{"id":1440,"date":"2025-03-21T09:20:36","date_gmt":"2025-03-21T06:20:36","guid":{"rendered":"https:\/\/simurgedebiyat.com\/?p=1440"},"modified":"2025-03-21T09:20:36","modified_gmt":"2025-03-21T06:20:36","slug":"umut-filmi-nasil-cekildi","status":"publish","type":"post","link":"https:\/\/simurgedebiyat.com\/index.php\/2025\/03\/21\/umut-filmi-nasil-cekildi\/","title":{"rendered":"Umut Filmi Nas\u0131l \u00c7ekildi?"},"content":{"rendered":"
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Film yap\u0131mc\u0131s\u0131 ve y\u00f6netmen ABDURRAHMAN KESK\u0130NER’in (1941) son kitab\u0131 “PROD\u00dcKT\u00d6R”den (Yay\u0131na haz\u0131rlayan: AL\u0130 CAN SEKME\u00c7) tad\u0131ml\u0131k bir b\u00f6l\u00fcm..<\/div>\n<\/div>\n
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Y\u0131lmaz Abi’nin babas\u0131n\u0131n bir define arama hikayesi vard\u0131. Babas\u0131, o k\u00fc\u00e7\u00fckken bir g\u00fcn define aramak \u00fczere evden \u00e7\u0131k\u0131p gitmi\u015f. \u00dc\u00e7 ay boyunca dere tepe define aram\u0131\u015f ama bulamam\u0131\u015f. Sonunda eve bir heybe dolusu murt meyvesiyle (bir \u00e7e\u015fit yaban mersini) geri d\u00f6nm\u00fc\u015f. O zamanlar bu murt meyvesi ne yenilir ne de i\u00e7ilirmi\u015f. Adamca\u011f\u0131z ne yaps\u0131n, eli bo\u015f d\u00f6nmemek i\u00e7in murtu g\u00f6t\u00fcrmeyi uygun g\u00f6rm\u00fc\u015f. Bu olay \u00e7ocuklu\u011funda Y\u0131lmaz Abi’yi \u00e7ok etkilemi\u015f. Festival i\u00e7in gitti\u011fimiz Antalya’dan d\u00f6nerken konu\u015ftu\u011fumuz, Adana film festivali i\u00e7in de bir film yapma fikrimiz bu hikaye \u00fczerinden \u015fekillenmeye ba\u015flad\u0131. \u00dcstelik hikayenin ge\u00e7ti\u011fi yerde, Adana’da \u00e7ekecektik filmi..<\/div>\n<\/div>\n
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Y\u0131lmaz Abi hikayeyi kafas\u0131nda olu\u015fturmu\u015ftu. Yaz\u0131l\u0131 bir senaryomuz yoktu. Bir g\u00fcn beni \u00e7a\u011f\u0131rd\u0131. Tek sayfal\u0131k bir hikaye verdi. “Apo, her \u015fey tamam. Al bunu oku. Ona g\u00f6re kadromuzu yapal\u0131m,” dedi. Hikayeyi okudum. Genel hatlar\u0131yla her \u015fey tamamd\u0131. \u00c7ok kalabal\u0131k bir oyuncu kadrosu yoktu. Prod\u00fcksiyon i\u00e7in bu iyiydi. Be\u011fendi\u011fimi s\u00f6yleyince, “Ben koca kafayla (Tuncel Kurtiz) Osman Abi’yi (Osman Alyanak) d\u00fc\u015f\u00fcn\u00fcyorum” dedi. Bence de uygundu. Her ikisini de severdik. Ba\u015f\u0131mla onay verince, “O zaman \u00e7a\u011f\u0131r onlar\u0131, gelsinler,” dedi. \u0130kisini de arad\u0131m, geldiler. Onlar i\u00e7in d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc roller \u00f6nemliydi. Uzun uzun konu\u015ftular. Sonunda Tuncel Kurtiz ve Osman Alyanak’la anla\u015ft\u0131k. Yan kadroda Enver D\u00f6nmez ve L\u00fctfi Engin olacakt\u0131. Onlar da haz\u0131rd\u0131. Bizimle s\u00fcrekli \u00e7al\u0131\u015fan Nizam Erg\u00fcden ve K\u00f6se Ahmet de yan\u0131m\u0131zdayd\u0131. Geriye Y\u0131lmaz Abi’nin kar\u0131s\u0131 rol\u00fcn\u00fc oynayacak kad\u0131n oyuncuyu bulmak kalm\u0131\u015ft\u0131. Y\u0131lmaz Abi, bu rol i\u00e7in yeni bir y\u00fcz istiyordu.<\/div>\n<\/div>\n
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Ayn\u0131 g\u00fcnlerde yak\u0131n arkada\u015f\u0131m\u0131z Ankara Devlet Tiyatrosu akt\u00f6rlerinden \u015eeref G\u00fcrsoy, tiyatro tatil oldu\u011fu i\u00e7in \u0130stanbul’a gelmi\u015f, bize u\u011fram\u0131\u015ft\u0131. Hikayeyi ona da okuttuk. “Y\u0131lmazc\u0131\u011f\u0131m, arad\u0131\u011f\u0131n\u0131z oyuncu Ankara Devlet Tiyatrosu’nda,” dedi bize. Heyecanla kim oldu\u011funu sorduk, “G\u00fclsen Aln\u0131a\u00e7\u0131k,” yan\u0131t\u0131n\u0131 verdi. Anlatt\u0131klar\u0131ndan tam da arad\u0131\u011f\u0131m\u0131z oyuncu oldu\u011funa karar verdik. Telefon numaras\u0131n\u0131 verdi, ben de hemen arad\u0131m. “G\u00fclsen Han\u0131m, merhaba. Ben G\u00fcney Film prod\u00fckt\u00f6r\u00fc Abdurrahman Keskiner,” dedim. Telefonun \u00f6b\u00fcr ucundaki kad\u0131n, “Buyurun efendim,” dedi nazik bir \u015fekilde. “Han\u0131mefendi, telefonunuzu \u015eeref G\u00fcrsoy verdi. Biz yeni bir filme ba\u015fl\u0131yoruz. Filmde Y\u0131lmaz G\u00fcney’in e\u015fini sizin oynaman\u0131z\u0131 d\u00fc\u015f\u00fcnd\u00fck. Ne dersiniz?” diye sordum. K\u0131sa bir sessizlikten sonra G\u00fclsen Han\u0131m, “Olur tabii,” dedi. “Yaln\u0131z filmimizi Adana’da \u00e7ekece\u011fiz. Bu konuda bir engeliniz var m\u0131?” deyince “Hay\u0131r, yok. Yaln\u0131z benim K\u00fcr\u015fat ad\u0131nda 12 ya\u015f\u0131nda bir o\u011flum var. Onu b\u0131rakamam..” dedi. Bizim i\u00e7in bir mahsuru olmad\u0131\u011f\u0131n\u0131 s\u00f6yleyince \u015fartlarda hemen anla\u015ft\u0131k. Y\u0131lmaz Abi’ye \u00e7ocuk olay\u0131ndan bahsedince, o da “Olur Apo. Zaten bize bir erkek \u00e7ocu\u011fu laz\u0131md\u0131, belki onu da oynat\u0131r\u0131m,” dedi..<\/div>\n<\/div>\n
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Oyuncular\u0131m\u0131z ve teknik ekibimiz haz\u0131rd\u0131. Kamerada Kaya Ererez vard\u0131. Y\u0131lmaz Abi’nin asistanl\u0131\u011f\u0131n\u0131 \u015eerif G\u00f6ren yapacakt\u0131. Temmuz ay\u0131n\u0131n ilk haftas\u0131nda \u00e7ekimlere ba\u015flamaya karar verdik. Ekibimiz \u0130stanbul’dan, G\u00fclsen Aln\u0131a\u00e7\u0131k Ankara’dan Adana’ya do\u011fru yola \u00e7\u0131kt\u0131. “Seyit Han” filminde oldu\u011fu gibi yine \u0130pek Palas Oteli’ne yerle\u015ftik. Y\u0131lmaz Abi ise k\u0131z karde\u015fi Leyla’n\u0131n evinde kalacakt\u0131. Ekip otele yerle\u015firken biz, Y\u0131lmaz Abi ile bulu\u015fup bir g\u00fcn boyunca yer ve mekan bakt\u0131k. Filmi kafas\u0131n\u0131n i\u00e7inde \u00e7oktan \u00e7ekti\u011fi i\u00e7in bu konuda zorlanmad\u0131k. Onun direktifleri do\u011frultusunda hemen i\u015fe koyuldum. Hikayedeki fabrikay\u0131 buldum. Y\u0131lmaz Abi’ye gerekli olan her \u015feyi ald\u0131m. Oyuncular\u0131n y\u00f6resel giysileri de haz\u0131rd\u0131. En \u00f6nemlisi de filmde kullanaca\u011f\u0131m\u0131z evdi. Bunun i\u00e7in \u00e7ok zorlanmad\u0131k. Y\u0131lmaz Abi’nin \u0131rgatba\u015f\u0131 babas\u0131 Hamit P\u00fct\u00fcn’\u00fcn Karata\u015f’a ba\u011fl\u0131 Oymakl\u0131 k\u00f6y\u00fcnde ya\u015fad\u0131\u011f\u0131 evi uygun bulduk. \u0130ki g\u00f6z oda, geni\u015f bir avludan ibaretti ev. Filmin dahili sahnelerinin tamam\u0131 burada \u00e7ekildi.<\/div>\n<\/div>\n
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S\u0131rada atlar vard\u0131. \u0130ki zay\u0131f at laz\u0131md\u0131 film i\u00e7in. At pazar\u0131na gidip biri k\u0131r, biri doru iki at\u0131 60 liraya ald\u0131m. Faytonu da on g\u00fcnl\u00fc\u011f\u00fcne 300 liraya kiralad\u0131m. Y\u0131lmaz Abi atlardan birinin filmde \u00f6lece\u011fini s\u00f6yleyince akl\u0131m \u00e7\u0131kacakt\u0131. “Aman Abi, yapma, \u00f6ld\u00fcreceksen doru at\u0131 \u00f6ld\u00fcr. At pazar\u0131nda doru at \u00e7ok, ama k\u0131r at yok,” diye yalvard\u0131m.<\/div>\n
Sonunda olan oldu tabii. Son g\u00fcn k\u0131r at ger\u00e7ekten \u00f6ld\u00fc. Benzer at bulmama imkan yoktu. \u00d6l\u00fc at\u0131 arabaya ba\u011flay\u0131p son sahneyi \u00f6yle \u00e7ektik..<\/div>\n<\/div>\n
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Y\u0131lmaz Abi bir sabah saat 06.00 gibi otele geldi. Beni uyand\u0131r\u0131p “Hadi Apo kalk, Adana’y\u0131 dola\u015faca\u011f\u0131z,” dedi. Hava daha ayd\u0131nlanmam\u0131\u015ft\u0131 bile.. Ba\u015flad\u0131k dola\u015fmaya. Valilik, belediye, belediye park\u0131 derken filmde kullanaca\u011f\u0131m\u0131z cadde, meydan ve sokak, hepsine bakm\u0131\u015ft\u0131k. Zaten o zamanki Adana \u00f6yle \u00e7ok b\u00fcy\u00fck de\u011fildi. Dola\u015f\u0131rken bir soka\u011fa girdik. Y\u0131lmaz Abi sa\u011fa sola bakarken birden durdu. Durdu\u011fu yerin tam kar\u015f\u0131s\u0131ndaki apartman\u0131n bah\u00e7esinde kuru bir a\u011fa\u00e7 vard\u0131. Bana onu g\u00f6sterip “Bu a\u011fac\u0131 \u00f6\u011fleyin sete getir” deyince, “Ne diyorsun Abi, bu koskocaman a\u011fa\u00e7 sete gelir mi hi\u00e7?” diye itiraz ettim. Ama o beni dinlemiyordu. “Arad\u0131\u011f\u0131m a\u011fa\u00e7 bu. Onu ne yap et, sete getir,” dedi.<\/div>\n
Uzatmayay\u0131m, epey zahmetli, uzun ve maceral\u0131 bir s\u00fcre\u00e7ten sonra a\u011fac\u0131 sete getirebildim. A\u011fac\u0131 Misis’te Ceyhan Nehri’nin kenar\u0131ndaki bir tepenin \u00fczerine diktirdik. Filmin final sahnesindeki a\u011fa\u00e7 odur i\u015fte..<\/div>\n<\/div>\n
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Filmde s\u0131k\u0131nt\u0131 ya\u015fad\u0131\u011f\u0131m\u0131z bir sahne de havuz sahnesi oldu. Bu sahne i\u00e7in gen\u00e7 k\u0131zlara ihtiya\u00e7 vard\u0131. O zaman\u0131n Adana’s\u0131nda filmde oynamak i\u00e7in k\u0131z bulmak imkans\u0131zd\u0131. \u00d6yle ki pavyondan bile k\u0131zlar gelmek istemiyordu. Ama Y\u0131lmaz Abi senaryoya b\u00f6yle bir sahne koymu\u015ftu, bu k\u0131zlar da mutlaka bulunacakt\u0131. Akl\u0131ma Adana Genelevi ile ba\u011flant\u0131s\u0131 olan bir arkada\u015f\u0131m geldi. Son \u00e7are ona gittim. Adam geneleve “Herkes en g\u00fczel k\u0131zlar\u0131n\u0131 g\u00f6ndersin” diye bir haber g\u00f6nderdi. Bir anda bir s\u00fcr\u00fc k\u0131z geldi. Aralar\u0131ndan be\u015f tanesini se\u00e7tim. Havuz sahnesi Mersin’de \u00e7ekilecekti. K\u0131zlar\u0131 oraya ben g\u00f6t\u00fcrd\u00fcm.<\/div>\n
Filmin t\u00fcm \u00e7ekimleri tam 22 g\u00fcn s\u00fcrd\u00fc. Temmuz s\u0131ca\u011f\u0131na ra\u011fmen hi\u00e7bir sorun \u00e7\u0131kmadan tamamlam\u0131\u015ft\u0131k. \u0130lk defa \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131z G\u00fclsen Aln\u0131a\u00e7\u0131k, ba\u015far\u0131l\u0131 oyunculu\u011fuyla \u015eeref G\u00fcrsoy’u yalanc\u0131 \u00e7\u0131karmam\u0131\u015ft\u0131. Kaprissiz, titiz oyunculu\u011fu ve \u00e7al\u0131\u015fkanl\u0131\u011f\u0131yla hikayemizdeki kad\u0131n oluvermi\u015fti. G\u00fclsen Han\u0131m’\u0131n o\u011flu K\u00fcr\u015fat da filmde arabac\u0131 Cabbar’\u0131n o\u011flu oldu..<\/div>\n<\/div>\n
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Filmin \u00e7ekimleri tamamland\u0131ktan sonra zaman kaybetmeden \u0130stanbul’a d\u00f6nd\u00fck. Filmi 19 Eyl\u00fcl 1970’de ba\u015flayacak 2. Adana Alt\u0131n Koza Film \u015eenli\u011fi’ne yeti\u015ftirecektik. Lale Film St\u00fcdyosu’nda kurguya ba\u015flad\u0131k. Kurguyu \u015eerif G\u00f6ren yap\u0131yor, sesleri Necip Sar\u0131o\u011flu kaydediyordu. Birka\u00e7 g\u00fcn sonra Y\u0131lmaz Abi’yle birlikte filmin m\u00fczi\u011fini yapmas\u0131 i\u00e7in Arif Erkin’e gittik. Y\u0131lmaz Abi, “Arif Abi, be\u015f param yok. Bu filmin m\u00fczi\u011fini ona g\u00f6re yap,” dedi. Arif Abi’ye st\u00fcdyoda filmin kurgulu halini izlettik. Bize, “Tek bir m\u00fczik aleti kullanaca\u011f\u0131m,” dedi. Tabii biz ortaya nas\u0131l bir \u015fey \u00e7\u0131kacak bilmiyorduk. Arif Abi dedi\u011fini yapt\u0131, filme klarnetle ba\u015flad\u0131, klarnetle de bitirdi. Bu yapt\u0131\u011f\u0131 muhtemelen o zaman bir ilkti.<\/div>\n<\/div>\n
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Filmi senaryosuz \u00e7ekti\u011fimiz i\u00e7in elde yaz\u0131l\u0131 bir metin yoktu. Filmden sonra senaryosunu yazd\u0131r\u0131p Ankara’ya Merkez Film Kontrol Komisyonu’na g\u00f6nderdim. Senaryo sans\u00fcrden \u00e7\u0131kt\u0131, ama bizim \u00e7ekti\u011fimiz filmle sans\u00fcre giden senaryo aras\u0131nda da\u011flar kadar fark vard\u0131. \u00c7\u00fcnk\u00fc biz yap\u0131mc\u0131lar, sans\u00fcre gidecek senaryo ile filme \u00e7ekece\u011fimiz senaryolar\u0131 ayr\u0131 ayr\u0131 haz\u0131rl\u0131yor, ondan sonra Ankara’ya g\u00f6nderiyorduk. Yani filmde kullanaca\u011f\u0131m\u0131z t\u00fcm sahneleri yazm\u0131yor, ayr\u0131nt\u0131lara girmiyorduk. Sans\u00fcre g\u00f6nderdi\u011fimiz senaryo en fazla 10-12 sayfa oluyordu..<\/div>\n
(ABDURRAHMAN KESK\u0130NER, “PROD\u00dcKT\u00d6R”, ALFA Bas\u0131m Yay\u0131m ve Da\u011f\u0131t\u0131m Ltd.\u015eti, 2024)<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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T\u00fcm ifadeler:<\/div>\n

692<\/span><\/span>692<\/span><\/span><\/div>\n<\/div>\n<\/div>\n

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Film yap\u0131mc\u0131s\u0131 ve y\u00f6netmen ABDURRAHMAN KESK\u0130NER’in (1941) son kitab\u0131 “PROD\u00dcKT\u00d6R”den (Yay\u0131na haz\u0131rlayan: AL\u0130 CAN SEKME\u00c7)…<\/p>\n","protected":false},"author":1,"featured_media":1443,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_uag_custom_page_level_css":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[147,21],"tags":[],"ppma_author":[99],"class_list":["post-1440","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-e","category-sinematelevizyon"],"yoast_head":"\nUmut Filmi Nas\u0131l \u00c7ekildi? - simurgedebiyat.com<\/title>\n<meta name=\"robots\" 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