bu y\u00fczden Fas Kral\u0131 Suudi ile aras\u0131 bozulmas\u0131ndan korktu\u011fundan dolay\u0131 \u00fclkesinden gitmeni istiyor” diyorlar. Suudi\u2019nin filmi boykot etmesinden sonra di\u011fer \u00fclkeler de boykot ediyor. Akkad bu defa Libya\u2019ya gidip Kaddafi ile g\u00f6r\u00fc\u015f\u00fcyor. Kaddafi\u2019ye \u201cE\u011fer izin verirseniz filmin bir b\u00f6l\u00fcm\u00fcn\u00fc izlettireyim\u201d diyor. Kaddafi peygamberin Kabe\u2019de ta\u015flanma sahnesini izleyince \u201cAllah-\u00fc Ekber\u201d deyip koltu\u011fundan kalk\u0131yor. \u201cBu film mutlaka tamamlamal\u0131. B\u00fct\u00fcn masraflar\u0131 kar\u0131\u015f\u0131l\u0131yorum\u201d diyor. Ard\u0131ndan be\u015f bin ki\u015filik fig\u00fcran i\u00e7in de ordu komutan\u0131 ile halk direni\u015f \u00f6rg\u00fct\u00fcn\u00fc fig\u00fcran olarak Akkad’u\u0131n emrine veriyor. Filmin \u00e7ekimi Libya\u2019da yeniden yap\u0131l\u0131yor. Tabi filmin \u00e7ekiminde ilgin\u00e7 \u015feyler ya\u015fan\u0131yor. \u00d6rne\u011fin Akkad, Uhut Sava\u015f\u0131 sahnesinde ok\u00e7ular tepesini terk etmesini istiyor fig\u00fcranlardan. Kimse yerinden k\u0131p\u0131rdam\u0131yor. Belki on defa tekrar ediyor ama nafile. Bunun bir film oldu\u011funu s\u00f6yl\u00fcyor. Fig\u00fcranlar kendilerini filme \u00f6ylesine kapt\u0131rm\u0131\u015flar ki, ok\u00e7ular tepesini terk ettiklerinde ger\u00e7ekten peygamber zarar g\u00f6rece\u011fine inan\u0131yorlar. \u201cBiz M\u00fcsl\u00fcman\u0131z mevzimizi terk etmeyiz, peygambere zarar gelir\u201d diyorlar. Hayal ve hakikat i\u00e7 i\u00e7e ge\u00e7mi\u015f\u2026 Akkad filmin m\u00fczi\u011fini Lawrance filminin m\u00fczi\u011fini yapan Maurice Jarre\u2019e yapt\u0131r\u0131yor. Bug\u00fcn bu filmin m\u00fczi\u011fi \u0130ran\u2019da resmi cenaze t\u00f6renlerinde \u00e7al\u0131n\u0131yor. Film ilk \u00f6nce \u0130ngiltere\u2019de vizyona giriyor. Ancak \u0130slam \u00fclkeleri filmi yasakl\u0131yor. Hatta \u0130slamc\u0131lar filmin g\u00f6sterildi\u011fi sinema salonlar\u0131na sald\u0131r\u0131yor. Akkad tehdit ediliyor, can g\u00fcvenli\u011fi tehlikeye giriyor. Korumayla dola\u015f\u0131yor. Ancak filmi izleyenler sinemadan a\u011flaya a\u011flaya \u00e7\u0131k\u0131yorlar. Filmi seyredenlerin birbirine tavsiyesiyle film b\u00fcy\u00fck ilgi g\u00f6r\u00fcyor ve islam \u00fclkeleri yasa\u011f\u0131 kald\u0131r\u0131yor. Yaln\u0131zca iki \u00fclke kald\u0131rm\u0131yor yasa\u011f\u0131. Biri M\u0131s\u0131r di\u011feri \u0130ran. \u0130ran filmi \u015fah d\u00f6neminde yasaklam\u0131\u015f. Oysa filmin g\u00f6sterildi\u011fi tarihte \u0130ran\u2019da \u0130slam devrimi olmu\u015f. Humeyni de yasa\u011f\u0131 kald\u0131rmam\u0131\u015f. Akkad mollalarla g\u00f6r\u00fc\u015fm\u00fc\u015f. \u0130ran\u2019\u0131n filme yasak koymas\u0131n\u0131n nedeni ise ezan sahnesiymi\u015f. \u00c7\u00fcnk\u00fc onlar\u0131n ezan\u0131 \u201cAliyun veliyullah\u201d diye okundu\u011fu i\u00e7in yasak koymu\u015flar. Yani mezhep fark\u0131ndan dolay\u0131\u2026 Akkad yasa\u011f\u0131n kald\u0131r\u0131lmas\u0131 i\u00e7in Humeyni ile g\u00f6r\u00fc\u015fm\u00fc\u015f. Humeyni\u2019nin huzuruna \u00e7\u0131km\u0131\u015f, filmi hikayesini anlatm\u0131\u015f. Humeyni Hz. Peygamber d\u00f6neminde \u015eii S\u00fcnni ayr\u0131m\u0131 yoktur, diyerek yasa\u011f\u0131 kald\u0131rm\u0131\u015f. Bu izinle Akkad hayat\u0131n\u0131n ba\u015far\u0131s\u0131n\u0131 elde etmi\u015f. B\u00fct\u00fcn sinemalarda g\u00f6sterilmi\u015f. \u0130lk kez yabanc\u0131 film \u00c7a\u011fr\u0131 \u0130ran\u2019da seyredilmi\u015f. O g\u00fcne kadar yabanc\u0131 filmlerin \u0130ran\u2019da izlenmesi yasakm\u0131\u015f. Senaryosu M\u0131s\u0131r\u2019da yaz\u0131lm\u0131\u015f olmas\u0131na ra\u011fmen yasa\u011f\u0131 kald\u0131rmam\u0131\u015flar. M\u0131s\u0131r\u2019da el Ezher\u2019in sans\u00fcr heyeti h\u00fck\u00fcmetlerin de\u011fi\u015fimiyle fetvalar\u0131 da de\u011fi\u015fiyor. \u0130ktidara g\u00f6re fetva verdiklerinden dolay\u0131, bir \u00f6nceki sans\u00fcr heyetinin onay verdi\u011fi filme bu yeni sans\u00fcr heyeti yasak koymu\u015f. \u00d6nceki sans\u00fcr heyeti onay vermi\u015f g\u00f6r\u00fc\u015ft\u00fc\u011f\u00fc yeni heyet izin vermemi\u015f. Film d\u00fcnya \u00e7ap\u0131nda ba\u015far\u0131 sa\u011flam\u0131\u015f on iki dile \u00e7evrilmi\u015f. Akkad sinemayla \u0130slamiyet\u2019i tan\u0131tm\u0131\u015f. Ne yaz\u0131k ki bu b\u00fcy\u00fck y\u00f6netmen 2005 y\u0131l\u0131nda \u00dcrd\u00fcn\u2019\u00fcn ba\u015fkenti Amman\u2019da Hayat Otel\u2019in k\u0131z\u0131yla birlikte kald\u0131\u011f\u0131 s\u0131rada El Kaide\u2019nin bombal\u0131 sald\u0131r\u0131s\u0131 sonucu \u015fehit olmu\u015ftur. Ayn\u0131 anda gayri M\u00fcslimler kal\u0131yor diye \u00fc\u00e7 oteli bombalayan el kaidenin bu sald\u0131r\u0131s\u0131nda 57 ki\u015fi \u00f6lm\u00fc\u015f, bunlardan k\u0131rk ki\u015fiden fazlas\u0131 M\u00fcsl\u00fcman imi\u015f. Trajik olan bu filmi mezhep taassubu g\u00fctmeden peygamberin mesaj\u0131n\u0131 en g\u00fczel \u015fekilde filme aktaran Mustafa Akkad\u2019\u0131n \u0130slamc\u0131lar eliyle \u00f6ld\u00fcr\u00fclmesi. Ayr\u0131ca filmin \u00e7ekilmesinde b\u00fcy\u00fck katk\u0131lar\u0131 olan Muammer Kaddafi\u2019nin halk\u0131 taraf\u0131ndan lin\u00e7 edilmesidir. 2011 y\u0131l\u0131nda Kaddafi halk\u0131 taraf\u0131ndan lin\u00e7 edilerek \u00f6ld\u00fcr\u00fcld\u00fc\u011f\u00fc s\u0131rada Amerikal\u0131 Bush ve Fransa Cumhurba\u015fkan\u0131 Libya\u2019y\u0131 bombalat\u0131rken \u201cbu Ha\u00e7l\u0131 ordusu\u201d diyordu.<\/div>\n<\/div>\n
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III.<\/div>\n
Gelelim bug\u00fcnlerde Arap d\u00fcnyas\u0131nda tart\u0131\u015f\u0131lan bir ba\u015fka film Muaviye! \u0130slam tarihinde Muaviye\u2019ye s\u0131ra gelene kadar bir\u00e7ok sahabe\/kahraman vard\u0131r. Ancak Arap milliyet\u00e7ili\u011fi ve mezhep\u00e7ili\u011fi y\u00fckseli\u015fe ge\u00e7ti\u011fi i\u00e7in bu filmin \u00e7ekilip vizyona girmesi anlaml\u0131. B\u00fcy\u00fck ihtimalle bu filmin \u00e7ekilmesinin ak\u0131l hocalar\u0131 co\u011frafyay\u0131 yeniden \u00e7izmeye \u00e7al\u0131\u015fan, b\u00f6lgedeki kimlik ve mezhep kavgas\u0131n\u0131 derinle\u015ftirmek isteyen \u0130srail\/Amerika ve \u0130ngiltere\u2019dir. Co\u011frafyan\u0131n mezhep kavgalar\u0131yla birbirini yedi\u011fi bir s\u00fcre\u00e7te bu filmin vizyona girmesi olduk\u00e7a dikkat \u00e7ekicidir. Z\u00fclf\u00fc Livaneli\u2019nin anlatt\u0131\u011f\u0131na g\u00f6re Suudi Arabistan merkezli filmde Muaviye\u2019nin hayat\u0131 anlat\u0131l\u0131yormu\u015f. \u0130slam dinini Hz. Muhammed getirmi\u015f ama onu devlet ve imparatorluk yapan ki\u015fi Muaviye\u2019mi\u015f. Bu y\u00fczden Araplar Muaviye\u2019ye ayr\u0131 bir \u00f6nem verirler. G\u00fcya Muaviye olmaza \u0130slam devlet veya imparatorluk olamazm\u0131\u015f. Hz. Ali\u2019den \u00e7ok az bahsedildi\u011fi filmde Hz. Osman katline yer verilmi\u015f. Ayr\u0131ca Yezit\u2019e de\u011finiyorlarm\u0131\u015f. Hz. H\u00fcseyin ise bozguncu imi\u015f. Yezit Araplar aras\u0131nda \u00e7\u0131kan nifak\u0131 halletmi\u015f. Bir de tarihin en pahal\u0131 filmini \u00e7ektikleri i\u00e7in \u00f6v\u00fcn\u00fcyorlarm\u0131\u015f. \u015eimdiye kadar Kaddafi hari\u00e7 hangi Arap \u00fclkesi b\u00fcy\u00fck b\u00fct\u00e7elerle Hz. Peygamberin filmini \u00e7ekmi\u015ftir? Filmi \u015fimdilik M\u0131s\u0131r ve Irak devleti yasaklam\u0131\u015f. Bu filmin \u00e7ekilmesinin \u0130slam d\u00fcnyas\u0131na bir faydas\u0131 var m\u0131d\u0131r? Belki Arap milliyet\u00e7ilerinin ruhunu ok\u015fayabilir. Ezildikleri, bir avu\u00e7 Yahudi\u2019ye yenildikleri ve darmada\u011f\u0131n olduklar\u0131 bu s\u00fcre\u00e7te Muaviye fig\u00fcr\u00fc \u00fczerinden ezik ruhlar\u0131n\u0131 rahatlatmak istiyor olabilirler. Ancak bu film i\u00e7inde bulunduklar\u0131 rezil ve a\u015fa\u011f\u0131lanmalar\u0131n\u0131 tedavi edemez. Bilakis Arap co\u011frafyas\u0131n\u0131 daha da da\u011f\u0131n\u0131k ve kavgal\u0131 hale getirir. \u00f6rne\u011fin Muaviye filmi ile ilgili olarak \u00e7\u0131kan haberde; \u201cMuaviye’nin hassas konular\u0131 \u201cHalife Osman bin Affan’\u0131n suikast\u0131ndan sonra erken d\u00f6nem M\u00fcsl\u00fcman cemaati i\u00e7inde ya\u015fanan ve Muaviye’nin Emevi devletini kurmas\u0131na yol a\u00e7an b\u00f6l\u00fcnmeyi ayr\u0131nt\u0131lar\u0131yla anlatan\u201d dizi Irak’ta da tart\u0131\u015fma yaratt\u0131. Yetkililer, “mezhepsel anla\u015fmazl\u0131klar” ve “toplumsal bar\u0131\u015f” tehditleri korkular\u0131n\u0131 gerek\u00e7e g\u00f6stererek diziyi yasaklad\u0131\u201d bilgileri yer al\u0131yor. Mustafa Akkad\u2019\u0131n mezhep taassubundan uzak, s\u0131rf mesaj y\u00fckl\u00fc filminin \u00e7ekilmemesi i\u00e7in binbir dereden su getiren Arap krall\u0131klar\u0131 nedense tarihte kalm\u0131\u015f mezhep kavgas\u0131n\u0131 derinle\u015ftirecek \u0130slam tarihinin tart\u0131\u015f\u0131lan ismi ve yumu\u015fak karn\u0131 Muaviye\u2019nin filmini milyon dolar harcayarak vizyona sokmu\u015flard\u0131r. Peygamberin hayat\u0131n\u0131n anlat\u0131ld\u0131\u011f\u0131 filmi \u00e7ekmemek i\u00e7in her yolu mubah g\u00f6ren Arap krall\u0131klar\u0131 bu sanc\u0131l\u0131 s\u00fcre\u00e7te Muaviye filmini neden \u00e7eker acaba? Ortado\u011fu\u2019da Muaviye filminin vizyona sokulmas\u0131 ile \u0130slam d\u00fcnyas\u0131ndaki mezhep kavgalar\u0131n\u0131n ka\u015f\u0131nmas\u0131n\u0131n bir anlam\u0131 var m\u0131? M\u00fcsl\u00fcmanlar\u0131n \u00fczerinde ittifak etti\u011fi rol model kahramanlar dururken Muaviye filminin \u00e7ekilmesi bence anlaml\u0131d\u0131r. Peygamber filminin \u00e7ekilmesine mesafeli duran Arap krall\u0131klar\u0131n\u0131n Muaviye filmini desteklemeleri iki y\u00fczl\u00fcl\u00fckt\u00fcr. \u0130slam de\u011fil Arap milliyet\u00e7ili\u011fi ve mezhep\u00e7ili\u011finin y\u00fckseli\u015fe ge\u00e7ti\u011finin i\u015faretidir. \u00c7a\u011fr\u0131 filminin insanlar\u0131n ruhunda yaratt\u0131\u011f\u0131 olumlu ve g\u00fczel mesaj\u0131 g\u00f6remeyen Arap krall\u0131klar\u0131 Muaviye filminin ayr\u0131l\u0131klara neden olacak boyutunu da ne yaz\u0131k ki g\u00f6remiyorlar.<\/div>\n<\/div>\n
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Not: \u00e7a\u011fr\u0131 filminin kamera arkas\u0131 hikayesi Y\u0131lmaz \u00d6zdil’in video payla\u015f\u0131m\u0131ndan \u00f6zetlenmi\u015ftir.<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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Ortado\u011fu\u2019da haritalar \u00e7izilirken sosyal medyada kimlik ve mezhep \u00fczerinden o denli \u00e7ok payla\u015f\u0131m…<\/p>\n","protected":false},"author":16,"featured_media":1489,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[171,21],"tags":[],"ppma_author":[394],"class_list":["post-1488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mehmet-kurtoglu","category-sinematelevizyon"],"yoast_head":"\n\u00c7A\u011eRI, MUAV\u0130YE F\u0130LM\u0130 Ve TEK K\u0130\u015e\u0130L\u0130K SHOWLAR - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2025\/03\/24\/cagri-muaviye-filmi-ve-tek-kisilik-showlar\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c7A\u011eRI, MUAV\u0130YE F\u0130LM\u0130 Ve TEK K\u0130\u015e\u0130L\u0130K SHOWLAR - simurgedebiyat.com\" \/>\n<meta property=\"og:description\" content=\"  I. 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Nietzsche \u015fiiri Matti Braun taraf\u0131ndan Almanca, \u0130ngilizce, \u0130talyanca ve Frans\u0131zca, H\u00fcseyin \u015fiiri Fars\u00e7a\u2019ya, Rabia \u015fiiri ise \u0130ngilizce ve Arap\u00e7aya \u00e7evrilmi\u015ftir. Romanya\u2019da yay\u0131nlanan Poez\u0131a ve KADO Calea Poeziei (June 2014) dergisinde \u015fiirleri Romance yay\u0131nlanm\u0131\u015ft\u0131r. Uluslararas\u0131 bir\u00e7ok kanallara r\u00f6portajlar vermi\u015f, metin yazarl\u0131\u011f\u0131 yapt\u0131\u011f\u0131 belgeseller T\u00fcrk\u00e7e ve \u0130ngilizce olarak yay\u0131nlanm\u0131\u015ft\u0131r. \u015eURKAV(\u015eanl\u0131urfa K\u00fclt\u00fcr ve Ara\u015ft\u0131rma Vakf\u0131), Anadolu Yazarlar Birli\u011fi, GAP Gazeteciler Cemiyeti, \u0130LESAM, \u0130lim Yayma Cemiyeti \u00fcyesi olan yazar, T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa kurucu \u00fcyesi olup 8 y\u0131l Urfa\u2019da, 4 y\u0131l Ankara\u2019da \u015fube ba\u015fkanl\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. Halen, T\u00fcrkiye Yazarlar Birli\u011fi Genel Merkez Y\u00f6netim Kurul \u00fcyesidir. Evli \u00fc\u00e7 \u00e7ocuk babas\u0131 olan yazar, Urfa\u2019da farkl\u0131 kurumlarda memur ve y\u00f6neticilik yapt\u0131ktan sonra 2008 y\u0131l\u0131nda Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc K\u00fclt\u00fcr ve Tescil Daire Ba\u015fkanl\u0131\u011f\u0131, K\u00fct\u00fcphaneler ve Yay\u0131nlar \u015fubesine m\u00fcd\u00fcr olarak atanm\u0131\u015ft\u0131r. Yay\u0131nlanm\u0131\u015f Eserleri: Bana Kendini Anlat, \u015eiir, 1998, Haf\u0131zas\u0131n\u0131 Kaybeden \u015eehir, Deneme, 1999, Gurbeti Olmayan Diyar, \u015eiir, 2000, Urfa Efsaneleri, Ara\u015ft\u0131rma, 2005 (3 bask\u0131), \u00c7a\u011fa K\u00fcsen Leyla, \u015eiir, 2005, Ben Kendimden Yanay\u0131m, Deneme, 2005, K\u00fclt\u00fcr \u015eehri Urfa, Ara\u015ft\u0131rma, 2006 (3 bask\u0131), \u015eiir \u015eehir Urfa, \u015eiir Se\u00e7kisi, 2006 (3 bask\u0131), Haf\u0131zas\u0131n\u0131 Arayan \u015eehir, Deneme, 2007, Sava\u015f\u0131n \u00c2\u015f\u0131klar\u0131, Tiyatro, 2008, Urfal\u0131 Nabi, Biyografi, 2008,Ben Yusuf Sen Z\u00fcleyha, \u015eiir, 2009, \u00c7a\u011f\u0131n Divanesi, Rubailer, 2010, G\u00e2vur Mahallesinde A\u015fk, Roman, 2011, R\u0131fk\u0131 Kaymaz Kitab\u0131, Biyografi, 2011, \u0130brahim\u2019in Nazargah\u0131 Urfa, Gezi, 2012, Melik\u00fc\u015f \u015euara Yusuf Nabi, Biyografi, 2012, Eski D\u00fcnyaya Seyahat, Gezi, 2014 (TYB Gezi \u00d6d\u00fcl\u00fc), Hasret ve Umut Bosna, Gezi, 2014, T\u00fcrk Sinemas\u0131nda Urfa, \u0130nceleme Ara\u015ft\u0131rma, 2015, Hasret ve Azap Tanp\u0131nar\u2019da \u015eehir ve Kad\u0131n, \u0130nceleme, 2015, Bir Bat\u0131 Masal\u0131 Shakespeare, \u0130nceleme 2015, Metafizi\u011fin Trajik \u015eairi Necip Faz\u0131l, \u0130nceleme 2015, Bu Eller Utand\u0131rmaz Adam\u0131, Fikir 2016, Mehmet \u00c2kif, Biyografi, 2016, Dilim T\u00fcrk\u00fc G\u00f6nl\u00fcm Gazel, \u015eiir, 2017, \u015eehristan Deneme, 2017, Ezelden Urfa, Deneme, 2018, Az Gezdim \u00c7ok G\u00f6rd\u00fcm, Gezi 2018, Tanr\u0131y\u0131 \u0130cat Etmek, Deneme, 2018, Ye\u015fil\u00e7am\u2019\u0131n \u0130mgeleri, \u0130nceleme, 2020 Metin Yazarl\u0131\u011f\u0131 ve Dan\u0131\u015fmanl\u0131k Yapt\u0131\u011f\u0131 Belgeseller: K\u00fclt\u00fcr ve \u0130nan\u00e7lar Diyar\u0131 Urfa, Belgesel Senaryo, (\u0130ngilizce ve T\u00fcrk\u00e7e) 2006 Urfa Vak\u0131f Medeniyeti ve Su, Belgesel, 2008 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Vak\u0131f \u0130nsanlar, Belgesel, 2007 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Medeniyetler Kav\u015fa\u011f\u0131 Urfa, Belgesel Urfa Valili\u011fi, 2013 Anadolu\u2019ya A\u00e7\u0131lan Kap\u0131 Mu\u015f, Belgesel, Mu\u015f Valili\u011fi, 2013 (T\u00fcrk\u00e7e, \u0130ngilizce, Arap\u00e7a, Fars\u00e7a) Bir Derginin Ser\u00fcveni: Vak\u0131flar Dergisi, Genel Dan\u0131\u015fmanl\u0131k, 2013 \u00dc\u00e7 Karde\u015f \u015eehir, (Urfa-Harput Kerk\u00fck), Belgesel, K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131,2014 Alm\u0131\u015f oldu\u011fu \u00d6d\u00fcller: Kandil \u00c7ocuk Dergisi \u015eiir \u00d6d\u00fcl\u00fc Mansiyon 1986 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00f6d\u00fcl\u00fc 1991 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00d6d\u00fcl\u00fc 1999 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Deneme \u00d6d\u00fcl\u00fc 2002 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Gazetecisi \u00d6d\u00fcl\u00fc 2003 K\u00fclt\u00fcrel \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Te\u015fekk\u00fcr Belgesi 2006 Sosyal \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Takdir Belgesi 2006 Anadolu Yazarlar Birli\u011fi \u201c\u00dcst\u00fcn Hizmet Berat\u0131\u201d 2014 T\u00fcrkiye Yazarlar Birli\u011fi Gezi Dal\u0131nda Y\u0131l\u0131n Yazar\u0131 \u00d6d\u00fcl\u00fc 2014 TYB Y\u0131l\u0131n Yay\u0131nc\u0131l\u0131k \u00d6d\u00fcl\u00fc, Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Yay\u0131nlar\u0131 2015 (M\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131m birim) ESKADER 2018 y\u0131l\u0131 \u015fehir kitab\u0131 dal\u0131nda Y\u0131l\u0131n yazar\u0131 \u00d6d\u00fcl\u00fc \u00dcye Oldu\u011fu Sivil Toplum \u00d6rg\u00fctleri: T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi kurucu \u00fcye ve Ba\u015fkanl\u0131k (2000-2007) T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 (2012-2016) TYB Genel Merkez Y\u00f6netim Kurul \u00dcyesi (2016-\u2026..) \u015eURKAV (\u015eanl\u0131urfa K\u00fclt\u00fcr Ara\u015ft\u0131rma Vak\u0131f\u0131 M\u00fctevellisi) \u0130lim Yayma Cemiyeti \u00dcyesi. \u0130LESAM \u00dcyesi Anadolu Yazarlar Birli\u011fi \u00dcyesi GAP Gazeteciler Birli\u011fi \u00dcyesi Yazd\u0131\u011f\u0131 Dergi ve Gazeteler: T\u00fcrk Dili, Yedi \u0130klim, Bir Nokta, Bizim K\u00fclliye, Hece, T\u00fcrk Edebiyat\u0131, K\u00fclt\u00fcr, \u0130slami Edebiyat, Suhan, M\u00fcrekkep, Ard\u0131\u00e7, \u0130maret, T\u00fcrk\u00fc, Eyvan, \u015eiir Vakti, Hece Ta\u015flar\u0131, T\u00fcrk Yurdu, Vak\u0131flar Dergisi ve TYB Akademi 2010-2011 y\u0131llar\u0131 aras\u0131nda Milli Gazete\u2019de haftal\u0131k edebiyat ve fikir yaz\u0131lar\u0131 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Nietzsche \u015fiiri Matti Braun taraf\u0131ndan Almanca, \u0130ngilizce, \u0130talyanca ve Frans\u0131zca, H\u00fcseyin \u015fiiri Fars\u00e7a\u2019ya, Rabia \u015fiiri ise \u0130ngilizce ve Arap\u00e7aya \u00e7evrilmi\u015ftir. Romanya\u2019da yay\u0131nlanan Poez\u0131a ve KADO Calea Poeziei (June 2014) dergisinde \u015fiirleri Romance yay\u0131nlanm\u0131\u015ft\u0131r. Uluslararas\u0131 bir\u00e7ok kanallara r\u00f6portajlar vermi\u015f, metin yazarl\u0131\u011f\u0131 yapt\u0131\u011f\u0131 belgeseller T\u00fcrk\u00e7e ve \u0130ngilizce olarak yay\u0131nlanm\u0131\u015ft\u0131r. \u015eURKAV(\u015eanl\u0131urfa K\u00fclt\u00fcr ve Ara\u015ft\u0131rma Vakf\u0131), Anadolu Yazarlar Birli\u011fi, GAP Gazeteciler Cemiyeti, \u0130LESAM, \u0130lim Yayma Cemiyeti \u00fcyesi olan yazar, T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa kurucu \u00fcyesi olup 8 y\u0131l Urfa\u2019da, 4 y\u0131l Ankara\u2019da \u015fube ba\u015fkanl\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. Halen, T\u00fcrkiye Yazarlar Birli\u011fi Genel Merkez Y\u00f6netim Kurul \u00fcyesidir. Evli \u00fc\u00e7 \u00e7ocuk babas\u0131 olan yazar, Urfa\u2019da farkl\u0131 kurumlarda memur ve y\u00f6neticilik yapt\u0131ktan sonra 2008 y\u0131l\u0131nda Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc K\u00fclt\u00fcr ve Tescil Daire Ba\u015fkanl\u0131\u011f\u0131, K\u00fct\u00fcphaneler ve Yay\u0131nlar \u015fubesine m\u00fcd\u00fcr olarak atanm\u0131\u015ft\u0131r. Yay\u0131nlanm\u0131\u015f Eserleri: Bana Kendini Anlat, \u015eiir, 1998, Haf\u0131zas\u0131n\u0131 Kaybeden \u015eehir, Deneme, 1999, Gurbeti Olmayan Diyar, \u015eiir, 2000, Urfa Efsaneleri, Ara\u015ft\u0131rma, 2005 (3 bask\u0131), \u00c7a\u011fa K\u00fcsen Leyla, \u015eiir, 2005, Ben Kendimden Yanay\u0131m, Deneme, 2005, K\u00fclt\u00fcr \u015eehri Urfa, Ara\u015ft\u0131rma, 2006 (3 bask\u0131), \u015eiir \u015eehir Urfa, \u015eiir Se\u00e7kisi, 2006 (3 bask\u0131), Haf\u0131zas\u0131n\u0131 Arayan \u015eehir, Deneme, 2007, Sava\u015f\u0131n \u00c2\u015f\u0131klar\u0131, Tiyatro, 2008, Urfal\u0131 Nabi, Biyografi, 2008,Ben Yusuf Sen Z\u00fcleyha, \u015eiir, 2009, \u00c7a\u011f\u0131n Divanesi, Rubailer, 2010, G\u00e2vur Mahallesinde A\u015fk, Roman, 2011, R\u0131fk\u0131 Kaymaz Kitab\u0131, Biyografi, 2011, \u0130brahim\u2019in Nazargah\u0131 Urfa, Gezi, 2012, Melik\u00fc\u015f \u015euara Yusuf Nabi, Biyografi, 2012, Eski D\u00fcnyaya Seyahat, Gezi, 2014 (TYB Gezi \u00d6d\u00fcl\u00fc), Hasret ve Umut Bosna, Gezi, 2014, T\u00fcrk Sinemas\u0131nda Urfa, \u0130nceleme Ara\u015ft\u0131rma, 2015, Hasret ve Azap Tanp\u0131nar\u2019da \u015eehir ve Kad\u0131n, \u0130nceleme, 2015, Bir Bat\u0131 Masal\u0131 Shakespeare, \u0130nceleme 2015, Metafizi\u011fin Trajik \u015eairi Necip Faz\u0131l, \u0130nceleme 2015, Bu Eller Utand\u0131rmaz Adam\u0131, Fikir 2016, Mehmet \u00c2kif, Biyografi, 2016, Dilim T\u00fcrk\u00fc G\u00f6nl\u00fcm Gazel, \u015eiir, 2017, \u015eehristan Deneme, 2017, Ezelden Urfa, Deneme, 2018, Az Gezdim \u00c7ok G\u00f6rd\u00fcm, Gezi 2018, Tanr\u0131y\u0131 \u0130cat Etmek, Deneme, 2018, Ye\u015fil\u00e7am\u2019\u0131n \u0130mgeleri, \u0130nceleme, 2020 Metin Yazarl\u0131\u011f\u0131 ve Dan\u0131\u015fmanl\u0131k Yapt\u0131\u011f\u0131 Belgeseller: K\u00fclt\u00fcr ve \u0130nan\u00e7lar Diyar\u0131 Urfa, Belgesel Senaryo, (\u0130ngilizce ve T\u00fcrk\u00e7e) 2006 Urfa Vak\u0131f Medeniyeti ve Su, Belgesel, 2008 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Vak\u0131f \u0130nsanlar, Belgesel, 2007 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Medeniyetler Kav\u015fa\u011f\u0131 Urfa, Belgesel Urfa Valili\u011fi, 2013 Anadolu\u2019ya A\u00e7\u0131lan Kap\u0131 Mu\u015f, Belgesel, Mu\u015f Valili\u011fi, 2013 (T\u00fcrk\u00e7e, \u0130ngilizce, Arap\u00e7a, Fars\u00e7a) Bir Derginin Ser\u00fcveni: Vak\u0131flar Dergisi, Genel Dan\u0131\u015fmanl\u0131k, 2013 \u00dc\u00e7 Karde\u015f \u015eehir, (Urfa-Harput Kerk\u00fck), Belgesel, K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131,2014 Alm\u0131\u015f oldu\u011fu \u00d6d\u00fcller: Kandil \u00c7ocuk Dergisi \u015eiir \u00d6d\u00fcl\u00fc Mansiyon 1986 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00f6d\u00fcl\u00fc 1991 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00d6d\u00fcl\u00fc 1999 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Deneme \u00d6d\u00fcl\u00fc 2002 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Gazetecisi \u00d6d\u00fcl\u00fc 2003 K\u00fclt\u00fcrel \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Te\u015fekk\u00fcr Belgesi 2006 Sosyal \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Takdir Belgesi 2006 Anadolu Yazarlar Birli\u011fi \u201c\u00dcst\u00fcn Hizmet Berat\u0131\u201d 2014 T\u00fcrkiye Yazarlar Birli\u011fi Gezi Dal\u0131nda Y\u0131l\u0131n Yazar\u0131 \u00d6d\u00fcl\u00fc 2014 TYB Y\u0131l\u0131n Yay\u0131nc\u0131l\u0131k \u00d6d\u00fcl\u00fc, Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Yay\u0131nlar\u0131 2015 (M\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131m birim) ESKADER 2018 y\u0131l\u0131 \u015fehir kitab\u0131 dal\u0131nda Y\u0131l\u0131n yazar\u0131 \u00d6d\u00fcl\u00fc \u00dcye Oldu\u011fu Sivil Toplum \u00d6rg\u00fctleri: T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi kurucu \u00fcye ve Ba\u015fkanl\u0131k (2000-2007) T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 (2012-2016) TYB Genel Merkez Y\u00f6netim Kurul \u00dcyesi (2016-\u2026..) \u015eURKAV (\u015eanl\u0131urfa K\u00fclt\u00fcr Ara\u015ft\u0131rma Vak\u0131f\u0131 M\u00fctevellisi) \u0130lim Yayma Cemiyeti \u00dcyesi. \u0130LESAM \u00dcyesi Anadolu Yazarlar Birli\u011fi \u00dcyesi GAP Gazeteciler Birli\u011fi \u00dcyesi Yazd\u0131\u011f\u0131 Dergi ve Gazeteler: T\u00fcrk Dili, Yedi \u0130klim, Bir Nokta, Bizim K\u00fclliye, Hece, T\u00fcrk Edebiyat\u0131, K\u00fclt\u00fcr, \u0130slami Edebiyat, Suhan, M\u00fcrekkep, Ard\u0131\u00e7, \u0130maret, T\u00fcrk\u00fc, Eyvan, \u015eiir Vakti, Hece Ta\u015flar\u0131, T\u00fcrk Yurdu, Vak\u0131flar Dergisi ve TYB Akademi 2010-2011 y\u0131llar\u0131 aras\u0131nda Milli Gazete\u2019de haftal\u0131k edebiyat ve fikir yaz\u0131lar\u0131 yazd\u0131.","url":"https:\/\/simurgedebiyat.com\/index.php\/author\/mehmet-kurtoglu\/"}]}},"featured_image_urls":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri-150x150.jpeg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri-188x250.jpeg",188,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri-188x182.jpeg",188,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri-188x216.jpeg",188,216,true]},"author_info":{"display_name":"Mehmet KURTO\u011eLU","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/mehmet-kurtoglu\/"},"category_info":"<a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/yaz\/mehmet-kurtoglu\/\" rel=\"category tag\">Mehmet KURTO\u011eLU<\/a> <a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/sinematelevizyon\/\" rel=\"category tag\">Sinema\/Tiyatro&Tv<\/a>","tag_info":"Sinema\/Tiyatro&Tv","comment_count":"0","jetpack_featured_media_url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg","uagb_featured_image_src":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri-150x150.jpeg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri-188x250.jpeg",188,250,true],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri-188x182.jpeg",188,182,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri.jpeg",188,268,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/cagri-188x216.jpeg",188,216,true]},"uagb_author_info":{"display_name":"Mehmet KURTO\u011eLU","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/mehmet-kurtoglu\/"},"uagb_comment_info":0,"uagb_excerpt":"  I. Ortado\u011fu\u2019da haritalar \u00e7izilirken sosyal medyada kimlik ve mezhep \u00fczerinden o denli \u00e7ok payla\u015f\u0131m...","authors":[{"term_id":394,"user_id":16,"is_guest":0,"slug":"mehmet-kurtoglu","display_name":"Mehmet KURTO\u011eLU","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","first_name":"","last_name":"","user_url":"","job_title":"","description":"1969 da \u015eanl\u0131urfa\u2019da do\u011fdu. \u015eiir, deneme, inceleme, biyografi, belgesel, roman ve tiyatro dal\u0131nda eserler yazd\u0131. 2005 de K\u0131r\u0131m ve 2015 y\u0131l\u0131nda Kazan\u2019da yap\u0131lan T\u00fcrk\u00e7enin Uluslararas\u0131 \u015eiir \u015e\u00f6lenine kat\u0131lan Kurto\u011flu, 2014 y\u0131l\u0131nda \u201cEski D\u00fcnyaya Seyahat\u201d kitab\u0131yla gezi dal\u0131nda T\u00fcrkiye Yazarlar Birli\u011fi y\u0131l\u0131n yazar\u0131 \u00f6d\u00fcl\u00fcne lay\u0131k g\u00f6r\u00fcld\u00fc. Nietzsche \u015fiiri Matti Braun taraf\u0131ndan Almanca, \u0130ngilizce, \u0130talyanca ve Frans\u0131zca, H\u00fcseyin \u015fiiri Fars\u00e7a\u2019ya, Rabia \u015fiiri ise \u0130ngilizce ve Arap\u00e7aya \u00e7evrilmi\u015ftir. Romanya\u2019da yay\u0131nlanan Poez\u0131a ve KADO Calea Poeziei (June 2014) dergisinde \u015fiirleri Romance yay\u0131nlanm\u0131\u015ft\u0131r. Uluslararas\u0131 bir\u00e7ok kanallara r\u00f6portajlar vermi\u015f, metin yazarl\u0131\u011f\u0131 yapt\u0131\u011f\u0131 belgeseller T\u00fcrk\u00e7e ve \u0130ngilizce olarak yay\u0131nlanm\u0131\u015ft\u0131r. \u015eURKAV(\u015eanl\u0131urfa K\u00fclt\u00fcr ve Ara\u015ft\u0131rma Vakf\u0131), Anadolu Yazarlar Birli\u011fi, GAP Gazeteciler Cemiyeti, \u0130LESAM, \u0130lim Yayma Cemiyeti \u00fcyesi olan yazar, T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa kurucu \u00fcyesi olup 8 y\u0131l Urfa\u2019da, 4 y\u0131l Ankara\u2019da \u015fube ba\u015fkanl\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. Halen, T\u00fcrkiye Yazarlar Birli\u011fi Genel Merkez Y\u00f6netim Kurul \u00fcyesidir. Evli \u00fc\u00e7 \u00e7ocuk babas\u0131 olan yazar, Urfa\u2019da farkl\u0131 kurumlarda memur ve y\u00f6neticilik yapt\u0131ktan sonra 2008 y\u0131l\u0131nda Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc K\u00fclt\u00fcr ve Tescil Daire Ba\u015fkanl\u0131\u011f\u0131, K\u00fct\u00fcphaneler ve Yay\u0131nlar \u015fubesine m\u00fcd\u00fcr olarak atanm\u0131\u015ft\u0131r.\r\n\r\nYay\u0131nlanm\u0131\u015f Eserleri: Bana Kendini Anlat, \u015eiir, 1998, Haf\u0131zas\u0131n\u0131 Kaybeden \u015eehir, Deneme, 1999, Gurbeti Olmayan Diyar, \u015eiir, 2000, Urfa Efsaneleri, Ara\u015ft\u0131rma, 2005 (3 bask\u0131), \u00c7a\u011fa K\u00fcsen Leyla, \u015eiir, 2005, Ben Kendimden Yanay\u0131m, Deneme, 2005, K\u00fclt\u00fcr \u015eehri Urfa, Ara\u015ft\u0131rma, 2006 (3 bask\u0131), \u015eiir \u015eehir Urfa, \u015eiir Se\u00e7kisi, 2006 (3 bask\u0131), Haf\u0131zas\u0131n\u0131 Arayan \u015eehir, Deneme, 2007, Sava\u015f\u0131n \u00c2\u015f\u0131klar\u0131, Tiyatro, 2008, Urfal\u0131 Nabi, Biyografi, 2008,Ben Yusuf Sen Z\u00fcleyha, \u015eiir, 2009, \u00c7a\u011f\u0131n Divanesi, Rubailer, 2010, G\u00e2vur Mahallesinde A\u015fk, Roman, 2011, R\u0131fk\u0131 Kaymaz Kitab\u0131, Biyografi, 2011, \u0130brahim\u2019in Nazargah\u0131 Urfa, Gezi, 2012, Melik\u00fc\u015f \u015euara Yusuf Nabi, Biyografi, 2012, Eski D\u00fcnyaya Seyahat, Gezi, 2014 (TYB Gezi \u00d6d\u00fcl\u00fc), Hasret ve Umut Bosna, Gezi, 2014, T\u00fcrk Sinemas\u0131nda Urfa, \u0130nceleme Ara\u015ft\u0131rma, 2015, Hasret ve Azap Tanp\u0131nar\u2019da \u015eehir ve Kad\u0131n, \u0130nceleme, 2015, Bir Bat\u0131 Masal\u0131 Shakespeare, \u0130nceleme 2015, Metafizi\u011fin Trajik \u015eairi Necip Faz\u0131l, \u0130nceleme 2015, Bu Eller Utand\u0131rmaz Adam\u0131, Fikir 2016, Mehmet \u00c2kif, Biyografi, 2016, Dilim T\u00fcrk\u00fc G\u00f6nl\u00fcm Gazel, \u015eiir, 2017, \u015eehristan Deneme, 2017, Ezelden Urfa, Deneme, 2018, Az Gezdim \u00c7ok G\u00f6rd\u00fcm, Gezi 2018, Tanr\u0131y\u0131 \u0130cat Etmek, Deneme, 2018, Ye\u015fil\u00e7am\u2019\u0131n \u0130mgeleri, \u0130nceleme, 2020\r\n\r\nMetin Yazarl\u0131\u011f\u0131 ve Dan\u0131\u015fmanl\u0131k Yapt\u0131\u011f\u0131 Belgeseller:\r\n\r\nK\u00fclt\u00fcr ve \u0130nan\u00e7lar Diyar\u0131 Urfa, Belgesel Senaryo, (\u0130ngilizce ve T\u00fcrk\u00e7e) 2006\r\nUrfa Vak\u0131f Medeniyeti ve Su, Belgesel, 2008 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa\r\nVak\u0131f \u0130nsanlar, Belgesel, 2007 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa\r\nMedeniyetler Kav\u015fa\u011f\u0131 Urfa, Belgesel Urfa Valili\u011fi, 2013\r\nAnadolu\u2019ya A\u00e7\u0131lan Kap\u0131 Mu\u015f, Belgesel, Mu\u015f Valili\u011fi, 2013 (T\u00fcrk\u00e7e, \u0130ngilizce, Arap\u00e7a, Fars\u00e7a)\r\nBir Derginin Ser\u00fcveni: Vak\u0131flar Dergisi, Genel Dan\u0131\u015fmanl\u0131k, 2013\r\n\u00dc\u00e7 Karde\u015f \u015eehir, (Urfa-Harput Kerk\u00fck), Belgesel, K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131,2014\r\nAlm\u0131\u015f oldu\u011fu \u00d6d\u00fcller:\r\n\r\nKandil \u00c7ocuk Dergisi \u015eiir \u00d6d\u00fcl\u00fc Mansiyon 1986\r\n11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00f6d\u00fcl\u00fc 1991\r\n11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00d6d\u00fcl\u00fc 1999\r\nGAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Deneme \u00d6d\u00fcl\u00fc 2002\r\nGAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Gazetecisi \u00d6d\u00fcl\u00fc 2003\r\nK\u00fclt\u00fcrel \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Te\u015fekk\u00fcr Belgesi 2006\r\nSosyal \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Takdir Belgesi 2006\r\nAnadolu Yazarlar Birli\u011fi \u201c\u00dcst\u00fcn Hizmet Berat\u0131\u201d 2014\r\nT\u00fcrkiye Yazarlar Birli\u011fi Gezi Dal\u0131nda Y\u0131l\u0131n Yazar\u0131 \u00d6d\u00fcl\u00fc 2014\r\nTYB Y\u0131l\u0131n Yay\u0131nc\u0131l\u0131k \u00d6d\u00fcl\u00fc, Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Yay\u0131nlar\u0131 2015 (M\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131m birim)\r\nESKADER 2018 y\u0131l\u0131 \u015fehir kitab\u0131 dal\u0131nda Y\u0131l\u0131n yazar\u0131 \u00d6d\u00fcl\u00fc\r\n\u00dcye Oldu\u011fu Sivil Toplum \u00d6rg\u00fctleri:\r\n\r\nT\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi kurucu \u00fcye ve Ba\u015fkanl\u0131k (2000-2007)\r\nT\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 (2012-2016)\r\nTYB Genel Merkez Y\u00f6netim Kurul \u00dcyesi (2016-\u2026..)\r\n\u015eURKAV (\u015eanl\u0131urfa K\u00fclt\u00fcr Ara\u015ft\u0131rma Vak\u0131f\u0131 M\u00fctevellisi)\r\n\u0130lim Yayma Cemiyeti \u00dcyesi.\r\n\u0130LESAM \u00dcyesi\r\nAnadolu Yazarlar Birli\u011fi \u00dcyesi\r\nGAP Gazeteciler Birli\u011fi \u00dcyesi\r\nYazd\u0131\u011f\u0131 Dergi ve Gazeteler:\r\n\r\nT\u00fcrk Dili, Yedi \u0130klim, Bir Nokta, Bizim K\u00fclliye, Hece, T\u00fcrk Edebiyat\u0131, K\u00fclt\u00fcr, \u0130slami Edebiyat, Suhan, M\u00fcrekkep, Ard\u0131\u00e7, \u0130maret, T\u00fcrk\u00fc, Eyvan, \u015eiir Vakti, Hece Ta\u015flar\u0131, T\u00fcrk Yurdu, Vak\u0131flar Dergisi ve TYB Akademi 2010-2011 y\u0131llar\u0131 aras\u0131nda Milli Gazete\u2019de haftal\u0131k edebiyat ve fikir yaz\u0131lar\u0131 yazd\u0131."}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=1488"}],"version-history":[{"count":2,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1488\/revisions"}],"predecessor-version":[{"id":1493,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1488\/revisions\/1493"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/1489"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=1488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=1488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=1488"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=1488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}