{"id":1464,"date":"2025-03-21T19:10:24","date_gmt":"2025-03-21T16:10:24","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=1464"},"modified":"2025-03-21T19:48:23","modified_gmt":"2025-03-21T16:48:23","slug":"hayal-ve-hakikat-adamlari","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2025\/03\/21\/hayal-ve-hakikat-adamlari\/","title":{"rendered":"HAYAL VE HAK\u0130KAT ADAMLARI"},"content":{"rendered":"
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Don Ki\u015fot\u2019u severim. Dostoyevski\u2019nin Karamazov\u2019u, Raskolnikov\u2019u benim zaaf y\u00f6nlerimdir ama Don Ki\u015fot benim idealist gen\u00e7li\u011fimdir. Her ne kadar Don Ki\u015fot gen\u00e7 biri olmadan olgun ya\u015fta d\u00fcnyay\u0131 kurtarmaya kalkm\u0131\u015fsa da idealist ate\u015fli ruhuyla beni hep etkilemi\u015ftir. Don Ki\u015fot gibi kendi kendisiyle bar\u0131\u015f\u0131k ba\u015fka bir kahraman yoktur. Tek hedefi vard\u0131r ideallerine ula\u015fmak. \u00c7\u00fcr\u00fcm\u00fc\u015f d\u00fcnyay\u0131 d\u00fczeltmek! Ben Don Ki\u015fot’u en \u00e7ok gen\u00e7li\u011fimde sevmeliydim. Devrimci ruhumla sevmeliydim ama ya\u015f\u0131m kemale erdikten sonra bu b\u00fcy\u00fck devrimcinin insanl\u0131\u011f\u0131 tokatlayarak uyand\u0131rmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fcm. Ya\u015fl\u0131l\u0131\u011fa, imk\u00e2ns\u0131zl\u0131\u011fa, \u015fartlara bakmadan yaln\u0131zca inand\u0131\u011f\u0131 i\u00e7in \u015f\u00f6valyeli\u011fe soyunmas\u0131 hayran olunmas\u0131 gereken bir davran\u0131\u015ft\u0131r. D\u00fcnyada idealleri u\u011fruna kimsenin ne s\u00f6yledi\u011fine bakmadan, s\u0131rf kendi oldu\u011fu i\u00e7in b\u00f6ylesine soylu davran\u0131\u015flar g\u00f6steren kim vard\u0131r Don Ki\u015fot\u2019tan ba\u015fka? Don Ki\u015fot devlerle \u00e7arp\u0131\u015facak kadar cesur, asaletin insan\u0131n kendinden menkul oldu\u011funu g\u00f6sterecek kadar biriciktir. Zenginlik ve asaletin giyim ku\u015fam, at, silah, z\u0131rh ile olmad\u0131\u011f\u0131n\u0131 g\u00f6stermek i\u00e7in bu sembolleri hafife alarak, tenekeden ba\u015fl\u0131k tak\u0131p, eskimi\u015f bir z\u0131rha b\u00fcr\u00fcn\u00fcp \u00e7ok c\u0131l\u0131z bir ata binerek sava\u015fa \u00e7\u0131kmas\u0131 ironidir.<\/div>\n<\/div>\n
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Orta \u00c7a\u011f \u015f\u00f6valyeli\u011finin alaya al\u0131nmas\u0131, g\u00fcl\u00fcn\u00e7l\u00fc\u011f\u00fcd\u00fcr. Zira onun bu tutum ve davran\u0131\u015f\u0131 Orta \u00c7a\u011f\u2019\u0131n soylu \u015f\u00f6valyelerinin y\u00fcz\u00fcne vurulmu\u015f bir tokatt\u0131r! Don Ki\u015fot\u2019u bize sevdiren de bu de\u011fil midir? Sonra onun hakikat ile hayal aras\u0131nda g\u00f6stermi\u015f oldu\u011fu asil ve idealist davran\u0131\u015f hayranl\u0131k uyand\u0131r\u0131r. Don Ki\u015fot’u kim sevmez ve kim g\u00fclmez onun bu hakikati sorgulay\u0131c\u0131 davran\u0131\u015flar\u0131na. Onun hayali hakikat, hakikati hayaldir. \u0130nsan\u0131n bu d\u00fcnyadaki trajik ve ironik h\u00e2lini g\u00f6steren Don Ki\u015fot d\u00fcnyan\u0131n en sevimli roman kahraman\u0131d\u0131r. \u0130nsanl\u0131k onun kadar cesur, onun kadar idealist, onun kadar a\u015fk\u0131n ve hakikatin pe\u015finde ba\u015fka bir ki\u015fi g\u00f6rmemi\u015ftir. O Orta \u00c7a\u011f\u2019\u0131n \u00e7\u00fcr\u00fcm\u00fc\u015f d\u00fcnyas\u0131n\u0131 sorgulad\u0131\u011f\u0131 gibi i\u00e7inde ya\u015fad\u0131\u011f\u0131m\u0131z d\u00fcnyan\u0131n da \u00e7\u00fcr\u00fcm\u00fc\u015fl\u00fc\u011f\u00fcne ayna tutmuyor mu? \u00c7a\u011f\u0131n\u0131 ve sonras\u0131n\u0131 etkilemi\u015f bir y\u00f6n\u00fcyle felsefi d\u00fc\u015f\u00fcnce eseri di\u011fer y\u00f6n\u00fcyle anlat\u0131\/roman say\u0131labilecek benim kendimi buldu\u011fum kahramanlardan biri de Nietzsche\u2019nin B\u00f6yle Buyurdu Zerd\u00fc\u015ft kitab\u0131ndaki Zerd\u00fc\u015ft\u2019t\u00fcr. Bu Zerd\u00fc\u015ft\u2019\u00fcn Mecusilerin tanr\u0131s\u0131 Zerd\u00fc\u015ft ile isim benzerli\u011finden \u00f6te bir ba\u011flant\u0131s\u0131 yoktur.[1] Zerd\u00fc\u015ft Nietzsche\u2019nin \u015fair ve bilgelik taraf\u0131n\u0131n ortaya \u00e7\u0131kard\u0131\u011f\u0131 bir kahramand\u0131r. D\u00fcnyay\u0131 tanr\u0131lar\u0131n gazab\u0131ndan kurtarmaya kalkan, eyvallah etmeyen \u00fcst insan\u0131 temsil eden bir kahraman. Nietzsche\u2019nin anar\u015fist ruhu ile bilgelik ruhunun kar\u0131\u015f\u0131m\u0131 olan Zerd\u00fc\u015ft\u2019\u00fc kim sevmez?<\/div>\n<\/div>\n
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Nietzsche\u2019nin klasikle\u015fmi\u015f eserinin Zerd\u00fc\u015ft\u2019\u00fc benim hayran oldu\u011fum kahramanlardand\u0131r. Zerd\u00fc\u015ft \u015fahsiyeti ba\u015fl\u0131 ba\u015f\u0131na yaman \u00e7eli\u015fkilerle doludur. Ama ben onu yaman \u00e7eli\u015fkileriyle seviyorum. \u00c7\u00fcnk\u00fc b\u00fct\u00fcn derdi yaman \u00e7eli\u015fkiler ya\u015fayan insan\u0131 m\u00fckemmelle\u015ftirmek de\u011fil midir? Zerd\u00fc\u015ft ad\u0131yla m\u00fcsemma bir mecazi kahraman! Bir metafor! Onun ger\u00e7ek hayatta kar\u015f\u0131l\u0131\u011f\u0131 yoktur, onun kar\u015f\u0131l\u0131\u011f\u0131n\u0131 ancak kutsal kitaplardaki peygamber k\u0131ssalar\u0131nda, Yunan\u2019\u0131n mitolojik kahramanlar\u0131nda g\u00f6rebilirsiniz. Zaten Zerd\u00fc\u015ft\u2019\u00fc b\u00fcy\u00fck yapan da bu mecazi zenginliktir.<\/div>\n<\/div>\n
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Felsefeyi seven biri olarak Zerd\u00fc\u015ft\u2019\u00fcn pe\u015finden gitmemek Nietzsche\u2019ye ihanet olurdu. E\u011fer hayat, varolu\u015f, d\u00fcnya ve tanr\u0131 konusuna kafa yoruyorsan\u0131z, yolunuz mutlaka Zerd\u00fc\u015ft ile kesi\u015fir. \u00d6ylesine b\u00fcy\u00fckt\u00fcr ki onun fikirleri, ondan bir aziz veya azize \u00e7\u0131kmaz. Onun anar\u015fist fikirlerinden ancak Hitler gibi ger\u00e7ek bir ki\u015filik do\u011fabilir. -Ki do\u011fmu\u015ftur da\u2026- Nietzsche’nin “\u00dcst \u0130nsan” yani m\u00fckemmel insan fikrini Hitler tersinden anlay\u0131p i\u015fi \u0131rk\u00e7\u0131l\u0131\u011fa g\u00f6t\u00fcrm\u00fc\u015f deseler de fikir ter\u00f6risti Nietzsche\u2019nin yaratt\u0131\u011f\u0131 Zerd\u00fc\u015ft, ba\u015fka nas\u0131l ilham verebilirdi ki?[2] Nietzsche, B\u00f6yle Buyurdu Zerd\u00fc\u015ft\u2019\u00fc \u0130ncil\u2019e nazire olsun diye kaleme alm\u0131\u015ft\u0131r. Kutsal\u0131 red eden \u00e7\u0131lg\u0131n filozof kendini \u0130sa yerine koyarak ilah\u00ee bir \u00fcslup denemesine giri\u015fmi\u015ftir. Zerd\u00fc\u015ft\u2019\u00fc \u00e7ekici k\u0131lan da i\u015fte ilah\u00ee kitaplar\u0131n \u00fcslubunda b\u00fcy\u00fcl\u00fc bir dil kullanmas\u0131d\u0131r. B\u00f6yle Buyurdu Zerd\u00fc\u015ft t\u0131pk\u0131 kutsal kitaplar gibi sembolik dille yazm\u0131\u015ft\u0131r. Alegorik bir romand\u0131r. \u0130sa\u2019n\u0131n yar\u0131m b\u0131rakt\u0131\u011f\u0131 i\u015fi, yani \u201cm\u00fckemmel \u0130nsan\u201d\u0131 Zerd\u00fc\u015ft tamamlamak istemi\u015ftir. Zerd\u00fc\u015ft, \u0130sa\u2019ya \u201csen beceremedin ama ben \u00fcst\u00fcn insan fikri ile bunu becerece\u011fim,\u201d demek istemi\u015ftir.<\/div>\n<\/div>\n
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Zerd\u00fc\u015ft, anar\u015fist, bilge ve ayn\u0131 zamanda ink\u00e2rc\u0131 bir \u0130sa\u2019d\u0131r. \u0130sa’n\u0131n mesajlar\u0131n\u0131 sorgular. Bir yandan \u0130sa gibi ac\u0131 \u00e7eker, di\u011fer yandan tanr\u0131l\u0131\u011fa, peygamberli\u011fe soyunur. Bir yandan kutsal \u00f6fkeyi lanetler di\u011fer yandan davran\u0131\u015f ve s\u00f6ylemleriyle kendine bir kutsall\u0131k atfeder. Bir yandan hakikati arar di\u011fer yandan hakikat ile hesapla\u015f\u0131r. Da\u011fda yaln\u0131z ba\u015f\u0131na bilgeli\u011fi ararken mutlu, di\u011fer yandan sevgiyi tek ba\u015f\u0131na ya\u015fad\u0131\u011f\u0131 i\u00e7in mutsuzdur. Zerd\u00fc\u015ft i\u00e7inde yaman \u00e7eli\u015fkilerle insana olan sevgisini bilgece dile getirmeye \u00e7al\u0131\u015fan bir delidir. Onun delili\u011fi insanl\u0131\u011f\u0131n i\u00e7inde bulundu\u011fu trajik varolu\u015ftan kaynaklan\u0131r. Bu y\u00fczden roman kahramanlar\u0131m i\u00e7inde en bilgilisi Don Ki\u015fot, ancak en delisi Zerd\u00fc\u015ft\u2019t\u00fcr. \u0130sa havarileriyle \u201cson yeme\u011fi\u201d yer. Zerd\u00fc\u015ft halk\u0131n aras\u0131nda indi\u011finde ak\u015fam yeme\u011fi yer. \u0130sa e\u015fek \u00fczerinde g\u00f6r\u00fcnd\u00fc\u011f\u00fcnden e\u015fek kutsald\u0131r. Zerd\u00fc\u015ft halk\u0131n aras\u0131ndan ayr\u0131ld\u0131\u011f\u0131nda halk\u0131n e\u015fe\u011fe tapt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcnce \u00f6fkelenir. E\u015fe\u011fin kar\u015f\u0131s\u0131na aslan\u0131 koyar. \u0130sa \u00e7\u00f6le \u00e7ekilir, Zerd\u00fc\u015ft da\u011fa! \u0130sa “yeniden yery\u00fcz\u00fcne ini\u015f” inanc\u0131n\u0131 getirmi\u015ftir. Zerd\u00fc\u015ft \u201csonsuz yeniden geli\u015f\u201d fikrini. Asl\u0131nda bu sonsuz yeniden geli\u015f ayn\u0131 zamanda ebed\u00ee olu\u015f, ayn\u0131l\u0131\u011f\u0131n sonsuz tekrar\u0131 olarak da terc\u00fcme edilebilir. Bu inan\u00e7 Kur\u2019an\u2019da da vard\u0131r. Kur\u2019an\u2019da \u201cAllah her zaman olu\u015f h\u00e2lindedir.\u201d diye ge\u00e7er. \u0130sa otuz ya\u015f\u0131nda \u00e7arm\u0131ha gerilir, Zerd\u00fc\u015ft otuz ya\u015f\u0131nda meydana \u00e7\u0131kar. \u0130sa’n\u0131n \u00f6ld\u00fc\u011f\u00fc ya\u015fta Zerd\u00fc\u015ft do\u011fmu\u015ftur. \u0130sa tanr\u0131 olmad\u0131\u011f\u0131 i\u00e7in \u00f6lm\u00fc\u015ft\u00fcr, \u00f6yle ise m\u00fckemmel insan Tanr\u0131 olmal\u0131d\u0131r. Bu y\u00fczden \u0130sa veya ba\u015fka bir peygamber ad\u0131yla de\u011fil de \u201cZerd\u00fc\u015ft\u201d ad\u0131yla boy g\u00f6sterir. Nietzsche, B\u00f6yle Buyurdu Zerd\u00fc\u015ft\u2019te tanr\u0131 ile de hesapla\u015fmak istemi\u015ftir. Fikir \u00e7ilesi \u00e7eken, hafakanlar ya\u015fayan, sorgulayan her beyin i\u00e7in Zerd\u00fc\u015ft kendini buldu\u011fu bir kahramand\u0131r. Onda \u0130sa\u2019n\u0131n ac\u0131nas\u0131 zavall\u0131l\u0131\u011f\u0131n\u0131 de\u011fil, g\u00fc\u00e7l\u00fc bir Tanr\u0131\u2019n\u0131n\/peygamberin iradesini g\u00f6r\u00fcrs\u00fcn\u00fcz.<\/div>\n<\/div>\n
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D\u00fcnyay\u0131 kurtarmaya kalkan Nietzsche, acizli\u011fi ve ac\u0131lar\u0131yla k\u0131vr\u0131lan \u0130sa\u2019n\u0131n kurtarmaktan aciz kald\u0131\u011f\u0131 d\u00fcnyay\u0131, zay\u0131f \u0130sa fig\u00fcr\u00fcyle de\u011fil, g\u00fc\u00e7l\u00fc ve \u00fcst insan yani Zerd\u00fc\u015ft ile kurtarmaya kalkm\u0131\u015ft\u0131r. \u201cTanr\u0131 ac\u0131maktan \u00f6lm\u00fc\u015ft\u00fcr.\u201d diye hayk\u0131ran Zerd\u00fc\u015ft\u2019\u00fcn en ilgin\u00e7 belki de en \u00f6nemli tespiti gelece\u011fi tanr\u0131s\u0131z bir d\u00fcnyan\u0131n bekledi\u011fini haber vermesidir. Zerd\u00fc\u015ft bir k\u00e2hindir.[3] O m\u00fckemmel insan yaratamam\u0131\u015f ama tanr\u0131s\u0131z ve dinsiz d\u00fcnyay\u0131 ilk hisseden, haber veren ki\u015fi olmu\u015ftur. Ben Zerd\u00fc\u015ft\u2019\u00fcn peygamberce duru\u015funu, \u00f6fkesini, anar\u015fist ruhunu ve isyan\u0131n\u0131 seviyorum. Hi\u00e7bir roman kahraman\u0131 Zerd\u00fc\u015ft kadar \u00f6fkeli, Zerd\u00fc\u015ft kadar isyanc\u0131 ve anar\u015fist, Zerd\u00fc\u015ft kadar kendinden emin olmam\u0131\u015ft\u0131r. Zerd\u00fc\u015ft \u0130sa\u2019n\u0131n tersi bir ki\u015filiktir. Her ikisi de otuz ya\u015flar\u0131ndad\u0131r ama Zerd\u00fc\u015ft daha ihti\u015faml\u0131d\u0131r \u0130sa’dan. Zerd\u00fc\u015ft\u2019de bir Herk\u00fcl duru\u015fu hissedilir. \u0130sa ise \u201cben g\u00fcnah\u0131m\u201d diyerek bir su\u00e7luluk psikoloji ta\u015f\u0131r. Zerd\u00fc\u015ft dahi Hristiyanl\u0131\u011f\u0131n g\u00fcnah ve su\u00e7luluk psikolojinden do\u011fmu\u015f bir kahramand\u0131r. B\u00f6yle Buyurdu Zerd\u00fc\u015ft\u2019\u00fc bir M\u00fcsl\u00fcman kaleme alamazd\u0131. \u00c7\u00fcnk\u00fc b\u00f6yle bir kahraman\u0131 yaratacak h\u00e2letiruhiyeye sahip de\u011fildir M\u00fcsl\u00fcmanlar. \u0130sa karanl\u0131k ma\u011faradan seslenir ve sesinde bir yumu\u015fakl\u0131k vard\u0131r. Zerd\u00fc\u015ft\u2019\u00fcn da\u011flardan gelen sesinde ise bir yak\u0131c\u0131l\u0131k, bir h\u00fckmedici, bir a\u015fk\u0131n irade sakl\u0131d\u0131r.<\/div>\n<\/div>\n
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Zerd\u00fc\u015ft\u2019\u00fc ni\u00e7in seviyorum? \u00c7\u00fcnk\u00fc m\u00fcthi\u015f bir kararl\u0131l\u0131k vard\u0131r. Hi\u00e7bir \u015f\u00fcpheye imk\u00e2n vermeden \u201cTanr\u0131 \u00f6ld\u00fc.\u201d der. \u201c\u00dcst \u0130nsan\u201d yani \u201cm\u00fckemmel insandan\u201d bahseder. Kim istemez onun m\u00fckemmel insan\u0131 olmay\u0131. Sonra kad\u0131nlar\u0131 anlat\u0131r Zerd\u00fc\u015ft! Kad\u0131nlara \u00f6fkesi tanr\u0131\u2019ya olan \u00f6fkesi kadar \u015fedittir. \u00c7\u00fcnk\u00fc her ikisinden de \u00e7ekmi\u015ftir Zerd\u00fc\u015ft\u2019\u00fc yaratan Nietzsche. Kad\u0131na giderken k\u0131rbac\u0131n\u0131 almay\u0131 unutmaz! Asl\u0131nda k\u0131rba\u00e7 \u00f6ld\u00fcrmek i\u00e7in kullan\u0131lan bir silah de\u011fil, cezaland\u0131rmak ve terbiye etmek i\u00e7in kullan\u0131lan bir ara\u00e7t\u0131r. Zerd\u00fc\u015ft\u2019e g\u00f6re kad\u0131n terbiye edilmeli yahut cezaland\u0131r\u0131lmal\u0131d\u0131r. Ben de Zerd\u00fc\u015ft\u2019\u00fc yaratan Nietzsche gibi kad\u0131nlardan \u00e7ekmi\u015f olsayd\u0131m ayn\u0131 \u015feyi yapard\u0131m. Ruhumu yakan kad\u0131n\u0131n bedenini yakmak! Ruhun incinmesi bedenin ac\u0131s\u0131ndan daha ac\u0131d\u0131r \u00e7\u00fcnk\u00fc…<\/div>\n<\/div>\n
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Zerd\u00fc\u015ft bir roman kahraman\u0131ndan daha \u00e7ok bir kutsal kitap kahraman\u0131d\u0131r. Onun da\u011fda vaaz ederken ki g\u00f6r\u00fcnt\u00fcs\u00fc Musa’n\u0131n Tur-u Sina\u2019daki h\u00e2line benzer. Ahd-i Atik\u2019ten sahifeler okuyor gibi olursunuz. Zerd\u00fc\u015ft’\u00fcn ya\u015f\u0131n\u0131 biliriz ama fiziki portresini bilmeyiz. Yaln\u0131z otuz ya\u015f\u0131nda oldu\u011funu biliriz. Tanr\u0131ya meydan okuyan s\u00f6zleri kar\u015f\u0131s\u0131nda heybetli bir Musa gibi g\u00f6r\u00fcn\u00fcr yalvaran \u0130sa gibi de\u011fil! En \u00e7ok ad\u0131na yak\u0131\u015fan Nemrut gibidir isyan\u0131 ve ate\u015fi sembolize eder. Nietzsche Zerd\u00fc\u015ft’\u00fc yarat\u0131rken b\u00fct\u00fcn bunlar\u0131 d\u00fc\u015f\u00fcnm\u00fc\u015f olmal\u0131. Zay\u0131f bedeni, incinmi\u015f ruhu, \u015f\u00fcpheci, sorgulayan beyni onu Zerd\u00fc\u015ft gibi isyan eden, ate\u015fi sembolize eden bir kahraman yaratmaya s\u00fcr\u00fcklemi\u015ftir. Nietzsche\u2019nin yaratt\u0131\u011f\u0131 Zerd\u00fc\u015ft kahraman\u0131n\u0131 bir M\u00fcsl\u00fcman\u0131n sevmesi m\u00fcmk\u00fcn de\u011fildir ama her ayd\u0131n ve sanat\u00e7\u0131n\u0131n, her il\u00e2h\u00eeyat\u00e7\u0131 ve felsefecinin sevmesi gerekir. Onu sevdi\u011finizde inan\u00e7 ve ink\u00e2r\u0131n g\u00fcc\u00fcn\u00fc g\u00f6r\u00fcrs\u00fcn\u00fcz. Zerd\u00fc\u015ft benim sorgulayan beynimin, tamamlanmayan varolu\u015fumun kahraman\u0131d\u0131r.<\/div>\n<\/div>\n
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Benim kahramanlar\u0131m \u00e7oktur. Onlar\u0131 burada tek tek anlatmaya kalksam ciltler dolusu kitaplar yazmam gerekir. Kahramanlar\u0131m\u0131n her birinin farkl\u0131 \u00f6zellikleri vard\u0131r ve ben her birini bu farkl\u0131 \u00f6zellikleri dolay\u0131s\u0131yla severim. Bu kahramanlar bana beni tan\u0131t\u0131r. Ruhumun ve zihnimin i\u00e7inde d\u00f6n\u00fcp dola\u015fan fikirlerimi, bilin\u00e7alt\u0131ma att\u0131\u011f\u0131m korkular\u0131m\u0131, d\u0131\u015fa vurdu\u011fum sevin\u00e7lerimi bana g\u00f6sterirler. Ve ben roman kahramanlar\u0131n\u0131n ya\u015fam\u0131nda a\u015fklar\u0131m\u0131, ac\u0131lar\u0131m\u0131, insanl\u0131k trajedimi g\u00f6r\u00fcr\u00fcm. Onlar beni tan\u0131masa da ben onlar\u0131 herkesten daha \u00e7ok tan\u0131r\u0131m. Onlar\u0131n s\u0131rda\u015f\u0131 olarak dostlu\u011fumu s\u00fcrd\u00fcr\u00fcr\u00fcm. Baba Grandet ile dost olmak istemem ama Aleksi Zorba ile arkada\u015f olmay\u0131 isterim. Fyodor Karamazov\u2019un adili\u011fi ve dinsizli\u011finden rahats\u0131z olurum ama Zerd\u00fc\u015ft\u2019\u00fcn isyan\u0131na kulak kesilir, \u00fcst insan\u0131n\u0131 sever ve vaazlar\u0131n\u0131 can kula\u011f\u0131yla dinlerim. Anna Karanina gibi h\u0131rsl\u0131 kad\u0131nlara sayg\u0131 duyar\u0131m ama Dostoyevski\u2019nin Nata\u015fa ve Sonyalar\u0131n\u0131 daha \u00e7ok severim. Ralkolnikov gibi katil olmak istemem ama Jen Valjean gibi t\u00f6vbek\u00e2r olup erdemli davranmak isterim. En \u00e7ok da Don Ki\u015fot\u2019u severim. O benim \u00e7eli\u015fkili ve u\u00e7ar\u0131 ruhumun kahraman\u0131….<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Don Ki\u015fot\u2019u severim. Dostoyevski\u2019nin Karamazov\u2019u, Raskolnikov\u2019u benim zaaf y\u00f6nlerimdir ama Don Ki\u015fot benim idealist gen\u00e7li\u011fimdir….<\/p>\n","protected":false},"author":16,"featured_media":1465,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[22,171],"tags":[],"ppma_author":[351],"class_list":["post-1464","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-elestiri","category-mehmet-kurtoglu"],"yoast_head":"\nHAYAL VE HAK\u0130KAT ADAMLARI - simurgedebiyat.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/simurgedebiyat.com\/index.php\/2025\/03\/21\/hayal-ve-hakikat-adamlari\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HAYAL VE HAK\u0130KAT ADAMLARI - simurgedebiyat.com\" \/>\n<meta property=\"og:description\" content=\"Don Ki\u015fot\u2019u severim. 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Nietzsche \u015fiiri Matti Braun taraf\u0131ndan Almanca, \u0130ngilizce, \u0130talyanca ve Frans\u0131zca, H\u00fcseyin \u015fiiri Fars\u00e7a\u2019ya, Rabia \u015fiiri ise \u0130ngilizce ve Arap\u00e7aya \u00e7evrilmi\u015ftir. Romanya\u2019da yay\u0131nlanan Poez\u0131a ve KADO Calea Poeziei (June 2014) dergisinde \u015fiirleri Romance yay\u0131nlanm\u0131\u015ft\u0131r. Uluslararas\u0131 bir\u00e7ok kanallara r\u00f6portajlar vermi\u015f, metin yazarl\u0131\u011f\u0131 yapt\u0131\u011f\u0131 belgeseller T\u00fcrk\u00e7e ve \u0130ngilizce olarak yay\u0131nlanm\u0131\u015ft\u0131r. \u015eURKAV(\u015eanl\u0131urfa K\u00fclt\u00fcr ve Ara\u015ft\u0131rma Vakf\u0131), Anadolu Yazarlar Birli\u011fi, GAP Gazeteciler Cemiyeti, \u0130LESAM, \u0130lim Yayma Cemiyeti \u00fcyesi olan yazar, T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa kurucu \u00fcyesi olup 8 y\u0131l Urfa\u2019da, 4 y\u0131l Ankara\u2019da \u015fube ba\u015fkanl\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. Halen, T\u00fcrkiye Yazarlar Birli\u011fi Genel Merkez Y\u00f6netim Kurul \u00fcyesidir. Evli \u00fc\u00e7 \u00e7ocuk babas\u0131 olan yazar, Urfa\u2019da farkl\u0131 kurumlarda memur ve y\u00f6neticilik yapt\u0131ktan sonra 2008 y\u0131l\u0131nda Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc K\u00fclt\u00fcr ve Tescil Daire Ba\u015fkanl\u0131\u011f\u0131, K\u00fct\u00fcphaneler ve Yay\u0131nlar \u015fubesine m\u00fcd\u00fcr olarak atanm\u0131\u015ft\u0131r. Yay\u0131nlanm\u0131\u015f Eserleri: Bana Kendini Anlat, \u015eiir, 1998, Haf\u0131zas\u0131n\u0131 Kaybeden \u015eehir, Deneme, 1999, Gurbeti Olmayan Diyar, \u015eiir, 2000, Urfa Efsaneleri, Ara\u015ft\u0131rma, 2005 (3 bask\u0131), \u00c7a\u011fa K\u00fcsen Leyla, \u015eiir, 2005, Ben Kendimden Yanay\u0131m, Deneme, 2005, K\u00fclt\u00fcr \u015eehri Urfa, Ara\u015ft\u0131rma, 2006 (3 bask\u0131), \u015eiir \u015eehir Urfa, \u015eiir Se\u00e7kisi, 2006 (3 bask\u0131), Haf\u0131zas\u0131n\u0131 Arayan \u015eehir, Deneme, 2007, Sava\u015f\u0131n \u00c2\u015f\u0131klar\u0131, Tiyatro, 2008, Urfal\u0131 Nabi, Biyografi, 2008,Ben Yusuf Sen Z\u00fcleyha, \u015eiir, 2009, \u00c7a\u011f\u0131n Divanesi, Rubailer, 2010, G\u00e2vur Mahallesinde A\u015fk, Roman, 2011, R\u0131fk\u0131 Kaymaz Kitab\u0131, Biyografi, 2011, \u0130brahim\u2019in Nazargah\u0131 Urfa, Gezi, 2012, Melik\u00fc\u015f \u015euara Yusuf Nabi, Biyografi, 2012, Eski D\u00fcnyaya Seyahat, Gezi, 2014 (TYB Gezi \u00d6d\u00fcl\u00fc), Hasret ve Umut Bosna, Gezi, 2014, T\u00fcrk Sinemas\u0131nda Urfa, \u0130nceleme Ara\u015ft\u0131rma, 2015, Hasret ve Azap Tanp\u0131nar\u2019da \u015eehir ve Kad\u0131n, \u0130nceleme, 2015, Bir Bat\u0131 Masal\u0131 Shakespeare, \u0130nceleme 2015, Metafizi\u011fin Trajik \u015eairi Necip Faz\u0131l, \u0130nceleme 2015, Bu Eller Utand\u0131rmaz Adam\u0131, Fikir 2016, Mehmet \u00c2kif, Biyografi, 2016, Dilim T\u00fcrk\u00fc G\u00f6nl\u00fcm Gazel, \u015eiir, 2017, \u015eehristan Deneme, 2017, Ezelden Urfa, Deneme, 2018, Az Gezdim \u00c7ok G\u00f6rd\u00fcm, Gezi 2018, Tanr\u0131y\u0131 \u0130cat Etmek, Deneme, 2018, Ye\u015fil\u00e7am\u2019\u0131n \u0130mgeleri, \u0130nceleme, 2020 Metin Yazarl\u0131\u011f\u0131 ve Dan\u0131\u015fmanl\u0131k Yapt\u0131\u011f\u0131 Belgeseller: K\u00fclt\u00fcr ve \u0130nan\u00e7lar Diyar\u0131 Urfa, Belgesel Senaryo, (\u0130ngilizce ve T\u00fcrk\u00e7e) 2006 Urfa Vak\u0131f Medeniyeti ve Su, Belgesel, 2008 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Vak\u0131f \u0130nsanlar, Belgesel, 2007 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Medeniyetler Kav\u015fa\u011f\u0131 Urfa, Belgesel Urfa Valili\u011fi, 2013 Anadolu\u2019ya A\u00e7\u0131lan Kap\u0131 Mu\u015f, Belgesel, Mu\u015f Valili\u011fi, 2013 (T\u00fcrk\u00e7e, \u0130ngilizce, Arap\u00e7a, Fars\u00e7a) Bir Derginin Ser\u00fcveni: Vak\u0131flar Dergisi, Genel Dan\u0131\u015fmanl\u0131k, 2013 \u00dc\u00e7 Karde\u015f \u015eehir, (Urfa-Harput Kerk\u00fck), Belgesel, K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131,2014 Alm\u0131\u015f oldu\u011fu \u00d6d\u00fcller: Kandil \u00c7ocuk Dergisi \u015eiir \u00d6d\u00fcl\u00fc Mansiyon 1986 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00f6d\u00fcl\u00fc 1991 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00d6d\u00fcl\u00fc 1999 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Deneme \u00d6d\u00fcl\u00fc 2002 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Gazetecisi \u00d6d\u00fcl\u00fc 2003 K\u00fclt\u00fcrel \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Te\u015fekk\u00fcr Belgesi 2006 Sosyal \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Takdir Belgesi 2006 Anadolu Yazarlar Birli\u011fi \u201c\u00dcst\u00fcn Hizmet Berat\u0131\u201d 2014 T\u00fcrkiye Yazarlar Birli\u011fi Gezi Dal\u0131nda Y\u0131l\u0131n Yazar\u0131 \u00d6d\u00fcl\u00fc 2014 TYB Y\u0131l\u0131n Yay\u0131nc\u0131l\u0131k \u00d6d\u00fcl\u00fc, Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Yay\u0131nlar\u0131 2015 (M\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131m birim) ESKADER 2018 y\u0131l\u0131 \u015fehir kitab\u0131 dal\u0131nda Y\u0131l\u0131n yazar\u0131 \u00d6d\u00fcl\u00fc \u00dcye Oldu\u011fu Sivil Toplum \u00d6rg\u00fctleri: T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi kurucu \u00fcye ve Ba\u015fkanl\u0131k (2000-2007) T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 (2012-2016) TYB Genel Merkez Y\u00f6netim Kurul \u00dcyesi (2016-\u2026..) \u015eURKAV (\u015eanl\u0131urfa K\u00fclt\u00fcr Ara\u015ft\u0131rma Vak\u0131f\u0131 M\u00fctevellisi) \u0130lim Yayma Cemiyeti \u00dcyesi. \u0130LESAM \u00dcyesi Anadolu Yazarlar Birli\u011fi \u00dcyesi GAP Gazeteciler Birli\u011fi \u00dcyesi Yazd\u0131\u011f\u0131 Dergi ve Gazeteler: T\u00fcrk Dili, Yedi \u0130klim, Bir Nokta, Bizim K\u00fclliye, Hece, T\u00fcrk Edebiyat\u0131, K\u00fclt\u00fcr, \u0130slami Edebiyat, Suhan, M\u00fcrekkep, Ard\u0131\u00e7, \u0130maret, T\u00fcrk\u00fc, Eyvan, \u015eiir Vakti, Hece Ta\u015flar\u0131, T\u00fcrk Yurdu, Vak\u0131flar Dergisi ve TYB Akademi 2010-2011 y\u0131llar\u0131 aras\u0131nda Milli Gazete\u2019de haftal\u0131k edebiyat ve fikir yaz\u0131lar\u0131 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Nietzsche \u015fiiri Matti Braun taraf\u0131ndan Almanca, \u0130ngilizce, \u0130talyanca ve Frans\u0131zca, H\u00fcseyin \u015fiiri Fars\u00e7a\u2019ya, Rabia \u015fiiri ise \u0130ngilizce ve Arap\u00e7aya \u00e7evrilmi\u015ftir. Romanya\u2019da yay\u0131nlanan Poez\u0131a ve KADO Calea Poeziei (June 2014) dergisinde \u015fiirleri Romance yay\u0131nlanm\u0131\u015ft\u0131r. Uluslararas\u0131 bir\u00e7ok kanallara r\u00f6portajlar vermi\u015f, metin yazarl\u0131\u011f\u0131 yapt\u0131\u011f\u0131 belgeseller T\u00fcrk\u00e7e ve \u0130ngilizce olarak yay\u0131nlanm\u0131\u015ft\u0131r. \u015eURKAV(\u015eanl\u0131urfa K\u00fclt\u00fcr ve Ara\u015ft\u0131rma Vakf\u0131), Anadolu Yazarlar Birli\u011fi, GAP Gazeteciler Cemiyeti, \u0130LESAM, \u0130lim Yayma Cemiyeti \u00fcyesi olan yazar, T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa kurucu \u00fcyesi olup 8 y\u0131l Urfa\u2019da, 4 y\u0131l Ankara\u2019da \u015fube ba\u015fkanl\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. Halen, T\u00fcrkiye Yazarlar Birli\u011fi Genel Merkez Y\u00f6netim Kurul \u00fcyesidir. Evli \u00fc\u00e7 \u00e7ocuk babas\u0131 olan yazar, Urfa\u2019da farkl\u0131 kurumlarda memur ve y\u00f6neticilik yapt\u0131ktan sonra 2008 y\u0131l\u0131nda Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc K\u00fclt\u00fcr ve Tescil Daire Ba\u015fkanl\u0131\u011f\u0131, K\u00fct\u00fcphaneler ve Yay\u0131nlar \u015fubesine m\u00fcd\u00fcr olarak atanm\u0131\u015ft\u0131r. Yay\u0131nlanm\u0131\u015f Eserleri: Bana Kendini Anlat, \u015eiir, 1998, Haf\u0131zas\u0131n\u0131 Kaybeden \u015eehir, Deneme, 1999, Gurbeti Olmayan Diyar, \u015eiir, 2000, Urfa Efsaneleri, Ara\u015ft\u0131rma, 2005 (3 bask\u0131), \u00c7a\u011fa K\u00fcsen Leyla, \u015eiir, 2005, Ben Kendimden Yanay\u0131m, Deneme, 2005, K\u00fclt\u00fcr \u015eehri Urfa, Ara\u015ft\u0131rma, 2006 (3 bask\u0131), \u015eiir \u015eehir Urfa, \u015eiir Se\u00e7kisi, 2006 (3 bask\u0131), Haf\u0131zas\u0131n\u0131 Arayan \u015eehir, Deneme, 2007, Sava\u015f\u0131n \u00c2\u015f\u0131klar\u0131, Tiyatro, 2008, Urfal\u0131 Nabi, Biyografi, 2008,Ben Yusuf Sen Z\u00fcleyha, \u015eiir, 2009, \u00c7a\u011f\u0131n Divanesi, Rubailer, 2010, G\u00e2vur Mahallesinde A\u015fk, Roman, 2011, R\u0131fk\u0131 Kaymaz Kitab\u0131, Biyografi, 2011, \u0130brahim\u2019in Nazargah\u0131 Urfa, Gezi, 2012, Melik\u00fc\u015f \u015euara Yusuf Nabi, Biyografi, 2012, Eski D\u00fcnyaya Seyahat, Gezi, 2014 (TYB Gezi \u00d6d\u00fcl\u00fc), Hasret ve Umut Bosna, Gezi, 2014, T\u00fcrk Sinemas\u0131nda Urfa, \u0130nceleme Ara\u015ft\u0131rma, 2015, Hasret ve Azap Tanp\u0131nar\u2019da \u015eehir ve Kad\u0131n, \u0130nceleme, 2015, Bir Bat\u0131 Masal\u0131 Shakespeare, \u0130nceleme 2015, Metafizi\u011fin Trajik \u015eairi Necip Faz\u0131l, \u0130nceleme 2015, Bu Eller Utand\u0131rmaz Adam\u0131, Fikir 2016, Mehmet \u00c2kif, Biyografi, 2016, Dilim T\u00fcrk\u00fc G\u00f6nl\u00fcm Gazel, \u015eiir, 2017, \u015eehristan Deneme, 2017, Ezelden Urfa, Deneme, 2018, Az Gezdim \u00c7ok G\u00f6rd\u00fcm, Gezi 2018, Tanr\u0131y\u0131 \u0130cat Etmek, Deneme, 2018, Ye\u015fil\u00e7am\u2019\u0131n \u0130mgeleri, \u0130nceleme, 2020 Metin Yazarl\u0131\u011f\u0131 ve Dan\u0131\u015fmanl\u0131k Yapt\u0131\u011f\u0131 Belgeseller: K\u00fclt\u00fcr ve \u0130nan\u00e7lar Diyar\u0131 Urfa, Belgesel Senaryo, (\u0130ngilizce ve T\u00fcrk\u00e7e) 2006 Urfa Vak\u0131f Medeniyeti ve Su, Belgesel, 2008 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Vak\u0131f \u0130nsanlar, Belgesel, 2007 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa Medeniyetler Kav\u015fa\u011f\u0131 Urfa, Belgesel Urfa Valili\u011fi, 2013 Anadolu\u2019ya A\u00e7\u0131lan Kap\u0131 Mu\u015f, Belgesel, Mu\u015f Valili\u011fi, 2013 (T\u00fcrk\u00e7e, \u0130ngilizce, Arap\u00e7a, Fars\u00e7a) Bir Derginin Ser\u00fcveni: Vak\u0131flar Dergisi, Genel Dan\u0131\u015fmanl\u0131k, 2013 \u00dc\u00e7 Karde\u015f \u015eehir, (Urfa-Harput Kerk\u00fck), Belgesel, K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131,2014 Alm\u0131\u015f oldu\u011fu \u00d6d\u00fcller: Kandil \u00c7ocuk Dergisi \u015eiir \u00d6d\u00fcl\u00fc Mansiyon 1986 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00f6d\u00fcl\u00fc 1991 11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00d6d\u00fcl\u00fc 1999 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Deneme \u00d6d\u00fcl\u00fc 2002 GAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Gazetecisi \u00d6d\u00fcl\u00fc 2003 K\u00fclt\u00fcrel \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Te\u015fekk\u00fcr Belgesi 2006 Sosyal \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Takdir Belgesi 2006 Anadolu Yazarlar Birli\u011fi \u201c\u00dcst\u00fcn Hizmet Berat\u0131\u201d 2014 T\u00fcrkiye Yazarlar Birli\u011fi Gezi Dal\u0131nda Y\u0131l\u0131n Yazar\u0131 \u00d6d\u00fcl\u00fc 2014 TYB Y\u0131l\u0131n Yay\u0131nc\u0131l\u0131k \u00d6d\u00fcl\u00fc, Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Yay\u0131nlar\u0131 2015 (M\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131m birim) ESKADER 2018 y\u0131l\u0131 \u015fehir kitab\u0131 dal\u0131nda Y\u0131l\u0131n yazar\u0131 \u00d6d\u00fcl\u00fc \u00dcye Oldu\u011fu Sivil Toplum \u00d6rg\u00fctleri: T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi kurucu \u00fcye ve Ba\u015fkanl\u0131k (2000-2007) T\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 (2012-2016) TYB Genel Merkez Y\u00f6netim Kurul \u00dcyesi (2016-\u2026..) \u015eURKAV (\u015eanl\u0131urfa K\u00fclt\u00fcr Ara\u015ft\u0131rma Vak\u0131f\u0131 M\u00fctevellisi) \u0130lim Yayma Cemiyeti \u00dcyesi. \u0130LESAM \u00dcyesi Anadolu Yazarlar Birli\u011fi \u00dcyesi GAP Gazeteciler Birli\u011fi \u00dcyesi Yazd\u0131\u011f\u0131 Dergi ve Gazeteler: T\u00fcrk Dili, Yedi \u0130klim, Bir Nokta, Bizim K\u00fclliye, Hece, T\u00fcrk Edebiyat\u0131, K\u00fclt\u00fcr, \u0130slami Edebiyat, Suhan, M\u00fcrekkep, Ard\u0131\u00e7, \u0130maret, T\u00fcrk\u00fc, Eyvan, \u015eiir Vakti, Hece Ta\u015flar\u0131, T\u00fcrk Yurdu, Vak\u0131flar Dergisi ve TYB Akademi 2010-2011 y\u0131llar\u0131 aras\u0131nda Milli Gazete\u2019de haftal\u0131k edebiyat ve fikir yaz\u0131lar\u0131 yazd\u0131.","url":"https:\/\/simurgedebiyat.com\/index.php\/author\/mehmet-kurtoglu\/"}]}},"featured_image_urls":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot-150x150.jpeg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot-272x168.jpeg",272,168,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot-216x168.jpeg",216,168,true]},"author_info":{"display_name":"Mehmet KURTO\u011eLU","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/mehmet-kurtoglu\/"},"category_info":"<a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/elestiri\/\" rel=\"category tag\">Ele\u015ftiri\/Tahlil<\/a> <a href=\"https:\/\/simurgedebiyat.com\/index.php\/category\/yaz\/mehmet-kurtoglu\/\" rel=\"category tag\">Mehmet KURTO\u011eLU<\/a>","tag_info":"Mehmet KURTO\u011eLU","comment_count":"0","jetpack_featured_media_url":"https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg","uagb_featured_image_src":{"full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"thumbnail":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot-150x150.jpeg",150,150,true],"medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"medium_large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"large":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"1536x1536":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"2048x2048":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"covernews-slider-full":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"covernews-slider-center":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"covernews-featured":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"covernews-medium":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"covernews-medium-square":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"sow-carousel-default":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot-272x168.jpeg",272,168,true],"sow-blog-portfolio":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"sow-blog-grid":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"sow-blog-alternate":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot.jpeg",300,168,false],"sow-recent-post":["https:\/\/simurgedebiyat.com\/wp-content\/uploads\/2025\/03\/donkisot-216x168.jpeg",216,168,true]},"uagb_author_info":{"display_name":"Mehmet KURTO\u011eLU","author_link":"https:\/\/simurgedebiyat.com\/index.php\/author\/mehmet-kurtoglu\/"},"uagb_comment_info":0,"uagb_excerpt":"Don Ki\u015fot\u2019u severim. Dostoyevski\u2019nin Karamazov\u2019u, Raskolnikov\u2019u benim zaaf y\u00f6nlerimdir ama Don Ki\u015fot benim idealist gen\u00e7li\u011fimdir....","authors":[{"term_id":351,"user_id":16,"is_guest":0,"slug":"mehmet-kurtoglu","display_name":"Mehmet KURTO\u011eLU","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","first_name":"","last_name":"","user_url":"","job_title":"","description":"1969 da \u015eanl\u0131urfa\u2019da do\u011fdu. \u015eiir, deneme, inceleme, biyografi, belgesel, roman ve tiyatro dal\u0131nda eserler yazd\u0131. 2005 de K\u0131r\u0131m ve 2015 y\u0131l\u0131nda Kazan\u2019da yap\u0131lan T\u00fcrk\u00e7enin Uluslararas\u0131 \u015eiir \u015e\u00f6lenine kat\u0131lan Kurto\u011flu, 2014 y\u0131l\u0131nda \u201cEski D\u00fcnyaya Seyahat\u201d kitab\u0131yla gezi dal\u0131nda T\u00fcrkiye Yazarlar Birli\u011fi y\u0131l\u0131n yazar\u0131 \u00f6d\u00fcl\u00fcne lay\u0131k g\u00f6r\u00fcld\u00fc. Nietzsche \u015fiiri Matti Braun taraf\u0131ndan Almanca, \u0130ngilizce, \u0130talyanca ve Frans\u0131zca, H\u00fcseyin \u015fiiri Fars\u00e7a\u2019ya, Rabia \u015fiiri ise \u0130ngilizce ve Arap\u00e7aya \u00e7evrilmi\u015ftir. Romanya\u2019da yay\u0131nlanan Poez\u0131a ve KADO Calea Poeziei (June 2014) dergisinde \u015fiirleri Romance yay\u0131nlanm\u0131\u015ft\u0131r. Uluslararas\u0131 bir\u00e7ok kanallara r\u00f6portajlar vermi\u015f, metin yazarl\u0131\u011f\u0131 yapt\u0131\u011f\u0131 belgeseller T\u00fcrk\u00e7e ve \u0130ngilizce olarak yay\u0131nlanm\u0131\u015ft\u0131r. \u015eURKAV(\u015eanl\u0131urfa K\u00fclt\u00fcr ve Ara\u015ft\u0131rma Vakf\u0131), Anadolu Yazarlar Birli\u011fi, GAP Gazeteciler Cemiyeti, \u0130LESAM, \u0130lim Yayma Cemiyeti \u00fcyesi olan yazar, T\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa kurucu \u00fcyesi olup 8 y\u0131l Urfa\u2019da, 4 y\u0131l Ankara\u2019da \u015fube ba\u015fkanl\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. Halen, T\u00fcrkiye Yazarlar Birli\u011fi Genel Merkez Y\u00f6netim Kurul \u00fcyesidir. Evli \u00fc\u00e7 \u00e7ocuk babas\u0131 olan yazar, Urfa\u2019da farkl\u0131 kurumlarda memur ve y\u00f6neticilik yapt\u0131ktan sonra 2008 y\u0131l\u0131nda Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc K\u00fclt\u00fcr ve Tescil Daire Ba\u015fkanl\u0131\u011f\u0131, K\u00fct\u00fcphaneler ve Yay\u0131nlar \u015fubesine m\u00fcd\u00fcr olarak atanm\u0131\u015ft\u0131r.\r\n\r\nYay\u0131nlanm\u0131\u015f Eserleri: Bana Kendini Anlat, \u015eiir, 1998, Haf\u0131zas\u0131n\u0131 Kaybeden \u015eehir, Deneme, 1999, Gurbeti Olmayan Diyar, \u015eiir, 2000, Urfa Efsaneleri, Ara\u015ft\u0131rma, 2005 (3 bask\u0131), \u00c7a\u011fa K\u00fcsen Leyla, \u015eiir, 2005, Ben Kendimden Yanay\u0131m, Deneme, 2005, K\u00fclt\u00fcr \u015eehri Urfa, Ara\u015ft\u0131rma, 2006 (3 bask\u0131), \u015eiir \u015eehir Urfa, \u015eiir Se\u00e7kisi, 2006 (3 bask\u0131), Haf\u0131zas\u0131n\u0131 Arayan \u015eehir, Deneme, 2007, Sava\u015f\u0131n \u00c2\u015f\u0131klar\u0131, Tiyatro, 2008, Urfal\u0131 Nabi, Biyografi, 2008,Ben Yusuf Sen Z\u00fcleyha, \u015eiir, 2009, \u00c7a\u011f\u0131n Divanesi, Rubailer, 2010, G\u00e2vur Mahallesinde A\u015fk, Roman, 2011, R\u0131fk\u0131 Kaymaz Kitab\u0131, Biyografi, 2011, \u0130brahim\u2019in Nazargah\u0131 Urfa, Gezi, 2012, Melik\u00fc\u015f \u015euara Yusuf Nabi, Biyografi, 2012, Eski D\u00fcnyaya Seyahat, Gezi, 2014 (TYB Gezi \u00d6d\u00fcl\u00fc), Hasret ve Umut Bosna, Gezi, 2014, T\u00fcrk Sinemas\u0131nda Urfa, \u0130nceleme Ara\u015ft\u0131rma, 2015, Hasret ve Azap Tanp\u0131nar\u2019da \u015eehir ve Kad\u0131n, \u0130nceleme, 2015, Bir Bat\u0131 Masal\u0131 Shakespeare, \u0130nceleme 2015, Metafizi\u011fin Trajik \u015eairi Necip Faz\u0131l, \u0130nceleme 2015, Bu Eller Utand\u0131rmaz Adam\u0131, Fikir 2016, Mehmet \u00c2kif, Biyografi, 2016, Dilim T\u00fcrk\u00fc G\u00f6nl\u00fcm Gazel, \u015eiir, 2017, \u015eehristan Deneme, 2017, Ezelden Urfa, Deneme, 2018, Az Gezdim \u00c7ok G\u00f6rd\u00fcm, Gezi 2018, Tanr\u0131y\u0131 \u0130cat Etmek, Deneme, 2018, Ye\u015fil\u00e7am\u2019\u0131n \u0130mgeleri, \u0130nceleme, 2020\r\n\r\nMetin Yazarl\u0131\u011f\u0131 ve Dan\u0131\u015fmanl\u0131k Yapt\u0131\u011f\u0131 Belgeseller:\r\n\r\nK\u00fclt\u00fcr ve \u0130nan\u00e7lar Diyar\u0131 Urfa, Belgesel Senaryo, (\u0130ngilizce ve T\u00fcrk\u00e7e) 2006\r\nUrfa Vak\u0131f Medeniyeti ve Su, Belgesel, 2008 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa\r\nVak\u0131f \u0130nsanlar, Belgesel, 2007 Vak\u0131flar B\u00f6lge M\u00fcd\u00fcrl\u00fc\u011f\u00fc Urfa\r\nMedeniyetler Kav\u015fa\u011f\u0131 Urfa, Belgesel Urfa Valili\u011fi, 2013\r\nAnadolu\u2019ya A\u00e7\u0131lan Kap\u0131 Mu\u015f, Belgesel, Mu\u015f Valili\u011fi, 2013 (T\u00fcrk\u00e7e, \u0130ngilizce, Arap\u00e7a, Fars\u00e7a)\r\nBir Derginin Ser\u00fcveni: Vak\u0131flar Dergisi, Genel Dan\u0131\u015fmanl\u0131k, 2013\r\n\u00dc\u00e7 Karde\u015f \u015eehir, (Urfa-Harput Kerk\u00fck), Belgesel, K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131,2014\r\nAlm\u0131\u015f oldu\u011fu \u00d6d\u00fcller:\r\n\r\nKandil \u00c7ocuk Dergisi \u015eiir \u00d6d\u00fcl\u00fc Mansiyon 1986\r\n11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00f6d\u00fcl\u00fc 1991\r\n11 Nisan Urfa\u2019n\u0131n kurtulu\u015fu \u015eiir dal\u0131nda 3.l\u00fck \u00d6d\u00fcl\u00fc 1999\r\nGAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Deneme \u00d6d\u00fcl\u00fc 2002\r\nGAP Gazeteciler Birli\u011fi Y\u0131l\u0131n Ba\u015far\u0131l\u0131 Gazetecisi \u00d6d\u00fcl\u00fc 2003\r\nK\u00fclt\u00fcrel \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Te\u015fekk\u00fcr Belgesi 2006\r\nSosyal \u00c7al\u0131\u015fmalar\u0131ndan dolay\u0131 \u015eanl\u0131urfa Valili\u011fi Takdir Belgesi 2006\r\nAnadolu Yazarlar Birli\u011fi \u201c\u00dcst\u00fcn Hizmet Berat\u0131\u201d 2014\r\nT\u00fcrkiye Yazarlar Birli\u011fi Gezi Dal\u0131nda Y\u0131l\u0131n Yazar\u0131 \u00d6d\u00fcl\u00fc 2014\r\nTYB Y\u0131l\u0131n Yay\u0131nc\u0131l\u0131k \u00d6d\u00fcl\u00fc, Vak\u0131flar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Yay\u0131nlar\u0131 2015 (M\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131m birim)\r\nESKADER 2018 y\u0131l\u0131 \u015fehir kitab\u0131 dal\u0131nda Y\u0131l\u0131n yazar\u0131 \u00d6d\u00fcl\u00fc\r\n\u00dcye Oldu\u011fu Sivil Toplum \u00d6rg\u00fctleri:\r\n\r\nT\u00fcrkiye Yazarlar Birli\u011fi \u015eanl\u0131urfa \u015eubesi kurucu \u00fcye ve Ba\u015fkanl\u0131k (2000-2007)\r\nT\u00fcrkiye Yazarlar Birli\u011fi Ankara \u015eube Ba\u015fkanl\u0131\u011f\u0131 (2012-2016)\r\nTYB Genel Merkez Y\u00f6netim Kurul \u00dcyesi (2016-\u2026..)\r\n\u015eURKAV (\u015eanl\u0131urfa K\u00fclt\u00fcr Ara\u015ft\u0131rma Vak\u0131f\u0131 M\u00fctevellisi)\r\n\u0130lim Yayma Cemiyeti \u00dcyesi.\r\n\u0130LESAM \u00dcyesi\r\nAnadolu Yazarlar Birli\u011fi \u00dcyesi\r\nGAP Gazeteciler Birli\u011fi \u00dcyesi\r\nYazd\u0131\u011f\u0131 Dergi ve Gazeteler:\r\n\r\nT\u00fcrk Dili, Yedi \u0130klim, Bir Nokta, Bizim K\u00fclliye, Hece, T\u00fcrk Edebiyat\u0131, K\u00fclt\u00fcr, \u0130slami Edebiyat, Suhan, M\u00fcrekkep, Ard\u0131\u00e7, \u0130maret, T\u00fcrk\u00fc, Eyvan, \u015eiir Vakti, Hece Ta\u015flar\u0131, T\u00fcrk Yurdu, Vak\u0131flar Dergisi ve TYB Akademi 2010-2011 y\u0131llar\u0131 aras\u0131nda Milli Gazete\u2019de haftal\u0131k edebiyat ve fikir yaz\u0131lar\u0131 yazd\u0131."}],"_links":{"self":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/comments?post=1464"}],"version-history":[{"count":2,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1464\/revisions"}],"predecessor-version":[{"id":1467,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/posts\/1464\/revisions\/1467"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media\/1465"}],"wp:attachment":[{"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/media?parent=1464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/categories?post=1464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/tags?post=1464"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/simurgedebiyat.com\/index.php\/wp-json\/wp\/v2\/ppma_author?post=1464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}